Television

Subterms

    More stories

    • 113 Shares149 Views

      in Elections

      The Best Movies and TV Shows Streaming in April

      by

      “Fallout,” “Girls State” and a “Bluey” special are streaming.Every month, streaming services add movies and TV shows to its library. Here are our picks for some of April’s most promising new titles. (Note: Streaming services occasionally change schedules without giving notice. For more recommendations on what to stream, sign up for our Watching newsletter here.)New to Amazon Prime Video‘Fallout’ Season 1Starts streaming: April 11This sardonic postapocalyptic action-adventure series combines elements from different games within the larger “Fallout” video game franchise, which since its debut in 1997 has delighted gamers with a mix of rich storytelling and wry wit. The series has Ella Purnell playing Lucy, an exemplary citizen in an underground bunker colony on an Earth ravaged by nuclear warfare. When circumstances force Lucy to the surface, the sunny optimism she learned from her father (Kyle MacLachlan) is tested by her encounters with scavengers, mutants and heavily armed soldiers in robotic armor. Developed by Jonathan Nolan and Lisa Joy (the team behind “Westworld”) with the showrunners Geneva Robertson-Dworet (the co-writer of “Captain Marvel”) and Graham Wagner (a “Portlandia” writer), “Fallout” aims to be the rollicking, irreverent counter to all the dour end-of-the-world TV shows.Also arriving:April 1“House” Season 1April 4“Música”April 5“How to Date Billy Walsh”“Alex Rider” Season 3April 12“Apartment 404”April 18“Dinner With the Parents” Season 1“Going Home With Tyler Cameron” Season 1April 25“Them: The Scare” Season 1Cecilia Bartin in “Girls State,” a documentary directed by Amanda McBaine and Jesse Moss on Apple TV+.Whitney Curtis/Apple TV+New to Apple TV+‘Girls State’Starts streaming: April 5The 2020 documentary “Boys State” followed a group of Texas high schoolers at a politics-themed summer camp. For this sequel, the directors Jesse Moss and Amanda McBaine cover a similar camp from a different perspective, embedding with Missouri high school girls as they run for office, draft resolutions and hear court cases, emulating the functions of a state government. This particular edition of Missouri’s Girls State was held on the same campus as Boys State, inviting direct comparison between the programs (which differ in their levels of rigor). It also happened not long after the draft of the Supreme Court’s Dobbs v. Jackson decision was leaked. As with the earlier film, Moss and McBaine avoid turning their subjects into simplistic heroes or villains. Instead, “Girls State” honors these bright, concerned young ladies’ earnest interest in making friends and becoming better leaders.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 138 Shares119 Views

      in Elections

      Chance Perdomo, Star of ‘Chilling Adventures of Sabrina,’ Dies at 27

      by

      Mr. Perdomo, who died in a motorcycle accident on Friday, played the pansexual warlock Ambrose Spellman in the Netflix series.Chance Perdomo, the British actor known for his roles in the series “Gen V” and “Chilling Adventures of Sabrina,” died on Friday. He was 27.Mr. Perdomo died in a motorcycle accident, Larissa Saenz, a representative for him, confirmed in a statement on Saturday. The statement said that the “authorities have advised that no other individuals were involved.” It was not immediately clear where the accident happened.Mr. Perdomo played the pansexual warlock Ambrose Spellman in the Netflix series “Chilling Adventures of Sabrina” and Andre Anderson, a superhuman with magnetic manipulation abilities, in “The Boys” spinoff series “Gen V.”He was born on Oct. 20, 1996, according to his representative, in Los Angeles and raised in Southampton, England. Details on survivors were not immediately available.Mr. Perdomo had described himself as “a Black child raised by a Latino mother in a white society with two nationalities.”He landed a small part on an episode of “Hetty Feather,” a British children’s drama set in the Victorian era, after graduating from Peter Symonds College in Winchester, where one of his majors was theater.He told The New York Times in 2020 that although the role was “one or two lines,” it was enough “to take that leap of faith” and pursue acting full time.Amazon MGM Studios and Sony Pictures Television said in a statement posted to a “Gen V” social media account that they were “devastated” by the news of Mr. Perdomo’s death.The account also shared a statement from the producers of “Gen V” in which they said they “can’t quite wrap our heads around this.”“Even writing about him in the past tense doesn’t make sense,” the statement added.Variety reported that production on the second season of “Gen V” had been “delayed indefinitely” after the news of Mr. Perdomo’s death.In Britain, Mr. Perdomo was known for starring in “Killed by My Debt,” a television movie based on the true story of a young courier who dies by suicide after two traffic tickets grow into a crushing debt.In an interview posted on social media, he recalled a conversation he had with his mother when he was about 2 years old. He told her he had two things he aspired to.“She said, ‘What do you want to be?’” he said. “I said I want to be the first Black president of the United States, and I want to be on ‘Barney.’”Mr. Perdomo went on to describe the differences between his roles on “Chilling Adventures of Sabrina” and “Killed by My Debt.” Of his work, he said: “It’s been quite a year. Quite a couple of years.”“Visual mediums are great tools to be able to get messages and get thoughts across,” he added.He said that connecting with someone emotionally could help lead a person to think differently and “that can change perspectives and hopefully lead to more of a permanent change.” More

    • 138 Shares169 Views

      in Elections

      For Cesar Conde, NBC’s News Chief, Corporate Polish Meets Partisan Reality

      by

      Cesar Conde, a leader with an M.B.A. but a limited journalism background, is facing the toughest scrutiny of his career.Cesar Conde is not the typical leader of a major news institution.A Wharton-trained executive who revived the fortunes of Telemundo and sits on the boards of Pepsi and Walmart, Mr. Conde had limited experience in journalism when, in 2020, he became the chairman of NBC’s sprawling news division, including MSNBC, CNBC and franchises like “Meet the Press,” “Nightly News” and the “Today” show.Now he is trying to navigate the biggest crisis of his tenure: a journalistic firestorm that prompted an open revolt among his stars and has fueled internal questions about just how neatly Mr. Conde’s corporate experience and ambitions gel with the unique challenges of the news business.The rapid hiring and dismissal of Ronna McDaniel, the former chairwoman of the Republican National Committee, stunned network journalists over the past week, with many asking why Mr. Conde and his deputies had brought on someone who had vilified NBC and advanced former President Donald J. Trump’s efforts to overturn the 2020 election.The blowback facing Mr. Conde, 50, a former fellow in George W. Bush’s White House who prides himself on having an even-keeled, nonpartisan reputation, is coming from both sides of the aisle. Left-leaning fans of MSNBC felt betrayed, and Republican officials are mocking NBC as biased, even threatening to bar its reporters from this summer’s nominating convention.At elite retreats like the Aspen Ideas Festival, Mr. Conde, who declined to be interviewed, likes to say he runs “the largest news organization in the country.” As he heads into the scrutiny of a general-election campaign, he is discovering just how hard that job can be.Two of Mr. Conde’s newsroom leaders — Rebecca Blumenstein, the NBC News president of editorial, and Carrie Budoff Brown, who oversees political coverage — recommended Ms. McDaniel to Mr. Conde; Rashida Jones, the MSNBC president, also signed off, according to two people familiar with the discussions. Mr. Conde trusted the judgment of his top journalists, the people said.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 125 Shares189 Views

      in Elections

      A Georgia Town Basks in Bountiful Filming. The State Pays.

      by

      When movies are made in Thomasville, Ga., it welcomes celebrities and an infusion of cash. But the financial incentives that attract studios have cost the state billions.It is no wonder that moviemakers saw potential in Thomasville, Ga., as a stand-in for Main Street U.S.A. Cobblestone streets and mom-and-pop stores speckle the downtown of this city of 18,000 that is caked in red clay soil and nestled among rolling hills.Just as attractive to some of those producers are Georgia’s lavish filming incentives, which have made Thomasville a cost-effective place to make modest pictures with major stars. Dustin Hoffman came for the rom-com “Sam & Kate.” A children’s book adaptation, “The Tiger Rising,” brought Dennis Quaid and Queen Latifah to town.But what is good on the ground for local economies — Thomasville says each of the six movies filmed there has provided an economic boost of about $1 million — can simultaneously be a drain on state coffers.Some Georgia lawmakers wondered whether it might be wise to put some limits on an uncapped tax incentive program that has given billions of dollars to Hollywood studios, scrambling this week in hopes of passing a bill that would modify the program. More

    • 163 Shares189 Views

      in Elections

      Louis Gossett Jr., 87, Dies; ‘An Officer and a Gentleman’ and ‘Roots’ Actor

      by

      His portrayal of a drill instructor earned him the Oscar for best supporting actor. He was the first Black performer to win in that category.Louis Gossett Jr., who took home an Academy Award for “An Officer and a Gentleman” and an Emmy for “Roots,” both times playing a mature man who guides a younger one taking on a new role — but in drastically different circumstances — died early Friday in Santa Monica, Calif. He was 87.Mr. Gossett’s first cousin Neal L. Gossett confirmed the death.Mr. Gossett with Susan Sarandon and Christopher Reeve after winning the Oscar for “An Officer and a Gentleman” in 1983.Associated PressMr. Gossett was 46 when he played Emil Foley, the Marine drill instructor from hell who ultimately shapes the humanity of an emotionally damaged young Naval aviation recruit (Richard Gere) in “An Officer and a Gentleman” (1982). Reviewing the movie in The New York Times, Vincent Canby described Sergeant Foley as a cruel taskmaster “recycled as a man of recognizable cunning, dedication and humor” revealed in “the kind of performance that wins awards.”Mr. Gossett told The Times that he had recognized the role’s worth immediately. “The words just tasted good,” he recalled.When he accepted the 1983 best supporting actor Oscar, he was the first Black performer to win in that category — and only the third (after Hattie McDaniel and Sidney Poitier) to win an Academy Award for acting.He had already won an Emmy as Fiddler, the mentor of the lead character, Kunta Kinte (LeVar Burton), in the blockbuster 1977 mini-series “Roots.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 175 Shares119 Views

      in Elections

      Ronna McDaniel and NBC Saga: The Perks and Perils of Partisan Talk on TV

      by

      Why are television news networks so enamored with paid Beltway analysts?Trying to juice ratings in an election year, a major TV network hired a pair of provocative commentators from the political establishment to inject some spiky opinion into its otherwise-staid campaign coverage.The result — the Gore Vidal and William F. Buckley Jr. debates of 1968 — was a hit with viewers and an unexpected success for ABC News. It also inspired television news divisions to bring more partisan voices into their coverage, a trend that intensified at the dawn of the 24-hour cable news era in the early 1980s.These days, the role of the “paid contributor” — a commentator on contract, to bloviate on demand — is fully baked into the TV news ecosystem. Typically, the role is occupied by a political veteran who can offer an insider perspective on the news of the day, drawing on experience as, say, an elected official, Beltway strategist or West Wing aide.Or, in the case of Ronna McDaniel, as the former chairwoman of the Republican Party.Ms. McDaniel’s tenure as a paid contributor at NBC News was less successful than those of many of her peers. (Her two immediate predecessors as Republican leader, Michael Steele and Reince Priebus, work for MSNBC and ABC News.) Her hiring led to an open revolt by NBC and MSNBC stars, who said it was disqualifying that Ms. McDaniel had been involved in former President Donald J. Trump’s efforts to undermine the 2020 election results.She was ousted by NBC on Tuesday, four days after she started. Ms. McDaniel, whose deal was worth $300,000 annually, is now seeking to be paid at least $600,000 for the two years she signed up for, according to a person familiar with her plans.The episode prompted angst inside NBC News, where journalists and producers on Wednesday were still puzzling over their bosses’ handling of the situation, according to several people who requested anonymity to discuss private discussions.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 125 Shares159 Views

      in Elections

      The Best of Late Night, at the Movies and Beyond

      by

      The new horror-thriller “Late Night With the Devil” isn’t the only time late-night hosts, shows and sets become fodder for on-screen moments in film and TV.The new horror-thriller “Late Night With the Devil” stars David Dastmalchian as the host of “Night Owls With Jack Delroy” where, on Halloween night 1977, an occult-themed episode takes a dark turn during the live broadcast. Shot in a found-footage way that unearths the “lost” episode, the movie (now in theaters, streaming on Shudder on April 22) is a satirical throwback to the era’s supernatural and religious fanaticism, with a notable nod to “The Exorcist.” And it is one of the most recent in a string of late-night moments that make their way to the big and small screens.Late-night hosts past and present have lent their sets (and sometimes themselves) to projects, while fictional nods and fake hosts pop up elsewhere. From Gucci campaigns featuring James Corden interviewing Harry Styles to several “Simpsons” cameos and sendups, to David Letterman crossovers on “Seinfeld,” “The Larry Sanders Show” and “Roseanne,” late-night hosts play a particularly present role in popular culture. Below is a select look at the times late-night television has smartly made its way into fictional movies and TV.‘Looking for Love’ (1964)Rent on Apple TV or Amazon.In this film directed by Don Weis, Connie Francis stars as Libby Caruso, an aspiring singer who initially found success peddling a line of women’s clothing. Booked on “The Tonight Show With Johnny Carson” to talk fashion, Libby makes mention of her singing and sees her life change after Carson invites her to perform a song.‘The King of Comedy’ (1983)Stream it on Hulu.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 125 Shares109 Views

      in Elections

      Ilia Malinin Wins Skating Championship With ‘Succession’ Theme Song Routine

      by

      Ilia Malinin, an American teenager, won the men’s World Figure Skating Championships with a performance set to the theme of the HBO series.Like the plot of “Succession,” Ilia Malinin’s winning program for the men’s singles competition at the World Figure Skating Championships on Saturday had a lot of twists: six quadruple jumps that included a quadruple axel, a feat involving four and a half rotations in the air.That those elements were set to the HBO series’ theme song only heightened the drama of Mr. Malinin’s performance.The moody string music that opens the song had been playing for about 30 seconds when Mr. Malinin, a 19-year-old student at George Mason University in Fairfax, Va., executed a quad axel in a costume that resembled a classic tuxedo. Mr. Malinin, who grew up in Fairfax, is the only skater who has landed that jump in competition; he first did so in 2022.By the time of the “Succession” theme’s piano riffs, he had completed three more quads: a quad lutz, a quad loop and a quad salchow. (His knack for executing quadruple jumps has earned him the nickname Quad God.) Before the end of the roughly four-minute program, he landed two more.Mr. Malinin started skating to the “Succession” theme last fall, but he has yet to watch the show. “I don’t have a subscription to HBO,” he said in an interview. “But if I did get it, I’d definitely watch.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More