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    Veep cast reunites, with special guests, to raise money for Harris

    As soon as Joe Biden dropped out of the presidential election and threw his support behind Kamala Harris, people immediately started comparing the shocking turn of events to something that would unfold on HBO’s critically acclaimed political satire Veep. At the time, the US vice-president was seen as a Selina Meyers-esque figure, what with her penchant for public awkwardness, clunky turns of phrase and the perception of her as a perpetual also-ran.Since then, things have changed quite a bit, with Harris rising to the occasion and running a highly effective and exciting campaign that has seen her ascend to frontrunner in the race (even if her advantage remains razor-thin).Still, as I wrote in my article from July, her campaign and the Democrats as a whole would be wise to lean into comparisons to Veep. Despite how venal and vain the characters on the show were, the workplace comedy (which wrapped up in 2019) remains as popular and relevant as ever.When you consider this alongside the fact that the majority of the cast, including and especially its star, Julia Louis-Dreyfus, are outspoken liberals, it made all the sense in the world for some Democratic group to try to work with them to raise funds and awareness during this final leg of the campaign.That group ended up being the Wisconsin Democrats. A swing state that is likely to have a big hand in deciding not only who the next president is, but also which party controls the Senate, WisDems put together a live Zoom table read of a classic episode of Veep, featuring the majority of the cast, plus some big-name guest stars, to be livestreamed to the donors, with the money raised going towards presidential, congressional and assembly campaigns across the state.Fellow liberal comic and Veep super-fan Stephen Colbert took on hosting duties. Special guest stars included the Wisconsin senator Tammy Baldwin in her acting debut (not counting her childhood performance in a school production of Finian’s Rainbow), actor and comedian Kumail Nanjiani as a Syrian refugee (“I’m Pakistani, but I can play cat-eating immigrants from all over the world”), Seinfeld co-star Jason Alexander as a pompous feature writer, film-maker Kevin Smith as a reporter, and Larry David – who, in the most fitting turn of events imaginable, spent the first several minutes of the live stream trying to figure out how to work his Zoom – as Selina’s chief hatchet man, Ben Cafferty.View image in fullscreenReprising their roles from the show were actors Diedrich Bader, Nancy Lenehan, Gary Cole, Sam Richardson, Sufe Bradshaw, Timothy Simons, Reid Scott, Matt Walsh, Anna Chlumsky, Tony Hale and, of course, Louis-Dreyfus, while series regulars Clea DuVall and Sarah Sutherland took on other roles, since their characters don’t appear in this ep. (Patton Oswalt, who was also on the show, made a surprise appearance during the post-read Q&A.)The episode chosen was Crate, from season 3, which finds Selina and her cronies campaigning in New Hampshire ahead of the upcoming primaries. Various mishaps involving a pricey photo-op prop, an incriminating cellphone recording and the suicidal first lady, ensue. This episode is regarded as one of the very best in the show’s history, mostly due to one scene: Selina, having just learned that Potus will be resigning from office, effective immediately, shares a joyous freakout alongside her body man/closest confidant, Gary. It’s a bravura performance from both Louis-Dreyfus and Hale, one that probably secured them each an Emmy the following year.(It’s also fitting that this episode should be chosen, given that this intimate scene is immediately followed by Selina betraying Gary, a dynamic that repeats itself in the most devastating moment of the series finale.)For the read-through, the cast slipped back into their roles with ease. Everyone was on point, but Louis-Dreyfus and Hale were extra-dialed in, especially during their big scene. You got goosebumps watching them recreate it 10 years later, over Zoom, while still bringing all of the emotion they did during the actual filming.The guest stars all acquit themselves well, but it should come as no surprise that it was David who got the biggest laughs. While it’s impossible for him not to play himself, his singular delivery proved a perfect fit with Veep’s uber-cynical, profanity-laden screwball dialog.After the reading, we alternated between cast members interviewing a handful of state legislature candidates (with the major focus of the night revolving around abortion rights) and them fielding questions from viewers. Show creator Armando Iannucci joined in for this portion of the event.We got treated to a mini-Seinfeld reunion between Louis-Dreyfus, Alexander and David; Louis-Dreyfus sounded off on her hatred of AI; Smith talked about his favorite scene of the show (Selina accidentally getting high on St John’s wort, naturally); and David went off on a funny tangent about bald men looking better with beards (although he himself would never grow one because comedians can’t be stroking their beards).Someone asked the cast to give their favorite individual lines from the show. Louis-Dreyfus: “Jolly green jizz-face.” Simons: “[You’re] a meme, ma’am.” Walsh: “I’ve met [some] people … and a lot of them are fucking idiots.” Chlumsky: “[That’s] like [trying to use] a croissant [as] a [fucking] dildo. It doesn’t [do] the job and it [makes] a fucking mess!” Bradshaw: “[Get] the government out of my [fucking] snatch.” Colbert: “Danny Wah!”Iannucci seemed to confirm that Kent and Sue indeed hooked up at some point (“It probably involved algorithms”) and speculated on various characters’ outcomes (married politicos Amy and Bill are probably hosting a podcast with their dogs, while the “late” Andrew Meyer is living under a new identity on an island that he’s trying to buy with a view to it being recognized as its own country).When asked about the future of satire, Iannucci said it depended on who wins this election, as the entire premise of political comedy hinges on people holding politicians up to certain standards, standards Trump and his ilk have never shown the least bit of concern over.Colbert wrapped things up by having the cast read aloud their favorite insults of the show’s most despicable and hilarious character, noxious political aide and eventual veep, Jonah Ryan. These cruel gems include: “Childless cat-lady man”, “Disney plus extra chromosomes”, “Harry No-Styles”, “Rape-It Ralph”, “Moonsucker”, “Satellite licker”, “face-circumcised” and “stock photo for sperm-bank reject”.Right as Simons, the actor who played Ryan, broke the news that the fundraiser exceeded its stated goal of $600,000, Iannucci tossed out on final new Jonah barb that he’d come up with earlier in the day:“Jonah, even if you fell into the world’s most powerful castration machine, you’d still come out of it a dick.” More

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    How CBS Will Fact Check the Walz-Vance VP Debate

    CBS is experimenting with a novel way to offer real-time fact-checking of the vice-presidential debate on Tuesday. Just don’t expect the moderators to frequently jump in.The journalistic dilemma of how to fact-check national candidates on the debate stage has cropped up again and again in the 2024 election.Should CNN’s moderators — who were relatively passive when President Biden debated former President Donald J. Trump in June — have been quicker to interject? Should ABC’s moderators — who politely but firmly clarified several of Mr. Trump’s outlandish claims at the second debate on Sept. 10 — have stayed quiet?Moderation is an art, not a science. But CBS News, host of Tuesday’s vice-presidential matchup between Senator JD Vance and Gov. Tim Walz, is using technology to try something new.A QR code — the checkerboard-like, black-and-white box that can be scanned by a smartphone — will appear onscreen for long stretches of the CBS telecast. Viewers who scan the code will be directed to the CBS News website, where a squad of about 20 CBS journalists will post fact-checks of the candidates’ remarks in real time.The code will appear only on CBS; viewers who tune in on a different channel will not see it. (Nearly every major network will simulcast the debate, starting at 9 p.m. Eastern) But it is a novel approach to guide viewers, already accustomed to watching TV while hovering over a smartphone or laptop, to supplemental journalistic material elsewhere.“The idea is to give people that second-screen experience,” said Claudia Milne, the senior vice president for standards and practices at CBS News, adding, “The audience can get the takeaway they need in a responsible and smart way.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Inside a Kamala Harris Ad That Draws an Implicit Contrast on Character

    Vice President Kamala Harris’s presidential campaign is running this 30-second ad on television stations in at least four battleground states and has spent more than $5 million since first airing it in mid-September, according to AdImpact.Here’s a look at the ad, its accuracy and its main takeaway.On the ScreenThe first few seconds of this ad are pulled directly from Ms. Harris’s appearance on Sept. 10 in a presidential debate against former President Donald J. Trump. Viewers see a composed vice president who leans on her career as a prosecutor to argue that she will represent Americans across political parties if she wins in November.Photos show Ms. Harris as a prosecutor and then as vice president. Video clips show her alongside her running mate, Gov. Tim Walz of Minnesota, as she greets supporters at a market in Wisconsin and a campaign office in Phoenix. They show her speaking expressively to construction workers in Philadelphia and with volunteers at a Planned Parenthood in Minnesota. And they see her smiling, hugging or shaking hands with workers in a record shop and a nursery in Washington, D.C., a Georgia solar-cell factory, and a Wisconsin union hall.Harris for PresidentThe ScriptHarris“As a prosecutor, I never asked a victim or a witness, ‘Are you a Republican or a Democrat?’ The only thing I ever asked them: ‘Are you OK?’ And that’s the kind of president we need right now. Someone who cares about you and is not putting themselves first. I intend to be a president for all Americans and focus on investing right now in you, the American people. And we can chart a new way forward.”AccuracyThere are no verifiable claims.The TakeawayThis ad is meant to portray Ms. Harris as more presidential than partisan. The promise of governing for all Americans has become a bit of a rote message — and Mr. Trump has promised to do the same — but her campaign is putting serious money behind the idea that voters still want to hear it.The ad showcases Ms. Harris’s qualifications and does not make explicit mention of Mr. Trump. Yet it draws an unmistakable contrast between her behavior and that of the person who was standing just several feet to her right at the debate.And it foregrounds what Ms. Harris has long considered one of her best career attributes: her years as a prosecutor who protected victims and cracked down on violent offenders.Voters have signaled that they want to know more about Ms. Harris, and that the character of both candidates is a significant concern to them. The ad frames their choice as between a candidate who is empathetic, pragmatic and focused on moving past the political divisions of the past decade, and an opponent whose character is so well known that it needs no explicit description here. More

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    Dish and DirecTV Near a Deal to Combine (Again)

    The companies are in talks to create one of the largest pay-TV providers in the country. In 2002, the U.S. government blocked a similar deal.Business has gotten only more difficult for Charlie Ergen, the founder of the satellite TV giant Dish, since the government blocked his bid to combine his company with DirecTV in 2002.Since then, streaming services have demolished the traditional TV industry. Cable and satellite companies have lost about 30 million customers, leaving just 50 million. And the outlook for traditional providers has grown so dire that Ergen warned two years ago that Dish and DirecTV were likely to “melt away” without a deal.The challenges ahead look just as worrisome. Dish’s parent company, EchoStar, sought to fend off declines in Dish’s business by spending billions building out a 5G wireless cellphone network. It now faces the prospect of fending off slicker, faster competitors like Elon Musk’s Starlink and Amazon’s Project Kuiper, which put its first satellites in space last year. So Dish and DirecTV are giving a tie-up another try. DirecTV is in the advanced stages of acquiring Dish, two people familiar with the situation told DealBook, requesting anonymity to discuss confidential negotiations. News of the merger discussions, which could still fall apart, was reported earlier by Bloomberg.The latest attempt underscores how much the entertainment industry has shifted over the last two decades. And it raises a perhaps more thorny question: Did the government fail to see how the TV market was changing when it blocked the deal the last time?The television landscape looks nothing like it did 22 years ago. Back in 2002, the Justice Department and the Federal Communications Commission worried that a merger between Dish and DirecTV would hurt rural subscribers. But many out-of-the-way pockets of the United States no longer rely on the satellite companies as the sole providers of TV. Broadband access has exploded as companies like Comcast and Charter have expanded further.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Stream Maggie Smith’s Greatest Performances

    In “Downton Abbey,” “A Room With a View” and dozens of other films and television series, she delighted audiences with her portrayal of sharp, tart-tongued and often wryly funny Englishwomen.Maggie Smith, who was 89 when she died on Friday, made her professional stage debut on Broadway in the 1950s, when she was still in her early 20s. In the decades that followed, she worked steadily in movies and television, while regularly returning to the theater.Smith won her first Oscar for the title role in “The Prime of Miss Jean Brodie” (1969), a charismatic and manipulative teacher who has a profound and, at times, destructive effect on the lives of the teenage girls in her charge. She went on to win another Oscar, a Tony and four Emmys, and became known in her later years for playing a particular type of Englishwoman: sturdy, smart, sharp-tongued and rooted sometimes stubbornly in the traditions of the past.Audiences in the 21st century came to love Smith in two recurring roles: as the heroic Professor Minerva McGonagall in the “Harry Potter” movies and as the coolly disapproving Dowager Countess Violet Crawley in the period TV drama “Downton Abbey.” But her career was long and eclectic, with a mix of serious and comic characters, in both supporting and leading roles. Here are 10 of Smith’s best performances that are available to stream:1972‘Travels With My Aunt’Rent or buy it on Amazon Prime, Apple TV, Google Play, Vudu or YouTube.Though she was only in her late 30s at the time, Smith took an early step toward her most familiar screen persona — the dynamic and unforgettable older relative — in this adaptation of Graham Greene’s offbeat adventure novel. Filling in for Katharine Hepburn (who differed with the studio and with her old friend, the director George Cukor, on how best to tell her character’s story), Smith ended up nabbing her third Oscar nomination, playing the eccentric globe-trotter Augusta Bertram, who enlists a stuffy, middle-aged Londoner in one of her illicit moneymaking schemes while hiding her true connection to him. Smith builds an outsize yet complex character via flashbacks that show how she learned to eschew conventional mores and to enjoy life on her own terms.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Jimmy Kimmel on Trump campaign hacks: ‘Shows that his password is McNuggets123’

    Late-night hosts talk the Trump campaign’s multiple campaign hacks, Kamala Harris’s lead among young voters and a dubious new Trump merchandise product.Jimmy KimmelThe Trump campaign has now been hacked twice in the last two months, “which is what happens when you store secret documents next to the urinal at a golf course”, said Jimmy Kimmel on Wednesday evening.Intelligence officials suspect Iran is behind at least one attack, leading campaign spokesman Steven Cheung to claim that the attacks show how Iran is “terrified of the strength and resolve of Donald J Trump”.“And it also shows that his password is McNuggets123,” Kimmel joked.One of the journalists who received the leaked documents said the material may be “embarrassing or problematic” to members of the Trump campaign. “As if anyone who works for the Trump campaign is capable of embarrassment,” Kimmel noted.In other campaign news, Trump was in Georgia on Tuesday, “where they’re working very hard to fix the election for him”, and “once again, he had a lil McFit about whether or not Kamala Harris worked at McDonalds”. Trump repeatedly and falsely said Harris never worked for the fast-food chain, calling her past employment a “lie”.“He really should just be running for Mayor McCheese,” said Kimmel. “It’s so dumb, it’s so petty, but so is he.”Seth MeyersOn Late Night, Seth Meyers laughed at Trump’s campaign trail confession that his “personality defect” is wanting people to like him. “By his own confession, he likes people who like him, and that’s it,” said Meyers. “He doesn’t care about policy or character or integrity. He you like him, he likes you.”That’s why Trump endorsed Mark Robinson, the scandal-plagued Republican candidate for governor of North Carolina. In multiple appearances, Trump praised Robinson, who is Black, saying: “I’ve gotten to know him so well.” He also described Robinson as a “fine wine”, “Martin Luther King on steroids” and “Martin Luther King times two”.“He’s really truly amazing,” said Meyers of Trump. “Everyone agrees Martin Luther King is a great person, but only Trump would say ‘I know someone twice as good! Every night he has two dreams!’”Among Robinson’s numerous scandals is a CNN report of his past racist comments on a pornographic website called Nude Africa, including calling himself a “black Nazi”. In another comment, Robinson, using his full name in his username, said slavery was “not bad” and that he wished it would come back.“First of all, who uses their full name on a porn website?” Meyers wondered. “I don’t even use my full name when I make a dinner reservation – I use Jimmy Fallon, because I want a table.”Despite his past support of Robinson, the Trump campaign is now pretending they don’t know him, and have removed joint events from their calendar. “A healthy, functional political party would do some introspection about how and why they keep attracting deranged extremists and anti-social weirdos like these guys,” Meyers concluded. “But the GOP would rather lie and pretend they have never had anything to do with Robinson in the first place.”Stephen ColbertAnd on the Late Show, Stephen Colbert cited a new Harvard youth voting poll that found Harris leads young female voters 70% to 23%. “Young women are going to save us all. And young men are going to play Xbox and see how high they can jump off a big rock,” Colbert joked.In an effort to attract young voters, the Harris campaign has committed to visiting over 150 college campuses. “Ooh, 150, she’s trying to break Matt Gaetz’s record,” Colbert quipped. “I’m kidding, obviously he’d never date a college girl. Or, as he calls them, mature honeys.”According to a polling director at Harvard, the results show “a significant shift in the overall vibe”.“Yeah the vibes are immaculate,” Colbert said. “The analysis shows that Harris ate and left no crumbs. Her campaign had a bussin’ glow-up. In conclusion, the children have broken my brain. Boots king!”In other news, “Trump may be busy campaigning, but he’ll never lose sight of his first love: selling garbage,” said Colbert. On Tuesday, the former president announced that he’d be selling silver Trump coins with his face on them. The coins are selling for $100 apiece, though the silver they’re made of only costs $30.“What a deal!” Colbert deadpanned, before imagining one man’s justification for buying the coins: “Honey, I know I bought a Trump coin at a 210% loss, but you can use the Trump coin to buy Truth Social stock, and once that eventually bounces back we’ll invest the profit in an NFT trading card of his gold sneakers, which is pegged to the price of the little pieces of his suit we got from when he got arrested, then convert it to Trump crypto, which we’ll use to buy Melania’s book, which, get this, is worth one Trump silver coin.” More

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    ‘We had no political agenda’: the White House hosts a West Wing TV reunion

    The marine band struck up a familiar theme. The door of the Oval Office swung open. Out strode the president and first lady to address an expectant crowd – that is, the real first lady, Jill Biden, and the president that fans of the TV show The West Wing used to secretly crave: Jed Bartlet, alias actor Martin Sheen.After a decade in which US politics has often felt like the work of a hyper-imaginative screenwriter, with ever more unlikely plot twists including the election of a reality TV star, it felt strangely natural to see Sheen stepping into the shoes of Joe Biden as his show’s theme music filled the Rose Garden.“We just came from the Oval,” said Jill Biden. “But even though Joe is away hosting leaders of Australia and India and Japan in Delaware, he wanted to make sure that President Bartlet and his staff had a chance to see the Oval Office again.”Sheen and fellow cast members had come to the White House to celebrate the 25th anniversary of the first episode of The West Wing, the seven-season drama about an idealist liberal president and his fast-talking staff.On Friday, in warm sunshine, there were references to “big blocks of cheese” – a tradition on the show of requiring presidential staffers to meet with eccentric or offbeat constituents – and the walk-and-talk dialogues in which characters moved through the halls at high speed. Waiters passed out bourbon-and-ginger ale cocktails called the Jackal, a reference to press secretary CJ Cregg’s dance and lip-sync routine in one episode.Sheen – who has said his character was a conglomeration of Democrats John F Kennedy, Jimmy Carter and Bill Clinton – rolled back the years. In classic Bartlet mode, he exhorted the crowd to find something worth fighting for, “something deeply personal and uncompromising, something that can unite the will of the spirit with the work of the flesh”.View image in fullscreenThen Aaron Sorkin, the show’s creator, declared: “Our cast will live on as one of the best in the history of television,” and recognised those in attendance. Among them were Richard Schiff, who played communications director Toby Ziegler; Janel Moloney, who played assistant Donna Moss; and Dulé Hill, who played the president’s body man, Charlie Young.Sorkin also noted the absence of a few high-profile actors – Allison Janney, Bradley Whitford and Rob Lowe, better known to fans as Cregg, Josh Lyman and Sam Seaborn – who he said were on set elsewhere. “The rest of us are apparently unemployed,” he joked.After the crowd laughed, a voice chimed in from Sorkin’s right. “Not yet!” Jill Biden said. It was a nod to the fact that her husband still has four months left in office – and a quick retort worthy of Bartlet’s exchanges with wife Abbey Bartlet, played by Stockard Channing.The West Wing remains a favourite of many who now work in Washington. Among those spotted in the Rose Garden were the House foreign affairs chair, Michael McCaul, a Republican from Texas, and Joe Walsh, once a Tea Party-aligned Illinois representative who is now a fierce critic of former president Donald Trump.Sorkin reflected: “We had no political agenda. We were trying to do a good show every week. But the greatest delivery system ever invented for an idea is a story and, once in a while, we’ll hear from someone who was inspired to go into public service because of our show. And that’s something that 25 years ago this week, none of us could have foreseen or even dared to hope for.”Born in the last year of the 20th century, the show illustrates that there is nothing so remote as the recent past. Its run coincided with the 11 September 2001 terrorist attacks on New York and Washington and the wars in Afghanistan and Iraq. It was off the air by the time Barack Obama, Donald Trump and Joe Biden were elected and long gone when the Covid-19 pandemic and January 6 insurrection unfolded.Sorkin continued: “The show was idealistic, aspirational and romantic. Over the years, I’ve noticed that during times of peak political tension, pundits will warn us not to expect ‘a West Wing moment’.View image in fullscreen“They mean not to expect a selfless act of statesmanship. Not to expect anyone to put country first. Don’t expect anyone to swing for the fences or reach for the stars. But the fact is, West Wing moments do happen and Dr Biden, we saw proof of that on the morning of July 21.”That was the day Joe Biden announced he would not seek re-election after a disastrous debate performance and growing concerns over the 81-year-old’s mental and physical condition. For months, however, Biden had been in denial. If anyone wants to look for an on-screen parallel, it might be Bartlet hiding a multiple sclerosis diagnosis while running for president.The final season of The West Wing saw Bartlet passing on the torch to fellow Democrat Matthew Santos, played by Jimmy Smits. He becomes America’s first Latino president after defeating Senator Arnold Vinick of California, portrayed by Alan Alda as the kind of old school Republican who is now an endangered species in the Trump era.Nothing, perhaps, dates The West Wing more than that. More

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    ‘Agatha All Along’ Review: Toil and Trouble

    Marvel’s “WandaVision” spinoff has more witchcraft but less magic.This review contains spoilers for the first episode of “Agatha All Along.”Jac Schaeffer, who created the first of the Disney+ Marvel series, “WandaVision,” and has now created the 11th, its spinoff “Agatha All Along,” is not one to let an idea go to waste.In Schaeffer’s first series, a grieving superheroine used her magical powers to create a world for herself based on classic American sitcoms. It was entertaining to watch how the show reimagined those familiar comedies within a dark fantasy-science fiction framework. (At least until “WandaVision” went off the rails toward convoluted Marvel business as usual in its last few episodes.)Now she starts “Agatha All Along,” which premiered Wednesday night on Disney+, with another detailed sendup. This time she puts her new main character — Agatha Harkness, a dangerous witch with a half-century history in Marvel comic books — inside a parody of the grim HBO crime drama “Mare of Easttown.” Still stuck where she was at the end of “WandaVision,” under a spell that strips her powers and any memory of who she really is, the fallen sorceress is now a cynical, violence-prone small-town police officer.You may ask yourself how, in the three years that have elapsed between the two shows, Agatha has undergone a complete personality shift, from chirpy neighborhood noodge to hardened cop. You should be more concerned, though, with why the cop-show pastiche is so disappointing — so dull and aimless that talented comic actresses like Kathryn Hahn (who stars as Agatha) and Aubrey Plaza seem at a loss.It is a relief when that show-within-a-show ends during the first episode, apparently a quick diversion rather than an integral element like the sitcom burlesques in “WandaVision.” (Four of the nine episodes of “Agatha All Along” were available for review.)It has set a bad precedent, though. Even when the series shifts into its actual format — a jokey, jaggedly comic fantasy quest in which a group of unfulfilled women hit the road in search of their powers — the results are mostly perfunctory. Spells are cast, but not on the audience.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More