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    Disney and DirecTV Reach Deal, Ending ESPN Blackout

    The agreement ends a two-week dispute that had prevented many of DirecTV’s 11 million customers from watching programs like Monday Night Football.Disney and DirecTV said on Saturday that they had reached an agreement that will allow channels like ESPN and ABC to return to the satellite TV service.The deal ends a two-week blackout that prevented many of DirecTV’s 11 million customers from viewing programs like Monday Night Football and the U.S. Open tennis tournament as the two sides haggled over terms of a new distribution agreement.The pact was struck in time to avoid alienating viewers who wanted to watch college football on ESPN and the Emmys, which will air on Sunday on Disney’s ABC broadcast network.“DirecTV and Disney have a longstanding history of connecting consumers to the best entertainment,” the companies said in a joint statement. “And this agreement furthers that commitment by recognizing both the tremendous value of Disney’s content and the evolving preferences of DirecTV’s customers.”One of the big sticking points in negotiations over the last week was whether Disney — which spends lavishly on shows for the Disney+ streaming service — could continue to charge DirecTV high rates for traditional TV content. DirecTV argued that Disney was shortchanging its traditional TV customers by expecting the same fees for what is effectively less content.Under the terms of the new agreement, Disney’s streaming services, including Disney+, will be offered to DirecTV customers in select packages. That compromise has now become common in cable deals, with similar agreements reached by the cable giant Charter with Disney and Warner Bros. Discovery.The dispute between DirecTV and Disney underscored the harsh economic realities experienced by satellite TV networks, which do not have products like broadband internet that make their services harder to abandon.The deal will also allow DirecTV customers to watch the Disney Channel, Freeform, the FX networks and the National Geographic channels. Though the contract is still being finalized, service was restored on Saturday morning to DirecTV customers.DirecTV’s agreement with Disney comes amid reports that the company is working on a much larger deal that would transform the company. Earlier this week, Bloomberg reported that DirecTV is negotiating a merger with Dish, another TV provider, in a deal that would create a satellite TV giant. More

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    Chad McQueen, ‘Karate Kid’ Actor, Dies at 63

    Mr. McQueen, the son of Steve McQueen, is most widely recognized for his recurring role as Dutch in the 1980s cult classic franchise “The Karate Kid.”Chad McQueen, the actor best known for the role of “Dutch” in the “Karate Kid” movie franchise and son of the actor Steve McQueen, died on Wednesday at his home in Palm Desert, Calif. He was 63.His family announced his death in a post on social media, paired with a photo of him as a boy with his famous father. The cause was organ failure, his longtime attorney and friend, Arthur Barens, said.Chad McQueen was involved in more than 25 movies and television shows, as an actor, producer and other roles, but he is most widely recognized for his role as Dutch in the 1984 teen classic “The Karate Kid.”As Dutch, Mr. McQueen played a mean, troublemaking bully of the Cobra Kai dojo who ran with Johnny Lawrence (William Zabka) and his gang, showing no mercy and jumping up and down in excitement as they delivered a brutal beating to Daniel LaRusso (Ralph Macchio) on Halloween night.He reprised the role of Dutch in the sequel, “The Karate Kid Part II,” released in 1986.Mr. McQueen went on to appear in other films including “New York Cop,” a 1993 action film about a Japanese detective living illegally in the United States; and “Red Line,” a 1995 thriller about a car thief who is blackmailed.But Mr. McQueen did not stay in Hollywood for long after that, and he again followed in his father’s footsteps by switching to auto racing.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Jon Stewart on Harris’s debate performance: ‘She crushed that’

    Late-night hosts recapped the first presidential debate between Donald Trump and Kamala Harris on ABC News.Jon StewartJon Stewart took over his guest perch at the Daily Show on Tuesday for a live post-debate show, reeling from over 90 minutes of heated conversation between Donald Trump and Kamala Harris.“I just want to say that after surviving the PTSD of the last presidential debate, how unbelievably refreshing it is to go back to the same old nobody is going to answer any fucking questions! We’re back!” Stewart joked of the “cliches” and “baseless ad hominems” of American political theater.Early in the matchup, Trump claimed that “everybody” wanted Roe v Wade overturned and the legality of abortion left up to states, which Harris accurately disputed. “I have talked with women around our country,” she said. “You wanna talk about, this is what people wanted? Pregnant women who want to carry a pregnancy to term, suffering from a miscarriage, being denied care in an emergency room because the healthcare providers are afraid they might go to jail – and she’s bleeding out in a car in the parking lot? She didn’t want that.”“Holy shit! She crushed that,” said Stewart.Stewart ran through highlights of the debate, including when Harris got under Trump’s skin about the crowd sizes at his rallies, or when Trump tried to deny that he had any role in January 6. But ultimately, “I don’t know if this debate is going to change anything,” said Stewart. “People are often set in the manner that they view these proceedings. What I think is a home run answer for one candidate, someone else views as a dodge or a lie.“It doesn’t matter what they say any more, but one thing will always be true – and it is the quality of the former president I respect the least,” he continued. “Whenever he is cornered and forced to face even the smallest of consequences for his own mendacity and scheming, he reverts to the greatest refuge of scoundrels.”That would be the classic line of deflection – “it wasn’t me” – which Trump basically used for January 6.“This man, who constantly professes to be your champion, who says they’re going to have to go through him to get to you, will always, when the boat is going down, be the first into the lifeboats,” Stewart declared with palpable anger. “Because in that moment, he will always say the same thing: ‘I didn’t know anything about it, I was just told to show up for a cruise.’ Even though, everybody knows, he was the fucking captain of the ship.“In any other country, that lack of accountability would be disqualifying,” he concluded.Stephen Colbert“Unlike the first presidential debate back in June, this time the Democratic candidate was able to walk out to the stage without pausing for a nap,” said Stephen Colbert on the Late Show.The host was impressed with the vice-president’s performance. “Kamala Harris came in needing to rattle Trump’s cage,” he said. “And now that it’s over, they are still looking for pieces of his cage in low orbit.“Harris got under his skin like she was stuffing in butter and rosemary. It was beautiful,” he continued. “By the end of the debate, the meat was falling off the bone.”Trump was “so nonsensical” throughout the debate, that Harris “looked at him the way a parent looks at a kid giving a presentation on why they should be allowed to get a pet tiger”.When the moderators asked a basic question on Roe v Wade, Trump “lied so fragrantly” that the ABC News moderator Linsey Davis had to intervene with the fact-check “there is no state where it is legal to kill a baby after it is born”.“Follow up question: can a moderator win a debate?” Colbert quipped.Harris often returned to a theme of looking toward the future, to “turn the page” on the Trump years.“Actually, turning the page seems kind of mild,” said Colbert. “I would say we should burn the book, but that’s really more his thing.”Jimmy KimmelIn Los Angeles, Jimmy Kimmel also dug into “the debate of the decade”.“It was like watching the Lorax debate the Grinch tonight,” he said. “Usually when Trump gets a spanking like this from a woman it’s with a Forbes magazine. Kamala was pushing his buttons like a 12-year-old playing Fortnite.”Though Republicans urged Trump to stay focused on the issues, he did anything but. “Who are we kidding? This election isn’t about the issues,” said Kimmel. “Dick Cheney isn’t voting for Kamala Harris because he agrees with her on the issues. He’s voting for her because there’s a rhinoceros charging, and she has the tranquilizer gun.”Kimmel zeroed in on the moment when Trump repeated false stories about Haitian immigrants in Springfield, Ohio, eating cats and dogs, which has been repeatedly debunked. Nevertheless, Trump said: “They’re eating all the pets of the people that live there.”“I want you to imagine that we’ve never heard of Donald Trump before, and the first time you’ve ever seen him was during tonight’s debate,” said Kimmel. “What would your reaction be right now? You’d be in shock. The Republican party would have to close their headquarters and turn them into a Spirit Halloween store.“How is it possible that half of this country thinks that it’s a good idea to give the guy who tried to overthrow our government another chance to run our government?” he concluded. “Like if someone poisoned all the jalapeño poppers at TGI Fridays, you wouldn’t interview them to be the chef!” More

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    ‘Emily In Paris’ Goes on a Roman Holiday

    The frothy Netflix show frustrated Parisians with its portrait of their city. Now its heroine is heading to Rome — and the showrunner doesn’t care if residents there feel the same way.“Emily in Paris,” the hit Netflix series about a young American living a life of romance and luxury in France, has ignited a blaze of indignation since it premiered in late 2020.Emily’s clumsy grasp of the native tongue, brash designer clothes and exaggerated encounters with dashing chefs and flamboyant artists left some Parisians irate and American expatriates embarrassed, even as it became one of Netflix’s most popular comedies.Now in its fourth season — split into two installments, with the second arriving Thursday — the show continues to both charm and vex with its sunny vision of what the French newspaper Liberation has called “Disneyland Paris.”But in the new batch of episodes, Emily (Lily Collins) departs Paris and heads to Rome. Invited by her new Italian love interest Marcello (Eugenio Franceschini), she zooms around on his scooter, offering a picture-postcard view of the Eternal City with stops at touristic hallmarks like the Trevi Fountain, the Colosseum and the Spanish Steps. As he entices Emily to move on to a new European capital, Marcello makes a pitch that doubles as the season’s mandate: “Forget about crepes. We’ll be eating pizza.”Darren Star, the creator and showrunner of “Emily in Paris,” said that Emily “was becoming very comfortable in Paris. I wanted to throw her into some unfamiliar waters.” He added that “we were able to live Emily’s life in Paris, and now we’re going to do the same thing in Rome.”Lily Collins as Emily, exploring her new surroundings.Giulia Parmigiani/NetflixWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    South Park creators to ignore Trump when show returns in 2025

    The creators of the Emmy-winning series South Park intend to ignore Donald Trump when the irreverent animated show returns for a 27th season in 2025, they said in a rare interview.“I don’t know what more we could possibly say about Trump,” Matt Stone told Vanity Fair in reference to the former US president whose life is seemingly consumed by unadulterated drama.Stone added that part of the strategy for intentionally avoiding mention of the current Republican nominee for November’s presidential race is how much of “a mind scramble” it can be to satirize such a contest.“We’ve tried to do South Park through four or five presidential elections, and it is such a hard thing,” said Stone, who launched the series in 1997 alongside Trey Parker on Comedy Central. “And it seems like it takes outsized importance.“Obviously, it’s fucking important, but it kind of takes over everything and we just have less fun,” he added in the interview, which was posted on Thursday.Part of the reason that South Park’s latest season received a tentative 2025 release date was to give time for Paramount+ – the platform which now streams the show – “to figure all their shit out”, Stone remarked. But Stone also said, “honestly, it’s on purpose,” that he and Parker were skipping the electoral showdown between Trump and his Democratic rival, Vice-President Kamala Harris.The posture that Stone laid out to Vanity Fair strikes a marked contrast with how South Park addressed the 2016 presidential race that Trump unexpectedly won against former secretary of state Hillary Clinton. In the show, an elementary school teacher character voiced by Parker ran for president, defeated Clinton and served in the Oval Office for multiple seasons, adopting a look and style that was clearly inspired by Trump.Thursday’s interview in Vanity Fair described how Stone and Parker mounted a “36-hour mad dash to make an episode about the 2016 election after being stunned (like most of the rest of the country) about Trump’s victory”.Trump has offered commentators – satirical or otherwise – plenty of more material since, including by losing the 2020 election to Joe Biden and being convicted in May of criminally falsifying business records to cover up hush-money payments to an adult film actor who has alleged an extramarital sexual encounter with him.Among numerous other legal problems, he is facing three more criminal indictments stemming from his efforts to nullify his defeat to Biden as well as his retention of government secrets after his presidency – and he survived an assassination attempt at a political rally in July.skip past newsletter promotionafter newsletter promotionSouth Park centers on the adventures of a group of four, mostly foul-mouthed boys who are growing up in a town in Colorado. The show has profanely satirized an overwhelmingly wide range of topics, managing to win critical acclaim and establish itself as an unusually long-running program despite some viewers finding its content too offensive.Its creators are also famous for The Book of Mormon – their Tony-winning musical – along with the cult classic films BASEketball and Team America: World Police. More

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    ‘Fifteen-Love’ Is a Tense Tennis Drama

    A British import on Sundance Now, the series balances sports sudsiness with prickly, fraught drama about sex, maturity, consent and power.Ella Lily Hyland and Aidan Turner in a scene from “Fifteen-Love.”Rob Youngson/Sundance NowJustine (Ella Lily Hyland) was a promising tennis player in her teens, and the French Open seemed like it would be her breakthrough tournament. But a gnarly wrist injury and an total emotional breakdown derailed her. Now she’s in her early 20s, working as a physical therapist at her old tennis academy, stewing in self-loathing and coming to terms with the fact that her coach, Glenn (Aidan Turner), assaulted and manipulated her. Part of her wants to leave that in the past, but when Glenn re-emerges at the club, coaching other teen girls, she can’t.“Fifteen-Love,” a British import on Sundance Now, balances sports sudsiness with prickly, fraught drama about sex, maturity, consent and power. Justine has great instincts but terrible impulses; she knows Glenn preyed on her, but there’s no real mechanism for justice or restitution. Some people in her life believe her; some don’t. But worst of all are the ones, like her mother, who mostly believe her but think what happened is no big deal — always a victim, they say. In Justine’s eyes, though, she never got to be a victim at all.Hyland’s performance here is mesmerizing but grounded, showing us how in some ways Justine grew up too fast, and in others she hasn’t grown up at all. She is angry and can be self-destructive, and the show shines in its argument scenes. Tennis players know how to volley. “You used to be on my side,” Justine spits at her best friend and fellow player. “No,” says the friend. “I was in your shadow.”Over its six episodes, “Fifteen-Love” loses steam, especially when it kicks into thriller mode toward the end. More characters does not always mean more story, and the show is most interesting when it is narrowly focused, probing the dynamic between Justine and Glenn. It’s not as pat as just victim and abuser — where do the other feelings go?Even as the plot sags, the specifics still land. In one scene, Justine and a comrade comb through years of possibly incriminating emails, looking for leads on other victims. What should they search for? “Sexual?” the friend suggests. “Inappropriate?” Justine instead types in “emotional.”So far four episodes are available, with new installments arriving Thursdays. More

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    ‘The Rings of Power’ Season 2, Episode 4 Recap: The Trees Have Thoughts

    This week’s episode, which included several Tolkien fan-favorite characters and creatures, is the best of the season thus far.Season 2, Episode 4: ‘Eldest’“Rings of Power” Season 2 debuted last week with three plot-heavy episodes, which was probably necessary given that the show had been on hiatus for nearly two years — and given that it took all three to get each of Season 1’s story lines back into play. Unfortunately, Episode 3 was easily the dreariest of the first batch, ending last week’s three-part premiere on a sour note. Light on action and heavy on earnest proclamations, the episode represented “Rings of Power” at its stiffest.Episode 4, though? It’s the best of the season thus far. It’s thrilling and strange, and populated with J.R.R. Tolkien fan-favorite characters and creatures. Even the opening scene has an uncommon flair, transpiring across a single shot that begins on an idyllic image of the waters outside Lindon before tracking a contentious conversation between Galadriel and Elrond, then rising into the sky. It sets the tone for a lively hour.Here are five takeaways and observations from Episode 4:Enter the entsIn Episode 3, Theo encountered some wild men out in the wilderness, and with them he was menaced by some unseen creature — and apparently a very tall one, given the high camera angle on Theo’s face before the scene ended. This week, Isildur enlists Arondir and Estrid in a search for Theo; and the three of them have a wild adventure, which includes Isildur and Arondir getting pulled under quicksand by a huge, writhing mud-beast (which the trio then slays and eats).The massive worm-thing isn’t even the party’s most bizarre encounter. Not long after Arondir warns his companions about the ever-present possibility of “nameless things in the deep places,” they discover that Theo and the wild men are being held captive by sapient trees. These are the forest-guarding entities known in Tolkien lore as ents — seen in “The Lord of the Rings” movies in the form of Treebeard, a brave and helpful ent who nonetheless laments the damage done to the trees during centuries of war in Middle-earth.The ents in this episode are more angry than wistful, because Adar’s orc army has recently marched through, “maiming” the forest. It takes some diplomacy from Arondir to calm the ents’ leader, Snaggleroot (voiced by Jim Broadbent), and to convince them to release Theo.In terms of this season’s plot, the scenes in and around the ancient town of Pelargir serve a few purposes. Arondir’s rescue of Theo helps to soften the kid’s resentment toward the elf. In this section we also see Isildur helping the Southlanders understand the Numenorean technology of their new home, and we hear Estrid confess to having been branded by Adar.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Brian Stelter Returns to CNN as Chief Media Analyst

    Mr. Stelter, who left CNN two years ago, will be helming his newsletter for the network, but without a Sunday show.CNN’s “Reliable Sources” is back. Kind of.Brian Stelter, a media reporter and pundit who left CNN two years ago amid differences with the network’s previous leadership, is returning to the company as its chief media analyst and writer of its “Reliable Sources” newsletter.The network’s Sunday morning round table of media criticism that he had hosted, also called “Reliable Sources,” will not return. In his new role, Mr. Stelter will serve as an on-air analyst in addition to writing his newsletter and reporting for the network.Mr. Stelter, 39, announced his return to CNN on Tuesday in the newsletter he founded, saying he was back at the network in a somewhat different capacity.“I loved my old life as the anchor of a Sunday morning show but, to borrow some lingo from my video game blogger days, I finished that level of the game,” Mr. Stelter said. “Time for new levels, new challenges.”Mark Thompson, CNN’s chief executive, said in a statement that he was “happy to welcome” Mr. Stelter back to CNN, calling him “one of the best global experts in media commentary.”Mr. Stelter replaces Oliver Darcy as author of the newsletter. Mr. Darcy recently left the network to start his own subscription-based news site, Status, which focuses on media and entertainment news. CNN also regularly calls upon Sara Fischer, a media reporter for Axios, as an on-air analyst.Mr. Stelter, a former New York Times reporter, joined CNN in 2013 as host of “Reliable Sources” under the network’s president at the time, Jeff Zucker, and left in 2022 after a new leader, Chris Licht, reprogrammed the network. When Mr. Licht took over, he sought to steer the network away from partisan analysis that had become popular on CNN during the administration of President Donald J. Trump. In some cases, that meant removing voices that he perceived as too liberal. Mr. Stelter was among the prominent network hosts who audience research showed were most closely associated with having a liberal tilt.Mr. Stelter began negotiating his return to CNN in the last three weeks, after Mr. Darcy announced plans to leave the network, according to a person familiar with the matter. Mr. Darcy’s decision was unrelated to Mr. Stelter’s appointment, another person said.In the inaugural edition of his new newsletter, Mr. Stelter was reflective about his bumpy departure from CNN, saying it allowed him to experience the news “more like an everyday consumer,” honing his focus on “the attention economy and the information ecosystem.”“I always scoffed at people who said ‘getting fired was the best thing that’s ever happened to me’ — until, well, it happened to me,” Mr. Stelter wrote. More