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      Perry Kurtz, Comedian Who Appeared on ‘America’s Got Talent,’ Dies at 73

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      Mr. Kurtz, who was killed in a hit-and-run on Thursday, honed his routine over decades and eventually became a recognizable face at comedy institutions.Perry Kurtz, who worked stand-up comedy circuits for decades and appeared on “America’s Got Talent” and “The Late Late Show With James Corden,” died on Thursday night in a hit-and-run in Los Angeles. He was 73.A daughter, Zelda Velazquez, confirmed his death. Mr. Kurtz was crossing Ventura Boulevard when he was struck by a car, according to the authorities. He was pronounced dead at the scene, and the driver was later arrested.Mr. Kurtz was a familiar face in long-established comedy halls, such as the Comedy Store in Los Angeles, but rose to prominence on the national stage with an appearance on “America’s Got Talent” in 2013 in which he performed a rap wearing a silver suit that gleamed like a disco ball.The performance did not go over well with the judges, who eliminated him from the competition, but it fit a campy persona that Mr. Kurtz embraced.On “The Late Late Show With James Corden” in 2018, Mr. Kurtz walked onstage wearing thick suspenders and a Hawaiian shirt, a keytar hanging around his neck. He proceeded to play “Louie Louie,” made famous by the Kingsmen, using his tongue.“In 1979 I moved to San Francisco to pursue my dream,” Mr. Kurtz said in a 2022 interview with Shoutout LA. “Since then, the only job I’ve had is making people laugh.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      How to Watch the 2024 DNC Live

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      The Democratic National Convention will begin in Chicago on Monday, about a month after Republicans held their convention in Milwaukee.It runs through Thursday, when Vice President Kamala Harris is expected to take the stage during prime time. While conventions are traditionally used to formally nominate the party’s presidential candidate, Ms. Harris was voted in through a virtual roll call earlier this month. Even so, the party’s gathering will be a high-profile affair as top Democrats make the case for a Harris-Walz administration.Here’s how to watch it (all times are Eastern):How to stream the D.N.C.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Saving Conservatism From Trumpism

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      More from our inbox:The Candidates’ Foreign ExperienceA Loss of Diversity in Network NewsProtecting School LibrariesIndependent Voters Thalassa Raasch for The New York TimesTo the Editor:Re “How to Save Conservatism From Itself,” by David French (column, Aug. 12):I commend Mr. French for declaring his intention to vote for Kamala Harris despite his pro-life convictions. And although I do not share his anti-abortion stance, I respect his beliefs.However, in my view Mr. French is mistaken to think that if Donald Trump is defeated in November, there is hope for a conservatism that demonstrates real compassion.Mr. Trump has not become the standard-bearer of the Republican Party against its will; on the contrary, he has articulated (in his most inarticulate way) the fanaticism of today’s conservative movement in America.Absolutism in regard to abortion, gun ownership, immigration, tax cuts for the wealthy, the slashing of benefits for the impoverished — these are the bedrock beliefs of today’s conservative movement, with or without Donald Trump. Who are the compassionate, compromise-seeking Republican leaders waiting in the wings to command a majority of voters once Mr. Trump somehow exits the stage?Donald Trump is a symptom, not the cause, of where the Republican Party finds itself today. Until honorable, conservative-minded people like Mr. French recognize this, it seems impossible to me that the Republican Party can rise from its ashes.Barth LandorChicagoTo the Editor:I don’t think one man’s vote will “save conservatism from itself,” but every vote counts, so I’m sure Kamala Harris will appreciate David French’s.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Arrest Made in Investigation Into Matthew Perry’s Death

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      Law enforcement agencies have been working to identify the source of the ketamine that led to the “Friends” star’s death.The authorities in Los Angeles have made an arrest as part of their investigation into the death of Matthew Perry, according to a person with knowledge of the situation.The person, who was granted anonymity to discuss an ongoing investigation, said that more details, including the name of the person arrested, would be released at a news conference in Los Angeles on Thursday morning.The Los Angeles County medical examiner’s office said in an autopsy report released in December that Mr. Perry had died of “acute effects of ketamine.” The actor, who gained sitcom superstardom as Chandler Bing on the show “Friends,” was discovered “floating face down” in the heated end of a pool at his home in Los Angeles.Ketamine, a powerful anesthetic with psychedelic properties, is increasingly being used as an alternative therapy for depression, anxiety and other mental health problems. It is also used, and abused, recreationally.The police in Los Angeles acknowledged this year that they were working with the federal Drug Enforcement Administration to investigate the source of Mr. Perry’s ketamine and whether it was obtained legally. A spokesman for the United States Postal Inspection Service said it was assisting with the investigation.The autopsy report said that Mr. Perry had been on ketamine infusion therapy, but it determined that the ketamine in his system could not have been from his last known therapy session, about a week and a half before he died. The autopsy said the level of ketamine found in Mr. Perry’s blood was equivalent to the amount that would be used during general anesthesia.Mr. Perry had a history of drug and alcohol addiction, which he wrote about in a memoir.The medical examiner’s office said that drowning, coronary artery disease and buprenorphine, which is used to treat drug addiction and for pain, had contributed to his death. More

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      Gena Rowlands, Actress Who Brought Raw Drama to Her Roles, Dies at 94

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      Gena Rowlands, the intense, elegant dramatic actress who, often in collaboration with her husband, John Cassavetes, starred in a series of introspective independent films, has died. She was 94.The death was confirmed by the office of Daniel Greenberg, a representative for Ms. Rowlands’s son, the director Nick Cassavetes. No other details were given.In June, her family said that she had been living with Alzheimer’s disease for five years.Ms. Rowlands, who often played intoxicated, deranged or otherwise on-the-verge characters, was nominated twice for best actress Oscars in performances directed by Mr. Cassavetes. The first was the title role in “A Woman Under the Influence” (1974), in which her desperate, insecure character is institutionalized by her blue-collar husband (Peter Falk) because he doesn’t know what else to do. The critic Roger Ebert wrote in The Chicago Sun-Times that Ms. Rowlands was “so touchingly vulnerable to every kind of influence around her that we don’t want to tap her because she might fall apart.”Her second nomination was for “Gloria” (1980), in which she starred as a gangster’s moll on the run with an orphaned boy.Ms. Rowlands and John Marley in “Faces,” which Renata Adler of The New York Times called “a really important movie” about “the way things are.” Like many of her movies, it was directed by Ms. Rowland’s husband, John Cassavetes.United Archives, via Getty ImagesBut it was “Faces” (1968), in which she starred as a young prostitute opposite John Marley, that first brought the Cassavetes-Rowlands partnership to moviegoers’ attention. Critics spread the word; Renata Adler described the film in The New York Times as “a really important movie” about “the way things are,” and Mr. Ebert called it “astonishing.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Industry’ Blends ‘Succession’ With ‘Grey’s Anatomy’

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      Set in the high-pressure world of investment banking, the series, now in Season 3, started out unremarkably but has since become appointment viewing.When “Industry,” a jargony drama about climbing the ladder in the investment banking industry, debuted back in 2020, it was clunky and too generic, and it often telegraphed its twists. But the show found its sea legs, and its slick second season was a ruthless, breathless treat — fast and good-mean. Each episode turned the temperature up and up and up, taking the conflict among our miserable bank bébés from a simmer to an aggressive boil.Then it cranked things even hotter, turning steam to plasma in its last moments — a wilder, more significant phase change.Season 3, which began on Sunday, picks up a few months into this shift. Harper (Myha’la) is licking her wounds after her ouster from the high-pressure London firm Pierpoint, but she has landed at FutureDawn, the female-led, ostensibly socially-conscious fund from Season 2. She is working as an assistant, well outside — and, in her eyes, well beneath — her biz-whiz skill set, but she has never been one to follow workplace rules. She aligns herself with an equally disgruntled senior portfolio manager, Petra (Sarah Goldberg, of “Barry” fame), and starts sharpening her knives.“Industry” can sometimes feel like “Succession Jr.” with its icy palate, its appetite for financial lingo, its characters’ soulless scheming and lines like “I haven’t done blow since 9/11” and “the only famous salesman is Willy Loman.” The incessant shouting, lies, secrecy and debt recall “The Bear,” and its snappy critiques of faux liberalism remind me of “Hacks.” (“I never watch [porn] … unless it’s directed by women,” brags one guy, on a private jet.)But the show it reminds me of most is still “Grey’s Anatomy”: “Industry” also begins on everyone’s first day, with our crew of newbies jockeying for top spots and hooking up with each other, enduring grueling hours and harsh — alluring — mentorship. The rookies’ ingenuity is sometimes valorized, but sometimes it is illegal, and sometimes super-duper illegal. Each character’s family of origin has some murky secret, and none of them are quite sure whether they should be ride-or-die loyal to one another or “all’s fair in work and war” competitors.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Bad Monkey,’ Bad Deer, Bad Weather: The Fun of Filming in Florida

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      Alex Moffat, an actor and comedian best known for his work on “Saturday Night Live,” rarely shouts at deer. But during a tense scene in the new crime comedy “Bad Monkey,” a Key deer, a member of an endangered species native to the Florida Keys, kept entering the frame. In one exasperated moment, Moffat, in character as a disreputable real estate developer, turned to the deer and shouted, “Go back to the woods or whatever!”The line wasn’t in the script. But it’s definitely in the show.Developed by Bill Lawrence and debuting Wednesday on Apple TV+, “Bad Monkey” tracks a cop turned health inspector, Andrew Yancy (Vince Vaughn), who pursues a case involving a severed arm, Medicare fraud, voodoo-adjacent witchcraft and a menacing capuchin. It is based on Carl Hiaasen’s novel of the same title, and as with most Hiaasen tales, it is set in a version of the sunshine state defined by raw natural beauty and equally raw Florida-man shenanigans.Not a lot of shows shoot in Florida — blame the lack of film infrastructure; blame the absence of tax breaks; blame the deer and the gnats and the 99 percent humidity. Even shows set in the state will typically shoot in North Carolina, Georgia, Louisiana or, as in the case of Lawrence’s Florida-centric comedy “Cougar Town,” Los Angeles. This is understandable. When you film in Culver City, you rarely need to hire armed alligator wranglers.Hiaasen, a former Miami Herald columnist, had been burned by Hollywood before. He strongly preferred a Florida shoot, especially for the scenes set in the Keys.“There’s nowhere in California that looks like that,” Hiaasen said.Lawrence (“Ted Lasso,” “Shrinking”), who had long had his sights on “Bad Monkey,” made that happen.“Feeling authentically Florida and a little sweaty and dirty, it really mattered,” he said.“We wanted to really capture the nature and the beauty of the state,” said Lawrence, right, with the actor Ronald Peet. Scenes set in the Bahamas, such as the one above, were also shot in Florida.John Brawley/ACSWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Tubi’s Free Streaming Explodes in Popularity, Outranking Max and Apple TV+

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      Tubi has exploded in popularity over the past 18 months, outpacing some competitors with much bigger budgets.When Nicole Parlapiano joined Tubi as its marketing chief two years ago, one of the most searched questions about the decade-old streaming service was, “Is it a scam?” It was free, after all, and consumers were skeptical.“Would it put a virus on your computer?” Ms. Parlapiano said. “People wouldn’t even touch it.”That’s not an issue now.Tubi has exploded in popularity over the last 18 months, establishing itself as one of the most popular streaming outfits in the United States. It now consistently outranks Peacock, Max, Paramount+ and Apple TV+ in total viewing time, according to Nielsen — and is drawing even with Disney+. Only YouTube, Netflix, Amazon and Hulu are still ahead.The streaming service, which is owned by the Fox Corporation, runs a different business model from those competitors. In addition to being free — with revenue coming from advertising — it doesn’t require an account to use, making it more similar to services like Roku and Pluto. And it comfortably commands more engagement than those peers, according to Nielsen.“We’re like the little engine, and it’s just getting better and better,” Anjali Sud, Tubi’s chief executive, said.Its sudden rise has come as something of a shock to many competitors, as well as investors.Unlike its biggest rivals, which allocate huge budgets for original programs or premium sports rights like the N.F.L or the N.B.A., Tubi’s library contains tens of thousands of older shows and movies, many that seem to have been collected from the bargain bin. Some popular programs on the service include the 1970s procedural “Columbo,” and an early 2000s UPN sitcom, “Everybody Hates Chris.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More