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      ‘We had no political agenda’: the White House hosts a West Wing TV reunion

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      The marine band struck up a familiar theme. The door of the Oval Office swung open. Out strode the president and first lady to address an expectant crowd – that is, the real first lady, Jill Biden, and the president that fans of the TV show The West Wing used to secretly crave: Jed Bartlet, alias actor Martin Sheen.After a decade in which US politics has often felt like the work of a hyper-imaginative screenwriter, with ever more unlikely plot twists including the election of a reality TV star, it felt strangely natural to see Sheen stepping into the shoes of Joe Biden as his show’s theme music filled the Rose Garden.“We just came from the Oval,” said Jill Biden. “But even though Joe is away hosting leaders of Australia and India and Japan in Delaware, he wanted to make sure that President Bartlet and his staff had a chance to see the Oval Office again.”Sheen and fellow cast members had come to the White House to celebrate the 25th anniversary of the first episode of The West Wing, the seven-season drama about an idealist liberal president and his fast-talking staff.On Friday, in warm sunshine, there were references to “big blocks of cheese” – a tradition on the show of requiring presidential staffers to meet with eccentric or offbeat constituents – and the walk-and-talk dialogues in which characters moved through the halls at high speed. Waiters passed out bourbon-and-ginger ale cocktails called the Jackal, a reference to press secretary CJ Cregg’s dance and lip-sync routine in one episode.Sheen – who has said his character was a conglomeration of Democrats John F Kennedy, Jimmy Carter and Bill Clinton – rolled back the years. In classic Bartlet mode, he exhorted the crowd to find something worth fighting for, “something deeply personal and uncompromising, something that can unite the will of the spirit with the work of the flesh”.View image in fullscreenThen Aaron Sorkin, the show’s creator, declared: “Our cast will live on as one of the best in the history of television,” and recognised those in attendance. Among them were Richard Schiff, who played communications director Toby Ziegler; Janel Moloney, who played assistant Donna Moss; and Dulé Hill, who played the president’s body man, Charlie Young.Sorkin also noted the absence of a few high-profile actors – Allison Janney, Bradley Whitford and Rob Lowe, better known to fans as Cregg, Josh Lyman and Sam Seaborn – who he said were on set elsewhere. “The rest of us are apparently unemployed,” he joked.After the crowd laughed, a voice chimed in from Sorkin’s right. “Not yet!” Jill Biden said. It was a nod to the fact that her husband still has four months left in office – and a quick retort worthy of Bartlet’s exchanges with wife Abbey Bartlet, played by Stockard Channing.The West Wing remains a favourite of many who now work in Washington. Among those spotted in the Rose Garden were the House foreign affairs chair, Michael McCaul, a Republican from Texas, and Joe Walsh, once a Tea Party-aligned Illinois representative who is now a fierce critic of former president Donald Trump.Sorkin reflected: “We had no political agenda. We were trying to do a good show every week. But the greatest delivery system ever invented for an idea is a story and, once in a while, we’ll hear from someone who was inspired to go into public service because of our show. And that’s something that 25 years ago this week, none of us could have foreseen or even dared to hope for.”Born in the last year of the 20th century, the show illustrates that there is nothing so remote as the recent past. Its run coincided with the 11 September 2001 terrorist attacks on New York and Washington and the wars in Afghanistan and Iraq. It was off the air by the time Barack Obama, Donald Trump and Joe Biden were elected and long gone when the Covid-19 pandemic and January 6 insurrection unfolded.Sorkin continued: “The show was idealistic, aspirational and romantic. Over the years, I’ve noticed that during times of peak political tension, pundits will warn us not to expect ‘a West Wing moment’.View image in fullscreen“They mean not to expect a selfless act of statesmanship. Not to expect anyone to put country first. Don’t expect anyone to swing for the fences or reach for the stars. But the fact is, West Wing moments do happen and Dr Biden, we saw proof of that on the morning of July 21.”That was the day Joe Biden announced he would not seek re-election after a disastrous debate performance and growing concerns over the 81-year-old’s mental and physical condition. For months, however, Biden had been in denial. If anyone wants to look for an on-screen parallel, it might be Bartlet hiding a multiple sclerosis diagnosis while running for president.The final season of The West Wing saw Bartlet passing on the torch to fellow Democrat Matthew Santos, played by Jimmy Smits. He becomes America’s first Latino president after defeating Senator Arnold Vinick of California, portrayed by Alan Alda as the kind of old school Republican who is now an endangered species in the Trump era.Nothing, perhaps, dates The West Wing more than that. More

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      ‘Agatha All Along’ Review: Toil and Trouble

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      Marvel’s “WandaVision” spinoff has more witchcraft but less magic.This review contains spoilers for the first episode of “Agatha All Along.”Jac Schaeffer, who created the first of the Disney+ Marvel series, “WandaVision,” and has now created the 11th, its spinoff “Agatha All Along,” is not one to let an idea go to waste.In Schaeffer’s first series, a grieving superheroine used her magical powers to create a world for herself based on classic American sitcoms. It was entertaining to watch how the show reimagined those familiar comedies within a dark fantasy-science fiction framework. (At least until “WandaVision” went off the rails toward convoluted Marvel business as usual in its last few episodes.)Now she starts “Agatha All Along,” which premiered Wednesday night on Disney+, with another detailed sendup. This time she puts her new main character — Agatha Harkness, a dangerous witch with a half-century history in Marvel comic books — inside a parody of the grim HBO crime drama “Mare of Easttown.” Still stuck where she was at the end of “WandaVision,” under a spell that strips her powers and any memory of who she really is, the fallen sorceress is now a cynical, violence-prone small-town police officer.You may ask yourself how, in the three years that have elapsed between the two shows, Agatha has undergone a complete personality shift, from chirpy neighborhood noodge to hardened cop. You should be more concerned, though, with why the cop-show pastiche is so disappointing — so dull and aimless that talented comic actresses like Kathryn Hahn (who stars as Agatha) and Aubrey Plaza seem at a loss.It is a relief when that show-within-a-show ends during the first episode, apparently a quick diversion rather than an integral element like the sitcom burlesques in “WandaVision.” (Four of the nine episodes of “Agatha All Along” were available for review.)It has set a bad precedent, though. Even when the series shifts into its actual format — a jokey, jaggedly comic fantasy quest in which a group of unfulfilled women hit the road in search of their powers — the results are mostly perfunctory. Spells are cast, but not on the audience.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Daniel Lubetzky Joins ‘Shark Tank’ as Mark Cuban Departs

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      Daniel Lubetzky, the founder of the Kind snack company, began appearing as a guest on “Shark Tank” five years ago. Soon he’ll have a permanent seat.As Mark Cuban prepares to leave the ABC hit “Shark Tank” after more than a decade, the reality show is giving the guest star Daniel Lubetzky a permanent seat on the five-person panel. The show, which has aired since 2009, introduces well-connected investors, like Lubetzky, to ambitious entrepreneurs who hope to strike a deal.Lubetzky, who founded Kind Snacks, signed a multi-season deal, and his presence will bring a new dynamic when the next season airs on Oct. 18. This is the first time since 2012 that the show has introduced a regular investor — known as a shark — to its rotating panel, which also includes Barbara Corcoran, Lori Greiner, Robert Herjavec, Daymond John and Kevin O’Leary.“We’re seeing it as an inflection point, as an opportunity to grow,” Clay Newbill, the executive director of “Shark Tank,” said in a video interview.Lubetzky started appearing on the show five years ago, often attracting founders of food companies. During negotiations, Lubetzky often smiles and asks entrepreneurs for their back stories. In the process he shares his own. Before he declines to fund someone’s company, he offers advice and shares stories of his own rejections and business miscalculations. He often invokes his father, a Holocaust survivor, when talking about resiliency.Lubetzky complements the show’s themes around the American dream and enchantment with entrepreneurship. He was born in Mexico, and as a child watched his father run businesses. When he was a teenager, the family moved to the United States, and in 2004, after starting other businesses, he began his Kind brand, which emphasizes that its snacks lack artificial flavors and preservatives. A deal with Starbucks in 2009 helped the brand reach even more customers. In 2020, Mars, the maker of M&M’s and Snickers, acquired Kind and valued the company at about $5 billion.Lubetzky says he sees himself as a team player as he joins the show permanently.“So many kids and families watch this show together,” Lubetzky said in an interview in June on the set of “Shark Tank” in Los Angeles, adding that the show is a way for viewers to learn about entrepreneurship. “It’s just an incredible way to contribute.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘American Crime Story’ Turns to Sports With Aaron Hernandez Saga

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      The buzzy FX series delves into the N.F.L. star who murdered a friend less than a year after playing in the Super Bowl.The saga of Aaron Hernandez has riveted the sports world and beyond for more than a decade. An N.F.L. star on one of football’s best teams killed a man in 2013 even as he chased fame and glory on the field.Two years after his conviction in 2015, Hernandez hanged himself in prison, leaving unexplained his descent into crime, rumors about his sexuality, and how he was able to hide his off-field life while thriving at America’s most popular sport.Hernandez has been the subject of multiple books, true crime podcasts and documentaries. But his story is getting the Ryan Murphy treatment in a new 10-part anthology series, “American Sports Story: Aaron Hernandez,” premiering on Tuesday on FX and Hulu. Its showrunners are trying a playbook similar to one used for dramatizations of other well-known scandals like “The People v. O.J. Simpson” and “Impeachment,” about former President Bill Clinton’s sexual improprieties. But this time, they’re grappling with new terrain: pro football.Nina Jacobson, an executive producer of “American Sports Story,” said showrunners hoped to offer viewers a “more subjective experience,” rather than a rehashing of previously reported events.“I think we try, in all of these shows, to find a way to put people in the shoes of the characters and put themselves in the eye of the storm — not in a way to excuse anybody’s voices or behaviors,” she said, “but to give people a chance to maybe see them in a different light.”Ahead of the first installment, here are the key points to know about Aaron Hernandez’s football career and murder case, and the TV drama that will depict them.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Emmy Viewership Rises to 6.9 Million Viewers

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      The uptick puts the Emmys among the award shows, such as the Oscars, that have had audience gains in the past few years.For the first time in three years, viewership for the Emmy Awards has gone in an upward direction.The Emmys drew an audience of 6.9 million on ABC on Sunday night, according to Nielsen, a healthy increase following a strike-delayed ceremony in January that drew a low of just over 4 million viewers.The ratings increase finally follows a trend of other award shows, such as the Oscars and Grammys, which have had viewership gains over the past few years. And it also stops the bleeding for an event that was dangerously approaching the low ratings of the Tony Awards.Even with the increase, the Emmys has lost a substantial amount of its audience in recent years. As recently as 2018, the event regularly drew more than 10 million people.Sunday’s telecast had some advantages over the last show. The January ceremony ran head-to-head against an N.F.L. playoff game, and was on the tail end of a frenetic stretch of award shows that included the Golden Globes and the Critics Choice Awards. Sunday’s show was back in the Emmys’ traditional mid-September slot that viewers have come to expect.The Emmys has long had the unfortunate — but accurate — reputation of being numbingly predictable. Indeed, in recent years, voters have tended to shower the same show (“Schitt’s Creek,” “The White Lotus,” “Ted Lasso,” “Succession”) with award after award. But on Sunday, there was an unusual turn of events: There were numerous upsets.“The Bear” won four Emmys on Sunday but, in a big surprise, “Hacks” won best comedy. Voters gave “Shogun” best drama honors, but also delivered unexpected wins to shows like “Slow Horses” and “The Morning Show.” “Baby Reindeer” took best limited series, but “True Detective,” “Fargo” and “Ripley” also had wins on Sunday.Reviews for the telecast, which was hosted by the father-and-son duo of Eugene and Dan Levy, were decidedly mixed. The Los Angeles Times described the telecast as “casually interesting” while Variety called it “humdrum” and Rolling Stone said it was “blah.” More

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      “Shogun” Emmy Win Lifts FX Past Bigger Rivals

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      The network has been a darling among critics for years. But it hit a new high on Sunday, with “Shogun” winning best drama and “The Bear” picking up several awards as well.When the “Shogun” writer and producer Justin Marks stormed the Emmys stage after his show won best drama on Sunday night, his first order of business was to pay tribute to the people who helped bring him there: the executive team at FX.How, he wondered aloud, did the network approve a show that was extremely expensive, and would be mostly subtitled in Japanese?“I have no idea why you did that, but thank you for your faith in this incredible team,” he said.For roughly two decades, that team at FX has been a darling to television critics with series like “American Horror Story,” “The Americans,” “It’s Always Sunny in Philadelphia” and “Atlanta.” But the network, with less money at its disposal than rivals such as Netflix and HBO, had never won television’s most prestigious prize, best drama, until Sunday.And that’s not all it won.“Shogun,” an adaptation from a 1975 best-selling book centered on 17th century feudal Japan on the brink of civil war, had a dominant night at the Emmys. It set a record for most Emmys won by a show in a single year, winning 18 in all. It was also the first time a foreign language show (roughly 70 percent of the show was in Japanese) had taken the best drama award that is normally the domain of shows that take place in the United States, the United Kingdom or Westeros.Hiroyuki Sanada in a scene from “Shogun.”Katie Yu/FX, via Associated PressAnother FX show, “The Bear,” won several major Emmys on Sunday night, including three acting awards. But in an upset, Max’s “Hacks” defeated “The Bear” in best comedy series.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Best Red Carpet Fashion At the Emmys: Jennifer Aniston, Ayo Edebiri & More

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      For people who like to look at clothes, there have lately been many opportunities on red carpets and off. Movie stars were in the spotlight at film festivals in Venice and Toronto. New York Fashion Week brought industry players and followers to parties, front rows and the city’s streets. Pop stars had their night at the MTV Video Music Awards.On Sunday, it was the TV world’s turn with the Emmy Awards. The event took place less than a year since the last Emmys ceremony in January, but the shorter-than-usual interim did not affect the spectacle of the red carpet.Actresses like Selena Gomez, Quinta Brunson and Sheryl Lee Ralph radiated sleek sophistication in black dresses that hugged curves and showed skin. Actors like Andrew Scott, Lionel Boyce and Dan Levy, who hosted the ceremony with his father, Eugene, chose modern interpretations of classic penguin suits. Over-the-top costumes worn by a group of contestants from “RuPaul’s Drag Race” amped up the camp.The fashion on the red carpet at the 76th Emmy Awards ran the gamut, but these 16 looks were among the most notable — for good reasons and bad.Jennifer Aniston: Most Familiar!Frazer Harrison/Getty ImagesA career spanning more than four decades has taught the actress, a star of “The Morning Show,” a thing or two about red carpets. Among them: It is hard to go wrong with a simple silhouette like that of her columnar, beaded Oscar de la Renta gown.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Candice Bergen Takes a Jab at JD Vance at the Emmys

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      The actress Candice Bergen was summoned to the Emmys this year to present an award. She also landed a political jab.Bergen is perhaps best known for playing the titular character in “Murphy Brown.” In her brief remarks, she recalled that her character, an unmarried news anchor, was rebuked by Vice President Dan Quayle in 1992 after she gave birth to a baby boy.The criticism from Quayle came during his unsuccessful re-election campaign with President George H.W. Bush. While Quayle was talking about family values, he said that Bergen’s character was “mocking the importance of fathers, by bearing a child alone, and calling it just another ‘lifestyle choice.’”Bergen won five Emmys for her work on “Murphy Brown.” At Sunday’s ceremony, she recalled the kerfuffle with Quayle, which became front-page news, and offered a quip.“Oh, how far we’ve come,” Bergen said. “Today, a Republican candidate for vice president would never attack a woman for having kids.”It was a thinly veiled reference to Senator JD Vance of Ohio, former President Donald J. Trump’s running mate, who has complained that the United States is being run by Democrats, specifically “a bunch of childless cat ladies.”Aware of this, Bergen continued, “So, as they say, my work here is done.”Then she added some onomatopoeia: “Meow.” More