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      Arrest Made in Investigation Into Matthew Perry’s Death

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      Law enforcement agencies have been working to identify the source of the ketamine that led to the “Friends” star’s death.The authorities in Los Angeles have made an arrest as part of their investigation into the death of Matthew Perry, according to a person with knowledge of the situation.The person, who was granted anonymity to discuss an ongoing investigation, said that more details, including the name of the person arrested, would be released at a news conference in Los Angeles on Thursday morning.The Los Angeles County medical examiner’s office said in an autopsy report released in December that Mr. Perry had died of “acute effects of ketamine.” The actor, who gained sitcom superstardom as Chandler Bing on the show “Friends,” was discovered “floating face down” in the heated end of a pool at his home in Los Angeles.Ketamine, a powerful anesthetic with psychedelic properties, is increasingly being used as an alternative therapy for depression, anxiety and other mental health problems. It is also used, and abused, recreationally.The police in Los Angeles acknowledged this year that they were working with the federal Drug Enforcement Administration to investigate the source of Mr. Perry’s ketamine and whether it was obtained legally. A spokesman for the United States Postal Inspection Service said it was assisting with the investigation.The autopsy report said that Mr. Perry had been on ketamine infusion therapy, but it determined that the ketamine in his system could not have been from his last known therapy session, about a week and a half before he died. The autopsy said the level of ketamine found in Mr. Perry’s blood was equivalent to the amount that would be used during general anesthesia.Mr. Perry had a history of drug and alcohol addiction, which he wrote about in a memoir.The medical examiner’s office said that drowning, coronary artery disease and buprenorphine, which is used to treat drug addiction and for pain, had contributed to his death. More

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      Gena Rowlands, Actress Who Brought Raw Drama to Her Roles, Dies at 94

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      Gena Rowlands, the intense, elegant dramatic actress who, often in collaboration with her husband, John Cassavetes, starred in a series of introspective independent films, has died. She was 94.The death was confirmed by the office of Daniel Greenberg, a representative for Ms. Rowlands’s son, the director Nick Cassavetes. No other details were given.In June, her family said that she had been living with Alzheimer’s disease for five years.Ms. Rowlands, who often played intoxicated, deranged or otherwise on-the-verge characters, was nominated twice for best actress Oscars in performances directed by Mr. Cassavetes. The first was the title role in “A Woman Under the Influence” (1974), in which her desperate, insecure character is institutionalized by her blue-collar husband (Peter Falk) because he doesn’t know what else to do. The critic Roger Ebert wrote in The Chicago Sun-Times that Ms. Rowlands was “so touchingly vulnerable to every kind of influence around her that we don’t want to tap her because she might fall apart.”Her second nomination was for “Gloria” (1980), in which she starred as a gangster’s moll on the run with an orphaned boy.Ms. Rowlands and John Marley in “Faces,” which Renata Adler of The New York Times called “a really important movie” about “the way things are.” Like many of her movies, it was directed by Ms. Rowland’s husband, John Cassavetes.United Archives, via Getty ImagesBut it was “Faces” (1968), in which she starred as a young prostitute opposite John Marley, that first brought the Cassavetes-Rowlands partnership to moviegoers’ attention. Critics spread the word; Renata Adler described the film in The New York Times as “a really important movie” about “the way things are,” and Mr. Ebert called it “astonishing.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Industry’ Blends ‘Succession’ With ‘Grey’s Anatomy’

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      Set in the high-pressure world of investment banking, the series, now in Season 3, started out unremarkably but has since become appointment viewing.When “Industry,” a jargony drama about climbing the ladder in the investment banking industry, debuted back in 2020, it was clunky and too generic, and it often telegraphed its twists. But the show found its sea legs, and its slick second season was a ruthless, breathless treat — fast and good-mean. Each episode turned the temperature up and up and up, taking the conflict among our miserable bank bébés from a simmer to an aggressive boil.Then it cranked things even hotter, turning steam to plasma in its last moments — a wilder, more significant phase change.Season 3, which began on Sunday, picks up a few months into this shift. Harper (Myha’la) is licking her wounds after her ouster from the high-pressure London firm Pierpoint, but she has landed at FutureDawn, the female-led, ostensibly socially-conscious fund from Season 2. She is working as an assistant, well outside — and, in her eyes, well beneath — her biz-whiz skill set, but she has never been one to follow workplace rules. She aligns herself with an equally disgruntled senior portfolio manager, Petra (Sarah Goldberg, of “Barry” fame), and starts sharpening her knives.“Industry” can sometimes feel like “Succession Jr.” with its icy palate, its appetite for financial lingo, its characters’ soulless scheming and lines like “I haven’t done blow since 9/11” and “the only famous salesman is Willy Loman.” The incessant shouting, lies, secrecy and debt recall “The Bear,” and its snappy critiques of faux liberalism remind me of “Hacks.” (“I never watch [porn] … unless it’s directed by women,” brags one guy, on a private jet.)But the show it reminds me of most is still “Grey’s Anatomy”: “Industry” also begins on everyone’s first day, with our crew of newbies jockeying for top spots and hooking up with each other, enduring grueling hours and harsh — alluring — mentorship. The rookies’ ingenuity is sometimes valorized, but sometimes it is illegal, and sometimes super-duper illegal. Each character’s family of origin has some murky secret, and none of them are quite sure whether they should be ride-or-die loyal to one another or “all’s fair in work and war” competitors.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Bad Monkey,’ Bad Deer, Bad Weather: The Fun of Filming in Florida

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      Alex Moffat, an actor and comedian best known for his work on “Saturday Night Live,” rarely shouts at deer. But during a tense scene in the new crime comedy “Bad Monkey,” a Key deer, a member of an endangered species native to the Florida Keys, kept entering the frame. In one exasperated moment, Moffat, in character as a disreputable real estate developer, turned to the deer and shouted, “Go back to the woods or whatever!”The line wasn’t in the script. But it’s definitely in the show.Developed by Bill Lawrence and debuting Wednesday on Apple TV+, “Bad Monkey” tracks a cop turned health inspector, Andrew Yancy (Vince Vaughn), who pursues a case involving a severed arm, Medicare fraud, voodoo-adjacent witchcraft and a menacing capuchin. It is based on Carl Hiaasen’s novel of the same title, and as with most Hiaasen tales, it is set in a version of the sunshine state defined by raw natural beauty and equally raw Florida-man shenanigans.Not a lot of shows shoot in Florida — blame the lack of film infrastructure; blame the absence of tax breaks; blame the deer and the gnats and the 99 percent humidity. Even shows set in the state will typically shoot in North Carolina, Georgia, Louisiana or, as in the case of Lawrence’s Florida-centric comedy “Cougar Town,” Los Angeles. This is understandable. When you film in Culver City, you rarely need to hire armed alligator wranglers.Hiaasen, a former Miami Herald columnist, had been burned by Hollywood before. He strongly preferred a Florida shoot, especially for the scenes set in the Keys.“There’s nowhere in California that looks like that,” Hiaasen said.Lawrence (“Ted Lasso,” “Shrinking”), who had long had his sights on “Bad Monkey,” made that happen.“Feeling authentically Florida and a little sweaty and dirty, it really mattered,” he said.“We wanted to really capture the nature and the beauty of the state,” said Lawrence, right, with the actor Ronald Peet. Scenes set in the Bahamas, such as the one above, were also shot in Florida.John Brawley/ACSWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Tubi’s Free Streaming Explodes in Popularity, Outranking Max and Apple TV+

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      Tubi has exploded in popularity over the past 18 months, outpacing some competitors with much bigger budgets.When Nicole Parlapiano joined Tubi as its marketing chief two years ago, one of the most searched questions about the decade-old streaming service was, “Is it a scam?” It was free, after all, and consumers were skeptical.“Would it put a virus on your computer?” Ms. Parlapiano said. “People wouldn’t even touch it.”That’s not an issue now.Tubi has exploded in popularity over the last 18 months, establishing itself as one of the most popular streaming outfits in the United States. It now consistently outranks Peacock, Max, Paramount+ and Apple TV+ in total viewing time, according to Nielsen — and is drawing even with Disney+. Only YouTube, Netflix, Amazon and Hulu are still ahead.The streaming service, which is owned by the Fox Corporation, runs a different business model from those competitors. In addition to being free — with revenue coming from advertising — it doesn’t require an account to use, making it more similar to services like Roku and Pluto. And it comfortably commands more engagement than those peers, according to Nielsen.“We’re like the little engine, and it’s just getting better and better,” Anjali Sud, Tubi’s chief executive, said.Its sudden rise has come as something of a shock to many competitors, as well as investors.Unlike its biggest rivals, which allocate huge budgets for original programs or premium sports rights like the N.F.L or the N.B.A., Tubi’s library contains tens of thousands of older shows and movies, many that seem to have been collected from the bargain bin. Some popular programs on the service include the 1970s procedural “Columbo,” and an early 2000s UPN sitcom, “Everybody Hates Chris.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Rachael Lillis, Who Voiced Popular ‘Pokémon’ Characters, Dies at 55

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      Ms. Lillis voiced the characters of Misty and Jessie in the animated series based on a video game. She was diagnosed with breast cancer this year.Rachael Lillis, an actress who voiced the original English versions of Misty and Jessie, popular characters in the 1990s “Pokémon” anime television series, and later in the franchise’s movies and games as well, died on Saturday in Los Angeles. She was 55.The cause was breast cancer, according to Laurie Orr, one of her sisters. Ms. Lillis had been diagnosed earlier this year.Ms. Lillis started voice acting in the 1980s, according to her IMDB page, but her big break came in the late 1990s when she was cast in the English version of the “Pokémon” TV series, a popular Japanese anime based on the “Pokémon” video games. In hundreds of episodes over eight years, Ms. Lillis voiced the characters Misty, a trusted friend of the main character, Ash Ketchum, and Jessie, one of the show’s villains.She also voiced those characters in “Pokemon” movies as the cultural phenomenon grew.Ms. Lillis, who lived in Los Angeles, also was the voice of Jigglypuff, whose fairy song put listeners to sleep and was one of the creatures the characters pursue.Ms. Lillis, who had dozens of other voice credits to her name, had a strong sense of humor and a talent for voice acting, said Eric Stuart, who voiced James, the other member of Team Rocket in the “Pokémon” series, and worked with Ms. Lillis for many years.“If you met her, you’d not say this was so natural for her,” Mr. Stuart said in a phone interview. “Rachael in real life was pretty low key, kind of quiet and sweet,” Mr. Stuart added. “The minute she stepped in that booth it was like this whole other energy came out.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Trump y Harris acordaron debatir el 10 de septiembre, anunció ABC

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      David Muir y Linsey Davis son los presentadores de ABC que moderarán el primer cara a cara de los candidatos desde que Kamala Harris entró en la campaña.[Estamos en WhatsApp. Empieza a seguirnos ahora]Habrá debate.La vicepresidenta Kamala Harris y el expresidente Donald Trump se enfrentarán en un debate televisado en horario de máxima audiencia el 10 de septiembre, según anunció ABC News el jueves, preparando el último momento crucial de una contienda presidencial de por sí impredecible.Se espera que el debate de 90 minutos se celebre en Filadelfia, según dos personas con conocimiento de los planes. Los presentadores de ABC David Muir y Linsey Davis serán los moderadores. Es probable que el debate se realice sin público en directo, pero el formato exacto y las reglas básicas aún están por determinarse, dijeron las personas.En cierto sentido, el anuncio mantiene el statu quo: hace meses, Trump acordó debatir con el presidente Joe Biden en ABC en esa misma fecha. Pero el candidato republicano titubeó sobre ese compromiso después de que Biden se retiró de la campaña y argumentó que no había acordado esos términos con Harris.El debate previo, en junio de este año, fue quizá el más importante en los 64 años de historia de los enfrentamientos televisados entre aspirantes presidenciales. La titubeante y mermada actuación de Biden desató el pánico entre los demócratas y provocó que el presidente cediera su puesto como líder de la candidatura de su partido.Más de 51 millones de estadounidenses vieron el debate en directo, el tipo de convocatoria masiva que cada vez es menos frecuente en una era de fragmentación de los medios de comunicación como la actual. La próxima emisión de ABC podría atraer a una audiencia aún mayor porque será la primera vez que Harris y Trump se vean cara a cara en el escenario de un debate.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      TV tonight: who will win the race for the White House?

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      Trump vs Harris: The Battle for America9pm, Channel 4With less than four months to go until polling day, the US presidential race has suddenly become very interesting indeed. Joe Biden’s withdrawal has seemingly supercharged Democrat hopes of averting the catastrophe of a second Donald Trump term. Kamala Harris presents a very different kind of challenge and suddenly Trump is the candidate looking elderly and vulnerable. Matt Frei presents this documentary exploring the race. What does Harris stand for? Will the Republicans have to completely rethink their campaign, thanks to her arrival? And what on earth was Trump thinking when he chose the abrasive, charmless JD Vance as his running mate? Phil HarrisonIrvine Welsh’s Crime9pm, ITV1After the conclusion of the traumatic Confectioner case, Dougray Scott’s DI Ray Lennox is hoping to put the past behind him. Good luck with that: as this second season of the gripping crime thriller begins, Lennox investigates an attack on a former colleague but soon suspects a high-level cover-up as establishment figures conspire to slam every door. Phil HarrisonCause of Death9pm, Channel 5It is back to the Lancashire coroner’s office for two cases: one, a 75-year-old woman found dead at the bottom of the stairs. In another, a fit and active 83-year-old has collapsed in his bathroom. But is that all there is to it? That’s what Dr Adeley and team must determine. Ellen E JonesMr Bigstuff9pm, Sky MaxDanny Dyer is still getting plenty of mileage out of a patchy script as this slight but amiable comedy reaches its penultimate episode. This week, urgent action is required as Lee (Dyer) discovers that his past has caught up with him. And, as the wedding day approaches, Kirsty has a confession to make. PHView image in fullscreenLove Me9pm, U&WLike a more refined, downbeat Cold Feet, this Australian relationship drama is far from groundbreaking but nicely judged. The season one finale sees our three related protagonists, all grieving the loss of the family matriarch, try to overcome their flaws and find new happiness, with mixed results. Jack SealeAlaska Daily9pm, AlibiAs the backwater newsroom drama approaches the end of its first series, hard-headed hacks Eileen and Roz remain convinced that the wrong suspect is being railroaded in the Gloria Nanmac murder case. Can they zero in on the real killer without getting too distracted by an influx of tempting job offers? Graeme VirtueFilm choiceView image in fullscreenHoney Boy (Alma Har’el, 2019), 2.45am, Channel 4Given the accusations of abuse levelled against him, it never feels right to praise Shia LaBeouf for anything. That said, you would have to be a monster not to be moved by Honey Boy. LaBeouf loosely based his screenplay on his own childhood, and the post-traumatic stress disorder it gave him. Lucas Hedges essentially plays LaBeouf, and LaBeouf plays a version of his father that pulsates with toxic fury. There is no doubting that the film has heart – its sincerity is full-throated – but you can’t help wondering how much of it was made to explain the worst elements of LaBeouf’s personality. Stuart HeritageLive sportOlympics 2024, 8am, BBC One Coverage includes the early rounds of the women’s 100m hurdles, the men’s 5,000m and the men’s high jump. More