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      Seth Meyers: ‘Trump’s fake populism was a con and it couldn’t be any clearer’

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      Late-night hosts talk Joe Biden’s act of clemency and Donald Trump becoming Time’s Person of the Year.Seth MeyersSeth Meyers could only laugh on Thursday evening at the image of Trump, just named Time magazine’s Person of the Year, ringing the opening bell at the New York Stock Exchange.The incoming president looked delighted – or, as the Late Night host put it, “like a Make-A-Wish kid who faked being sick until he got what he wanted”.“Before he was elected he toured the country telling grandpas in folding chairs he was just like them,” he added, “and as soon as he wins he’s on a fucking marble balcony on Wall Street rocking a bell like he just ate a 72-ounce steak in under an hour.”As for the cover, Meyers had concerns. “My only issue is this glamour shot of Trump in a pose I’ve literally never seen him take before,” he said. “I’ve only ever seen him screaming or hunched over, so apologies if I’m not buying Donnie Contemplation over here.”Moreover, “this guy has pretended for over a decade to be a populist champion of the working class and now he’s on literal Wall Street, getting pats on the back from the richest people in the country,” he said. “The only way that Trump’s hypocrisy could be any more on the nose is if he started doing campaign events with actual fat cats.”Case in point: though Trump repeatedly promised on the campaign to lower grocery prices, he told Time that “it’s hard to bring things down once they’re up … You know, it’s very hard.”“Fuck me, I can’t believe we really have to spend the next four years watching this idiot relearn how hard it is to be president,” said Meyers. “Yeah man, we know it’s hard. Everyone knows.”“Trump’s fake populism was a con and it couldn’t be any clearer,” he added. “The second that he won he started rubbing elbows with his rich Wall Street buddies and admitting that his promises were all BS.”Jimmy KimmelIn Los Angeles, Jimmy Kimmel also lamented Trump’s Time magazine cover. “Sadly there’s no one left to roll it up and spank him with it,” he quipped. “Maybe Elon will do it for him? I don’t know.”According to Time, the Person of the Year distinction is bestowed on the person, group or concept that had the biggest impact for good or for ill. “Well, that’s him all right,” said Kimmel. “It was a no-brainer in every sense of the word.”As for Trump’s appearance at the New York Stock Exchange, “he jammed his little finger on that bell like it was the Diet Coke button in the Oval Office,” Kimmel joked.Kimmel also touched on Joe Biden’s last-minute act of clemency, commuting more than 1,500 criminal sentences. “Before this, the biggest act of clemency was on election night on November 5,” said Kimmel.“Joe Biden is handing out pardons like they’re Werther’s Originals,” he added. “He has no more malarkey to give right now.”Stephen ColbertAnd on The Late Show, Stephen Colbert also noted Biden’s clemency, in which he also pardoned 39 people. “Wow, I did not know he had 39 sons,” the host joked.The mass commutation is a tradition for all outgoing presidents, but Biden committed the largest single-day act of clemency in modern history. “I believe that is an empathetic and generous act of forgiveness and hope – that will be knocked out of the headlines as soon as Trump threatens to bomb Manila because he cut himself on one of their envelopes,” said Colbert. “That’s coming. You know that’s coming.”Colbert also laughed at Pornhub’s year in review, which revealed generational trends, such as the fact that 18-to-24-year-olds spend, on average, 76 fewer seconds than any other age group on videos. “I guess young folks today don’t have the attention span,” Colbert quipped. “Back in the 90s, if you wanted to see boobs on your computer, you had to listen to this,” he added before a dial-up tone.The site also provided a map highlighting the most distinct searches in each state, such as Tennessee’s “chubby milf”, Delaware’s “mature” (“I assume in honor of Joe Biden,” Colbert joked), Maryland’s “girlfriend” (“dorks!”) and Pennsylvania’s “naked women”. “That’s clearly Amish teens on rumspringa getting their first crack at a computer,” Colbert noted. More

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      in Elections

      Labor Board Classifies ‘Love Is Blind’ Contestants as Employees

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      The National Labor Relations Board’s case against the Netflix hit could have ripple effects across the reality TV industry.The National Labor Relations Board issued a complaint against the hit reality show “Love Is Blind” on Wednesday in which it classified the show’s contestants as employees, opening a case that could have ripple effects across the reality television industry.The complaint by the labor board’s regional office in Minnesota says that the show committed several labor violations, including unlawful contractual terms related to confidentiality and noncompete provisions.By classifying the cast members — who date and sometimes marry other singles on the show — as employees with certain federal legal protections, the complaint opens the door to possible unionization. It is one of the labor board’s first forays into reality television and a major development in the effort by some onscreen personalities to change the industry through the legal system.Several contestants on “Love Is Blind,” which streams on Netflix and has been one of the buzziest dating shows since its debut in 2020, have come forward in lawsuits, in interviews and on social media with objections to the restrictions outlined in their contracts.One contestant, Renee Poche, got into a legal dispute with the show after she publicly accused the production of allowing her to get engaged, in front of TV cameras, to a man “who was unemployed with a negative balance in his bank account.” She said in court papers that after she had made “limited public remarks about her distressing time on the program,” one of the companies behind the production initiated arbitration proceedings against her, accusing her of violating her nondisclosure agreement and seeking $4 million. (Her suit said she had earned a total of $8,000 on the program.)Two “Love Is Blind” participants — Poche and Nick Thompson — submitted complaints to the labor board, resulting in an investigation into the policies and practices of the production companies behind the show, which include Kinetic Content and Delirium TV.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Paris Hilton and Nicole Richie Revisit ‘The Simple Life’

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      The celebutantes-turned-businesswomen are rebooting the show that provided a blueprint for the past 20 years of reality TV.How would two troubled Los Angeles heiresses manage as members of the Bible Belt working class?The answer helped revolutionize reality TV and legitimized the careers of Paris Hilton and Nicole Richie. In 2003, the pair of 22-year-olds debuted in Fox’s “The Simple Life,” which documented their move to Altus, Ark. to live with a family on their farm and try out blue collar jobs.Hilton and Richie brought rich-girl haughtiness and high jinks to mundane tasks like cleaning hotel rooms and, in one memorable episode, serving burgers at a Sonic Drive-In. The result was a quotable megahit — with heart. “Their fish-out-of-water ineptitude serves as a social leveler that gives them their comeuppance and preserves the dignity of their rural hosts,” Alessandra Stanley wrote in a review for The New York Times. Unlike the other popular reality programs of the time, like “Big Brother” and “Survivor,” the allure of “The Simple Life” didn’t come from a wild premise or shocking competition: The personalities of and friendship between Hilton and Richie were the drawing card. That recipe has been built upon in subsequent reality franchises like “Keeping Up With the Kardashians,” “Jersey Shore” and “The Real Housewives.”More than two decades later, the two are appearing in “Paris & Nicole: Encore,” a three-part reboot which is primarily set in L.A. and involves activities and outings a bit closer to home. It will air on Peacock beginning Thursday. Though the show centers on the pair’s staging of an opera based on “sanasa,” a made-up word which fans might remember as a mainstay joke on the original, Hilton and Richie also revisit Altus, Sonic and the friendship that made their show riveting TV.“There was nothing really to compare it to,” Hilton said of “The Simple Life.” “So we had no idea what we were getting ourselves into.”Jerod Harris/Getty Images for VultureAhead of the “Encore” premier, we talked to Hilton and Richie about how reality TV has changed since “The Simple Life,” the impact of social media on the genre and the shows they’re enjoying now.Here are edited excerpts from the conversation.You were some of the first reality TV stars, and now it is an oversaturated industry. How do you think the landscape has changed since “The Simple Life” first aired?We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Dune: Prophecy’: Travis Fimmel on His Character’s Fiery Rise to the Top

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      Desmond Hart has been a wild card since he burned a young prince alive with his mind. The actor who plays him talked about what motivates Desmond’s drive for power.This interview contains mild spoilers for Season 1, Episode 4 of “Dune: Prophecy.”His character has used his supernatural powers to murder a child prince in the shadows and massacre an emperor’s enemies in public. But the “Dune: Prophecy” star Travis Fimmel doesn’t know if people hate him for it.“No idea,” said Fimmel, an Australian actor, whose friendly speech in an interview last week was sprinkled liberally with the word “mate.” “I’m on a little ranch, so I haven’t been anywhere, really. People could be hating on me. Wouldn’t be the first time, buddy.”Fimmel has portrayed men of great destiny and dubious morality before entering the Dune-iverse: a grasping young king in the historical epic “Vikings,” a mad messiah in the sci-fi mind-bender “Raised by Wolves.” Here, Fimmel stars as Desmond Hart, an ex-soldier returned from a near-fatal tour of duty on the resource-rich desert planet of Arrakis. Seemingly swallowed alive by one of the planet’s massive sandworms, he emerged supernaturally augmented — and wildly ambitious.Now an imperial adviser with deadly telepathic abilities, Desmond is a wild card in this highly structured fictional universe, which is set some 10,000 years before the events of the original “Dune” book by Frank Herbert and the two “Dune” films by Denis Villeneuve. As Fimmel put it, Desmond likes to mess with people’s heads.“Desmond acts like he knows what’s going on and what’s going to happen,” Fimmel said, “but he is unsure of himself, and he is unsure what the power he has can do to him.”Attila Szvacsek/HBO“I’m not in a position of power,” he said, speaking from Desmond’s point of view. “I’m not rich. I’ve got nothing. I’m from the other side of the tracks. Messing with people’s heads is the only power I can get.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Dune: Prophecy’ Season 1, Episode 4 Recap: Ol’ Blue Eyes

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      The sisters have a terrifying vision. Desmond gives a terrifying display of his power and loyalty. Any connection?Season 1, Episode 4: ‘Twice Born’Two blue lights shine in the darkness, like the eyes of an insectoid machine. Guttural sounds, like speech in a language not yet invented, accompany them, but only for a second.Throughout “Dune: Prophecy,” this menacing pairing of sight and sound has recurred in dreams and visions. Are they the eyes of God, judging the Sisterhood, as Sister Emeline argues? Are they the eyes of the tyrannical force that Raquella, the Sisterhood’s first Mother Superior, warned about with her dying breaths? Are they the eyes of whatever entity gives Desmond Hart his “beautiful, terrible” power to burn people alive with his mind? Are all these things one and the same?I suspect we’ll get the answer eventually, but part of me thinks that’s a shame. Right now, the blue lights and the garbled grunts are the most Lynchian thing this franchise has served up since the director David Lynch himself was in charge of it 40 years ago. And as Lynch has demonstrated time and again, sometimes the mystery is its own reward.Not that the Sisterhood would agree. From Emeline on down, all of them — with the alleged exception of Sister Jen — experience simultaneous nightmares one night. They each begin differently, but they end in the same place: in the sands of Arrakis, standing before a sandworm’s maw, ready to fall in and meet that pitiless blue-eyed gaze. Mother Tula’s experiment with automatic drawing to uncover the meaning of the dreams almost ends in disaster when she completely loses control of the trance into which she places the acolytes, leaving them in the clutches of whatever force sent the dream in the first place.In a time of apocalypse, cults of personality spring up like fungus. So it is in the Sisterhood: Emeline revives the teachings of Valya’s rival, Mother Dorotea, whose death, we learn, was labeled a suicide by the Harkonnen sisters and their cronies. (In reality, Valya used the Voice to command Dorotea to kill herself.) In what appears to be a nightmare or a vision — though by the end of the episode, that distinction is slim indeed — Emeline confronts Tula with the truth, vowing to inform the Imperium; then Tula slits her throat. (This is the same fate Emeline met in her own nightmare, though in the dream it was she who wielded the blade against herself.)But the next thing Tula knows, she is sitting placidly by the side of Sister Lila’s stasis chamber once again, where Emeline found and confronted her. There’s no evidence Emeline has been there. But Lila is gone, broken free of her chamber; she emerges from the shadows, her eyes bright blue from overexposure to the psychoactive spice. Are those the eyes everyone is so afraid of?We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Hunter Biden and Matt Gaetz Are Church Lady’s Guests on ‘S.N.L’

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      Playing his old familiar character, Dana Carvey talks about Jesus, tweaks celebrities for their sins and skewers Satan.A quick primer for the younger readers of this recap: The late 1980s were a creatively fruitful time for “Saturday Night Live” where for some reason every third sketch was a fake talk show. Among the most popular of these recurring bits was a segment called “Church Chat,” in which a piously persnickety host known simply as the Church Lady (played by Dana Carvey) would roast celebrities of the day and accuse pretty much everyone of working in the service of Satan.After a yearslong hiatus, “S.N.L.” brought back “Church Chat” to open this weekend’s broadcast, which was hosted by Paul Mescal and featured the musical guest Shaboozey. Carvey, once again clad in the prim attire of the Church Lady and seated in front of a stained-glass window, said he was back to “ring out the end of 2024, the most satanic year in history.”“Everywhere you look, you’ve got 11-year-olds dressing up like that vixen Sabrina Carpenter,” Carvey proclaimed. “You know who’s the best carpenter? Jesus.”Church Lady then introduced the first “Church Chat” guest, Matt Gaetz (Sarah Sherman), the former Representative from Florida, who last month withdrew from consideration as President-elect Donald J. Trump’s attorney general.“Are you OK, Matt?” Carvey asked Sherman. “You look a little surprised to be here.”“No, this is just how my face is,” Sherman answered.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Miho Nakayama, Japanese Music and Movie Star, Dies at 54

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      A top-selling pop singer as a teenager in the 1980s, she also had an award-winning career as a dramatic actress.Miho Nakayama, a reigning J-pop star of the 1980s who broke through to become a critically acclaimed dramatic actress and gained international attention for her starring role in the sentimental Japanese drama “Love Letter,” died on Friday at her home in Tokyo. She was 54.Ms. Nakayama was found dead in a bathtub, according to a statement from her management company. The statement added, “We are still in the process of confirming the cause of death and other details.”The Japan Times reported that Ms. Nakayama had canceled an appearance at a Christmas concert in Osaka, Japan, scheduled for that same day, citing health issues.Born in the city of Saku in Nagano Prefecture on May 4, 1970, and raised in Tokyo, Ms. Nakayama — known by the affectionate nickname Miporin — rocketed to fame in 1985, becoming one of Japan’s most successful idols, as popular young entertainers there are known, with the release of her first single, “C.” That same year, she took home a Japan Record Award for best new artist.She exploded on both the big and small screens that same year with starring roles in the comedy-drama series “Maido Osawagase Shimasu” (roughly, “Sorry to Bother You All the Time”) and the film “Bi Bappu Haisukuru” (“Be-Bop High School”), an action comedy set on a dystopian campus filled with uniformed schoolgirls and brawling schoolboys.Such stories were popular teenage fare at the time, as evidenced by her subsequent role in “Sailor Fuku Hangyaku Doumei” (“The Sailor Suit Rebel Alliance”), a television series that made its debut in 1986, in which Ms. Nakayama played a member of a group of martial arts-savvy girls who squared off against wrongdoers at a violence-marred high school.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Year in Review

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      As critics issue their year-end lists, we want to know your personal favorites of 2024.It’s the most wonderful time of year, and I don’t mean the holiday season, although I’ve heard that people are excited about that too. No, for nerds like me who love to plan out their holiday culture consumption — those whose appetites are always far larger than their capacity for viewing/reading/listening — December is sacred because it is when critics issue their retrospective best-of lists, their verdicts on the best movies, music, TV, books and other cultural artifacts of 2024.I’ve always thought it a shame that everyone I know doesn’t issue a best-of list. Yes, critics are experts in their fields, completists who have surveyed the landscape of their beats such that their assessments of “the best” are far more informed than the average cultural consumer’s. But I also want to know what my friends and family loved, and why. There’s no easier way to get to know someone a little bit more deeply than by asking them for a recommendation. I have a fantasy of pulling out a bullhorn on my morning commute and asking everyone in my subway car their top five films of the year. I’m not sure anyone would play along with my reindeer game, but if they did, I expect that I’d get a few good recs, some truly nutty ones, and that it would certainly bring a spirit of joy and conviviality to a typically alienating part of the day.And why stop at the usual categories? Best-of lists are typically limited to the same categories. Tell me your favorite movie, book and song, but I also want to know the best line of poetry you read this year, the best cocktail you devised, the best tradition you started, the best grilling technique, the best piece of advice you received. We’re all living and exploring and absorbing.And so I ask you, as I do every year, to send in your own highly specific, idiosyncratic, genre-free favorites from 2024. What did you discover? What did you learn? What did you love? Submit your answers here, and I’ll include as many of them as I can in upcoming newsletters.For moreThe Morning readers’ bests of 2023 and 2022.The best advice Morning readers received in 2023 and 2022.“As with everything worth making — bread, sweet love, mix tapes — there’s an art to creating a great Top 10 list.” From 2011, Dan Kois on how and why to make a best-of list.The Times’s best of 2024 lists.More year-end lists from around the internet.THE WEEK IN CULTUREFilm and TVAmy Adams in a scene from “Nightbitch.”Searchlight Pictures, via Associated Press“Nightbitch,” which stars Amy Adams as a stay-at-home mother who turns into a feral dog, is one of the movies Times critics are talking about this week.“The Agency” on Paramount + and Netflix’s “Black Doves” are part of a new crop of spy dramas whose biggest battles take place within the hearts and minds of their agents.ArtThe discovery of a rare picture of the poet Arthur Rimbaud, made by his lover Paul Verlaine, prompted a bidding war in Paris.At New York’s Grolier Club, an exhibition renders physical representations of lost or unfinished works by writers including Ernest Hemingway and Christopher Marlowe.More CultureJean-Charles de CastelbajacAlain Jocard/Agence France-Presse — Getty ImagesWhen Notre-Dame Cathedral reopens, the clergy will be wearing new liturgical garb designed by the French designer Jean-Charles de Castelbajac.The most expensive dinosaur fossil ever sold at auction — a stegosaurus that went for almost $45 million — has a new home at the American Museum of Natural History in New York.The two remaining defendants in the case against Young Thug’s rap label YSL were found not guilty of murder and gang charges.THE LATEST NEWSWar in SyriaRebel fighters in the streets of Hama on Friday.Bakr Al Kassem/Agence France-Presse — Getty ImagesRebels fighting to depose Syria’s president, Bashar al-Assad, advanced on another major city en route to the capital. The sudden intensification of the war has led neighboring countries to close their borders.Iran, which for years has helped Assad maintain control of Syria, is now evacuating military personnel from the country.The leader of Syria’s rebel groups told The Times that he was confident his fighters could oust Assad. “This operation broke the enemy,” he said.Other Big StoriesA vote on whether to impeach South Korea’s president, Yoon Suk Yeol, slowed to a crawl as the opposition tried to convince members of his party to support the ouster of the president.A federal judge ruled that the U.S. Naval Academy can consider race and ethnicity in admissions, asserting that affirmative action was essential to protect national security.A panel of federal judges upheld a law that would ban TikTok in the U.S. unless its Chinese owner, ByteDance, sells the app. Donald Trump opposes the ban.The U.S. Department of Agriculture will begin testing the nation’s milk supply for the bird flu virus.Police officers now believe the man who shot the chief executive of UnitedHealthcare in Manhattan escaped from the city that day. Investigators recovered a backpack in Central Park similar to the one he was carrying.CULTURE CALENDAR📺 “Somebody Somewhere” (Sunday): In the second season of this HBO half-hour, a character graces a potluck with St. Louis sushi, a delicacy that combines ham, pickles and cream cheese. It’s delicious. And tough on the gut. That’s also true of this riotously funny, achingly tender comedy created by Hannah Bos, Paul Thureen and Bridget Everett. Everett stars as Sam, a woman who returns in middle age to her Manhattan, Kan., hometown. A sweet and salty heartbreaker about family found and chosen, this show will end its three-season run on Sunday.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More