Saturday Night Live (TV Program)

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    The Best of ‘S.N.L.’ Season 50: Trump, Biden and Domingo

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    The just-completed 50th season of “Saturday Night Live” was dominated by anniversary hype, but the new episodes managed to create some memorable moments, too.In a season so heavily focused on celebrating the 50th anniversary of “Saturday Night Live,” it was easy to forget that there were also 21 regular episodes of the show this year.While not every sketch from this run will go down in history, this year “S.N.L.” did cover a contentious presidential election and reckon with the re-election of Donald Trump; create an unexpected online trend by ruining a couple’s impending marriage; and allow Timothée Chalamet to appear as both a host and a musical guest.Will we someday talk about these segments with the same reverence we reserve for the Coneheads or “Mister Robinson’s Neighborhood”? That will be the job of some future recapper to decide. (Hopefully.) For now, join us as we look back at the most memorable moments of the past season of “S.NL.”Political impressions of the seasonAfter abundant speculation about who would play the Democratic presidential and vice-presidential nominees, the results — with Maya Rudolph as former Vice President Harris and Jim Gaffigan as Gov. Tim Walz of Minnesota — were mostly lackluster. The performances were too amiable and not particularly satirical (much like the real-life Harris’s own appearance on the show).James Austin Johnson has remained a dependable President Trump. But we’ll give the edge this season to the “S.N.L.” alums Dana Carvey, who finally found a funny way to play President Biden, and Mike Myers, who seemed to be having the time of his life skewering Elon Musk. Two ’90s-era “S.N.L.” stalwarts remaining relevant? No way! Way.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      On ‘S.N.L.’, Bad Bunny and Scarlett Johansson Have a Couples’ Feud

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      This weekend’s broadcast, hosted by Scarlett Johansson and featuring the musical guest Bad Bunny, began with a sendup of President Trump’s recent visit to Saudi Arabia and Qatar.There was only one way for the final episode of the milestone 50th season of “Saturday Night Live” to begin: with Lorne Michaels announcing that his chosen successor will be — nah, come on, it was another sketch with James Austin Johnson playing President Trump.This weekend’s broadcast, hosted by Scarlett Johansson and featuring the musical guest Bad Bunny, began with a sendup of President Trump’s recent visit to the Middle East.Sharing the stage with Emil Wakim (who was playing Crown Prince Mohammed bin Salman of Saudi Arabia), Johnson said that he’d been enjoying their meals together, “sitting on the floor, dipping our fingers straight into various goops and spreads that I politely scrape under the rug and go eat at a mobile McDonald’s that you built for me.”He added that he was a “big fan of everything that Saudi Arabia has to offer, from the oil to the money to end of list.”Johnson vowed that he didn’t make this trip for his own benefit. “I want to make that clear,” he said. “I did this for the American people and, in many ways, myself. My personal enrichment. I did that too.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘S.N.L.’: Toasting Moms and Toasted Trump Appointees

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      Cecily Strong returns as Jeanine Pirro, Walt Goggins shows off his clogging, and a dope new pope appears in the 50th season’s penultimate episode.If you’re going to celebrate the election of a new pope, you might as well have some sacramental wine, too.Cecily Strong returned to “Saturday Night Live” in a guest appearance to reprise her role as the Fox News personality Jeanine Pirro — and to douse Colin Jost, her former Weekend Update desk mate, in alcohol. Alcohol that emanated directly from her own mouth.How the opening sketch of this weekend’s “S.N.L.” broadcast (which was hosted by Walton Goggins and featured the musical guest Arcade Fire) arrived at this place will take a moment to explain.The sketch began with what looked like a traditional Mother’s Day tribute, with the cast members Kenan Thompson, Bowen Yang and Marcello Hernández singing an affectionate serenade to their real-life moms, who joined them onstage.But no: This was just a setup for James Austin Johnson to enter the scene as President Trump, holding forth in free-association style on the past week’s news.“There’s a new pope from Chicago,” Johnson said, noting the Roman Catholic Church’s selection of Robert Francis Prevost, who took the name Pope Leo XIV.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘S.N.L.’: Trump Celebrates 100 Years (Oops! Days) in Office

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      The Sharpie that never runs dry takes aim at interracial couples in commercials and a declaration normalizing May-December romances.In the first 100 days of his second term, President Trump has already signed more executive orders than any other modern president, and this weekend, “Saturday Night Live” offered its suggestions for even more.This broadcast, hosted by Quinta Brunson and featuring the musical guest Benson Boone, started with a rousing voice-over proclaiming that Trump’s first 100 days “have been the most dynamic since F.D.R.”During that same interval in the 1930s, the voice-over said, President Franklin D. Roosevelt “created vital government departments, forged new alliances and established our nation’s social safety net.”President Trump, the voice-over added, “did the same thing, only in reverse.”Enter James Austin Johnson, in his recurring role as Trump, congratulating himself for these accomplishments.“It’s me, your favorite president and perhaps your next pope,” he said. “Conclave! Well, it’s been 100 years since I became president. Excuse me, days. Wow, feels longer.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘SNL’ Pokes Fun at Trump’s Tariffs and Economy Chaos in Easter Cold Open

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      Among the sources of all the fun is ‘The White POTUS,” a parody that casts members of the administration in their own twisted playground for the privileged.With Easter approaching, it seemed appropriate for “Saturday Night Live” to resurrect a favorite bit: a scene from the Bible that is interrupted by a comic monologue from James Austin Johnson playing President Trump.This weekend’s broadcast, hosted by Jon Hamm and featuring the musical guest Lizzo, began with what looked like a straightforward re-enactment of the Cleansing of the Temple, with the role of Jesus played by Mikey Day. “This will not stand,” Day said, overturning a money changer’s table. “I will rid this place of all its money.”The action paused so that Johnson could enter as Trump. “Remind you of anyone?” he asked. “Wow. I also got rid of money last week. But instead of one temple, I did whole country. Maybe even the globe. The money’s gone.”Johnson continued: “Hi, it’s me, your favorite president, Donald Jesus Trump, comparing myself to the son of God once again. You know, many people are even calling me the messiah, because of the mess-I-ah made out of the economy.”The financial turmoil, he said, was “all because of my beautiful tariffs — they’re so beautiful. They were working so well that I had to stop them.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘S.N.L.’: Trumpeting Tariffs and Predicting a ‘Great’ Depression

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      Cheeseheads and cheesecakes join the punchlines and headlines, and an enthusiastic audience gets a mild scolding for slipping past the censors. Temporarily.It’s not as reliable a metric as, say, the Dow Jones industrial average, but one sign that the U.S. economy is in an unusual place is when “Saturday Night Live” needs someone from its cast to play the secretary of commerce.In the opening sketch of this weekend’s broadcast (hosted by Jack Black and featuring the musical guests Elton John and Brandi Carlile) the brief part of Howard Lutnick went to Andrew Dismukes. But center stage was given to James Austin Johnson in his recurring role as President Trump — this time, recreating the speech from the Rose Garden where Trump announced sweeping new tariffs on Wednesday. (An introductory “S.N.L.” voice-over declared that, “like everything else so far in his presidency, it was a total home run.”)In his version of the speech, Johnson called “tariff” his favorite word (because it was “short for tariff-ic idea”) and said that tariffs would be the backbone of his “incredible plan” for the economy.Johnson added, “It’s actually even better than a plan because it’s a series of random numbers. Like the numbers on the computer screen in ‘Severance.’ You have no idea what the hell they mean.”He vowed he would MAWA — Make America Wealthy Again — although before that, there could be another phase, Johnson said. “We’re going to do MAGDA. Make America Great Depression Again. You know what? It’ll be gr — it’ll be better than great. It’ll be a fantastic, unbelievable Depression, the likes of which you’ve never seen before.”He added that this Depression would “be so great, we’ll be the ones eating the cats and the dogs.”Presented by Dismukes with a large cardboard placard that turned out to be a page from a Cheesecake Factory menu, Johnson then was handed another board detailing his tariff system.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘S.N.L’: Live From New York, It’s More Military Secrets.

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      Mikey Madison hosts and Luigi Mangione, Squidward and Ashton Hall make appearances.There was no uncertainty as to whether “Saturday Night Live” would offer its own satirical take on the news that Defense Secretary Pete Hegseth had disclosed attack plans for a U.S. strike on Houthi militia fighters in Yemen during a text chat that mistakenly included the editor in chief of The Atlantic, Jeffrey Goldberg. It was only a question of how “S.N.L.” would do it.This weekend’s opening sketch featured the cast members Ego Nwodim and Sarah Sherman, as well as the guest host, Mikey Madison, as teenage girls whose group chat was interrupted by an unexpected message, read aloud by Andrew Dismukes: “FYI: Green light on Yemen raid!” he exclaimed.Dismukes, as Hegseth, continued to recite the texts he was sending (“Tomahawks airborne 15 minutes ago”) along with the emojis he was using for punctuation (“Flag emoji, fire emoji, eggplant”).“Do we know you, bro?” Madison asked. “This is Jennabelle.”“Oh, nice,” Dismukes replied. “Jennabelle from Defense, right?”Warned by Nwodim that he was in the wrong group text, Dismukes answered, “LOLOLOL could you imagine if that actually happened? Homer disappear into bush GIF.” He added that he was “sending a PDF with updated locations of all our nuclear submarines.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘S.N.L.’ Reprises the Trump-Zelensky Oval Office Face-Off

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      Mike Myers, as Elon Musk, adds an extra measure of crazy to an already bizarre moment in MAGA-era foreign policy.A shockingly combative White House meeting between President Trump and President Volodymyr Zelensky of Ukraine may have precipitated a diplomatic crisis and signaled a fissure in the longstanding relationship between the United States and Europe. But the incident provided ample grist for the satirical mill on “Saturday Night Live” in the first new broadcast after its 50th anniversary celebration.This weekend’s show, hosted by Shane Gillis and featuring the musical guest Tate McRae, began with a voice-over that declared the meeting between Trump and Zelensky had gone “really, really well,” adding, “Everyone who watched felt at ease and thought, ‘the world is now a safer place.’”The “S.N.L.” replay of this meeting began with Mikey Day as Zelensky and James Austin Johnson in his recurring role as Trump, introducing himself as “President and CEO of Gaza Hotel and Casino” and saying that he welcomed Zelensky to “this incredible trap; it’s going to be a big, beautiful trap, and we’re going to attack him very soon for no reason.”Bowen Yang, playing Vice President JD Vance, chimed in, saying, “Watch out, ’cause this kitty’s got claws.”Turning to Marcello Hernández, who was playing Secretary of State Marco Rubio, Johnson asked, “Are you excited to attack our European ally?”Hernández gave a vacant stare into the camera and replied, “Um, no Inglés.”Johnson also said he thanked Zelensky for “dressing like casual ‘Star Trek,’” adding that he loved “Star Trek” because “there’s no D.E.I.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Life, from New York

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      Our comedy columnist reflects on 50 years of “Saturday Night Live.”Like “Saturday Night Live,” I turn 50 this year. In fact, I was born only one week after its premiere, which means that along with being a comedy revolution, a career launchpad and a pop culture juggernaut, the show is also a good way for me to keep track of time.Every cast represents a different era in my life. I missed the storied original group — including Chevy Chase and Jane Curtin, both of whom will appear on a prime-time 50th anniversary special tonight — as I was busy learning how to walk, talk and eat solid food. And yet its jokes (“It’s a floor wax and a dessert topping”) were repeated in my house enough to make their way into my consciousness.It wasn’t until I was 10 that I stayed up to watch “S.N.L.,” during the strange and spectacular season starring Billy Crystal and Christopher Guest. I was the perfect age to appreciate Martin Short’s Ed Grimley, a giddy, prancing innocent who exuded the nervous energy of childhood. But it was the next hit era, featuring Phil Hartman, Jan Hooks and Dana Carvey, that got me hooked on sketch comedy. The cable-access spoof “Wayne’s World” showed up just after puberty. Perfect timing.Mike Myers and Dana Carvey during a “Wayne’s World” skit in 2015.Dana Edelson/NBCUniversal, via Getty ImagesJust as teenagers rebel against their parents, “S.N.L.” fans eventually start rolling their eyes at the show. In my 20s, I first indulged in the popular tradition of loudly lamenting that it wasn’t as funny as it used to be. I stopped watching and missed some of the best years of Chris Farley and Adam Sandler. I returned for the Tina Fey era, which ended in my 30s, and became a devoted fan of the cast that featured Bill Hader, Kristen Wiig and Andy Samberg. In recent years, the perspective and mellowing of middle age have helped me enjoy some less-than-perfect seasons. Yet my kids watch those same episodes with an excited fandom and snorting exasperation that I can no longer muster.The celebration of half a century of “Saturday Night Live” is a major event because the show transcends comedy. More than 26 million people watched its 40th anniversary special. This one feels even more significant, one of the last gasps of the monoculture. “S.N.L.” has been culturally relevant for so long that it’s woven into the background of our lives — continually reinventing itself, always there. The New York Times has tried to capture its impact on the culture in the past few weeks. We’ve singled out the show’s 13 greatest ad parodies, its 38 most important musical moments and 50 catchphrases it has ushered into our vocabulary. I explored how its cast members’ extensive history of breaking character has become an unlikely signature of its sketch comedy.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More