Television

Subterms

    More stories

    • 138 Shares189 Views

      in Elections

      On Live TV, Guardian Angels Tackle Man Sliwa Misidentified as Migrant

      by

      “We’ve got to take back 42nd Street,” Curtis Sliwa, the founder of the anti-crime group, said on “Hannity” as the Guardian Angels pushed a man to the ground.The Guardian Angels founder Curtis Sliwa was being interviewed live from Times Square on Tuesday night by the Fox News host Sean Hannity when their exchange took a startling turn.The topic was what both men seemed to agree was a migrant-fueled wave of crime and chaos that they claimed had overtaken New York amid a surge of arrivals into the city from the southern border over the past two years.Suddenly, Mr. Sliwa had a prime-time example. As he spoke, the half-dozen red-jacketed Angels flanking him slipped out of the frame.“Our guys have just taken down one of the migrant guys right here on the corner of 42nd and Seventh where all this is taking place,” Mr. Sliwa said, pointing off camera.“Can you pan the camera?” Mr. Hannity asked his cameraman.The cameraman swung around and captured the Angels confronting a slightly built man in a hooded sweatshirt, throwing him to the ground and putting him in a headlock.“He is out of control,” Mr. Sliwa said as the camera turned away and Mr. Hannity shifted to criticizing President Biden over his administration’s border policies.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 113 Shares119 Views

      in Elections

      Da’Vine Joy Randolph: Major Prizes, Major Attention, Major Unease

      by

      The “Holdovers” star Da’Vine Joy Randolph has had a charmed run through awards season so far: Considered the favorite for the supporting actress Oscar, she has already taken the Golden Globe, Critics Choice Award and prestigious trophies from both the New York Film Critics Circle and Los Angeles Film Critics Association.The 37-year-old actress is well-aware of the power of those prizes, and knows that even being in the Oscar conversation can change the course of a career. But does that mean her awards season has been easy to navigate?“It’s overwhelming, if I’m being really honest,” Randolph told me in a candid conversation last week. “You really do earn your stripes going through this awards-season thing.”A monthslong Oscar campaign can be more arduous than people realize: a pileup of Q. and A.s, wardrobe fittings, round tables, photo shoots, interviews, red carpets, ceremonies, movie premieres, cocktail parties and festival appearances that demand always-on levels of poise and adrenaline. Everyone you meet at these events wants something from you — a conversation, a selfie, an autograph, an acceptance speech — and at the end of these glitzy and exhausting nights, there’s not much left over for yourself.Randolph is no novice: Tony-nominated for her role in “Ghost the Musical” (2012), she earned Oscar chatter for her breakout film performance in “Dolemite Is His Name” (2019) and has worked steadily in films like “The United States vs. Billie Holiday” (2021) and TV shows including “Only Murders in the Building,” “The Idol” and “High Fidelity.” Still, nothing she has experienced so far compares to the white-hot awards spotlight shone on her in the wake of “The Holdovers,” and Randolph is still figuring out how to adjust to its glare.Clockwise from top left, Randolph in “Ghost the Musical”; “The United States vs. Billie Holiday,” with Andra Day; “The Holdovers,” opposite Paul Giamatti and Dominic Sessa; and “Dolemite Is His Name,” starring Eddie Murphy.Clockwise from top left: Sara Krulwich/The New York Times; Takashi Seida/Paramount Pictures and Hulu; Seacia Pavao/Focus Features; François Duhamel/NetflixWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 125 Shares199 Views

      in Elections

      Crew Member Working on Marvel’s ‘Wonder Man’ Dies in Fall

      by

      The worker fell from a catwalk at Radford Studios early Tuesday, officials said.A crew member working on the set of Marvel Studios’ “Wonder Man” TV series at Radford Studios in Los Angeles died on Tuesday after falling from a catwalk, officials said.The man who died worked as a rigger, Deadline reported, and he died on set. A Marvel spokesperson confirmed those details in a statement, adding that “our thoughts and deepest condolences are with his family and friends, and our support is behind the investigation into the circumstances of this accident.”Members of the Los Angeles Police Department responded to Radford Street for a death investigation at about 6:55 a.m., said Officer Tony Im, a police spokesman.The International Alliance of Theatrical Stage Employees said in a statement posted on social media that the organization was “shocked and deeply saddened by this tragic loss.”“We are working to support our member’s family and his fellow members and colleagues,” the union said.“Wonder Man,” a Disney+ series that is set to star Yahya Abdul-Mateen II, was not filming at the time of the incident. More

    • 150 Shares129 Views

      in Elections

      ‘True Detective’ Season 4, Episode 4 Recap: The Monster Under the Bed

      by

      Danvers wrestles with her demons. Navarro does, too, but hers appear to be of a different sort.Season 4, Episode 4: ‘Part 4’There’s a classic bit on “The Simpsons” where a panel of children are seated as a focus group for “The Itchy & Scratchy Show” and asked what they want to see from the long-running cartoon, which has started to flag in the ratings. After an exasperating series of responses, the moderator sums up his findings: “So you want a realistic, down-to-earth show that’s completely off the wall and swarming with magic robots?”That’s what “Night Country” is starting to feel like as it heads down the backstretch. It is a realistic, down-to-earth police procedural that’s swarming with supernatural beings and lots of storytelling bric-a-brac. To an extent, that’s part of the “True Detective” brand, to flood the zone with enough symbols, Easter eggs and plot tributaries to keep the Subreddits humming all season with theories about which ones will pay off and which ones will wriggle off with the other red herrings. As the season’s showrunner, Issa López, and her writers start to bring the season to a close, there’s already some evidence that the show has spread itself too thin, despite an abundance of laudable elements.Take the fate of Navarro’s sister, Julia (Aka Niviana). The image of this lonely, troubled young woman spending her last moments among the icebound wreckage before walking naked into the dark is a haunting one. One of the great strengths of “Night Country” — and the three Nic Pizzolatto seasons of “True Detective” before it — is how beautifully it can conjure these modern noir images from distinct locales.And yet, so little narrative real estate was given over to Julia until this final episode that her death feels more like a device than an emotional payoff. In a pre-credits scene, we witness Danvers’s compassion in scooping her off the streets and bringing into the station, which brings her closer to Navarro. As for Navarro herself, the heaviness of this loss is a family curse that now threatens to swallow her, too.The most touching moment in the episode is a much smaller one. When Navarro gets the call from the Coast Guard about Julia, she and Peter have just finished a harrowing mission back to the nomad encampment on Christmas Eve. She suppresses her devastation when Peter asks if everything’s OK and sends him off to be with a family that is still intact. Her emotional generosity is a subtle payoff to a relationship that has been building around these two interconnected cases; the further “Night Country” strays from the grit-and-grind of police work, the less resonant it becomes. The mysteries around Annie’s murder and the frozen scientists link up so beautifully to the tensions within Ennis that the continued sprinkling of specters, flashbacks and various uncanny events has gotten distracting. There are many questions still to answer and only two episodes left.To that end, this week’s episode does address some of the business at hand. The “Blair Witch”-style video on Annie’s phone, presumably documenting the last moments of her life, includes whale bones frozen in the ice behind her, indicating an ice cave system the detectives are keen to locate. A team from Anchorage finally arrives to take the bodies away, despite Danvers’s desire to poke around them a little more for clues. (In sharing the news that the men were dead before they froze to Captain Ted, Danvers admits to doing “an independent pre-forensic evaluation,” which sounds better than saying that Peter’s veterinarian cousin looked at them.)We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 88 Shares169 Views

      in Elections

      Biden to Sit Out Super Bowl Interview

      by

      President Biden is sitting out the Super Bowl for the second year in a row.CBS said on Saturday that the White House had turned down a request for Mr. Biden to participate in a televised interview with its news division, which would have aired in the highly rated hours ahead of the big game on Feb. 11.In a tradition dating to 2009, presidents have recorded an interview with the network that broadcasts the Super Bowl, although there have been exceptions. Donald J. Trump did not appear on NBC in 2018. Last year, Mr. Biden declined to appear on Fox, home of cable hosts like Sean Hannity who are sharply hostile toward him.But the White House has been receptive to CBS News in the past. The president was interviewed by the “CBS Evening News” anchor Norah O’Donnell ahead of the 2021 Super Bowl, and he participated in two lengthy “60 Minutes” pieces, in 2022 and 2023, with the correspondent Scott Pelley.“We hope viewers enjoy watching what they tuned in for — the game,” Ben LaBolt, the White House communications director, said in a statement on Saturday.The Super Bowl, typically the most-watched telecast of the year, offers an unusually large audience for a sitting president to address current events and advance his agenda to the public.And there is plenty of news for Mr. Biden to comment on. Starting on Friday, the United States carried out military strikes in Iraq, Syria, and Yemen. Three American soldiers were killed last Sunday in Jordan. The government just released a positive jobs report. And Mr. Biden is ramping up his re-election campaign as Mr. Trump has moved closer to clinching the Republican nomination.In 2021, Mr. Biden’s pregame interview with Ms. O’Donnell was seen live by about 10.2 million viewers; millions more viewed clips that aired on other CBS programs in the days surrounding the game.For this year’s event, CBS offered the White House about 15 minutes for an interview with Mr. Biden, with three to four minutes airing live during the pregame coverage on the network, according to a person familiar with the discussions.Mr. Biden has conducted fewer media interviews than his most recent predecessors. The president’s last major network interview took place in October, with Mr. Pelley of CBS. His State of the Union address is scheduled for March 7.Katie Rogers More

    • 125 Shares119 Views

      in Elections

      Members of a Championship H.B.C.U. Basketball Team Fight for Recognition

      by

      Surviving members of the all-Black Tennessee A&I basketball team have fought for recognition since they won three back-to-back national championships at the height of the Jim Crow era.In 1957, the men’s basketball program at Tennessee Agricultural & Industrial State University in Nashville had all of the makings of a great team: a coach dedicated to the fundamentals of the game and a fast-breaking offense that applied relentless full-court pressure.“We felt that if we stayed focused, there was nobody else who could beat us,” said Dick Barnett, a shooting guard for the team.That was true, three times over. The Tennessee A&I Tigers would become the first team from a historically Black college or university to win any national championship, and the first college team to win three back-to-back championships.The Tennessee A&I Tigers in 1957. Dick Barnett, wearing No. 35, is at center in the second row.Live Star EntertainmentBut the team, caught in the headwinds of the Jim Crow South, has struggled for recognition ever since.Barnett, now 87, who went on to play for the two New York Knicks championship teams in the 1970s, has spent the last decade working to correct that. He has spent years campaigning for the Tigers to be inducted into the Naismith Memorial Basketball Hall of Fame and is teaching a new generation of basketball players at Tennessee State University, as the school is now known, about the barrier-breaking team.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 125 Shares129 Views

      in Elections

      Watch Carl Weathers Memorable Performances: ‘Rocky,’ ‘Star Wars’ and More

      by

      Whether dressed in American flag shorts or dirty fatigues, the versatile actor, best known as Apollo Creed in the “Rocky” movies, always made an impression.When you look back on the career of Carl Weathers, who died on Thursday at the age of 76, certain images immediately come to mind. There is Weathers, abs glistening, in American flag shorts in the “Rocky” movies. Or Weathers wearing dirty fatigues in “Predator.” Comedy junkies might immediately picture him waving alongside an alligator in “Happy Gilmore.” Throughout Weathers’s acting career, which followed a stint in professional football, he was associated with franchises that became pop culture sensations. But he was also a performer who was as comfortable goofing on his own persona as he was battling Rocky Balboa or a Predator. Here are some of his most memorable roles and where to watch them.‘Rocky I-IV’ (1976, 1979, 1982, 1985)Stream the “Rocky” films on Max.If you know Weathers for one part, it is Apollo Creed, the villain turned pal turned tragic figure in the “Rocky” franchise. Creed is introduced in the first film, the best picture winner directed by John G. Avildsen, as the man who both gives Sylvester Stallone’s Rocky his shot and stands in his way.A heavyweight champion who needs an opponent for a fight, Apollo has the great idea to give a “local underdog” the chance to go up against him. The first two movies find Rocky battling Creed. By the third, Rocky and Apollo have formed an alliance, and, by the fourth, well, I won’t spoil it if you haven’t seen it, but suffice it to say Apollo’s legacy looms large. When “Rocky II” came out, Weathers was already thinking about a future after Apollo. He told The Washington Post: “I’m looking for a Picassoesque role, something that will throw me into new period. I feel Apollo Creed has taken me so far, but now it’s necessary to go beyond that.” But it’s also understandable why Apollo is such a touchstone of Weathers’s career. In addition to showing off his incredible physicality, he made a character that could have been a one-off bad guy into a person you couldn’t help but root for every time he was in the ring. Now, the “Rocky” films have morphed into the “Creed” films. That would not have been the case without Weathers.‘Predator’ (1987)Rent or buy it on most major platforms.Mr. Weathers appeared with Arnold Schwarzenegger in the 1987 action movie “Predator.”Sunset Boulevard/Corbis, via Getty ImagesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 125 Shares99 Views

      in Elections

      HBO Drops Milos Bikovic, ‘White Lotus’ Actor Criticized by Ukraine

      by

      The casting of Milos Bikovic, a Serbian actor, had been denounced by Ukraine’s foreign ministry, who pointed to his ties to Russia.HBO has parted ways with Milos Bikovic, a Serbian actor whose casting in the third season of “The White Lotus” had drawn criticism from Ukraine’s foreign ministry for his ties to Russia, according to an HBO spokeswoman.Bikovic’s role in the dark comedy will be recast, the spokeswoman said.In a statement provided through a spokesman on Friday, Bikovic said that he was leaving because of external pressure.“Today, a targeted campaign has been unleashed against me, seemingly as an external maneuver to influence decisions that can create a disturbing precedent shadowing the essence of artistic freedom,” Bikovic said in the statement. “The result of such a narrative is the triumph of absurdity and the defeat of art.”HBO announced on Jan. 12 that Bikovic, 36, would be joining the “White Lotus” cast. Ukraine’s foreign ministry criticized the decision on social media weeks later, writing on X, “HBO, is it all right for you to work with a person who supports genocide & violates international law?”On Instagram in 2022, in a post shared the day after the Russian invasion of Ukraine began, Bikovic said that he wished the war had not happened. “War and bloodshed on any side reminds us of how far humanity is from global unity and love,” he wrote in Russian and Serbian. “God save the lives of all those who are now in danger!”Bikovic has been celebrated by Russia’s leadership. He was awarded the Pushkin Medal, which honors contributions to Russian arts and culture, by President Vladimir V. Putin in 2018. The following year Ukraine barred Bikovic from entering the country for what it called national security reasons, prompting him to tell a Serbian publication that “the situation is absurd.” He received Russian citizenship by presidential decree in 2021.Ukraine’s foreign ministry did not immediately respond to a request for comment.Before he was cast in “The White Lotus,” Bikovic acted in movies including “South Wind,” which follows a gang member in Belgrade; “Sunstroke,” about military officers remembering the collapse of the Russian Empire; “Ice,” in which he plays a figure skater; and “The Balkan Line,” about a military operation during the Kosovo war.In his statement, he referred to his childhood growing up in a war-torn country and expressed his opposition to all armed conflict.“There are more and more active conflicts in the entire world,” he said. “Each one is different. Each one is heartbreaking. I wish all of them to stop and principles of love to prevail.”Season 3 of “The White Lotus” is set to begin production in Thailand this month and is scheduled to air in 2025. The ensemble will include Walton Goggins, Carrie Coon, Parker Posey and the returning cast member Natasha Rothwell. More