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    Netflix still several steps ahead in strategy for wooing subscribers

    Only Frank Underwood could amass as much power in such a short space of time. Nearly eight years after Netflix used House of Cards as the launch of its global empire, the streaming service announced last week that it now had more than 200 million subscribers. The pandemic has hastened the company’s transformation from a debt-laden digital upstart into an essential part of the TV landscape in homes across the world.In 2013, when Netflix’s first original series made its debut, the company had 30 million (mostly US) subscribers. This was six years after it moved from being a DVD-by-post business to a streaming pioneer. Since then it has added 170 million subscribers in more than 190 countries and its pandemic-fuelled results last week sent Netflix’s market value to an all-time high of $259bn.Last year proved to be the best in the company’s history, even as a new wave of deep-pocketed rivals attempt to deprive it of its streaming crown. Accustomed to operating in battle mode, Netflix added a record 37 million new subscribers as lockdown prompted viewers to alleviate housebound cabin fever with fare including The Crown, Bridgerton and The Queen’s Gambit.Last week it reported that in 2020 the amount it earned from subscribers exceeded what it spent – to the tune of $1.9bnBut Netflix’s pioneering low-price, binge-watching approach to driving growth has come at a cost. Year after year the need to spend billions on ever-increasing numbers of films and TV shows in order to keep and attract subscribers has weighed on its balance sheet, if not its share price. With a Netflix subscription a fraction of the cost of a traditional pay-TV service, average revenue per user is low. This is great for growth but means the company has to keep on topping up its content budget to fulfil its binge-watching promise to fans. A few billion here and there has spiralled to $16bn in long-term debt and a further $19bn in “obligations” – essentially payments for content spread out over a number of years.Analysts have been split over Netflix’s grow-now-pay-for-it-later strategy, but the company finally appears to have proved the naysayers wrong. There was a symbolic announcement in its results last week: it reported that in 2020, free cashflow was positive – which means that the amount it earns from subscribers exceeds what it spends on content, marketing and other costs – to the tune of $1.9bn.Part of the reason for this was that Netflix’s content spend fell – from $14bn to $12bn – as a result of production stoppages caused by lockdowns, but it was a turning point nevertheless. It has taken 23 years since its humble beginnings as a DVD rental company in California for the Netflix machine to reach the point of sustainability.The firm’s decision in 2013 to invest heavily in original productions has proved critical – and prescient. It sensed, correctly, that its success would prompt the suppliers that it was licensing shows from to eventually keep them for their own services. In the past 18 months, HBO Max, Sky-owner Comcast’s Peacock and AppleTV+ have joined longer-term rival Amazon Prime Video in vying for subscribers.Reed Hastings, Netflix’s co-chief executive, acknowledges this second wave in the streaming wars, particularly noting the “super-impressive” performance of Disney+, which has become the third global force in streaming behind Amazon. In just 14 months since its launch, the service, powered by franchises including Star Wars TV spin-off The Mandalorian, Marvel films and Frozen 2, has amassed 87 million subscribers four years sooner than forecast. Last month, Walt Disney+ announced a doubling of its content budget and tripled its forecast of subscriber numbers by 2024.However, new rivals have yet to dent the dominance of Netflix, which reported adding 8.5 million subscribers in the fourth quarter, and revealed that 500 TV titles were in the works and a record 71 films would premiere this year. Some doubters had raised concerns that Netflix’s debt-fuelled growth was a financial house of cards. But its foundations look solid now.Nissan’s ‘edge’ over rivals is no vote for BrexitLeaving the EU without a deal would have been an act of economic self-sabotage nearly unrivalled by a developed economy. Carmakers’ relief that a deal was reached on Christmas Eve was palpable. Nissan’s glee became clear last week, with chief operating officer Ashwani Gupta repeatedly declaring that the Brexit deal had given the Japanese carmaker a “competitive advantage”.Nissan had looked through the complex new rules of origin governing trade between the UK and the EU. Parts and finished cars that cross the Channel will not attract tariffs if a certain proportion of their components are from either the UK or the EU. Nissan’s cars already comply with the rules.Crucially, this applies to high-value batteries, which a partner company builds in Sunderland, in a factory next door to Nissan’s. Other companies are not so well-placed and must rely instead on imports from east Asia. For them the Brexit deal has started a scramble to secure batteries from Europe – if they want to sell into the UK – or hope that untested UK companies can build gigafactories to supply them.However, the Japanese carmaker’s statement should not be mistaken for a “vote of confidence”, as Boris Johnson managed to do. Gupta acknowledged that the UK’s departure from the EU had brought new costs, though these were “peanuts” for a company of Nissan’s scale. They may not be so negligible for exporting entrepreneurs, a breed that will probably become rarer as non-tariff barriers increase for would-be traders with the EU.Furthermore, “competitive advantage” is a double-edged compliment. Nissan will gain on UK and EU rivals which do not source batteries locally. Even if it is less of a burden than those carried by competitors, a handicap – in this case increased trade friction with the UK’s biggest market – is still a handicap.A new president is not a panaceaIt would be a mistake to allow the relief that has accompanied Joe Biden’s victory in the US presidential election to become something close to euphoria and, consequently, freight the new US president with expectations that are unachievable.The next decade is looking troubled and fractious even now that Donald Trump’s hand is no longer on the tiller of the world’s largest and most powerful economy. From a global perspective, there is the assessment of climate economist Lord Stern that the next 10 years will be crucial if we are to reach net zero carbon emissions by 2050.China, for 30 years a convenient supplier of low-cost goods to the global economy, is becoming more authoritarian and looking to use its spheres of influence in Asia and Africa to quell complaints by international bodies about the way it treats Uighur Muslims and Hong Kong protesters. To make matters worse, populations in the west and in China are ageing and struggling to provide a decent standard of living for younger members of society.In the UK, Brexit reintroduces a welter of red tape into the trading arrangements this country has with its biggest commercial partner, the EU, and will depress average household incomes over a long period. So despite the relief in many corners of the globe that greeted Biden’s inauguration, there is reason to worry.But there are grounds for hope too. The pressure to address the climate emergency is growing rapidly and politicians all over the world are at last taking notice. The 26th UN climate change conference in Glasgow, scheduled for November, could mark a seismic shift in action. And Biden showed how inclusive he plans to be with his roster of inauguration acts, from the stalwart Republican country singer Garth Brooks to 22-year-old African American poet Amanda Gorman.It was telling that Biden said he wanted to build bridges. It will be difficult, but on the issue of climate change, if on nothing else, that must include China. More

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    Saturday Night Live seeks fresh Biden as political comedy faces new era

    The US presidential election may be over but another keenly watched contest is just beginning. Who should play Joe Biden on Saturday Night Live?Jim Carrey quit the role last Saturday after poor reviews. Alex Moffat, a regular cast member, stepped in for that night’s episode. But it still remains uncertain which actor will portray Biden on a show that helps define each American presidency in the popular imagination.It is just one example of the new challenges facing political satire as Donald Trump leaves the presidential stage. The 45th president offered endless material for late-night TV hosts, standup comedians and cartoonists. His Democratic successor appears to be a less obvious target.“There is about a two-minute hole in every late-night monologue beginning on January 20,” observed Bill Whalen, a former media consultant for the ex-California governor Arnold Schwarzenegger. “Two minutes every night reserved to Trump jokes and Trump bashing: that ends as soon as Biden takes office. So how do you fill the void?”Based in New York, SNL started on the NBC network in 1975 and has been more or less nailing presidents ever since. Chevy Chase played Gerald Ford as bumbling and accident-prone. Dana Carvey was so spot-on as George HW Bush that he earned an invitation to the White House.Will Ferrell captured George W Bush’s word-mangling incoherence. Jay Pharoah was praised for his Barack Obama impression but left the show prematurely. Whalen added: “Obama they had a hard time mocking because Obama was Mr Cool, and how do you make fun of Mr Cool? So I think comedy took a bit of a time out during the Obama years and came roaring back with Trump.”Alec Baldwin’s devastating rendition of Trump as an ignorant idiot, complete with pursed lips and blond wig, frequently went viral and earned the president’s wrath. Melissa McCarthy’s fast and furious take on his first press secretary, Sean Spicer, also struck comedy gold.On one level it is entertainment, but SNL’s cultural significance should not be underestimated, argues Michael Cornfield, a political scientist at George Washington University in Washington. “The central angle of approach to a president’s character is through the Saturday Night Live caricature,” he said.SNL has already found its Kamala Harris in Maya Rudolph, but Biden is proving a tougher nut to crack. He has been played by cast members and guest stars including Jason Sudeikis, Woody Harrelson and John Mulaney. Carrey signed on for this year’s election campaign but his manic performances arguably missed the mark.“Jim Carrey was doing Jim Carrey,” Cornfield observed. “He didn’t communicate Biden.”So Moffat, who has previously played Trump’s son Eric, took over as Biden for an opening sketch in which the vice-president, Mike Pence (Beck Bennett), received a Covid-19 vaccine. But Moffat is only 38, less than half Biden’s age, leaving next year’s all-important casting an open question, along with broader questions of where to find humour in the coming presidency.Cornfield commented: “To me, the comedy of the administration shapes up as one of these workplace sitcoms where the central character, Biden, has to be carrying on gamely while everything around him is going nuts.“Biden’s personality is tough because you don’t want to make fun of his stuttering. You don’t want to make fun of his tragedies. What you want to make fun of is he’s going to pretend that everything is right: ‘Oh sure, I’ll negotiate with the Republicans. No problem. Oh sure, I’ll make the federal government work. No problem.’ That’s his pretence and that’s up for lampooning because it won’t.“Now having said that, I don’t think it will be what we’ve lived through the last four years. We don’t need [Armando] Iannucci-level viciousness because I don’t think that’s called for. But there is a need to make fun of the president. That’s very American.”Cornfield has a suggestion for the role: Ted Danson, who turns 73 next week and appeared with Harrelson in the long-running sitcom Cheers. “He’s got that big smile and that cocky how-you-doin’ demeanor and he knows how to react to people who are just not doing the job or are completely nuts. There’s great comedy to be had when somebody is trying to pretend that everything is is going smoothly when it’s not.”Even so, just as cable news is reportedly bracing for a loss of viewers after the “Trump bump”, political satirists could be forgiven for thinking that a golden age is coming to an end.Trump’s crass remarks, badly spelled tweets and bizarre behaviour – from gazing up at a solar eclipse to slow-walking down a ramp – have been the gift that keeps on giving. It is safe to assume that Biden will not suggest bleach as a coronavirus cure.The Late Show with Stephen Colbert, The Daily Show with Trevor Noah and Last Week Tonight with John Oliver are among the TV programmes that have thrived on dark humour in the Trump years, making sense of the chaos for viewers, channeling their anger and fear and conveying a pointed message.Colbert now draws far more viewers than his late-night rivals Jimmy Fallon and Jimmy Kimmel, neither of whom targeted Trump so directly. He also had a hand in Our Cartoon President, a barbed animated series about Trump and his entourage.Stephen Farnsworth, co-author of Late Night with Trump: Political Humor and the American Presidency, said in an email: “From President Trump’s angry, blustery falsehoods to his clown car entourage, Saturday Night Live and late night comedy have never had it so good. When America has an over-the-top president, one who needs to be in the public eye 24/7, the jokes practically write themselves.“That ends in January. When compared to the current president, Joe Biden is a far less compelling character for humor and doesn’t display the same neediness for public attention. What’s more, Trump’s exaggerated physical mannerisms and speech patterns, captured so effectively by Alec Baldwin, made him easier to imitate than many political figures.”Farnsworth, political science professor at the University of Mary Washington in Fredericksburg, Virginia, added: “Biden is much more measured in what he says and does than is Trump, and that’s not good for comedy. Biden used to be known for a malapropism or two, but his 2020 campaign was a highly controlled exercise, particularly compared to Biden’s time as vice-president or as a senator.”Trump’s departure, however, is also coming as a relief to comedy performers and writing. There are have been moments when he can seem beyond satire and when it is easier to cry than laugh. A novelist might find him frustratingly two-dimensional.Steve Bodow, a former head writer and executive producer of The Daily Show, told the Washington Post last month: “I feel confident saying most writers of late night will not only be politically and patriotically happier, but they’ll be comedically happier. The thing about Trump is there’s nothing new there; there’s just not that much to chew off the bone. It can be utterly exhausting.”Trump was a Falstaffian figure but the consequences of his actions, especially during the deadly coronavirus pandemic, were anything but funny. Biden’s own life has been scarred by personal loss and he inherits a country facing multiple crises – and where Trump is likely to remain a political player.Sidney Blumenthal, a former assistant and senior adviser to President Bill Clinton, said: “The larger-than-life element about Biden is tragedy. Making fun of his speech is making fun of someone who through immense willpower overcame the disability of stuttering.”He added: “The one person who gets Biden best is Stephen Colbert, who, like Biden, is a deeply rooted liberal Catholic.“The fundamental problem is that we have yet to reckon with the immensity of the mourning and grief of what will likely be a half-million dead, which should have been largely preventable by the clownish sadist who provided so much fun before he ushered in a reign of death.” More

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    Infinity culture war: what now for Trump's Hollywood supporters?

    From actor Jon Voight to Kirstie Alley, Trump’s celebrity fans have declared war on the left – and there is little sign hostilities will end soonOn 11 November, Midnight Cowboy and Coming Home star Jon Voight posted a video on Twitter. “This is our greatest battle since the civil war,” he said, referring to the election results. “The battle of righteousness versus Satan, yes, Satan. Because these leftists are evil, corrupt and they want to tear down this nation.” Voight’s support of President Trump has been full-throated. His video messages promote conspiracy theories about the election and use violent language. Voight is typical of celebrity Maga: from Kirstie Alley to James Woods, Trump’s Hollywood supporters regularly echo the president’s own unvarnished rhetoric. But now Trump’s term is over, how long can this cultural Infinity War last?According to Dallas Sonnier, producer of such films as Dragged Across Concrete and the upcoming Run Hide Fight, “There are more pro-Trump celebrities in Hollywood than the dogmatic gatekeepers and thought police could ever possibly imagine.” In 2016, Kelsey Grammer, star of Frasier, told Desert Island Discs that being conservative in Hollywood felt like having a “target on your back”. Indeed, the same twitchiness had caused Forrest Gump actor Gary Sinise to form The Friends of Abe group in 2004 to provide conservatives with a “safe space” in Hollywood. Continue reading… More

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    Fox News retracts Smartmatic voting machine fraud claim in staged video

    Fox News has taken a further step back from Donald Trump’s baseless allegations of election fraud with a bizarre apparent legal retraction aired during shows hosted by some of the president’s most fervent supporters.First broadcast on Fox Business on Friday, on Lou Dobbs Tonight, and repeated over the weekend on shows hosted by Maria Bartiromo and Jeanine Pirro, the segment was presented as a news interview with election technology expert Eddie Perez.In the three-minute video, described as “a closer look at claims about Smartmatic”, Perez answers questions posed by an unidentified interviewer about a Florida company that provided voting systems for the November election.Perez is asked questions such as “Have you seen any evidence that Smartmatic software was used to flip votes anywhere in the US in this election?” and “Have you seen any evidence of Smartmatic sending US votes to be tabulated in foreign countries?”He says he has not seen any such evidence.Earlier this week, Antonio Mugica, chief executive of Smartmatic, sent legal notices to Fox News and two other networks promoted by Trump, One America News Network (OANN) and Newsmax, assailing them for spreading “false and defamatory claims” in a “disinformation campaign”.“They have no evidence to support their attacks on Smartmatic because there is no evidence,” Mugica said in a statement. “This campaign was designed to defame Smartmatic and undermine legitimately conducted elections.”Trump lost the election to Joe Biden by 306-232 in the electoral college and trails by more than 7m ballots in the popular vote. But his false claims of voter fraud and irregularities in voting systems and technology have received sympathetic hearings on the three rightwing networks.The Fox News interview with Perez was described by a network source as “a fact-checking segment aired in the same format” as original reporting about Smartmatic.Speaking to CNN, Perez said: “My reaction was to observe, as many others have, how kind of strange and unique that particular way at presenting the facts was.“There was nothing in any of the preliminary conversations that I had with Fox News that gave me any indication that Smartmatic would be a matter of conversation. It was never mentioned that this was going to be a discussion about Smartmatic or even claims about private vendors. I was anticipating a broader discussion about the debate around the election [and] election integrity.”Perez said Fox News’ coverage of the election was “speculative and not based in fact” and conspiracy theories peddled by hosts were “harmful to enhancing public confidence in the legitimacy of election outcomes”.“I am not accustomed to seeing Lou Dobbs air very straightforward factual evidence,” he said.A Fox News spokesperson declined comment. Earlier, the network referred CNN back to the video.Erik Connolly, an attorney for Smartmatic, said the company would not comment “due to potential litigation”.In a statement to CNN, Newsmax denied making direct claims of impropriety against Smartmatic and said questions about the company and its software were based on “legal documents or previously published reports”.“As any major media outlet,” Newsmax said, “we provide a forum for public concerns and discussion. In the past we have welcomed Smartmatic and its representatives to counter such claims they believe to be inaccurate and will continue to do so.” More

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    John Oliver on Trump's refusal to concede: 'Absolutely unforgivable'

    John Oliver tore into Donald Trump’s “pathetic, dangerous” refusal to acknowledge Joe Biden’s victory on Last Week Tonight, after two weeks of the president’s attempts to delegitimize the results of the election with baseless claims of voter fraud, backed by most congressional Republicans. The Senate majority leader, Mitch McConnell, for example, said Trump is “100% within his rights” to challenge the election result, and chastised Democrats on the Senate floor for “any lectures about how the president should immediately, cheerfully accept preliminary election results from the same characters who just spent four years refusing to accept the validity of the last election”.
    “First, no one expected Trump to immediately, cheerfully accept the results,” Oliver countered. “He’s incapable of cheerfully accepting anything apart from blowjobs, Nazi endorsements and the opportunity to scream inside a stranger’s truck,” to harken back to a photo-op from two years or what feels like two decades ago.

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    Furthermore, Democrats in Washington never refused to accept the election results in 2016: Hillary Clinton formally conceded the morning after election day, and Obama hosted Trump in the White House the day after that. “And yet Republicans are trying to defend their support for Trump’s indefensible behavior,” Oliver continued. One senior White House official asked the Washington Post: “What is the downside for humoring him for this little bit of time?” which Oliver called “a question that never ends well, whether the ones asking it are overworked parents who need a break or the Weimar Republic”.
    The Trump campaign and its television surrogates on Fox News have lobbed numerous unsubstantiated claims of voter fraud before, during and after the election, and “if you’re a casual viewer of rightwing media, you might think, ‘Well, there must be something here, they wouldn’t be going to all this trouble over nothing’”, Oliver said. “But the thing is, they are. This really is nothing.”
    Oliver summarily disproved Trump voter fraud claims from Pennsylvania to Georgia to Michigan – “I could spend the rest of this show debunking stories,” he said. “The problem is, it’s endless” and often nonsensical. “And who knows why Republicans are entertaining this – maybe it’s the fact that Georgia has two Senate runoffs coming up and they want to keep Trump happy so he’ll help rally voters for him there,” Oliver added. “Maybe they’re currying favor with him because they’re worried he’ll be a power broker going forward, I don’t know. What I do know is that the answer to the question ‘what is the downside of humoring him?’ is a lot.”
    The Trump administration’s refusal to acknowledge the election’s outcome prevents Biden from receiving high-level intelligence reports or accessing funds for his transition team. More pressingly, it blocks Trump officials from sharing critical details of a distribution plan for a Covid vaccine with Biden’s team. As cases surge to new records across the country heading into the holiday season, “you really want the new team handling the pandemic to be able to talk to the old team,” said Oliver, “even if, as I suspect, the old team’s plan was just a single white board in Jared’s office with nothing on it other than ‘discover cure?’ circled five times and then a drawing of Donald Trump saying: ‘Good job, new son.’”
    Many of Trump’s election fraud claims are laughable or ridiculous, Oliver continued, but “the fact is, a lot of people believe stuff like that. And when you continually insist that the election was stolen in big cities and suggest that remedying this calls for the ‘biggest fight since the civil war’,” to quote a video retweeted by Trump of the actor Jon Voight comparing contesting Biden to battling Satan, “things start to get deadly serious.” Earlier this month, two armed men were arrested outside the Philadelphia convention center, where city officials were counting ballots. One of the city’s commissioners, a Republican, told CBS news that the vote-counting center had received threatening phone calls “reminding us that ‘this is what the second amendment is for’”.
    It’s clear, Oliver said in response to the situation in Philadelphia, that “Trump is playing a dangerous game here, because there’s a huge difference between ‘not my president’ and ‘not the president’. And to be clear, people who are that angry are not riling themselves up in a vacuum. They’ve been fed a steady diet of misinformation, bullshit fraud claims, and a victim narrative from outlets like Fox News, Newsmax, OANN and, most importantly, Trump himself.”
    Trump’s continued propagation of election conspiracy theories via Twitter since the election are an “appropriate coda to a presidency that has destroyed so many lives”, said Oliver. “So many of us have lost loved ones, either because you can no longer square your love for them with their love for him, or because they fell down a mind-melting rabbit hole of conspiracy theories that he happily perpetuated, or because he let a deadly virus run wild, and it fucking killed them.
    “And now, as a parting gift to the country,” he concluded, “Trump is somehow managing to divide us even further while also hobbling his successor at the worst possible time, which is absolutely unforgivable.” More

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    Trump v Biden: how to watch the US election coverage in the UK

    So, you are in the UK and want to watch the US election results? Even after what happened in 2016 – and even though the election wasn’t called for Donald Trump until 7.30am GMT – you really want to put yourself through all that again? Well, fine. I cannot condone this sort of behaviour, but I can, begrudgingly, guide you through your viewing options.
    BBC One: US Election 202011.30pm-1pm
    Katty Kay and Andrew Neil – in his last gig for the broadcaster – will present rolling coverage, from Washington and London respectively, starting half an hour before the first presidential polls close. Jon Sopel and Clive Myrie will be with the Trump and Biden campaigns, while Nick Bryant, Emily Maitlis and others will report from various battleground states. Experts will be shepherded in for analysis and Christian Fraser will have a big screen to play with.
    Kay and Neil’s heroic – and potentially traumatising – shift will conclude at 9am. At this point, Matthew Amroliwala and Reeta Chakrabarti will begin four further hours of reaction and analysis. Hopefully, by the time this is over, we will know who won. Even if we don’t, BBC One is scheduled to return to normal. Sure, the election is important, but not important enough to derail Doctors.
    ITV: Trump Vs Biden: The Results11pm-6am
    As with all elections, ITV’s coverage will be less watched than the BBC’s, but fitfully more interesting. The good news is that Tom Bradby is holding the fort, so we might witness another of his planet-sized, shoulder-slumping sighs when he finally knocks off. However, official coverage ends at 6am, so there is an almighty chance that the result will be revealed on Good Morning Britain, provided that Piers Morgan can be quiet for long enough.
    Sky News: America Decides9pm-7am
    Sky’s election output kicks off at 9pm with an hour-long programme entitled Trump: America Interrupted, which will look at the impact of the Trump presidency. After that, results coverage begins at 10pm – four hours before many polls close – with America Decides, which Dermot Murnaghan will present live from Washington. Apparently, Sky will use its most comprehensive election data yet and will work closely with NBC News. It will also include an augmented reality “Race to the White House”, whatever that means. Either way, Kay Burley will take over at 7am.
    CNN: Election Night in America5am-9pm Thursday
    For those of you who hate sleep, CNN’s rolling coverage has already begun and will continue unbroken until The Lead with Jake Tapper begins 64 hours later. Why has such a vast amount of time been devoted to election coverage? It is almost as if CNN knows that the result will be contested and that the contest will rattle on unsatisfactorily for days.
    Other options
    As you would expect, your best bet of thorough election coverage would be to follow the Guardian’s election liveblog. But there are other options for the more news-averse. At 10pm, Comedy Central is showing the vastly underrated Die Hard knock-off White House Down. And, given his bracing, shellshocked reaction four years ago, you would be foolish to miss Stephen Colbert’s Showtime election show; it won’t be shown live on UK TV, but it will be all over YouTube after it airs. Then again, you could just go to bed as normal and avoid the whole sorry mess. More

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    TV tonight: the moment of truth for Trump and Biden

    US election night 11pm, BBC One; ITV; Sky NewsThe road to the 2020 US election has felt even more dramatic than anticipated, taking in everything from the “October surprise” of Trump being admitted to hospital to the unfurling consequences of the pandemic and the Black Lives Matter movement. Tonight, the votes are counted and there won’t be any shortage of options in terms of assessing the news from the battleground states. Andrew Neil on the BBC? Tom Bradby on ITV? Or Ed Conway on Sky? Get ready for a nail-biter. Ammar KaliaAung San Suu Kyi: The Fall of an Icon 9pm, BBC TwoFrom Nobel peace prize winner to facing accusations of genocide, Aung San Suu Kyi has had an unpredictable fall from grace. This documentary charts her history from imprisonment to election victory before analysing her widely criticised response to violence against Rohingya Muslims. AKChannel Hopping With Jon Richardson 9pm, Comedy CentralRichardson enters the Clive James territory of pointing at telly and laughing, with a collection of wacky clips from around the world. His guests this week are Ivo Graham, whose TV obsessions are Britain’s Got Talent and Blind Date, and Judi Love on US cult classic Finding Bigfoot. Jack SealeBlack Monday 9pm, Sky ComedyThe periodically amusing Wall Street comedy starring Don Cheadle and Regina Hall returns. As season two begins, everyone is dealing with the cold, hard reality of what a stock market crash really entails. But that doesn’t mean there aren’t deals to make and opportunities to pursue if you know where to look. Phil HarrisonEducating Greater Manchester 9.15pm, Channel 4This series returns to Harrop Fold secondary in Salford. Headteacher Mr Povey’s career is under threat, while a new year 8 pupil arrives from Calcutta and tries to fit in with the students. We also catch up with Vincent, who promises he has reformed his mischievous ways. AKAlton Towers: A Rollercoaster Year 10.15pm, Channel 4This has been the year of the furlough documentary, revealing how UK attractions – from stately homes to zoos – have coped during lockdown. This latest addition doubles as a comeback special, shadowing staff at the venerable theme park as they prepare for reopening in a tight 12-day window. Graeme VirtueFilm choice More