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      Elon Musk Sued by Former SpaceX Employees

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      The eight workers say they were wrongfully fired after circulating a memo raising concerns about sexual harassment at the rocket company led by Elon Musk.Eight former employees of Elon Musk’s rocket company, SpaceX, sued the company and Mr. Musk on Wednesday, contending they were wrongfully fired for raising concerns about sexual harassment and discrimination in the workplace.The employees were fired in 2022 after they circulated an open letter urging SpaceX executives to condemn Mr. Musk’s comments on Twitter, later renamed X, which amounted to “a frequent source of distraction and embarrassment for us.” After being made aware of the letter, Mr. Musk ordered the terminations, according to the complaint.“Our eight brave clients stood up to him and were fired for doing so,” Laurie Burgess, a lawyer representing the former SpaceX employees, said in a statement. “We look forward to holding Musk accountable for his actions at trial.”The plaintiffs are seeking an unspecified amount of compensatory damages. SpaceX did not immediately respond to a request for comment.The lawsuit, filed in California state court in Los Angeles, called SpaceX’s workplace an “Animal House” filled with inappropriate and sexually suggestive behavior. Several plaintiffs said they had experienced harassment from other SpaceX employees that “mimicked Musk’s posts,” which created “a wildly uncomfortable hostile work environment.”The lawsuit contends that executives at SpaceX were regularly made aware of grievances about Mr. Musk’s explicit social media messages, but that the complaints were routinely dismissed, even after a “sexual harassment internal audit” conducted by Gwynne Shotwell, SpaceX’s president and chief operating officer.After the employees were fired, Ms. Shotwell wrote in an email to SpaceX employees that there was “too much critical work to accomplish and no need for this kind of overreaching activism,” according to a copy of the email obtained by The New York Times.The same eight employees are already pursuing charges against SpaceX with the National Labor Relations Board. In January, SpaceX sued the labor board to dispute the charges, arguing that the complaint should be dismissed because the structure of the agency is unconstitutional.The lawsuit was filed a day before Tesla shareholders are expected to conclude a vote on a pay package for Mr. Musk that’s worth about $45 billion. It also followed a Tuesday report in The Wall Street Journal detailing Mr. Musk’s history of sexual relationships with co-workers.The lawsuit is the latest in a list of grievances between employees and Mr. Musk. In 2022, Business Insider reported that SpaceX had paid $250,000 to settle a claim that he exposed himself to an employee on a private plane. (Mr. Musk later denied the “wild accusations.”) In 2022, he laid off roughly half of Twitter’s work force after acquiring the company, later firing another two dozen of the company’s internal critics. And last August, the Justice Department sued SpaceX for discriminating against refugees and asylum seekers in its hiring.“We hope that this lawsuit encourages our colleagues to stay strong and to keep fighting for a better workplace,” Paige Holland-Thielen, one of the plaintiffs, said in a statement. More

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      Review: An Absent Player in the Spotlight at the Philharmonic

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      This week’s program was supposed to feature the orchestra’s principal oboe, but he and another player have been suspended amid misconduct allegations.It’s rare that the most significant music in a concert is a piece that isn’t played. But this week’s program at the New York Philharmonic may end up being remembered for what was omitted.The performance on Wednesday, conducted by Jane Glover, was supposed to include Mozart’s Oboe Concerto, with the solo part taken by the orchestra’s principal oboe, Liang Wang. But he and the associate principal trumpet, Matthew Muckey, have been benched by the Philharmonic since allegations of misconduct and assault against them resurfaced last month.In 2018, those accusations prompted the orchestra to fire the two men; the players’ union then appealed to an arbitrator, who reinstated them in 2020. Now, as another investigation has begun and Wang and Muckey have sued the orchestra, saying they’ve been wrongfully suspended, it is unclear when — and whether — either will play on the stage of David Geffen Hall again.Rather than replace Wang, the Philharmonic swapped out Mozart’s Oboe Concerto with his Symphony No. 13 in F (K. 112). Written in 1771, when its composer was 15 and on a tour of Italy with his father, the symphony — just 13 minutes long — has that easygoing, tossed-off eloquence that’s evident even in Mozart’s teenage works. The first movement is sprightly; the second, gentle, scored for strings alone; the third, graceful. Best of all is the lively triple-time finale, which evokes the long history of courtly hunting music, with an alluring short section in minor key.The Philharmonic had never performed the symphony before Wednesday, and under Glover’s baton it flowed with the same nimble, unaffected naturalness as the rest of the program: four pieces, including three Mozart symphonies, from the final three decades of the 18th century. Glover’s tempos throughout the concert were sensible and unexaggerated, with ample room to breathe but no dragging, and the playing was lovely — though the violins sometimes took on a slightly thin, wiry edge, highlighted by the cool clarity of Geffen Hall’s acoustics.In the work not by Mozart — Beethoven’s “Ah! perfido,” a concert scene from five years after Mozart’s death but still very much within the world of his opera arias — the orchestra provided sensitive accompaniment for the soprano Karen Slack. Making her Philharmonic debut, she inhabited the piece’s shifting moods, from anger at a treacherous lover to vulnerability to proud resolution, with strikingly clear high notes by the end.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Neil Portnow Accuser Asks Court to Dismiss Her Sexual Assault Lawsuit

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      The woman, who sued the former head of the Grammy Awards anonymously, expressed concern that her identity would be revealed in the proceedings.A woman who filed a lawsuit accusing Neil Portnow, the former head of the Grammy Awards, of drugging and raping her in a New York hotel room has asked a federal judge for her case to be dismissed.The request by the woman, who filed her suit anonymously in November, was addressed to Judge Analisa Torres of Federal District Court in Manhattan over the weekend via email, and it was posted on Monday to the court’s website. Days before, her lawyers had opposed a statement by Mr. Portnow’s lawyers to require the woman to use her real name in the case.In her letter, the woman made clear that she was concerned about her identity being revealed. She also noted a dispute with her lawyers. Despite their opposition to Mr. Portnow’s request, she wrote that her lawyers’ filing “did not accurately reflect my position.”Also on Monday, her lawyer, Jeffrey R. Anderson, filed a motion to withdraw as her counsel. Mr. Anderson said she had submitted the letter without his knowledge, and that “the attorney-client relationship has deteriorated beyond repair.” Reached by phone on Tuesday, Mr. Anderson declined to comment.The woman’s lawsuit, originally filed in New York State Supreme Court in Manhattan, arrived as a legal window in New York was drawing to a close that had allowed people to file civil suits alleging sexual assault even if the statute of limitations for their cases had expired. The case was removed to federal court in January.The woman, who was identified in her suit only as a musician from outside the United States, said she met Mr. Portnow, then the chief executive of the Recording Academy, at a Grammy event in New York in early 2018. According to her complaint, that June he invited her to a Manhattan hotel room where he was staying. He gave her wine and she lost consciousness, according to the suit, and the woman said that she awoke to find him “forcibly” penetrating her.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      The Offense That Harvey Weinstein Can Never Be Convicted Of

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      The movie producer won his appeal in New York on Thursday. But his story, at its core, is about work, and it can’t be measured by a criminal court.For the first time in years, there is a chance that Harvey Weinstein could walk free.His New York conviction for sex crimes was overturned on Thursday. Manhattan’s district attorney says he wants to retry Mr. Weinstein, but that seems, at most, a maybe. The former film producer still has a long sentence to serve in Los Angeles, though next month he is expected to appeal that conviction on grounds similar to those that were successful in New York. His lawyer is the same one who got Bill Cosby’s conviction tossed out.Many of Mr. Weinstein’s accusers say they are horrified. Even some of the seven judges who participated in the decision were outraged. The majority — ruling that his trial was unfair because it introduced witnesses separate from the central charges — prevailed by a single vote, 4 to 3. The dissenting judges described that decision as “oblivious,” “naïve” and “endangering decades of progress.” They have joined a roiling debate about what the standard of evidence in sex crimes trials should be.But criminal convictions have never seemed like the ultimate measure of Mr. Weinstein’s behavior. Whether he remains a felon or not, he can never be tried for the most overarching offense he is accused of.That is because, at its core, the Weinstein story — along with its greatest impact — is all about work.“A lot of these stories are about what’s been lost career-wise, and there’s no criminal remedy that is going to get at that,” Deborah Tuerkheimer, a law professor at Northwestern, said in an interview.Back when Mr. Weinstein was at the height of his power, he had many gifts as a producer. But where he stood above others was in his ability to make careers. He hired and molded Matt Damon, Michelle Williams, Jennifer Lawrence, Quentin Tarantino and some of the most successful producers working today. He invented the Oscar campaign as we know it. At those awards, he was thanked more often than God.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Eric Adams’s Top Aide, Timothy Pearson, Is Hit With a Second Harassment Lawsuit

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      The aide, Timothy Pearson, was accused of harassing and retaliating against a second police sergeant under his watch.One of Mayor Eric Adams’s closest confidants was sued on Wednesday for the second time in a month over accusations that he harassed and retaliated against a New York Police Department sergeant he oversaw.The confidant, Timothy Pearson, was so prone to sexually harassing women that he was secretly placed under watch to try to prevent him from being alone with female colleagues, the suit says.The allegations, made by a retired sergeant, Michael Ferrari, in a complaint filed Wednesday in State Supreme Court in Manhattan, support similar accusations by one of Mr. Ferrari’s former colleagues in the unit, Roxanne Ludemann.Ms. Ludemann filed suit against Mr. Pearson last month, alleging that he often put his hands on female colleagues and retaliated against those who complained.Ms. Ludemann retired in January after she said she was subject to harassment and retaliation. Her departure came roughly seven months after Mr. Ferrari retired; he said in the lawsuit that Mr. Pearson’s harassment and retaliation had effectively ended his career.Mr. Ferrari also asserted that Mr. Pearson was privately given the nickname “Crumbs” when he expressed anger after a contractor had been paid.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      #MeToo Stalled in France. Judith Godrèche Might Be Changing That.

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      Judith Godrèche did not set out to relaunch the #MeToo movement in France’s movie industry.She came back to Paris from Los Angeles in 2022 to work on “Icon of French Cinema,” a TV series she wrote, directed and starred in — a satirical poke at her acting career that also recounts how, at the age of 14, she entered into an abusive relationship with a film director 25 years older than her.Then, a week after the show aired, in late December, a viewers’ message alerted her to a 2011 documentary that she says made her throw up and start shaking as if she were “naked in the snow.”There was the same film director, admitting that their relationship had been a “transgression” but arguing that “making films is a kind of cover” for forms of “illicit traffic.”She went to the police unit specialized in crimes against children — its waiting room was filled with toys and a giant teddy bear, she recalls — to file a report for rape of a minor.“There I was,” said Ms. Godrèche, now 52, “at the right place, where I’ve been waiting to be since I was 14.”Since then, Ms. Godrèche has been on a campaign to expose the abuse of children and women that she believes is stitched into the fabric of French cinema. Barely a week has gone by without her appearance on television and radio, in magazines and newspapers, and even before the French Parliament, where she demanded an inquiry into sexual violence in the industry and protective measures for children.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      A Look at Washington State’s ‘Strippers’ Bill of Rights’

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      Signed into law by Gov. Jay Inslee, the legislation provides wide-ranging protections for adult dancers.Washington State recently enacted a law that includes wide-ranging workplace protections for adult dancers, who have long fought for such measures across the country.The law, known as the Strippers’ Bill of Rights, was signed by Gov. Jay Inslee on March 25. It includes anti-discrimination provisions and mandatory club employee training.Supporters of the law say that it includes incentives for establishments to comply, as it carves a path for them to obtain liquor licenses. The state traditionally has prohibited venues that allow sexual performances to sell alcohol.“It is crucial that we confront the stigma surrounding adult entertainment and recognize the humanity of those involved in the industry,” State Senator Rebecca Saldaña of Seattle, a Democrat who sponsored the legislation, said in a statement.“Strippers are workers,” she said, “and they should be given the same rights and protections as any other labor force.”Madison Zack-Wu, the campaign manager for Strippers Are Workers, a dancer-led organization that supported the bill, said in an interview that “the most important part of this policy is that it was created by dancers, for ourselves in our own working conditions.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      New York Asks Realty Company to Investigate Sexual Assault Allegations

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      The state comptroller wants eXp Realty to look into allegations that female real estate agents were drugged and assaulted during company events.The New York state comptroller has asked the real estate brokerage eXp Realty to open an independent investigation into sexual harassment and assault allegations exposed in a New York Times article last month.As New York’s chief fiscal officer, the comptroller, Thomas DiNapoli, is the trustee of the New York State Common Retirement Fund. According to the most recent SEC filing, the pension fund held nearly 27,000 shares of eXp World Holdings, the publicly-held parent company of eXp Realty.In two separate lawsuits, five current and former agents at eXp Realty said that two top agents at the brokerage drugged and them assaulted them at separate eXp recruiting events. Four of them said they were subsequently sexually assaulted, and The Times investigation uncovered a pattern of eXp leadership silencing those who tried to make reports.“The New York Times report raised a huge red flag for us as an investor in that company,” Mr. DiNapoli said in an interview. “We found the allegations very concerning and as a shareholder, we are asking questions. We want a public reporting of their efforts to prevent harassment.”With $2 billion and $90,000 agents, eXp Realty is one of the world’s fastest-growing brokerages. Ariana Drehsler for The New York TimesHe sent a letter to the eXp chief executive, Glenn Sanford, requesting that the company establish an independent committee to look not only into the allegations, but into gaps in policies that may have set the stage for assaults to occur. Mr. DiNapoli wrote that he was concerned about the “legal and reputational risks” presented by the allegations.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More