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      More Than 23 Million Watched Biden’s News Conference, Beating the Oscars

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      The swirling questions about President Biden’s age and mental fitness for office have captured Americans’ attention.More than 23 million people — a bigger audience than this year’s Academy Awards — tuned in on Thursday evening to see how Mr. Biden handled his first live news conference since a poor performance at last month’s debate with former President Donald J. Trump.The television audience amounted to roughly 45 percent of the 51.3 million who watched the debate, according to Nielsen.The president’s nearly hourlong appearance, at the NATO summit in Washington, was one of the most-watched telecasts of the year, outside of sporting events. It aired across several major TV networks, with ABC, CBS and NBC all pre-empting regular entertainment programming.Millions more may have watched on digital news sites and social media platforms, which are, for the most part, not captured by Nielsen’s data.Compared to his predecessors, Mr. Biden rarely grants solo news conferences, which added to the novelty of Thursday’s event.Fox News attracted the largest audience of any network, 5.7 million, representing nearly a quarter of the overall television viewership. ABC was the highest-rated broadcaster, with five million viewers, possibly benefiting from a lead-in from “Jeopardy!,” the game show that aired immediately before Mr. Biden’s news conference.Roughly four of five viewers were 55 or older, Nielsen said. ABC drew the largest audience among adults 25 to 54, the key demographic for advertisers in cable news.Mr. Biden’s interview with George Stephanopoulos, which aired last Friday on ABC, was seen by 8.5 million viewers. More

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      Biden’s News Conference Answered Many Questions. But Not the Big One.

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      For once, a presidential Q. and A. was must-see TV. But it didn’t put an end to the summer’s biggest drama.There were many questions at President Biden’s nearly hourlong news conference on Thursday night — questions about Gaza, Ukraine, the campaign, his health, his record.But at its heart there was only one question: Could he do it?That is, could Mr. Biden, who stunned viewers and his party and George Clooney with a doddering performance at the first presidential debate two weeks ago, stand and deliver? Could he be coherent? Could he dispel the talk of age and frailty and decline? Could he beat the doubters who want him to step down from the ticket? Could he look like a winner?On a national TV stage, Mr. Biden answered the individual questions, often comfortably, sometimes defensively, with depth and engagement and flashes of passion. As for the uber-question, the answer was incomplete. He was not the uncomfortable, lost presence of the debate, but he didn’t erase the memory of that version of himself either. He came across as the president he wants to be, but not necessarily the candidate his critics have said he needs to be.Presidential news conferences are rarely must-see TV. But the stakes — heightened by reports that some Democrats were waiting for it before weighing in on whether Mr. Biden should remain the nominee — gave this one the air of a test, if not a last stand.The telecast had the daredevil feel of a live walk through a minefield. The first false step came before the news conference proper, at remarks after the afternoon’s NATO meeting, when Mr. Biden introduced President Volodymyr Zelensky of Ukraine: “Ladies and gentlemen, President Putin.”The president caught himself and recovered. “I’m better,” Mr. Zelensky joked; “You’re a hell of a lot better,” Mr. Biden said. The audience laughed. Anybody can mix up a name once.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Benji Gregory, Child Star on ‘ALF,’ Dies at 46

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      Mr. Gregory was found dead on June 13 in his car, along with his service dog.Benji Gregory, who starred as a child in the hit television series “ALF” in the 1980s, has died. He was 46.His death was confirmed by his sister, Rebecca Pfaffinger, who said that an official cause of death was still pending.According to Mrs. Pfaffinger, Mr. Gregory and his service dog, Hans, were found dead in his car on June 13 at a bank’s parking lot in Peoria, Ariz. She said in a Facebook post that he had fallen asleep in the vehicle and had died of heatstroke.Mr. Gregory was best known for his role as Brian Tanner on “ALF,” an NBC sitcom that premiered in September 1986, when he was 8. The show featured a suburban family whose world is thrown upside down when a back-talking, pointy-eared alien from the planet Melmac crash-lands through their garage. The Tanner family calls the alien ALF, short for Alien Life Form, and he stays with them, causing mischief and voicing his observations about humankind. “ALF” was a hit and aired for four seasons.“It became quite natural to interact with ALF,” Mr. Gregory said of the experience in a 2022 interview with BTM Legends Corner, a show on YouTube.“ALF,” short for Alien Life Form, aired on NBC from 1986 to 1990. AlamyHe was born Benjamin Gregory Hertzberg on May 26, 1978, in the Los Angeles area, according to his IMDB profile.Alongside “ALF,” Mr. Gregory appeared in a string of other hit shows in the 1980s, including “The A-Team,” “Punky Brewster” and “Amazing Stories.”Mr. Gregory’s film credits include “Jumpin’ Jack Flash,” a 1986 comedy about a lonely computer programmer in Manhattan played by Whoopi Goldberg, and the 1993 animated movie “Once Upon a Forest.”He eventually moved on from acting and in 2004 became an aerographer’s mate for the U.S. Navy stationed in Biloxi, Miss., according to IMDB.He had lived with bipolar disorder and depression and received care for both, his sister said. More

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      In TMZ Video, George Stephanopoulos Says Biden Can’t Serve Another Term

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      The ABC News anchor George Stephanopoulos apologized on Tuesday night after he was surreptitiously recorded earlier in the day saying he did not believe that President Biden could handle another term in office.His remarks — made in passing to a stranger who approached him on the street — came four days after Mr. Stephanopoulos conducted the only major interview with Mr. Biden since the president’s stumbling debate performance.In a grainy video posted by the gossip site TMZ, Mr. Stephanopoulos can be seen in workout clothes walking on a sidewalk in Midtown Manhattan. An unseen stranger walks up to the anchor but keeps his phone camera angled away; Mr. Stephanopoulos was presumably unaware that the person was recording him.“Do you think Biden should step down?” the stranger asks. “You’ve talked to him more than anybody else has lately.”“I don’t think he can serve four more years,” Mr. Stephanopoulos replies.News anchors and reporters typically avoid voicing their opinions about the topics and people they cover. Mr. Stephanopoulos addressed his remarks hours later. “Earlier today, I responded to a question from a passerby. I shouldn’t have,” he said in a statement.ABC also issued a statement about the incident. “George expressed his own point of view and not the position of ABC News,” the network said.During Mr. Stephanopoulos’s prime-time interview with Mr. Biden, which was seen by 8.5 million people, the anchor respectfully but firmly challenged the president about whether he was being honest with himself about his health.Mr. Stephanopoulos is one of very few people outside of Mr. Biden’s immediate inner circle who has spent extended time with the president since the debate. The anchor received praise for his handling of the interview, which focused on intimate matters of aging and health. More

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      CNN Cuts 100 Jobs, and Announces Plan for Digital Subscription Product

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      The network’s C.E.O., Mark Thompson, has promised a more robust digital strategy as people flee traditional cable packages.CNN’s top leader announced 100 job cuts on Wednesday as well as a digital strategy that would include a new subscription-only digital offering by the end of the year.The company is laying off around 100 people, or about 3 percent of its work force. The layoffs would come “across the company,” Mark Thompson, the network’s chairman, said in a memo to employees. CNN last had significant layoffs in late 2022.Mr. Thompson announced the job cuts as the company began to unveil steps on a digital plan that he said would help the network “regain a leadership position in the news experiences of the future.”Mr. Thompson, the former chief executive of The New York Times and a senior leader at the BBC, has been in charge of CNN since October 2023. He has promised a more robust digital strategy as people flee traditional cable packages in favor of streaming entertainment.CNN’s ratings have plummeted over the last two years, more so than those of its primary competitors, Fox News and MSNBC. Additionally, CNN’s parent, Warner Bros. Discovery, has an enormous debt load, and its share price has fallen sharply this year.CNN got a recent shot in the arm when it organized and broadcast the first presidential debate in late June, an event that continued to set off alarm bells within the Democratic Party about the future of President Biden’s campaign. CNN made the debate available for other outlets to broadcast, and it drew more than 50 million viewers overall. About 9.5 million of those watched on CNN.As part of the announcement on Wednesday, Mr. Thompson said CNN.com’s “first subscription product” would debut later this year. He also said the company would create “a growing stable of ‘news you can use’ offerings” in lifestyle coverage. Additionally, he said the company would make a push into artificial intelligence.Mr. Thompson laid out a reorganization that would include merging three separate newsrooms (U.S. news gathering, international news gathering and digital news) under one leader, Virginia Moseley. And on the prime-time television front, he has directed deputies to “increase audience competitiveness and also keep a close eye on production costs.”“Turning a great news organization toward the future is not a one-day affair,” Mr. Thompson wrote in a memo to employees. “It happens in stages and over time. Today’s announcements do not answer every question or seek to solve every challenge we face. However, they do represent a significant step forward.” More

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      ‘House of the Dragon’ Season 2, Episode 4: Fire in the Sky

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      This week brings all-out warfare and the death of a key character.Season 2, Episode 4: ‘A Dance of Dragons’From its sobriquet on down, George R.R. Martin’s World of Ice and Fire is largely a bipolar one. Blacks fight Greens. Starks fight Lannisters. And in the prophetic Song of Ice and Fire itself, death wars against life.The dragons flown by the Targaryen dynasty are an exception to this rule. In the source novels, various maesters and royals speculate that dragons are neither male nor female, capable of switching sexes as needed. True, they are the fire that helps turn back the ice of the Night King and his undead minions in “Game of Thrones,” and the most magnificent and awe-inspiring living creatures in the Westerosi bestiary. But they are also death incarnate, capable of inflicting carnage amid soldiers and civilians alike at an industrial scale.And if need be, they can be called upon to kill one another, in battles as brutal as they are beautiful. There is a reason scholars within Martin’s fictional universe refer to the Targaryen civil war as the Dance of the Dragons: The conflict is as rapturous to behold as it is repugnant, often in the same scene.This episode’s three-way battle between Princess Rhaenys and her red dragon Meleys, King Aegon II and his gloriously golden Sunfyre, and Prince Aemond One-Eye and the colossal beast Vhagar is a case study in the dragons’ duality. The script, by the co-creator and showrunner Ryan Condal, contains a lengthy lead-up to the climactic Battle at Rook’s Rest — a trap set by the Hand of the King, Ser Criston Cole, and his primary ally, Prince Aemond, to lure Black dragons and their riders to their doom — featuring glory shots of Meleys and Sunfyre on their way to war. The director, Alan Taylor, a signature talent on “Game of Thrones,” makes it clear what kind of splendor the world will lose if these animals should die.He also makes it clear what kind of horrors the world will see if they live. Rook’s Rest is a nightmare of burning men, crushed men, men fleeing for their lives from what are effectively flying nuclear dinosaurs. The riders try their best, for the most part, but neither dragon fire nor dragon feet are particular about who they snuff out.Indeed, the episode’s most shocking moment comes when Aemond, who delayed his own assault when his detested brother Aegon crashed the battle uninvited so as not to appear weak, turns Vhagar against not only their enemy Rhaenys, but Aegon too. Only the timely intervention of Ser Criston prevents Aemond from striding across the broken body of Sunfyre and putting his fallen, burned brother out of his misery at the battle’s end.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Meet David Ellison, the CEO of Skydance and Paramount’s New Owner

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      He left college to try out acting. Now, he’s set to become one of the most powerful people in Hollywood.David Ellison’s Hollywood career has been defined by high-octane blockbusters filled with suspense, stunts and improbable plot twists.But on Sunday he landed his biggest cliffhanger yet, striking a deal to merge with Paramount after months of negotiations with the company and its controlling shareholder, Shari Redstone. If the deal closes, he will be in charge of a sprawling media empire that includes CBS, MTV and the Paramount movie studio.Though Mr. Ellison, 41, joined the cast of Hollywood’s power players more than a decade ago, he hasn’t taken center stage until now. Here’s a look at his career.Who is David Ellison, and what is his company, Skydance?A quick perusal of Mr. Ellison’s page on the Internet Movie Database shows a relatively undistinguished acting career, with minor roles in films like the fighter drama “Flyboys” and teen comedy “The Chumscrubber” (in which he played “Student No. 1”). It wasn’t until he became a producer that his star in Hollywood began to rise.After he dropped out of the University of Southern California and gave up on acting, Mr. Ellison turned to producing. His family’s considerable influence — he is the son of the Oracle founder Larry Ellison — helped him bankroll big-budget films like “Mission: Impossible — Ghost Protocol” and “Star Trek Into Darkness.”Along the way, the valuation of Mr. Ellison’s company Skydance Media ballooned to more than $4 billion, after private-equity firms like RedBird Capital Partners and KKR invested in it. Mr. Ellison, the chief executive of Skydance, has co-produced hits like “Top Gun: Maverick” and “G.I. Joe: Retaliation” with Paramount, giving him an entree to the company’s executives and its most valuable franchises.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      For George Stephanopoulos, 22 Minutes of Probing the Personal.

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      It was, in the end, an interview as personal as it was political, a cross-examination more focused on the psyche and the inescapable reality of aging than on any points of policy or governance.Respectfully but firmly, the ABC anchor George Stephanopoulos on Friday pressed President Biden, again and again, on the basic questions that Americans had asked themselves over the past eight days, since 51 million people saw a diminished Mr. Biden struggle to perform on the debate stage.“Are you more frail?”“Have there been more lapses?”“Have you had a neurologist, a specialist, do an examination?”And as Mr. Biden dismissed all those concerns one by one — flicking away the cascading worries about his health, his electability, his capacity to serve in his office for four additional years — Mr. Stephanopoulos zeroed in on the matters of pride, dignity and self-worth swirling beneath the surface.“Are you sure,” the anchor asked, “you’re being honest with yourself?”At 81, Mr. Biden is 18 years older than his interlocutor. The president arrived at the ABC interview on Friday tanned and tieless, his top two shirt buttons undone, making every effort to project youth and vitality. Yet a viewer could not help but imagine the mop-haired Mr. Stephanopoulos in the role of an adult son, guiding an elderly parent toward a conclusion that may be difficult, and deeply painful, to accept.It is too soon to say if their 22-minute encounter on Friday, taped in the library of a Wisconsin middle school and broadcast by ABC in prime time, will count among the most consequential interviews in presidential history. But it carried some of the highest stakes.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More