Television & radio

Subterms

    More stories

    • 150 Shares169 Views

      in US Politics

      Oprah Winfrey spurns Dr Oz to endorse Fetterman in Pennsylvania Senate race

      by

      Oprah Winfrey spurns Dr Oz to endorse Fetterman in Pennsylvania Senate raceTV host who launched Republican’s career on her daytime talkshow had previously said election was up to Pennsylvanians Oprah Winfrey sprang a November surprise for Democrats in the midterm elections as the US TV host endorsed their candidate John Fetterman in Pennsylvania’s hotly contested Senate race, snubbing his Republican rival Mehmet Oz whom she originally made famous on her daytime talkshow.Until now, Winfrey had said she would leave the election to Pennsylvanians, but on Thursday evening she changed that position in an online discussion on voting in next Tuesday’s election.‘A lens of empathy’: disability advocates on John Fetterman and leadershipRead more“I said it was up to the citizens of Pennsylvania … but I will tell you all this, if I lived in Pennsylvania, I would have already cast my vote for John Fetterman for many reasons,” Winfrey said, before going on to urge listeners to vote for Democrats running for governor and Senate in various states.The Pennsylvania seat has for months been seen as the most likely pickup opportunity for Democrats in the evenly divided Senate.Polls show a close race between Fetterman, the state’s lieutenant governor, and Oz, a celebrity heart surgeon who is endorsed by former president Donald Trump.In a sign of how high the stakes are, Trump will return to Pennsylvania on Saturday to campaign for Oz, while Joe Biden and the former two-term Democratic president Barack Obama will campaign for Fetterman that same day.Oz left Oprah’s show after five years and 55 episodes to start his own daytime TV program, The Dr Oz Show, which ran for 13 seasons before he moved from New Jersey to Pennsylvania to run for the Senate.The Senate seat is being vacated by the retiring Republican Pat Toomey.Fetterman’s race is among those that have grown tighter in recent weeks as polls showed rising support for Oz, who has made much of the fact that Fetterman had a stroke this spring during the campaign and spent much of the summer convalescing.Fetterman has been declared fit for work by his medical experts but has needed some adjustments to accommodate auditory processing.At a recent debate, in order to accommodate Fetterman’s condition, which he said was improving daily, two 70-inch monitors were placed above the heads of the moderators, which showed the transcribed text of their questions, and the text of Oz’s responses.The candidates fiercely clashed over abortion rights, with Fetterman strongly pro-choice.His endorsement by Winfrey – an icon to many Americans, particularly women and African Americans – is seen as a useful boost to Democrats’ chances in that race.Fetterman celebrated with the kind of witty burn on social media he has become well-known for, especially over the summer when he was physically absent from the campaign trail but repeatedly taunted Oz’s New Jersey connections.#NewProfilePic pic.twitter.com/mla50A5HWa— John Fetterman (@JohnFetterman) November 4, 2022
      TopicsOprah WinfreyPennsylvaniaUS midterm elections 2022US politicsDemocratsRepublicansnewsReuse this content More

    • 150 Shares159 Views

      in US Politics

      Can you ignore your family’s politics? Jennifer Lawrence and Sydney Sweeney disagree

      by

      Can you ignore your family’s politics? Jennifer Lawrence and Sydney Sweeney disagreeArwa MahdawiThe Euphoria actor wants to keep things apolitical – but treating politics as abstract has always been a privilege Jennifer Lawrence says she “can’t fuck with people who aren’t political”. In a cover interview with Vogue, the actor revealed that she no longer has any patience for people who are passive about politics because things are now “too dire … Politics are killing people.”Politics have been killing people for a very long time, of course. Military spending decisions kill people. Austerity, and a lack of social welfare spending, kills people. Climate crisis and gun control policies, or a lack thereof, kill people. Treating politics as something abstract, something that doesn’t significantly impact your day-to-day life, has always been a privilege.I’m not here to scold Lawrence for not being woke straight out of the womb, though (this isn’t Twitter). She grew up in a conservative household in Kentucky and, as many people do, adopted her parents’ politics. Since then, however, she has evolved and been very frank about how and why she gradually moved away from Republican policies. Travelling for work expanded her worldview, Lawrence has said, and made her realize that wherever she went, wealth never seemed to trickle down but was always concentrated at the top. She wasn’t exactly radicalized but she became firmly liberal and now, she tells Vogue, she has nightmares about Tucker Carlson.Lawrence’s views may have evolved but her family’s don’t seem to have, which has caused a painful rift. The 2016 election fractured her relationship with some relatives, including her dad, she told Vogue. The reversal of Roe v Wade dealt it another blow. “I don’t want to disparage my family, but I know that a lot of people are in a similar position with their families. How could you raise a daughter from birth and believe that she doesn’t deserve equality? How?” Brett Kavanaugh, dad to two daughters, might be able to tell her.Lawrence isn’t the only celebrity whose family’s political leanings are making life hard for them. The Euphoria star Sydney Sweeney recently caught flak because her mother threw a hoedown-themed 60th birthday that looked a little Trumpy. Photos of party guests wearing Maga-style red baseball caps with the phrase “Make Sixty Great Again”, and one unidentified guest wearing a “Blue Lives Matter” T-shirt (a pro-police backlash to Black Lives Matter), went viral.Twitter detectives went to work and found a picture on Sweeney’s brother’s Instagram account of a baby with a Maga hat on outside the White House. Rumours started swirling that Sweeney’s family were Trump-loving Republicans and a lot of fans got very upset and started questioning the actor’s politics. Sweeney, it should be noted, has never said much about her political leanings but her roles in shows like Euphoria – and the fact that her breakout role was in The Handmaid’s Tale – seem to have led a lot of her young, progressive fans to assume she’s liberal.“You guys this is wild,” Sweeney tweeted in response to the furore. “An innocent celebration for my moms milestone 60th birthday has turned into an absurd political statement, which was not the intention. Please stop making assumptions.”The anger directed towards Sweeney did feel a little over the top. After all, nobody chooses their family. However, her response to the outrage also felt disingenuous. When you wear a Blue Lives Matter shirt, you’re not making a fashion statement, you’re making a political statement. As a lot of commentators pointed out, Sweeney ignoring the political nature of some of the photos and accusing people of politicizing an innocent event felt a lot like gaslighting.‘I was absolutely terrified of Olivia’: Sydney Sweeney on her White Lotus characterRead moreAgain, nobody chooses their family. But when you’re an adult, you choose how you react to your family’s politics. Lawrence told Vogue that she has she has tried to “forgive my dad and my family and try to understand: it’s different. The information they are getting is different. Their life is different.” Still, she admitted, she can’t pretend their politics don’t matter. “I’ve tried to get over it and I really can’t. I can’t.”Sweeney, meanwhile, seems to have chosen to act as if politics don’t really matter, that civility is more important than civil rights. And she’s not alone in this approach. After Trump won the presidency in 2016, a lot of outlets published advice on how to survive Thanksgiving with a politically divided family. Much of that advice was along the lines of “agree to disagree!” Vogue even suggested a game where anyone who brought up politics was fined $20.You can acknowledge the fact that your parents supporting radically different ideas to you about a woman’s right to choose, for example, is not the same as them supporting a different sports team. You don’t have to disown your parents for their views, but if you don’t confront them in some way, then you are complicit.Maybe Lawrence should take young Sweeney aside at the next Hollywood award show and talk to her a bit about how it’s no longer possible to be passive about politics.TopicsFilmJennifer LawrenceTelevisionUS televisionUS politicscommentReuse this content More

    • 200 Shares189 Views

      in US Politics

      Big Oil V the World review – how can these climate crisis deniers sleep at night?

      by

      Big Oil V the World review – how can these climate crisis deniers sleep at night?This shocking documentary series reveals the lies oil lobbyists told to undercut democracy, prevent action against global heating – and bring our planet to the brink Al Gore described it as “in many ways the most serious crime of the post-world war two era, whose consequences are almost unimaginable”. Can you guess which one the former vice-president meant? Genocide in the former Yugoslavia? Genocide in Rwanda? The attack on the twin towers? The oxymoronic “war on terror” that produced – rather than eliminated – terrorism? The nuclear arms race? The invasion of Ukraine? The crimes of Stalin, Mao, or Pol Pot? Or other ones I haven’t the space to cite?Gore is in fact referring to a very specific moment that occurred on 25 July 1997. That day, the US Senate voted by 95-0 for the Byrd-Hagel Resolution, ruling that the US should not sign a climate treaty that would become known as the Kyoto protocol – despite the Clinton administration’s desire for the US to be a world leader in the fight to cut greenhouse gas emissions. It meant that Clinton would only be allowed to take action when developing countries – particularly India and China – were bound by the same strictures.‘What we now know … they lied’: how big oil companies betrayed us allRead moreThe worry, touted by purported experts (many of whom were briefed and funded by US oil companies), was that Kyoto would be a disaster for the US. Imposing strict emission controls on the US – while industrialising nations such as India and China were not similarly constrained – would cost the US upwards of 5,000 jobs, put more than 50 cents on a tank of gas, whack up electricity bills 25% to 50% and put the struggling US economy at a competitive disadvantage in international markets. Or so it was claimed.Jane McMullen’s excellent and shocking first instalment of a three-part series, Big Oil V The World (BBC Two) reveals another reason for senators Robert Byrd and Chuck Hagel’s resolution. For many years, the big oil lobby had poured scorn on the growing scientific orthodoxy that humanity is hurtling towards a climate catastrophe and that the leading reason is the rise in emissions of greenhouse gases.What I didn’t know, and this documentary helpfully explains, is that the US’s largest oil company, Exxon, had labs filled with researchers who had produced detailed reports showing the reality of the climate crisis. That research, though, was suppressed.The bitter irony, clinched by one of the company’s former climate scientists, Ed Garvey, was that Exxon could have been part of the solution rather than the problem. Garvey worked on Exxon’s carbon dioxide research programme from 1978 to 1983, when it was closed because falling gas prices made it seem an expendable luxury.Garvey also recalls that there were scientists at Exxon developing alternatives to fossil fuels such as solar power and lithium batteries. But their work was shelved. The future of the planet, Garvey suggests, was deemed less important than Exxon’s short-term profit.Although the Clinton administration in which Gore served had from the outset committed itself to reducing greenhouse gas emissions to their 1990 levels by 2000, and leaders of industrial nations such as the British prime minister, John Major, called for even deeper cuts, the Senate resolution effectively destroyed the president and his vice-president’s hopes of the US leading the world. Instead, the US, through its inaction, helped hasten the climate catastrophe we now live in.To clinch this rhetorical point, the programme repeatedly cuts from talking heads to scenes more hellish than those imagined by Dante or Milton. Floods in China, a fiery hellscape in California, storms lashing Louisiana and, in one shot, battering an Exxon gas station.After seeing such images, I wonder how Hagel, who sponsored that 1997 Senate resolution and went on to become defence secretary, sleeps at night. He was among the climate crisis deniers this documentary catches up with to hear them repent. Off-screen, the excellent interviewer asks Hagel if he feels he was misled, given that Exxon, whose execs lobbied him before the Senate vote, was making a concerted effort throughout the 1990s to cast doubt on the reality of the climate emergency and the role of human activity in increasing global temperatures – even though their own scientists were telling them that the science was sound.“We now know about some of these large oil companies … they lied,” says Hagel. “Yes I was misled. Others were misled. When they had evidence in their own institutions that countered what they were saying publicly – they lied.” If the truth had been told to Hagel and other climate crisis-denying senators, would the situation be different? “Oh absolutely,” says Hagel. “I think it would have changed the average citizen’s appreciation of climate change and mine. It would have put the United States and the world on a different track. It has cost this country and it’s cost the world.”Last August, the UN secretary general António Guterres said the Intergovernmental Panel on Climate Change (IPCC) working group’s report confirming the link between human activity and rising greenhouse emissions is “a code red for humanity”. That Senate resolution, McMullen’s film argues, contributed to our climate emergency.No one in this programme explores the hideous political ramifications of this terrible state of affairs, namely that the virus of capitalism (in the form of big oil) undercut democracy through a sustained campaign of disinformation. How easy it proved for corporations to sucker politicians such as Hagel to subvert not just the will of the people but the wellbeing of the planet. If McMullen’s film has a moral, it’s that democracy must be healthy enough to resist commercial lobbying, so that we don’t get fooled again. In 2022, that seems an unlikely scenario.TopicsTelevision & radioTV reviewTelevisionDocumentaryClimate crisisFactual TVOilOil and gas companiesreviewsReuse this content More

    • 188 Shares189 Views

      in US Politics

      Rough Draft review: Katy Tur’s fascinating – and flawed – story of news and family

      by

      Rough Draft review: Katy Tur’s fascinating – and flawed – story of news and familyThe MSNBC anchor follows her Trump bestseller with a compelling memoir but her press criticism falls flat Katy Tur spent 500 days covering Donald Trump’s 2016 campaign, wrote a bestselling book called Unbelievable, and now hosts a show on MSNBC. She was planning to pitch a memoir about the 2020 election but changed her mind during the Covid pandemic, after a heavy package arrived from her mother.Because Our Fathers Lied review: Robert McNamara, Vietnam and a partial healingRead moreThe package contained a hard drive, which contained every minute of tape her parents, Bob Tur and Marika Gerrard, had taken as sole proprietors of the Los Angeles News Service. The drive contained all the footage shot from helicopters piloted by her father, Bob: from Madonna giving her parents the finger on the day she married Sean Penn to the famous chase of OJ Simpson as he sped through the streets of LA in a white Ford Bronco.As a child, Katy was often a passenger as her mother leaned far out of the cockpit to catch the best possible shot. Her daredevil father once got so close to a forest fire, he was cited for fanning its flames. Sometimes Katy felt the heat on her shins from a blaze barely 500ft below.That hard drive convinced Tur to switch subject. Her second book therefore tells a story she had spent her adult life avoiding: the story of her childhood. The switch was the right choice because even a particularly hard-fought campaign could not compete with the drama of her upbringing.Bob Tur was the kind of journalist who would do anything to get the story, “an oracle” to Katy. When the Northridge earthquake knocked out power to half of Los Angeles, her father used a forklift to rip open a hangar door so he could drag the chopper out and take off.He had such good sources in the fire department that he and his wife once scooped KABC-Los Angeles when its own 11pm anchor was shot outside the station. The Turs then sold the tape to KABC. A few hours later, Katy was born.Years later, she fondly recalled a childhood that “smelled like eucalyptus trees, the Pacific ocean and jet fuel”. But she was resolutely silent about all the ghastly things she experienced.Her father was the son of a gambler who would take him to the racetrack, give him the rent money to keep it from his own father, then beat his own son to get it back. Bob Tur’s “nose was broken by his father’s fist”, his “hand stabbed with his father’s fork”, his “face slashed by his father’s key”. He was “missing a piece of his ear because his father sliced it off”. In his mid-teens, Bob ran away.But according to Katy Tur, her father was unable to unlearn the worst lessons of his childhood and repeated the pattern of violence in his adult life, striking his wife, whipping Katy and her brother, punching holes in the living room walls.When Tur was covering the Boston Marathon bombing, she got the most startling call of her life. Her father told her he had “decided to become a woman. It’s why I’ve been so angry.”After the transition, Zoey Tur attacked Katy Tur for allegedly being transphobic. She insists she has always been supportive of such a courageous decision. But what she could not forgive was Zoey’s refusal to discuss or acknowledge the violence Bob Tur inflicted on his family, because the man who committed it no longer existed.Tur writes: “It felt like my dad was playing a get-out-of-gender-free card I didn’t know existed … I was dumbfounded by the idea that a person could change their gender … and think that in the process the deeds of the past would no longer be relevant.”It was “like a bank robber pleading not guilty on account of gender misalignment. But that’s how my father saw it.”“Bob Tur is dead,” Zoey Tur said. But, Katy Tur replied, “The stuff Bob Tur did isn’t dead.”The family story gives Katy Tur’s book its spine and its power. But interspersed with personal history are occasional attempts at press criticism which reveal uneven judgement.On the one hand, Tur acknowledges that her parents’ hugely successful focus on sensationalism is often blamed for the downfall of local TV news, and “some would say the downfall of national TV news too”.“They don’t dispute it,” she writes. “Neither do I.”But when she complains that too many people bemoan the decline of her profession in the decades since Walter Cronkite practiced it, she goes completely off the rails.Quoting a biography of Cronkite by Douglas Brinkley, another pundit of uneven judgement, she endorses the absurd idea that CBS Evening News covered the civil rights movement of the 1960s too sympathetically – citing as evidence the fact that bigoted southern affiliates derided their New York parent as the “Colored Broadcasting Station.”Tur also thinks it was wrong for the CBS Evening News to devote two thirds of its broadcast to Watergate two days before the 1972 election, when the New York Times and every major organization except the Washington Post was ignoring the scandal.The Great Stewardess Rebellion review: stirring study of what Roe v Wade helped vanquishRead moreShe disputes Cronkite’s 1968 description of Chicago police under Mayor Richard Daley as a “bunch of thugs”, a description delivered when the Connecticut senator Abraham Ribicoff was accurately accusing Daley of using “Gestapo tactics” against leftwing protesters.Tur even questions Cronkite’s single finest moment, also in ’68, when he accurately identified Vietnam as a “stalemate” after the Tet offensive.Tur is a better than average network news correspondent. I admired her work when she covered Trump. But judgements like the ones she passes on Cronkite are the very reason so many long for the days when networks employed correspondents of the caliber of Roger Mudd, Richard Threlkeld, Charles Kuralt, Elie Abel, Bob Simon, Charles Collingwood, Ed Bradley, Edwin Newman, Jim Wooten and more – all of whom were vastly superior to their current counterparts.
      Rough Draft: Motherhood and Journalism in a World Gone Mad is published in the US by Atria/One Signal
      TopicsBooksUS press and publishingUS television industryMSNBCUS televisionTelevisionUS politicsreviewsReuse this content More

    • 175 Shares169 Views

      in US Politics

      No easy ride for Biden as Kimmel tells him to ‘start yelling at people’

      by

      No easy ride for Biden as Kimmel tells him to ‘start yelling at people’Serious questions on gun violence mean there are few laughs as US president meets late-night TV host “Our very special guest tonight is to aviator sunglasses what Tom Cruise is to aviator sunglasses,” quipped the late-night TV host Jimmy Kimmel. “I’m proud to say I voted for him dozens of times. He is the reason we all got a cavity search tonight.”This was how Kimmel introduced Joe Biden for his first in-person interview with a late-night host since taking office as US president.But any hopes that Biden, whose poll ratings are plunging, might have had that the comedian would invite him to show a lighter side to his personality were soon dashed. It was a night when there were not many laughs.Once the president had sat down, Kimmel asked: “Do you mind if I ask you some serious questions?” He then dived straight in to demand why, after a flurry of mass shootings across America, nothing had been done since Biden entered the White House.“Well, I think a lot of it’s intimidation by the NRA [National Rifle Association],” the president replied. “Look, this is not your father’s Republican party. This is a Maga party,” – a reference to the former president Donald Trump’s “Make America great again” slogan, which Biden is increasingly using an insult.“It’s a very different Republican party and so you find people who are worried, I believe, that if they vote for a rational gun policy they’re going to be primaried and they’re going to lose in a hard-right Republican primary.”Biden said he had always had a “straight relationship” with Mitch McConnell, the Republican minority leader in the Senate. “You know, he’s a guy that when he says something, he means it. I disagree with a lot of what he says, but he means it.”But Kimmel, seemingly determined to blunt rightwing criticism that he would give the president an easy ride, showed greater willingness to interrupt Biden than many political interviewers. He objected that McConnell had contradicted himself on confirming supreme court justices in a president’s final year.Sign up to First Edition, our free daily newsletter – every weekday morning at 7am BSTBiden added: “Look, he’s the leader of a party that’s moved very hard right and so, in order to get anything done, he has a different problem than he did early on before Trump became president.”Kimmel observed that although the Republican party had moved to the hard right, the American people had not because an overwhelming majority supported expanded background checks on gun buyers. His voice quivering with emotion, the host suggested that every senator should sit with the grieving families of 19 schoolchildren killed last month in Uvalde, Texas.He interrupted Biden again to ask impatiently: “Can’t you issue an executive order? Trump passed those out like Halloween candy.”The president noted he had issued some executive orders but said to applause: “I don’t want to emulate Trump’s abuse of the constitution and constitutional authority.”He said he knew some people felt like “Republicans don’t play it square, why do you play it square? Well, guess what? If we do the same thing they do, our democracy will literally be in jeopardy. Not a joke.”Kimmel replied: “It’s like you’re playing Monopoly with somebody who won’t pass go or won’t follow any of the rules, and how do you ever make any progress if they’re not following the rules?”Biden smiled and joked, “You’ve got to send them to jail”, a reference to a punishment in the board game.Biden is facing concerns about high fuel prices, baby formula shortages, and a lack of progress on several legislative fronts such as gun safety and voting rights. A Morning Consult poll published on Wednesday found that 58% of those surveyed disapproved of Biden’s performance as president, while 39% of respondents approved.Biden has also been criticised for giving fewer media interviews than his predecessors: Wednesday’s was his first since 10 February. While Trump gave late-night TV a wide berth as president, Barack Obama was a regular presence on the shows during his time in office. Biden did a virtual interview with Jimmy Fallon last December.Kimmel’s show on the ABC network was recorded in Los Angeles, where Biden is visiting for this week’s Summit of the Americas, bringing together countries from across the hemisphere. The first lady, Jill Biden, was in the audience along with Biden’s granddaughter Naomi and her fiance.At one point Kimmel, who in past years has spoken out passionately about healthcare and gun violence, pondered political gridlock and the spread of false information and advised: “I think you need to start yelling at people.”Biden demurred, saying the US was still suffering from the effects of the coronavirus pandemic, but insisted he had “never been more optimistic in my life”.Kimmel again cut in: “Why are you so optimistic? It makes no sense.”Biden said he was pinning his hopes on young people, the “best educated, least prejudiced, most giving generation in American history. This generation is going to change everything. We just have to make sure we don’t give up.”Later Kimmel sympathised with Biden’s endlessly multiplying crises, including an imminent supreme court decision on abortion rights. “What a terrible job you have,” he said. “I’m glad you’re doing it. But, boy oh boy, does this seem like a bad gig.”TopicsJoe BidenThe US politics sketchBiden administrationUS gun controlJimmy KimmelUS politicsfeaturesReuse this content More

    • 188 Shares139 Views

      in US Politics

      ‘I keep hope alive’: Tamara Tunie on playing Kamala Harris in political dystopia The 47th

      by

      Interview‘I keep hope alive’: Tamara Tunie on playing Kamala Harris in political dystopia The 47thArifa Akbar The Law & Order: SVU star is returning to the stage in a White House satire set in 2024. She talks about the ‘black-lash’ after Obama’s election, brokering a new deal for Broadway diversity – and her role as Whitney Houston’s mumTamara Tunie is limbering up to play the vice-president of America in Mike Bartlett’s new political satire, The 47th. “I have great admiration for what she’s achieved,” says Tunie, in a back office at the Old Vic in London, emanating a big, easygoing exuberance that seems Californian in spirit, although she is a New Yorker. So how is she preparing for the role of Kamala Harris: observing her public persona to mimic her convincingly?“No, I don’t try to impersonate – I find that could get in the way,” says Tunie, who appears utterly at ease with the part. Perhaps that’s because she is no stranger to playing true-life characters – including Whitney Houston’s mother, Cissy, in the upcoming biopic I Wanna Dance With Somebody. “I go to good old YouTube to see what interviews I can find,” she says of her research. “But what I look for more is the essence of the person: there might be one or two things that are significantly them – a quirk, something that they do. What I try to do is land on that but then allow myself the freedom to go: ‘What if they were in this situation?’”Bartlett’s drama finds Harris in 2024 in a world still dominated by the Trump family. It is a funny, horrifying political dystopia, much of it written in iambic pentameter with sly Shakespearean references tucked in. The reality of living through the Trump administration was sobering for Tunie. “This undercurrent of racism and misogyny was always there. What Trump allowed was the Pandora’s Box to be flung open … We must remain vigilant, and we must constantly fight, and we can never just relax and think ‘OK, everything is taken care of.’”Does she think America began relaxing during the Obama years? “Absolutely. The point when President Obama was elected was when the term ‘post-racial’ was coined. That was, unfortunately, a fantasy that everything was all fixed, because now we had a black president. What we are seeing – and one of the reasons I believe that Trump was elected – was that there was a backlash. In my circle we called it ‘black-lash’.”Tunie was born and raised in Pittsburgh, one of six siblings whose parents ran a funeral home. Her mother was also the first black female security guard at United States Steel and had a strong activist streak: “She believed that if there was something that needs to be addressed, you don’t wait for somebody else to do it.” Her father had a second job as an airport porter. Tunie was an all-rounder at school who loved singing and dancing but was fiercely academic, with ambitions to become a medic (she has played a medical examiner for more than 20 years in the TV drama Law & Order: Special Victims Unit).What made her swerve into the performing arts was a single, thrilling moment, in the choir of a spring concert at high school. “I had a solo number and I got a standing ovation. It occurred to me that ‘This makes people really happy, it is something I love to do, and I can touch people with it.’”She won admission to the prestigious drama school at Carnegie Mellon University and made her Broadway debut in 1981. Feeling potentially pigeonholed as a musical performer, she stopped singing and dancing for a while. “I was classically trained. I wanted to do Shakespeare, I wanted to do straight plays, film and television. So for a good eight years or so I didn’t sing at all.”What was it like to return to singing for her part as Cissy Houston, one among a family of women with phenomenal voices, filmed last year? “Utterly intimidating. A lot of people don’t know that I sing, but the music that inspires me is in the jazz vein. Cissy Houston is more an amazing singer of gospel and R&B.” Tunie re-trained her vocals to “find” the character with the help of a musical team which included Rickey Minor, Whitney’s musical director.The 47th is the first live show Tunie has done since the beginning of the pandemic but she used the shutdown to build a campaign for better inclusivity within the theatre community. As part of Black Theatre United, the organisation which Tunie co-founded with fellow black professionals, a “New Deal for Broadway” was secured last year, which established industry-wide standards for equality, diversity, inclusion and accessibility. “This was a product of six months of meetings with the leaders in the industry: theatre owners, producers, creatives, casting directors. It is not a legal document but an agreement that is saying we as a community are going to address the exclusions of black people and make the industry much more inclusive.”Has she seen change more generally across screen and stage in recent years? Yes, but it has come very slowly and with a lot of pain. And even then it could flip back, she says, returning to her point about remaining vigilant. “But what I see in Hollywood are black individuals who have their own production companies, and black people making their own content, with Hollywood calling on them. There is Shonda Rhimes and the incredible dynasty she has built … I see that here, too [in the UK] – I worked with Michaela Coel in Black Earth Rising and she is very much the example of what I’m talking about.”On the subject of trailblazing women, has she ever met Harris? “I was on a Zoom with some other black women [during the presidential campaign] and she chatted with us, sharing some of her thoughts and policies for the future of the country. I found her utterly engaging.” So Harris for president? “As Jesse Jackson would say, ‘I keep hope alive.’ [To be vice-president] is a monumental accomplishment and I feel like it’s another rung in the ladder towards equality and space for not just a woman but a woman of colour to be the president of the United States. That would be the best thing for the country.”
      The 47th is at the Old Vic, London, from 29 March to 28 May.
      TopicsTheatreMike BartlettOld Vic TheatreKamala HarrisUS politicsTelevisionWhitney HoustoninterviewsReuse this content More

    • 175 Shares179 Views

      in US Politics

      Star Trek makes Stacey Abrams president of United Earth – and stokes conservative anger

      by

      Star Trek makes Stacey Abrams president of United Earth – and stokes conservative angerNational Review says candidate for governor in Georgia and self-confessed superfan does not deserve fictional title The Georgia gubernatorial candidate and voting rights campaigner Stacey Abrams has been made president – of United Earth.‘Champion for Alaska’: Don Young, longest-serving House Republican, dies at 88 Read moreThe honour, which a leading conservative website said Abrams did not deserve, was bestowed by the Paramount+ TV series Star Trek: Discovery, in its season four finale.Abrams is a self-confessed Star Trek superfan. In 2019, she told the New York Times she binged on episodes during her last run for governor.“I love Voyager and I love Discovery and of course I respect the original,” she said, “but I revere The Next Generation.”Michelle Paradise, executive producer of Star Trek: Discovery, told Variety the show decided it needed a figure of suitable gravitas.“When the time came to start talking about the president of Earth,” she said, “it seemed like, ‘Well, who better to represent that than her?”Abrams is a former Democratic member of the Georgia state house as well as a prolific romance novelist. She has said she will be US president by 2040.In 2018, she ran the Republican Brian Kemp close for governor of Georgia. She is seeking a rematch this year and in part thanks to her work on voting rights has risen to prominence in the national party, having been considered for vice-president to Joe Biden.Abrams’s work helped secure both Biden’s win in Georgia in 2020 and Democratic control of the US Senate, via two Georgia run-offs.Such work has made her a target of the right. On Friday, the National Review, a conservative site, published a column about her Star Trek cameo: Stacey Abrams Does Not Deserve to Be President of Earth.Abrams, the Review said, “is, at this time, most famous for losing the 2018 Georgia gubernatorial election and then proceeding to deny she had lost it”.Abrams refused to concede to Kemp, who as Georgia secretary of state oversaw the purging of voter rolls before the election he contested.Brad Raffensperger, the current Georgia secretary of state, has argued that Abrams’ refusal to concede was “morally indistinguishable from – and helped set the stage for – former president Donald Trump’s behavior after the 2020 presidential election”.Raffensperger famously stood up to Trump, whose request that Raffensperger “find” sufficient votes to flip the state is at the heart of a grand jury investigation.In 2019, Abrams told the New York Times that while she “legally acknowledge[d] that Brian Kemp secured a sufficient number of votes under our existing system to become the governor of Georgia. I do not concede that the process was proper, nor do I condone that process.”She also said: “I have no empirical evidence that I would have achieved a higher number of votes. However, I have sufficient and I think legally sufficient doubt about the process to say that it was not a fair election.”The Review complained that Star Trek would never make Trump president of Earth, not even “in the way that the evil genetic superman Khan Noonien Singh once despotically ruled one-quarter of earth’s population”.It added: “In classic Trek fashion, Abrams [was] shown as the logical and inevitable result of the kind of technocratic progressivism that the show has long advanced, a fruition of our highest ideals. Her behavior in the political sphere does not seem to bear this out.”Elie Mystal, a writer for the Nation, responded: “Look at how conservative white people react to a FICTIONAL black woman president.”Mystal also tied the Review’s criticism to events in Washington, where Ketanji Brown Jackson will next week begin confirmation hearings to be the first Black woman on the supreme court.“Next week,” Mystal wrote, “this same publication that can’t handle a black women president ON A TELEVISION SHOW is going to claim to have reasonable and *totally not racist* thoughts about a real life black woman on the supreme court.” The makers of Star Trek: Discovery seemed happy just to have had Abrams on set. They also explained how they fulfilled her request not to be told of the plot of her episode, so she could enjoy it later.As the Washington Post reported, the episode, which was filmed in Toronto last August, ended with Abrams “telling the show’s protagonist … ‘There’s a lot of work to do. Are you ready for that?’“‘I am,’ [Captain Michael Burnham] responds. ‘Let’s get to it.’”Sonequa Martin-Green, who plays Burnham, told Variety she was “taken aback … and really moved” by Abrams’ performance.“It really signaled the culmination of the season having her there,” she said, “because she’s such this symbol of hope and strength and connection and sacrifice and building something bigger than yourself that will last generations, and that’s exactly what we’re talking about doing in the story.”In a “cherished moment”, Martin-Green said, Abrams was presented with a trophy, a captain’s badge and a poem.TopicsStacey AbramsStar TrekUS politicsDemocratsUS midterm elections 2022GeorgiaUS televisionnewsReuse this content More

    • 163 Shares199 Views

      in US Politics

      Rudy Giuliani doesn’t need a monster costume to scare children | Sam Wolfson

      by

      Rudy Giuliani doesn’t need a monster costume to scare childrenSam WolfsonTrump’s lawyer was revealed to be a contestant on The Masked Singer – and when Robin Thicke storms off in protest, you know you’ve got problems It’s like something from a Guillermo del Toro film: a grotesque fantasy creature disrobes, only to reveal an even more horrifying monster underneath. But that’s what viewers will see when the US version of The Masked Singer, Fox’s incognito singing competition, returns at the end of this month.Rudy Giuliani’s surprise reveal on Masked Singer led to judges walking offRead moreThe show, in which a panel of judges and the audience try to guess the identity of celebrity vocalists dressed in furry theme-park costumes, is taped in advance of airing. But Deadline reports that at the first episode’s climax, when the eliminated singer reveals their true identity, it was Rudy Giuliani whose head popped out of the costume. Judges Ken Jeong and Robin Thicke walked off the set in protest. Quite a good reflection of how bad a guy you have to be when rape-culture chanteur Thicke, the singer of Blurred Lines, decides you’re beyond the pale.The disbarred attorney and former mayor of New York, who played one of the largest roles in trying to end 250 years of American democracy, is now under investigation for bribing foreign powers to investigate his political opponent, lying about election fraud, and trying to actively overturn votes, in some cases by seizing voting machines or ignoring electoral counts. It would be fair to say that the only reason the results of a democratic presidential election were not overturned is because Giuliani’s attempts were thwarted.So what better place for this cuddly henchman to hide from law enforcement than on a cosplay singing show. No footage has yet been released of what outfit Giuliani was wearing, although he doesn’t need a monster costume to scare children. Indeed, it’s hard to imagine how the producers came up with something more grotesque than his own smirking face, seen recently on the Borat sequel making creepy sex eyes at an actor he believed was a young journalist as he thrust his hand down his trousers.The Masked Singer began in Korea, but has been exported round the world and become one of the most successful non-scripted series in the US of the last decade. Stars from every era, including Gladys Knight, T-Pain, Jojo and Jewel, have found career rejuvenation after appearing on the show as furrier versions of themselves.But the masks have also been a way on sneaking controversial figures who may not normally be accepted on primetime TV. Logan Paul, who uploaded footage of a suicide victim to his YouTube channel, was eliminated in season five, and in season three a cuddly pink bear that rapped Sir Mix-a-Lot’s Baby Got Back was revealed to be former vice-presidential candidate Sarah Palin. Palin later commented that her appearance was “a walking middle finger to the haters out there”.Reality TV provides a fantastic and powerful form of reputation-washing, in which all participants are celebrated “for being able to laugh at themselves”, as if that was a greater attribute than not being a fascist.There is a reason Giuliani, Palin, Sean Spicer (Dancing with the Stars), Anthony Scaramucci and Omarosa Manigault Newman (Celebrity Big Brother) have attempted to use entertainment, rather than politics, to revive their reputations, and it’s not just because they enjoying turning network television into a moral-less Hunger Games universe where propagandists with blood on their hands shimmy in sparkles in between adverts for pharmaceuticals and Tostitos. Shows like The Masked Singer encourage viewers to think of politicians’ personalities as somehow separate from their political positions.We’ll have to wait until next month to find out what Giuliani wore. Until then, we’re left to imagine what stench uncontrolled flatulence might create in a costume that producers have previously warmed can get dangerously hot.TopicsRudy GiulianiTelevisionUS politicsTrump administrationUS televisioncommentReuse this content More