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    ‘It’s like they’re trying to get prosecuted’: when cartoons try to take down governments

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    It shouldn’t really be a surprise that South Park has become “the most important TV show of the Trump 2.0 era”. Trey Parker and Matt Stone have spent decades taking any potshot they like at whoever they choose, from Saddam Hussein to Guitar Hero to – thanks to their inexplicable 2001 live-action sitcom That’s My Bush! – other sitting presidents.But by using every episode in its latest series to focus their fury solely at the current US administration, hitting Trump with a combination of policy rebuttals and dick jokes (and daring him to sue them in the process), this is the strongest sense yet that Parker and Stone are out for nothing less than full regime change.Let’s not pretend that South Park is the first cartoon to attempt this, though. For almost a century, animation has often proved to be a better satirical weapon than anything made with flesh-and-blood actors. There is a sense that, to some, George HW Bush will be remembered by the mauling he received at the hands of The Simpsons, which depicted him as a gullible, uptight neighbour after he dared to criticise the show during a speech on family values. You could argue that the show pulled its punches a little – his episode, Two Bad Neighbors, didn’t air until he had been out of office for three years – but the anger is still palpable.View image in fullscreenSimilarly, even though Seth MacFarlane’s American Dad has been going for so long (388 episodes and counting) and its satire has long since softened into screwball sitcommery, it’s important to remember that his series came to fruition as a response to the George W Bush administration in the wake of 9/11. The protagonist is a patriotic Republican CIA agent hellbent on enforcing homeland security no matter what. In season three, he performed a Schoolhouse Rock-style song about the Iran-Contra scandal that may well qualify as the best entry-level explainer of the subject ever made.The fact that these worked where That’s My Bush! failed might be down to the fact that they are animated. “I think there’s a spectrum,” says Dr Adam Smith of York University’s Research Unit for the Study of Satire. “On one end, you’ve got film, where you’re seeing an actual representation of the thing you’re satirising. And on the other end of the spectrum, there are things like abstract poetry, where the viewer has to work harder to figure out what the thing means. Visual comedy, like cartoons and caricatures, is on the direct end of the spectrum, so you get the message in a split second.”View image in fullscreenThis is partly why South Park is succeeding in tackling Trump; while drama and journalism might grapple with the totality of Trump’s instincts and temperament, South Park can depict him as a horny psychopath with a tiny penis, and it lands all the harder.The approach is in huge contrast to their depiction of Trump during his last term. Back then, the show largely avoided him, instead drawing in the elementary school character Mr Garrison as a Trump character. As Dr Smith explains, that was a far more traditional way of tackling a government.“A lot of satire as we understand it today relies on allegory or double entendre,” says Smith. “This evolved in the 18th century in response to libel laws. It’s a way to critique the thing without being prosecuted for the thing.”But this time around, South Park is going in two-footed. This season’s Trump is Donald Trump, animated with a photo of his face. This doesn’t leave much room for allegory.“What they’re doing now is the opposite of how satire normally works,” Smith continues. “It’s almost like they’re trying to get prosecuted, isn’t it? The satirical act of this new series is the baiting of Donald Trump. If they can get the president of the free world to try to sue them, it reveals that he’s not got a good sense of humour. It reveals he’s petty. It reveals that he’s ridiculous. So the critique will actually be in the way he responds.”View image in fullscreenOf course, these are very American examples of satire, bright and funny and direct. It’s telling that British efforts to mimic this approach tend to be rooted less in longform series and more in sketch. Spitting Image is the prime example here, which was able to crystallise the perception of several leading politicians for 12 years in the 80s and 90s. But even this has cooled of late. BritBox’s Spitting Image revival died on impact in 2020, and other attempts at animated sketch satire (like 2DTV and Headcases) similarly failed.The comedian and philosopher Imran Yusuf attempted a version of this with his 2014 animation Union Jack, about a British man who – proving some subjects never fully go away – is aggressively suspicious of his non-white neighbours. “We wrote a couple of scripts and tried to pitch it, but everyone turned it away. When it went out on BBC Three, the commissioner hated it,” says Yusuf. “Britain is terrified of doing what the Americans do in regards to political satire and animation. Why don’t we have The Simpsons and Family Guy and American Dad and South Park? Part of the problem is, and this is where it gets really hairy, if a black or a brown writer writes political satire that satirises white politics and white culture, there’s going to be less commissioning will to make it happen.”View image in fullscreenStill, it could be worse. Elsewhere in the world, where authoritarian regimes tend not to enjoy direct insults, animators have long since used other methods to get their point across. For example, Marjane Satrapi’s film Persepolis, about a young girl struggling to come of age against the backdrop of the Iranian Revolution – which it depicts unflatteringly – could only have been made outside Iran. Indeed, upon release it faced bans in Iran and Lebanon, and in recent years schools in some American states have attempted to ban Satrapi’s original graphic novel from schools.Elsewhere, artists have had to use metaphor and symbolism to slip the net. During its time spent under military dictatorship from the 60s to the 80s, Brazil’s government suppressed political art, so artists were forced to obfuscate their point. This resulted in work like Vendo Ouvindo by Lula Gonzaga. On the surface, the film is simply a rudimentary cutout of a face. However, as soon as you key into the context in which it was made, you realise that the face can see and hear but not speak. In other words, it’s a reflection of life under authoritarian censorship.But sometimes even this doesn’t work. Dimensions of Dialogue, a short film by the Czech film-maker Jan Švankmajer, was an abstract depiction of, among other things, one clay head sharpening its tongue on another clay head. Despite containing no specific message, it was made in explicit defiance of the Czechoslovak Communist party’s preference for social realism in animation. And it worked; the party not only banned it, but used it as an example of the sort of thing it wouldn’t stand for.View image in fullscreenTellingly, the White House reaction to South Park has been the exact opposite: JD Vance and the US Immigration and Customs Enforcement chose to tweet about their depiction rather than try to erase it from existence.But, as Dr Smith says, the fact that the administration is attempting to laugh along with it doesn’t mean that the satire has failed. “I suppose it depends on what the point of satire is,” he says. “You always get these questions like, does it change anything? I think it’s too soon to say. My preferred explanation when people ask about the value of satire is that, if you engage in enough satire, it makes you incredulous. Perhaps the ultimate goal of South Park is not how JD Vance or Ice reacts, but the people who have watched it and thought about it. Are they going to be more critical in their day-to-day lives as a result?”With this in mind, something like South Park, which has the ability to go after Donald Trump so aggressively that nobody can misunderstand its point of view, is something of an outlier. But if America does slip into full-blown dictatorship, as with Brazil and the Eastern Bloc before it, this might all change. In other words, if you like your animation satirical, now might be the time to get into abstract clay heads. More

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      John Oliver on Trump’s attack on higher education: ‘No capitulation will be enough’

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      On the latest Last Week Tonight, John Oliver looked into the Trump administration’s assault on higher education in the US. “Trump has long held a grudge against higher education, and now that he’s in power, he’s acting on it,” Oliver explained. Among other things, Donald Trump has targeted the billions of dollars granted to universities for scientific research “in order to bend them to his will”.Trump’s “war on higher education” continues a long tradition of conservative distrust of universities. Back in 1972, Richard Nixon said “the professors are the enemy,” and as Oliver noted, Republicans have railed for years against higher education for supposedly wasteful spending on scientific research – think the Fox News fixation on the alleged “shrimp on a treadmill” study – and for being supposed bastions of liberal indoctrination. “Conservatives have long sought to orient universities sharply to the right,” he said. “And in recent years, they’ve seized upon a new justification for doing this – specifically, to ‘combat antisemitism’ in the wake of student protests over Gaza.”Of those protests, Oliver noted: “Multiple things can be true. You can think some critics of the protests were conflating criticism of Israel with antisemitism, and that some are pointing out actual instances of antisemitism. You can also acknowledge that some Jewish students did feel unsafe because of the actions of some protesters and that some protesters were made unsafe by universities calling the police on them. You can also argue that many universities did themselves no favors by failing to figure out a coherent, consistent response.“But none of that nuance has been present in the White House’s response, which has been to suggest the wholesale destruction of certain universities.” Soon after taking office, Trump convened a “Task Force to Combat Antisemitism” backed by Stephen Miller with the goal of targeting certain schools with large protest movements and, to quote its lead Leo Terrell, “taking away their money”.“Look, if colleges were spending all of their federal money on inventing a big automatic antisemitism generator, then yeah, it would make sense to take their money away,” said Oliver. “But the thing is, they’re not doing that, partly because it seems to be Elon Musk’s project.“Instead, the money being taken away is largely going to research studies, and cutting those has nothing to do with antisemitism.”As Michael Roth, the president of Wesleyan University, put it on Face the Nation: “The idea that you are attacking antisemitism by attacking universities, I think is a complete charade. It’s just an excuse for getting universities to conform.”“Right, it’s obviously bullshit,” Oliver confirmed. “The very idea that Trump’s actions are part of some great effort to defend the Jewish people is, as charades go, slightly less convincing than a toddler playing hide-and-seek.”Oliver considered a non-exhaustive list of “telltale signs that this isn’t really about antisemitism concerns”, including but not limited to the fact that Trump reportedly kept a book of Hitler’s speeches next to his bed, dined with Holocaust denier Nick Fuentes this summer, brought people into his administration with records of antisemitic comments, reportedly said during his first term that “Hitler did a lot of good things”, and was endorsed in his first campaign by both David Duke and the KKK. “Hearing that Trump is suddenly waging war against antisemites is like hearing that Billy Joel is waging war against dads from Long Island,” he joked.Oliver then looked into exactly what the administration is doing, such as cancelling Columbia’s grants until the school stopped considering race in admissions, paid $200m in fines and reformed their Middle Eastern studies department, among other requirements. The university “caved in about five seconds”, Oliver noted, “officially solidifying Columbia’s reputation as the Little Bitch University, rather than what it was known for before: being the place that Timothée Chalamet went to for five minutes before realizing he didn’t need it”.The capitulation didn’t change anything, either; weeks later, the administration froze all of the university’s remaining funding from the National Institutes of Health, about $700m in total, and threatened the school’s accreditation. “There’s no guarantee the administration is going to stop making demands from Columbia, and why would they when they keep getting met?” said Oliver.The situation, which has caused a chilling effect on campus, “goes much further than Harvard and Columbia”, Oliver explained, as the administration has frozen hundreds of millions in research funds at several other private institutions, and slashed studies at several public universities. Even Northwestern, a school that tried pre-capitulating to the administration by releasing public steps taken to combat antisemitism, was targeted anyway, with over $790m in grants frozen. Those funds have still not been unfrozen, even though the university’s president, Michael Schill, the Jewish descendant of Holocaust survivors, stepped down amid forced layoffs.That case, in particular, highlighted for Oliver what the government’s assault on universities was really about. He pointed to a clip of JD Vance from 2021: “We go to the universities, we use the hundreds of billions of dollars that we send to them as leverage and we say: ‘Unless you stop indoctrinating our children, unless you stop indoctrinating our entire society, you don’t get another dime of our money.’”“That is the exact same plan as now, just hastily remodeled to be about ‘fighting antisemitism’, expecting no one to notice,” said Oliver. “It’s basically the rhetorical equivalent of when a random business clearly used to be a Pizza Hut.”The end result, as one researcher put it, is that the “science in this country is going to be destroyed”, which is bad for future innovations as well as for the private sector. One study found that every dollar of medical research funded by the NIH delivered $2.56 in economic activity. “So even if you are someone who hates learning and loves money – and yes, I am talking to one guy in particular here – publicly funded research is just a no-brainer,” said Oliver. “But obviously that is not what this is really about. This is about the right being willing to sacrifice everything, up to and including a generation’s worth of scientific progress, to get what it wants.”“And it is not hard to see what that is. Because when the administration is launching investigations like ‘why aren’t there more white men teaching at Harvard?’, you know what they’re up to,” he continued. “Just like you know what the plan was when they suddenly canceled diversity grants awarded to PhD students who were members of certain racial or ethnic groups, disabled, or from disadvantaged backgrounds.”Where do things go from here? “I don’t really know, and I’m not sure this administration does either,” said Oliver. But “even if there is not a fixed destination, there is a clear direction. And that is they want to turn back a clock that, quite honestly, had taken way too long to move forward, and restore all of academia to being a training ground for those looking to uphold old systems of power instead of questioning them.”In conclusion, he added: “You can have problems with academia. You can think it’s too cloistered or too liberal. You can think it’s becoming too expensive or that its resources are misallocated. But the notion of the state suddenly executing a sweeping takeover of higher education to this degree is chilling.”Based on everything that has happened so far, “no capitulation will be enough, and they will never stop demanding more.” Given that, Oliver argued, universities should “stop yielding, stand firm and fight back” because although it is tempting to think one more capitulation will safeguard your independence, “it’s worth asking at what point have you compromised so much that the thing you’re supposed to be defending is gone.” More

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      More than 500 workers at Voice of America and other broadcasters to be laid off

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      The agency that oversees Voice of America and other government-funded international broadcasters is eliminating jobs for more than 500 employees, a Trump administration official said. The move could ratchet up a months-long legal challenge over the news outlets’ fate.Kari Lake, acting CEO of the US Agency for Global Media, announced the latest round of job cuts late Friday, one day after a federal judge blocked her from removing Michael Abramowitz as VOA director.US district judge Royce Lamberth had ruled separately that the Republican administration had failed to show how it was complying with his orders to restore VOA’s operations. His order Monday gave the administration “one final opportunity, short of a contempt trial” to demonstrate its compliance. He ordered Lake to sit for a deposition by lawyers for agency employees by 15 September.On Thursday, Lamberth said Abramowitz could not be removed without the approval of the majority of the International Broadcasting Advisory Board. Firing Abramowitz would be “plainly contrary to law”, according to Lamberth, who was nominated to the bench by Ronald Reagan.Lake posted a statement on social media that said her agency had initiated a reduction in force, or RIF, eliminating 532 jobs for full-time government employees. She said the agency “will continue to fulfill its statutory mission after this RIF– and will likely improve its ability to function”.“I look forward to taking additional steps in the coming months to improve the functioning of a very broken agency and make sure America’s voice is heard abroad where it matters most,” she wrote.A group of agency employees who sued to block VOA’s elimination said Lake’s move would give their colleagues 30 days until their pay and benefits end.“We find Lake’s continued attacks on our agency abhorrent,” they said in a statement. “We are looking forward to her deposition to hear whether her plan to dismantle VOA was done with the rigorous review process that Congress requires. So far we have not seen any evidence of that.”They added: “We will continue to fight for what we believe to be our rights under the law.”In June, layoff notices were sent to more than 600 agency employees. Abramowitz was placed on administrative leave along with almost the entire VOA staff. He was told he would be fired effective 31 August.The administration said in a court filing Thursday that it planned to send RIF notices to 486 employees of VOA and 46 other agency employees but intended to retain 158 agency employees and 108 VOA employees. The filing said the global media agency had 137 “active employees” and 62 other employees on administrative leave while VOA had 86 active employees and 512 others on administrative leave.The agency also houses Radio Free Europe/Radio Liberty, Radio Free Asia, Middle East Broadcasting Networks and Radio Martí, which beams Spanish-language news into Cuba. The networks, which together reach an estimated 427 million people, date to the cold war and are part of a network of government-funded organizations trying to extend US influence and combat authoritarianism.In March, Abramowitz warned that Trump’s attempts to dismantle the VOA would be a “self-inflicted blow” to American national security, saying: “If America pulls off the playing field and cedes it to our adversaries, then they’re going to be telling the narratives that people around the world are going to be hearing, and that can’t be good for America … They’re going to be hearing an anti-America narrative. We need to fight that with truth.”skip past newsletter promotionafter newsletter promotionHe added: “The major challenge for the United States in general is this global information war in which countries like China and Russia are essentially really having our lunch. … So, I really feel that we need an organization that is accurate, unbiased, objective, and that tells the truth about America to the rest of the world in the languages that they understand.”This week, Trump also moved to remove union protections from a handful of federal employees, including those from the VOA.In response, the American Federation of State, County and Municipal Employees, the nation’s largest trade union of public employees, said: “AFSCME members who fulfill the Congressionally mandated mission to broadcast Voice of America around the globe shine the beacon of freedom on the most oppressive of regimes. Now, because they have been fighting to keep Voice of America’s mission alive, their own voice on the job has been stripped from them. AFSCME will fight this illegal action in court.”Earlier this year, foreign staff at US-backed media outlets voiced concerns over their safety following Trump’s shuttering of the global media agencies.Speaking to the Guardian in March, Jaewoo Park, a journalist for Radio Free Asia, said: “We have many co-workers in different services, several of whom came here and sought asylum visas. If their own government knew they worked for RFA [Radio Free Asia] and they went back to their own country, their lives would be at risk.”“Authoritarian governments have praised what Trump is doing right now … In Burma, Vietnam, Laos, Cambodia, there were people who fought for freedom and democracy, and they came to work at RFA. It’s very risky for them. Their lives are in danger if Radio Free Asia doesn’t exist,” he added. More

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      South Park has become the most important TV show of the Trump 2.0 era | Jesse Hassenger

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      I’ll admit it: I’m more of a Simpsons guy than a South Park guy. Nothing really against those South Park guys – I’ve caught plenty of episodes over its astonishing near-30-year run, and loved the 1999 big-screen movie. But while I haven’t always maintained clockwork viewership of The Simpsons, either, those characters have proved durable enough to revive my interest in episodes old and new. South Park has a thinner bench by comparison, and as the show itself astutely pointed out years ago, it’s difficult for a satirically minded animated sitcom to explore ground that The Simpsons hasn’t covered already. South Park’s political bent, too, has often seemed less varied than the warmer (but still sometimes cutting) social ribbing of Matt Groening’s signature show. It’s a fine line between omnidirectional satire and libertarian crankiness.And yet the 27th season of South Park has accomplished something vanishingly few of its peers, whether in animation or topical comedy, have been able to do: getting laughs taking shots at the second Trump administration. It’s not that the White House is beyond reproach. Quite the opposite problem, much-documented: the Donald Trump cabal is so outsized in its stupidity and cruelty that it’s hard to distend it into a “funny” caricature, even a bleak one. In Trump’s second term, it has only gotten bleaker; jokes that were worn out by the end of 2020 are getting retold with a nasty vengeance, and the bar for cathartic laughter has been raised considerably.For a comedy fan, this winds up translating to an aversion. The occasional shots taken by The Simpsons somehow don’t land as squarely as they did when aimed at presidents I liked much, much more. I watch Saturday Night Live every week, and mostly dread James Austin Johnson’s accurate but ultimately defanged impression. (Some weeks, Johnson himself seems bummed out to be doing it.) I respect the hell out of Stephen Colbert, but I have never sought out his Trump commentary; I don’t need any more clapter – the reaction encouraged by comedy that wants your approval more than your laughter – in my life. South Park creators Trey Parker and Matt Stone seemed to agree; Parker’s 2017 announcement that they’d grown bored of taking shots at Trump – then barely into his first presidential term – was one of the show’s many controversies over the years.So how is it that South Park’s revived anti-Trump blows this season have managed to land? A big part of it is precisely Stone and Parker’s allergy to clapter and the grandstanding that inspires it. They obviously resent anything they read as putting on airs and sometimes in the past, this came across as its own form of preachiness, with “everybody chill”-style speeches at an episode’s end that would secretly sound just as prescriptive as the self-righteousness they wanted to send up. With their most recent Trump parody, though, there isn’t much moralizing – just gratifyingly mean caricatures of deserving figures such as Trump, JD Vance and homeland security secretary Kristi Noem. Some (not all) of their past roastings have verged on point-and-laugh bullying; here are targets worthy of that derision.Some of this derision speaks through the language of South Park itself. Trump isn’t vocally or visually imitated; he’s depicted in a series of repurposed photos, with the same voice and animation technique that Parker and Stone used to bring Saddam Hussein to life in the South Park movie. He’s also given the same sexual partner: a muscled-up and put-upon version of Satan, who has found himself in another toxic relationship. Calling Trump a wannabe dictator doesn’t break new ground, but there’s something satisfying in Stone and Parker using their personal toolkit to draw a line between Trump and Hussein; if they thought it was a histrionic comparison, they’d be making fun of it instead of making it. Similarly, there’s real spite animating the depiction of Noem as a dog-murdering zealot whose glamorous face needs to be repeatedly lacquered and reaffixed to her head as she commands an army of Immigration and Customs Enforcement thugs.Not all of the season’s satire has involved making real-life figures regulars on the show. Because South Park’s ensemble has rarely felt as vast or believably developed as Springfield of The Simpsons (or even Arlen on King of the Hill), it’s also flexible enough to turn Randy, Stan’s desperately trend-following dad, into a ketamine-microdosing, tech-bro moron addicted to the soothing, empty reassurances of ChatGPT – the focus of the most recent episode, to the point where most of the core child cast doesn’t appear. Surprisingly, this season has deployed forever favorite Cartman more sparingly so far, again getting self-referential in the season’s second episode, where the id-driven and arguably evil little kid is incensed to find out that podcasters have stolen his “shtick” – his pervasive hatefulness, repackaged as a challenge to debate where the aggressor is always the self-appointed winner. Ascribing this “master debater” title to Cartman (alongside a fellow kid serving as an obvious Charlie Kirk/Ben Shapiro stand-in) somehow manages to make this ridiculous behavior funny in its petty smallness without glorifying it.A South Park diehard would probably describe this praise as a fair-weather fan only enjoying the show when it goes after the “right” targets. Maybe that’s true, but it’s also a lot easier to take some joy in savaging Vance as a meme-faced version of a Fantasy Island sidekick than, say, accusing George Lucas and Steven Spielberg of cultural rape. It’s probably wishful thinking to wonder if Parker and Stone might actually move the needle of the perception on tech bros, debate-me podcasters and Trump-world ghouls, especially among the dude demo. But it’s also just a blessed change of pace to see say-anything, first-amendment types finding a fresher target than the wokeness bogeyman. While countless standups continue to whine about being silenced, Parker and Stone seem highly aware of their rarified position (and, as Paramount contractors, also aware of what actual political-corporate interference looks like). In a world where Trump’s actual political opponents seem terrified to actually fight him, some well-deserved, point-and-laugh meanness has become a surprising novelty. More

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      ‘Rural America costs a lot of money’: Trump cuts are decimating a radio station at the edge of the world

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      In Sand Point, Alaska, the radio dial is mostly empty. For a commercial broadcaster, running a station in this Aleutian Island fishing town of about 600 people just is not worth the cost of doing business. But KSDP, the local public radio station for Sand Point, is a community anchor, bringing listeners music, emergency alerts, live color commentary of high school sports, state and local news. Without a newspaper specifically serving the town, the station is residents’ resource for all things local.On 1 August, for example, KSDP hosted an interview with local fish biologist Matthew Keyes. Asking the questions was Austin Roof, general manager of the station. Over fuzzy microphones, the two volleyed stats back and forth about the escapement rates of “pinks” and “kings” (colloquialisms for two of the most fished species of salmon). Roof served as a stand-in for the laborers listening at home or aboard their ships, asking about the noticeably low catches early that summer; Keyes told listeners that while June was among the lowest harvests on record, July had been much better. He then announced the fishing schedule for early August: there would be no fishing allowed for 60 hours straight as officials monitored fish populations, after that, anglers could tune to the radio daily for specific opening and closing times. In a region where livelihoods are tied to this turbulent and highly regulated industry, this information gave residents a chance to plan their summer of labor.In just the past few summer months KSDP has brought listeners not only crucial information about local fisheries, but also delivered updates and orders to get to high ground in the wake of two tsunamis. All the while, legislators 4,000 miles away in Washington DC were solidifying a decision that will fundamentally alter the media available to millions of Americans, especially in rural areas: on 17 July, Congress voted to rescind all funding for public broadcasting.Within hours of Roof’s fishery interview, the hammer dropped: the Corporation for Public Broadcasting (CPB), through which federal funding is disbursed to public radio and television stations, announced it will close down at the end of September.The average public radio station in the US gets less than 13% of its budget from the federal government. For many coastal and big-city stations, it is an even smaller portion. But at smalltown and rural stations, where donor bases are less robust, that number can climb above 50%. KSDP, which operates a far-reaching AM signal, a web stream and four small FM repeater signals placed in villages across a several hundred mile stretch of islands, gets 70% of its operating budget from CPB – among the highest shares of federal support for any station in the country.“The rural communities are definitely gonna be hit the hardest,” Roof says. “How do you prepare for the end of the world? The loss of federal funding is truly that seismic for us.”View image in fullscreenChairs in KSDP’s broadcasting studio and office are stacked high with jackets. Shoes overflow from a cardboard box in the small meeting room, and haphazardly folded garments fill any unused tables or shelf space. Crammed in Sand Point’s city hall, the station doubles as a donation center and hosts clothing swaps a few times a year. If you attend a community barbecue in town, a public back-to-school party, or holiday celebration, there’s a good chance the radio station put it on. Power tools are a permanent fixture in the studio, and there is always a neighbor ready to do the simple fixes for free or cheap. Roof has personally ascended the station’s 200ft AM tower in climbing gear many times to save money on repairs.Until a few years ago, KSDP and the Sand Point area did not have a reporter dedicated to their stretch of the Aleutian Islands: a remote archipelago extending south and west from mainland Alaska, and home to roughly a dozen communities ranging in size from about 20 to a few thousand residents. For years, KSDP relied on coverage from the radio station KUCB in the larger Aleutian town of Unalaska, nearly 400 miles (644km) south-west, as well as statewide and national programs.Now the station finally has its own reporter: Theo Greenly, who splits his time between KSDP and two other radio stations, KUCB and KUHB, each hundreds of miles apart across the Pribilof and Aleutian Islands.Together with his colleagues Sofia Stuart-Rasi and Maggie Nelson at KUCB in the larger 4,400-person town of Unalaska, Greenly is one of just three journalists covering the 1,000-mile archipelago, and the only one assigned to cover Sand Point.View image in fullscreenGreenly’s reporting regularly brings him to isolated communities for weeks at a time, as ferries between towns in his coverage area sometimes run only monthly, and flights are often delayed or cancelled. “There are many, many places to get news from Washington or New York,” says Greenly. “But there are zero alternatives for news from this region.”Greenly has covered dangerous sea algae blooms, Indigenous language revitalization efforts, and a cargo ship carrying lithium batteries that caught on fire in a local port. He was on the ground when the Aleutian town of King Cove’s main employer, the Peter Pan fishing cannery, closed down, leaving many residents without jobs and many anglers unpaid for the hauls they had already delivered.In July, a resident of the 400-person town St Paul, located about 400 miles north-west of Sand Point, informed Greenly that the town was running out of food; the sole grocery store, owned by the local tribal government, had been waiting over a month to receive a large shipment of stock that it had paid for, but was stuck at the Anchorage airport. Ace Air Cargo had not flown to St Paul in all that time, citing weather issues. Not long after Greenly reported the story, the company got its cargo planes in the air, delivering more than 10,000lb of food and two tons of mail to St Paul.It costs money to report these stories but there is not a lot of money to be made in sharing them – especially in the far-flung, sparsely populated Aleutian Islands. Commercial radio stations are exceedingly rare here; there’s simply not enough listeners. Public media, by design, fills the market gap. “Rural America costs a lot of money,” says Roof.View image in fullscreenAlaska is one of the most heavily federally subsidized states in the US in terms of public services such as education, internet connection and media. Nevertheless, Nick Begich, Alaska’s sole congressperson, voted with all but two of his fellow Republicans to take back federal funds that had been allocated for broadcasting.Greenly followed debate on the cuts closely. “I mean, there is nobody covering this stuff,” he says, noting that he and his two colleagues in the Aleutians essentially double as the region’s only newspaper reporters, as the paper serving the archipelago runs print versions of the public radio pieces alongside stories reported out of Anchorage or by national newsrooms. And he says it is not just locals who will suffer if public journalism in Alaska takes a hit, mentioning that his colleagues were key in covering the 2023 story of the possible Chinese surveillance balloons over Alaska.“When Shell was doing exploratory drilling in the Arctic, this was their home port. When Chinese and Russian military ships cross into the Exclusive Economic Zone, we are the closest reporters,” he says. “If you don’t have reporters here, the nation is missing out on vital information.”Roof, the general manager, says KSDP has enough to “keep the lights on for a while”. And while he doesn’t have imminent plans to close, he knows that losing more than two-thirds of the station’s operating budget will fundamentally change what they can do. He says they will have to rely increasingly on volunteers rather than paid staff if they want to survive. And he can’t imagine how he will be able to continue hosting things like big public events. “Those are the kinds of things that really make our community a fun place to live,” Roof says. “And so I just don’t see that coming back.”View image in fullscreenRoof is already planning one major change due to the cuts: he expects to have to shut down KSDP’s far-reaching but costly AM signal by the end of the year. While AM listenership may be declining nationwide, it still plays an essential role here: AM signals reach much farther than FM, penetrate terrain, and carry extraordinarily far – sometimes hundreds of miles – over water, making it easy to be heard on distant islands or on ships. Roof is planning to shutter the AM signal rather than sell it, as he does not expect to have any interested buyers. The tower, he assumes, will be torn down and sold for scrap.For now, Roof plans to keep operating KSDP on a handful of very small, localized FM signals located in four villages across the Aleutians, and online via web stream, since many people in this region have internet connection for the first time thanks to new fiber optic lines and satellite systems such as Starlink. But not everyone lives in the villages with FM coverage, and the web is not always reliable, says Greenly. A ship’s anchor once ripped apart the fiber cable bringing internet to the Aleutian Islands.Ultimately, says Greenly, cuts to public radio will have an impact on residents regardless of how they tune in. “The word ‘radio’ is kind of a misnomer in a way,” he says. He tells me that people always ask him if people can’t just get this information online. “Yes,” he tells them, “because we, the radio station, did the work, investigated it, and put it on the internet.” Without the newsrooms and stations supported by CPB, he says, “they can’t get that information.”Greenly says he doesn’t know what will happen to his position. His role as the shared reporter for KSDP and two other local stations is funded by a grant from CPB. But his livelihood, he says, is the least of his concerns. “I’m more saddened for the nation than for myself. I’m worried about the community. I’m worried about Sand Point,” he says.As for him, the intrepid local reporter braving the elements to cover stories from fishing to fracking? He says: “I mean, I go back to bartending.” More

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      John Oliver on Ice’s crackdown: ‘Trying to drive up arrests at all costs’

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      John Oliver took a hard look at Immigration and Customs Enforcement (Ice) on the latest Last Week Tonight, as more and more videos of Ice raids across US cities continue to show a brutal crackdown on undocumented people. “For all the administration’s talk of targeting dangerous criminals, the reality is very different,” Oliver started.The Trump administration has set a goal of deporting one million people a year, “which, it’s worth noting, would be more than double the previous record of 400,000 when Obama was president, which was already very high”, said Oliver. “But notably, they don’t seem to be getting near their target numbers.” As of taping, the administration had deported about 280,000 people, “so getting to a million in just six months seems very unlikely”.“And they have backed themselves into this corner, because ‘promising’ to deport a million criminal migrants is one thing, but once you’re in charge, you then have to find that many of them,” he continued, “which is going to be hard if they don’t exist in the numbers that you’re claiming, which they don’t.“It’s like promising to apprehend 10,000 Fred Dursts a day,” he added. “There just aren’t that many out there, so either you have to admit that your target number was bullshit in the first place or you have to drastically widen your definition of what a Fred Durst is until you’re eventually arresting any gen X-er wearing a hat.“But instead of conceding their numbers were inflated, the administration is trying to drive up arrests at all costs.” The Trump aide Stephen Miller has instructed Ice agents to target Home Depots and 7-Elevens, and the agency has rapidly deputized a record number of local police to function as deportation agents. They have brought in border patrol as well as the national guard; at least a quarter of the Drug Enforcement Administration’s workforce; 80% of the Bureau of Alcohol, Tobacco, Firearms and Explosives; and even members of the US Postal Service.“This mass reallocation of resources means that other crimes are going less policed,” Oliver explained. The FBI, for example, has instructed agents to prioritize immigration enforcement at the expense of white-collar crime and investigations into sexual abuse.“I gotta say: for a guy who pandered so heavily to people convinced pedophiles, sex offenders and traffickers had infiltrated our government, Trump’s sure making the government a lot friendlier to them,” said Oliver. “Ghislaine Maxwell’s in a nicer cell now, Lawrence Taylor’s advising on kids’ physical fitness. Fuck it, at this point, if he’s willing to wear a Maga hat, I really don’t see why Roman Polanski can’t come back.”Nevertheless, “border czar” Tom Homan claimed that 70% of those arrested by Ice were criminals, while the other 30% were national security threats who “don’t have a criminal history because they try to lay low until it’s time for them to do things bad”.“Under his logic, I guess anyone could be a national security threat,” said Oliver. But “Homan’s numbers are also nowhere near Ice’s own data,” which found that only 40% of those arrested had any criminal history, including traffic infractions, and just 7% were convicted of any sort of violent crime. In fact, as of June, people with only civil or immigration violations – no criminal convictions – made up the largest percentage of arrests nationwide. “Maybe the clearest sign that this is more about pushing up numbers than catching violent criminals on the run is that one of the key places where they’re now fishing for arrests is immigration court, where people show up for their hearings,” he added.As numerous videos showed, Ice agents arrested people who showed up to process their situation legally, using a loophole that allows the government to deport people without due process if their immigration case is dismissed. “It is the laziest possible way to juice up your numbers,” said Oliver, “because you’re targeting people who are going through the system ‘in the right way’ and turning them into people you can immediately arrest and deport.”This trap was among “things the administration is doing that sure feel like they’re breaking the law” but “often aren’t”. Oliver took the “dystopian visual” of Ice agents wearing masks, which is actually legal, as no federal law prevents it. “So they can do it, but why are they?” The administration claims that it’s for their own protection, with the homeland security secretary, Kristi Noem, including videotaping arrests as an act of “violence” against agents.All of this “gets even more worrying” when one remembers that Trump’s One Big Beautiful Bill Act contains a huge surge of funding for immigration enforcement – roughly $170bn over the next few years, some of which is set aside for the hiring of 10,000 new Ice agents. “For what it’s worth, massive rapid hiring sprees never tend to work out well,” Oliver noted. Past efforts to bolster Customs and Border Protection under George Bush ended up with hiring drug cartel members and an actual serial killer. “And it’s not a great sign for who Ice is appealing to that they’re currently posting gross recruitment ads, like this fake minivan ad tagged: ‘Think about how many criminal illegal aliens you could fit in this bad boy!’” he added. “And they seem more than a little desperate already, as they’ve already removed age limits for hiring agents.”And this past week, Ice shared a video of their newest recruit: former Superman actor Dean Cain. “You know, there’s an old saying in Hollywood: ‘If all you can get is Dean Cain, you are fucked,’” Oliver joked.“Now, I’m not saying that Ice isn’t finding people,” he continued. “I’m just saying, when you are reduced to pinning a badge on the 59-year-old star of The Dog Who Saved Christmas, The Dog Who Saved Christmas Vacation, The Dog Who Saved the Holidays, The Dog Who Saved Halloween, The Dog Who Saved Easter and The Dog Who Saved Summer, maybe you are in trouble. Although, on the plus side, no need for that guy to wear a mask because the chances of anyone recognizing him are fucking zero.”So what can be done? “As powerless as this can feel, as individuals there are still actions you can take,” said Oliver, such as recording any arrest you witness involving Ice agents. Oliver also advised that if you’re approached by Ice agents, whether or not you’re a citizen, “attorneys told us the only two things you should say to them are: ‘Am I free to leave?’ And: ‘I want to speak to a lawyer.’ That’s it. You have the right to remain silent. And I recognize that in some cases you may be unable to help yourself from saying: ‘Didn’t you used to be Superman?’ ‘I thought you died.’ ‘I can’t believe I’m meeting a film-maker.’ But that really is it.”“We are still in a very grim moment,” he added. “The rightwing narrative is that most people are rabid to punish anyone who wants to become new Americans. But that is just not true,” as new polls found 80% support a pathway to legal citizenship for undocumented immigrants. “Nor are their bullshit claims about who’s being targeted and arrested.“And I’m not saying that everything Ice is doing right now is illegal,” he concluded. “What I’m saying is, a whole bunch of it feels like it really should be. And we need to change that at our earliest opportunity.” More

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      Stephen Colbert on JD Vance’s water level raising: ‘Insane spoiled baby emperor move’

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      Late-night hosts took aim at JD Vance over his unusual birthday demand and Donald Trump over his disastrous tariffs.Stephen ColbertOn The Late Show, Stephen Colbert called it “a significant day for our economy” with Trump’s controversial tariffs finally kicking in. He said it’s a day to “set your clocks back to more expensive” with import taxes now the highest they’ve been since the Great Depression.Colbert said it’s “never a great sign to be compared to the worst thing ever”.Tariffs on certain countries are lower if negotiations have been successful or “if the president’s mad at you they can be much higher”.This week saw Apple announce $100bn worth of additional investment in the US, but there is a smaller pool of American workers with the skills necessary to make an iPhone. “I believe America’s children can do anything!” Colbert joked.The company’s CEO, Tim Cook, was filmed this week in the Oval Office giving Trump a gift which was partly made of 24-carat gold. Colbert called it “lavish corporate bottom-smooching”.In the same press opportunity, Trump again slammed Colbert for having “no talent” but did concede that he has better ratings than Kimmel or Fallon, whom he said also had no talent. “We’re all equally untalented,” Colbert said, before adding: “Thank you for watching, sir.”Colbert said that while we are “plunging headfirst into techno-feudalism”, the Secret Service is busy raising the water level of an Ohio river for Vance’s family boat trip to celebrate his birthday. He called it an “insane spoiled baby emperor move”.Seth MeyersOn Late Night, Seth Meyers said that Trump “clearly has no interest in doing the job of president” and doesn’t “know or care what his own administration is doing on a daily basis”.He is too busy renovating the White House with plans revealed this week for a new $200m ballroom decked out in gold. Trump has said it’s important as there hasn’t been a president like him who has been good at ballrooms before.Meyers commented that it’s “never been a problem that our presidents weren’t good at ballrooms”.To show how little Trump knows about the day-to-day, he played a clip just after the US illegally bombed Iran in which he was told by a reporter that the intelligence community said it had no evidence that Iran was developing a nuclear weapon, which the president called false.This week when he was asked about Robert F Kennedy Jr’s decision to cancel $500m in contracts for vaccine development, he also appeared confused. “For a guy who watches cable news all day, you sure seem caught off-guard by the news,” Meyers said.There are also plans to put a nuclear reactor on the moon, a decision bragged about on Fox News with claims that “Trump doesn’t play by the rules”. Meyers admitted that this is true as at Nasa, rule No 1 is “don’t blow up the moon”.Ignoring the inflation that’s ballooning thanks in part to Trump’s tariffs, the administration is instead having to deal with the fallout of the Jeffrey Epstein files. Trump “flew into a rage again” after being asked about it this week.It’s still proving to be “explosive for Trump and his Maga base” and so this week a dinner was planned on Epstein strategy involving high-ranking loyalists. Nothing like a “secretive cabal” of powerful people to settle the conspiracy theorists, Meyers noted.It was reportedly planned by Vance, whom Trump threw under the bus when he was asked about it this week. “No matter how much you try to appease Trump or suck up to him, he’s eventually going to betray you,” he said. More

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      Seth Meyers on the Epstein conspiracy: ‘This is a crisis of Trump’s making’

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      Late-night hosts discussed the ongoing Jeffrey Epstein scandal and the “spite” behind Donald Trump’s impending tariffs.Seth MeyersOn Late Night, Seth Meyers spoke about the theories circulating over the death of Epstein, spurred on by the alleged missing minute from his jail cell video on the night of his death.He said that Trump is not in the right place to be handling it, as he’s “old” and “tired” and just came back from a golfing vacation in Scotland.While there, he opened a private new golf course, which was on the official White House live stream. “They’re not even pretending any more, there’s no separation,” Meyers said.Trump is “tired from all his golfing and self-enrichment” and was recently seen trying not to fall asleep during a press briefing with Mehmet Oz. “Imagine if Joe Biden did this,” he said.Meyers added that “he can’t hear or understand reporters’ questions any more” before playing footage of him getting confused over a recent question about Russia.Trump has been asked why he cut ties with Epstein and recently said he didn’t want to waste people’s time by going through the details. “Please, my man, waste our time!” Meyers said.He then “dug the hole even deeper” and “made it so much worse” by rambling on about Epstein stealing workers from his spa, which he said was one of the best spas in the world. “Stop talking about the spa – is it your safe word?” Meyers asked.But it’s “not just Trump who keeps digging a hole for himself”, there’s also Dan Bongino, an Epstein-obsessed podcaster who is now the deputy director of the FBI.Despite him claiming that the full, unedited tape would be released, experts have said that while it might be “unclear how much time is missing”, this isn’t the full tape after all.“This whole thing is a crisis of Trump’s making,” he said.Stephen ColbertOn The Late Show, Stephen Colbert reminded viewers that it was the last day of July, which means that the “basket of deplorable tariffs are gonna kick in” the day after.Trump had originally claimed he had made 200 deals ready for 1 August but “on the other hand, no he didn’t”, with just eight in place before the deadline.Colbert said that “his demands are insane” and many of the countries are included “just for spite”.This week also saw him revive the presidential fitness test for American schoolchildren so they could be “as fit as President Trump”. It had originally been retired in 2012 for a switch to a focus on individual health rather than athletic feats.Trump signed the executive order flanked by athletes, including former NFL star Lawrence Taylor, who is a registered sex offender. Colbert called it “a brilliant way to distance yourself from the whole Epstein scandal”.This week also saw lawyer Alan Dershowitz, known for clients such as OJ Simpson, Harvey Weinstein and Trump, make further complaints about how he is shunned while in Martha’s Vineyard.He had previously complained that his politics had made him a social pariah, but now he is suing a vendor who refused to serve him pierogi. He was later seen speaking to a police officer about the incident.“They have bigger crimes to investigate, like someone’s houseguest bringing a domestic chardonnay,” Colbert quipped. More

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      Losing Stephen Colbert and the Late Show is a crushing blow, whatever the reason | Adrian Horton

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      Last Thursday, when Stephen Colbert announced on air that CBS had decided to cancel The Late Show, its flagship late-night comedy program, after 33 years in May of next year, I was shocked.For the better part of six years, I have watched every late-night monologue as part of my job at the Guardian (hello, late-night roundup), and though I often grumble about it, The Late Show has become a staple of my media diet and my principle source of news; as a millennial, I haven’t known a television landscape without it. There are many bleaker, deadlier things happening daily in this country, and the field of late-night comedy has been dying slowly for years, but the cancellation of The Late Show, three days after Colbert called out its parent company for settling a lawsuit with Donald Trump, felt especially and pointedly depressing – more a sign of cultural powerlessness and corporate fecklessness in the face of a bully president than the inevitable result of long-shifting tastes.Reporting in the days since the announcement have lent some credence to CBS’s claim that this was “purely a financial decision”. Though The Late Show has led the field of late-night comedy in ratings for years, it only averages about 2.47 million viewers a night. Its ad revenue plummeted after the pandemic; Puck’s Matthew Belloni reported that the show loses $40m for CBS every year. Of the network late-night shows – NBC’s Late Night With Seth Meyers, The Tonight Show With Jimmy Fallon, and ABC’s Jimmy Kimmel Live! – Colbert’s Late Show has the smallest footprint on social media, where Fallon’s celebrity gags still reign supreme. The format of late-night television – a host delivering a topical monologue, house band, celebrity guest interviews – is a living relic of a different time, when a youth-skewing audience would reliably pop on linear television at 11.30pm. The field has been contracting for years, with programs hosted by Samantha Bee, James Corden and Taylor Tomlinson ending without replacement. Ad revenue for the genre as a whole is down 50% from just seven years ago, in the middle of Trump 1.0. It’s long been assumed that the hosts currently in these once-coveted chairs would be the last, their programs expiring when they decided to step down.What’s shocking is that Colbert, who was reportedly set to renegotiate his one-year contract at the end of this season, was not given that time, which just so happens to coincide with a critical window for the intended merger of CBS parent company Paramount with Skydance Media. Three days before the announcement, Colbert called Paramount’s settlement with Trump a “big fat bribe” to incentivize the administration’s approval of this $8bn deal managed by two billionaire families.Regardless of Colbert’s contract timing, it seems the cancellation of The Late Show is a financial decision, just not in the way CBS is framing it. It’s not about the $40m The Late Show is losing per year – a lot of money, to be sure, though a drop in the bucket for the major players here – but the $8bn on the line with this merger. There were presumably other options; Late Night With Seth Meyers dispensed of its house band and musical acts last year to save money. With new billionaire ownership, there could be some business maneuvering, should independent political comedy be a priority. Colbert’s Late Show, a leading critic of Donald Trump on network television, is clearly not; the show may have been a money loser, but in this context, it’s a convenient sacrifice.And though it’s easy to roll one’s eyes at late-night television – I often do – it’s an especially disappointing one, both in the culture at large and in the dwindling 11.35pm time slot. For years, I have argued that the late-night shows have long outstripped their original function as comedy programs. They are satirical, occasionally relevant, sometimes profane, but hardly ever funny, in the traditional sense of making you laugh. Often, they resort to so-called “clapter” – laughter as a polite applause, jokes for agreement rather than laughter – in a deadening anti-Trump feedback loop. With the exception of The Daily Show, a cable program founded for the purpose of political satire, the shows basically serve two functions in the internet era: 1 Generate viral celebrity content as they promote another project, and 2 Comment freely on the news, unbound from the strictures of decorum, tone and supposed “objectivity” that hamstrings so much journalism in the US.The latter was, I’d argue, the most important contribution of late-night television in the Trump era, when the president and his minions exceeded parody, and Colbert was the best at it. Nimble, erudite, self-deprecating but exceptionally well-read, Colbert transformed from extremely successful Fox News satirist to the reverend father of late-night TV: principled, authoritative but hardly ever self-righteous, deeply faithful to the American project, steadfastly believing in the decency of others. (Colbert is a practicing Catholic and die-hard Lord of the Rings fan, facts that sometimes snuck into his monologues.) At times, such old-school values felt insufficient for the moment; the format of late-night comedy as a whole has proven futile, even pathetic, in the face of Donald Trump’s brand of shamelessness, the Maga movement’s ability to turn everything into a joke. But these hosts, and the Daily Show-trained Colbert especially, did something that the rest of news media or the sprawling celebrity and comedian podcast network could not: call bullshit on the administration with the imprimatur of a major television network, and say exactly what they were feeling.That ability proved useful to me, as a viewer, at times when it seemed standard media was incapable of articulating what was happening. During the pandemic, or the Black Lives Matter protests of 2020, or on January 6, or when Trump was re-elected, or when Republicans mocked Californians during the devastating LA wildfires earlier this year, late-night television had the freedom to express outrage, and Colbert in particular to express moral injury. The jokes were almost never surprising; they weren’t really even jokes. But it still felt soothing to see someone say them, with corporate backing, at an institution that still carried enough name recognition to, well, merit a “late-night roundup”.Colbert, ultimately, will be fine. He is a skilled comedian whose talents weren’t always well-tapped by the strict format of late-night comedy. Perhaps he will join the legion of comedians with podcasts, speaking directly to fans; perhaps he will release a special. But his absence from late-night television spells doom for the rest of the format, and more importantly for freedom of speech on the big networks. Late-night comedy has been fighting a losing battle for a long time, and The Late Show was never going to out-influence the rising tide of rightwing media, the manosphere or any number of independent shows in a fracturing media landscape. But the fact that he could try, from one of the more famed perches in television, still meant something. More