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    Trump’s strongman image got boos at the US Open, and perhaps that was the point | Andrew Lawrence

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    It was just the authoritarian image Donald Trump hoped to project at the US Open: the president himself, looming from Arthur Ashe Stadium’s giant screens like Chairman Mao at Tiananmen Gate, as he stood at attention for the national anthem. But there was no denying that, while the picture was there, the sound clashed. The burst of cheers that went up for his stiff salute on Sunday was quickly drowned out by a chorus of boos made louder from the Ashe roof being closed for rain – perhaps fitting given that many fans had been left to stand in the wet and endure the long security lines that resulted from his attendance. In that awkward five-second moment, as the Stars and Stripes was unfurled on center court, the president smirked at the negative reaction. It surely rang so familiar.Trump’s presence at the US Open men’s final wasn’t just intended as a soft power grab, the kind of routine stunt Vladimir Putin, Kim Jong-un and the other despots he admires pull all the time at sports events – except with recruitment ads for Ice playing across the US. No, Trump’s presence was intended as a distraction. Not a distraction for him; lord knows, he couldn’t care less about the actual match, a fact that was reinforced when Trump left his luxury box seat to step inside and kibitz with a phalanx of suck-ups. No, Trump’s visit was dropped like a flash bang to divert attention from klaxoning recession indicators, rumbling speculation about his health and, naturally, those files about that guy whose name must not be mentioned.If Trump was motivated by a patriotic love for tennis, he would have rocked up a day earlier for the women’s final. But for Trump the prospect of cheering on Jersey girl Amanda Anisimova and her epic comeback story clearly wasn’t juicy enough, much less the idea of actually sharing the spotlight with an American player. So Sunday’s match-up between Jannik Sinner and Carlos Alcaraz was retrofitted for Trump’s calliope Maga stage. Before the tilt Alcaraz, a Spaniard, was asked about playing in front of the president, and stepped right into the trap. “For me, playing in front of him, I don’t want myself to be nervous,” he said, not realizing his words would soon become fodder for Fox and Friends. “I think it’s great for tennis to have the president into the final.”Former presidents have shown that you can appear at a US Open without making it about ego: the Obamas were clearly caught up in supporting a US player when they watched Frances Tiafoe battle Alcaraz in the 2022 semi-final. Bill Clinton was proudly Team USA, too. In 2000, in his final weeks as president, he broke away from the UN Millennium Summit for Pete Sampras’s semi-final against Lleyton Hewitt, joining John McEnroe in the commentary box and signing balls fans lobbed up to him as Secret Service minders looked on and snipers lined the stadium upper deck. Clinton also visited Sampras in the locker room after the loss to Hewitt, which postponed the American’s epic quest for a then-record 14th grand slam. In 2009 Clinton returned and gave the keynote speech for Arthur Ashe’s induction into the US Open’s Court of Champions. He remembered Ashe’s triumphs over segregation, apartheid and his efforts to open his sport up to under-resourced and represented communities.Trump’s presence on Sunday – under the Ashe stadium marquee, on grounds named for gender and LGBTQ+ pioneer Billie Jean King, at a tournament that makes a point of touting its unwavering commitment to diversity, equity and inclusion – didn’t just strike a marked contrast. It broke from the markedly lower profiles of past presidents and was over-the-top, even for a sport that regularly hosts royal families. But Trump simply couldn’t pass up the optics. Getting booed by a multicultural east coast crowd that laps up $23 cocktails and $100 caviar-dolloped chicken nuggets without irony is red meat his base would devour. And getting that last laugh would make for satisfying personal revenge, an urgent second-term theme.For 40 years Trump exploited the US Open for clout, calling attention to himself, his luxury box perch and all the bold-faced names who joined him inside. But the New York crowd – the heart of the Open – never cottoned to his faux-gold flash and didn’t hesitate to jeer his big screen pop-ups even then. After the golden escalator ride to kick off his 2015 presidential campaign and the fiery announcement speech hitting out at immigrants and foreigners, he effectively became spectator non-grata in Flushing. Months later he attended the US Open quarter-final between Venus and Serena Williams and heard more boos as he slunk away with Melania, out of the stadium’s “President’s Gate”. So it meant something for him on Sunday to be back 10 years later, at the same event that was once the crown jewel of CBS and a lead-in for 60 Minutes – two more institutions he is determined to get even with – and back in the hometown he has repeatedly threatened to invade. That is, when he’s not outright declaring war on Chicago.View image in fullscreenBefore Trump’s arrival in his native borough of Queens, as foot soldiers from homeland security and other federal agencies swept the US Open campus, the USTA seemed as if it might do more to accommodate him than Rolex CEO Jean-Frederic Dufour – who had reportedly invited the president to the company’s luxury suite in hopes of catching a break on US tariffs imposed on Switzerland. No doubt Trump would have sat in the umpire’s chair if that were an option. The day before the men’s final, news broke that the USTA had issued a memo to broadcasters urging them to avoid showing any dissent against Trump in a craven display of anticipatory obedience that the federation cowardly justified in an 11-word statement. (We thought the former reality show host was supposed to be against unfair editing …) In the moments Trump actually seemed to be paying attention to Sunday’s match, he didn’t really cheer or applaud – which is weird but not surprising. He had made the day about himself, after all.And yet: just when it seemed as if the USTA couldn’t bow down any lower, intentionally or not, it may have pulled off a canny rope-a-dope. Perhaps mindful of the president’s avarice for stolen valor, they set the US Open men’s trophy inside the Rolex box for Trump’s arrival, and then switched it for a doubles cup after the anthem. Breaking with its own edict, the USTA not only showed Trump on the big screen again during the changeover between the first and second sets, it pushed in and held the shot for 20 seconds. The crowd, much larger this time, booed him so long and lustily that it was hard not to be reminded of the harsh reception to Trump at the 2019 World Series. Later on Sunday, the camera cut to noted Trump bugbear Bruce Springsteen – triggering a roar of approval that nearly blew the Ashe roof off.Unlike Fifa at July’s Club World Cup final, the USTA ensured Trump’s Rolex perch became a prison by the end of the match, so Alcaraz could keep up the winner’s tradition of climbing into the crowd to embrace their support team. Trump could only watch, like a kid on punishment seeing his friends play outside, as someone other than him presented the trophy to Alcaraz – because, well, he’s no competition for Ivan Lendl and much better men than Trump have tried taking trophies from the former No 1. After the pomp and circumstance, Trump was gone – back on the road within minutes of match point and in the air not long thereafter, according to the White House pool report. The outsized security presence that turned Sunday’s showcase into an authoritarian spectacle disappeared in his wake, too. For many fans who had suffered through it all, his departure was more cause for celebration.Theodore Roosevelt’s daughter, Alice, once said of her father that “he wants to be the bride at every wedding, the corpse at every funeral, and the baby at every christening.” But the line fits Trump even better. As long as there is attention to be had, you can bet he’ll find a way to make himself the center of it and make sport of self-aggrandizement, regardless of who, or what, he may trample over on his march. More

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      Crowd greets Donald Trump with boos and cheers at US Open men’s final

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      Donald Trump was booed and cheered at the US Open during the national anthem before Sunday’s men’s final. When stadium monitors showed him saluting as a member of West Point performed The Star-Spangled Banner, a burst of cheers sprang up and was quickly drowned out by boos, at which point the president offered a brief smirk. After the first changeover, he reappeared on the big screen and stayed up there for a while – causing fans to boo even longer until the camera cut away.Trump’s return to the US Open marked his first time at the tournament since 2015, when he was booed after leaving a match between Serena and Venus Williams. Invited to this year’s tournament by Rolex, he sat in a suite next to a winner’s trophy among a welter of cabinet and family members. He arrived more than an hour before the scheduled start of the match and raised a triumphant fist for the cameras.Meanwhile, thousands of fans were left trickling into the match because of the heightened security around the president’s visit. The stadium was not yet at its expected capacity 45 minutes into the match, at which point Carlos Alcaraz already had a 6-2 lead over Jannik Sinner.In a statement, the Secret Service said that protecting the president “required a comprehensive effort” that “may have contributed to delays for attendees.”Trump’s return to the Open is somewhat of a homecoming. He was once a fixture at the tournament, styling himself as a celebrity to dwarf all others from New York or Hollywood. During that time, he was often shown on the big screen and booed.But after he kicked off his 2015 presidential campaign with a fiery announcement speech hitting out at immigrants and foreign allies, the prevailing attitude toward Trump in New York shifted negatively.The reception Trump received from the crowd on Sunday was in marked contrast to the enthusiasm that went up for the match’s other prominent attendees. During a changeover in the second set, the camera cut to Bruce Springsteen, who has been the target of a fusillade of Trump criticism. The crowd cheered deliriously.The US Tennis Association, which organizes the US Open, had emailed broadcasters requesting reactions to Trump not be shown. Despite that, Trump’s appearance during the anthem was briefly shown on ESPN in the US.A scattering of protestors stood outside the grounds before the match. Among them was Emma Kaplan, a 33-year-old executive assistant from Brooklyn, distributing flyers that read “The Fall of the Trump Fascist Regime.” She was joined by three members of RefuseFascism.org, one hoisting a poster that declared “GAME, SET, MATCH! NOV 5, FLOOD DC. TRUMP MUST GO!”; another’s sign demanded the shutdown of “the whole Trump fascist regime.”Some fans nodded quietly in approval. Others made their opposition clear.“Oh my bad, I voted for him,” one man muttered.Kaplan brushed off the jeers. “Trump has historically been booed here,” she said. “He should be booed everywhere he goes. And on 5 November we’re calling for millions of people to come to Washington DC. They might try to silence our boos, but they can’t silence our rage.” More

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      Pickleball Courts Taking Over Tennis Courts, as Seen From the Sky

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      <!–> [–><!–> –><!–> [!–> <!–> –><!–> [–><!–>In its place are four pickleball courts, attached to what is now called the Santa Monica Pickleball Center.–><!–> –><!–> [–><!–> –><!–> [!–> <!–> –><!–> [–><!–> –><!–> [–><!–> –><!–> [!–> <!–> –><!–> [–><!–> –><!–> [–><!–> –><!–> [–> <!–> –><!–> [–><!–>Our analysis is not comprehensive: By trade group estimates, there are […] More

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      in Elections

      The Concert Cold War in a Quiet Enclave

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      When Frederick Law Olmsted Jr. designed Forest Hills Gardens, he was trying to bring the respite of an English village into the bustle of New York City.A landscape architect and city planner like his father, one of Central Park’s designers, Mr. Olmsted laid out tree-lined alphabetical streets and open spaces in a pocket of Queens about nine miles east of Times Square. In 1909, these were not mere aesthetic choices: Forest Hills Gardens was an import of the English garden city, a turn-of-the-century movement in urban planning rooted in a utopian ethic.Mr. Olmsted planned for the Tudor-style houses to thoughtfully integrate with their manicured landscapes, for winding pathways to promote leisurely strolls and for curved residential streets to discourage vehicles from passing through.He did not plan, however, for the Australian rock band King Gizzard and the Lizard Wizard. Or for the sold-out shows by the Irish singer Hozier. Or really for anything about the concert venue that was once a storied tennis stadium and is now rattling both windows and nerves in the neighborhood.“It does disrupt the calm,” Mitch Palminteri, a Forest Hills Gardens resident, said at a recent community board meeting. “I don’t want to close my window on a summer night.”Others like what the concerts represent.“Music is about community,” said Joseph Cooney, who lives in adjacent Forest Hills. “We have it in spades in this neighborhood. How can we ever let that go away?”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Ethel Kennedy obituary

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      Ethel Kennedy, who has died aged 96, was one of the most active and best-known US political wives of the 20th century. As her husband, Robert F Kennedy, campaigned first for the Senate and then for the presidency, she supported him while also bringing up their children. The 11th and last of them, her daughter Rory, was born after Bobby was assassinated in 1968. From the 1970s onwards, Ethel devoted herself to social causes and was latterly co-chair of the Coalition of Gun Control.Her life had been touched by tragedy earlier, when her parents died in a plane crash in 1955. Her brother-in-law, President John F Kennedy, was assassinated in 1963. Two of her children died prematurely – David of a drug overdose at the age of 28 in 1984 and Michael in a skiing accident in 1997, when he was 39. Her husband was shot at the Ambassador hotel in Los Angeles following his victory in the California primary for the US presidential race.Sustained by a strong Catholic faith, she remained, in the view of writer Hays Gorey, “an incorrigibly cheerful widow”, never permitting gloom to descend on the frenetic lifestyle that had always been found at Hickory Hill, the family home in McLean, Virginia. The place was strewn with footballs and tennis rackets, and no-one was allowed to sit around and mope.Ethel used sport to promote her husband’s legacy and raise money for the wide variety of charities that fell under the umbrella of the Robert Kennedy Foundation, which also administered what is now Robert F Kennedy Human Rights. This led to the creation of a memorial tennis tournament at Forest Hills, New York, a pro-celebrity event that for several years in the 1970s was played on the eve of the US Open.View image in fullscreenBorn in Chicago, Ethel was the sixth of seven children of Ann (nee Brannack), a devout Catholic, and George Skakel, who went from an $8 a week job as a railway clerk to selling coal and founding a company called Great Lakes Coal & Coke. When Ethel was five the family moved east, eventually settling in Connecticut, where she attended Greenwich academy. She became friends with Jean Kennedy, Bobby’s sister, while they were both studying at Manhattanville College of the Sacred Heart in New York city. Meanwhile, Bobby – whom Ethel first met on a skiing trip in Quebec in 1945 – was dating Ethel’s sister, Patricia. When they broke up, Ethel began the partnership that would define her life.Ethel campaigned for John F Kennedy when he ran for Congress in Massachusetts in 1946. She married his younger brother in 1950, and the following year their first child, Kathleen, was born.“They had a wonderful relationship, full of banter and repartee,” recalled Donald Dell, a US Davis Cup captain in the 60s, who played tennis with the couple and became a family friend. “Ethel used to needle Bobby all the time and he gave as good as he got. But he was always very protective of her and she fiercely loyal to him.”View image in fullscreenWhen JFK ran for the Senate in 1952, Bobby managed the campaign. Throughout the rest of the 50s, Ethel supported Bobby as he climbed the political ladder, and when JFK went to the White House in 1960, Bobby was appointed attorney general.The assassination of JFK in 1963 changed Bobby and Ethel’s lives abruptly. Bobby continued the Kennedy story by successfully running for the Senate in 1964 and then decided to join the 1968 presidential race himself.Early in the campaign, that March, came the stunning news that President Lyndon B Johnson had decided not to run for a second term. It immediately made Bobby Kennedy a hot favourite to win the Democratic nomination and, in many people’s minds, the presidency. But that dream died after shots were fired in the kitchen of the Los Angeles hotel in June.Dealing steadfastly with her bereavement, Ethel drew on a wide and diverse array of “pals”, as she used to call them, to boost her charitable work. Sidney Poitier, Sammy Davis Jnr and Charlton Heston were among the celebrities who were always available when she called. A friend remembers her phoning Heston, whom she always referred to as Chuckles, in an attempt to get him to persuade Roy Emerson, the Wimbledon champion, to play in her tournament. “In return I’ll take a part in one your movies,” she joked. “But I don’t want a maid’s part – I want some love interest!”There was some speculation about possible “love interest” between Ethel and the singer Andy Williams during the years following her husband’s death. This gossip continued until, citing her Catholic views, she announced a decision never to re-marry.In a later age, a new generation was swept up in the Kennedy lifestyle. Taylor Swift, the country music star, was 23 when she spent some time with the then 84-year-old widow at the family compound at Hyannis Port, Massachusetts, in 2012. Swift declined to go swimming because a couple of her friends had not brought their swimsuits. “Being that thoughtful, you’ll run the risk of being boring,” said Ethel. “Go on, get in the water!”“So I jumped in,” said Swift. “I took it as a metaphor for life. You have to jump in; you have to take your chances. Ethel taught me that.”In May 2014, the Benning Road Bridge, which links Washington DC to Anacostia in Maryland, was renamed the Ethel Kennedy Bridge in recognition of the decades of work she had put in to improve the lives of young people living alongside the Anacostia River, reportedly one of the most polluted in America. To kick start the project in 1992, Ethel had waded in to pluck old tyres and debris from the water.The Kennedy most in the news recently has been her son Robert F Kennedy Jr, who abandoned presidential runs first as a Democrat, and then as an independent. Ethel is survived by him, four other sons, Joseph, Christopher, Max and Douglas, and four daughters, Kathleen, Courtney, Kerry and Rory. More

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      Can the Business of Tennis Be Fixed?

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      In an interview with DealBook, the U.S.T.A. chief Lew Sherr discussed the U.S. Open’s record attendance, the prospect of a new tennis league, and fighting with pickleball for court space.This weekend, Jessica Pegula and Aryna Sabalenka, and then Jannik Sinner and Taylor Fritz, will face off in championship matches as the U.S. Open concludes what has been a booming 144th run. The tournament is expected to draw more than a million in fans for the first time, sell $10 million worth of Honey Deuce cocktails and offer up its biggest prize pool ever.But the event’s success highlights the sport’s perennial struggle to get tournaments right the rest of the year. Professional tennis has been troubled by complicated scheduling and late start times that tire players and confuse fans. With private equity firms and sovereign wealth funds hungry to invest in tennis as they plow into sports globally, the big question is whether tennis can fix itself on its own.DealBook’s Lauren Hirsch spoke with Lew Sherr, the chief executive of the United States Tennis Association, about how the sport plans to approach those challenges. The interview has been edited and condensed.What explains the surge in attendance at the U.S. Open, beyond the growth of tennis as a sport?We’re seeing the results of investing in fan week, a period before the main draw when the top players are here practicing. This year we had 216,000 people come through the gates that week free of charge. Last year, we were under 160,000 fans.Years ago, we worried that investing in that programming might cannibalize first-week sales. It’s been the opposite. When our long-term partnerships come up for renewal, the fact that when the deal was signed, we might have been hosting 700,000 fans and now we’re up more than a million — there’s clearly more value in that partnership.Alicia Keys, Tony Goldwyn and Simone Biles were among the many celebrities spotted in Arthur Ashe Stadium. We are coming off a huge Olympics, where it felt like celebrities were everywhere. Has there been any extra effort to recruit celebrities to attend the U.S. Open recently?We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Serena Williams Reflects on Her Life and Legacy in a New Docuseries

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      “In the Arena: Serena Williams,” an eight-part documentary on ESPN+, revisits the highs and lows of the star’s career and considers her impact on tennis and beyond.In March 2001, Serena Williams, then just 19, was booed mercilessly by the crowd during the tournament final of the Indian Wells Open in California. The jeering included racist slurs, and it was arguably the most terrifying and scarring thing that ever happened to Williams during her spectacular career.In “In the Arena: Serena Williams,” an eight-part documentary streaming on ESPN+ — the final episode premieres on Wednesday — the retired star looks back on how she was shaped by the experience.“Having to go through those scathing, nasty, awful things just because of the color of my skin opened a lot of doors for other people,” she said. “I have been able to provide a platform for Black girls and Black women to be proud of who they are.”I welcomed Williams’s newfound ease in talking so explicitly about race and her continued impact on women’s sports. One of the most visible athletes of all time, she has been the subject of countless interviews and biographies during her career, but she did not often seem eager to reveal much about her private life. This has changed in the past few years with projects like the HBO documentary “Being Serena” (2018), about her pregnancy and struggle to return to tennis, and her active posting on Instagram. She was also an executive producer of “King Richard,” the 2021, Oscar-winning biopic of her father, Richard Williams.But “In the Arena” reveals still more layers of its subject. Directed by Gotham Chopra, it features candid interviews with Williams and her relatives, friends and tennis contemporaries, including her sisters, Venus Williams and Isha Price; her fellow legend Roger Federer; and the former tennis star and current television commentator Mary Joe Fernández. Serena is also an executive producer.The series is a follow-up to “Man in the Arena: Tom Brady” (2021), which was also directed by Chopra and was produced by Brady’s 199 Productions. But tennis is far more solitary than a team sport like football. Spectators’ eyes are laser-focused on the players and their bodies, a reality that was originally made more fraught because of Williams’s race and class status in the predominately white world of tennis.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Elections

      U.S. Open: What You Need to Know

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      The tournament runs Aug. 26 to Sept. 8 at the Billie Jean King National Tennis Center in New York City.For much of the year, the Billie Jean King National Tennis Center in Queens, New York, is mostly quiet. But for two weeks late in the summer, the place becomes the center of the tennis world as thousands of fans flock to Flushing Meadows for the U.S. Open.Qualifying matches are already underway, and the main draw of the U.S. Open begins on Aug. 26. The Australian Open, French Open, Wimbledon Championships and the Olympics are in the books, so this is the last chance for the world’s top tennis players to win a major title this year.A few are favored to win this year, but the U.S. Open has been known for upsets, thrilling matches that can run late into the night.Here’s what to know about this year’s tournament.Riders on the No. 7 train pass the Billie Jean King National Tennis Center.Gabriela Bhaskar for The New York TimesAll aboard the No. 7 train.From Manhattan, one of the simplest — and fastest — ways to travel to the U.S. Open is by taking an eastbound No. 7 subway train to the Mets-Willets Point station. Once you’re there, just follow the crowds to the tennis grounds.Those in Long Island or Manhattan can also take Long Island Rail Road to Mets-Willet Point. The Port Washington Branch departs Manhattan from Penn Station, with a stop at Grand Central Terminal.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      French Open: 50 Years Ago, Chris Evert and Bjorn Borg Changed Tennis

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      As teenagers, they brought the two-handed backhand to the sport — and to their first major championships, both at the French Open.When Chris Evert arrived in Paris for the 1973 French Open, she was an 18-year-old making just her second trip out of the United States. So she is still baffled as to why Philippe Chatrier, then the president of the French Tennis Federation, decided to take her and her mother, Colette, to Le Lido, the legendary burlesque theater on the Champs-Élysées.“He took us to dinner, and it was a dance club with half-naked women,” Evert said by phone from her Florida home in April. “They had their breasts showing. My eyes were like saucers. I had never been exposed to anything so sophisticated like that.”For Bjorn Borg, the ultimate Paris experience was celebrating his first French Open championship in 1974 with a private dinner in the Eiffel Tower.It has been more than a half century since Borg and Evert first played the French Open, but this year marks the 50th anniversary of their winning their first major championships in Paris. Evert went on to capture 18 Grand Slam singles titles, including a record seven at the French Open, six at the United States Open, three at Wimbledon and two at the Australian Open. Borg won six French Opens from 1974 to 1981 and five consecutive Wimbledons from 1976 to 1980.Borg was just days shy of his 17th birthday when he lost to Adriano Panatta in the round of 16 at the French Open in 1973, only his second appearance at a major after a first-round loss at the 1972 U.S. Open.Bjorn Borg playing Jean-François Caujolle in the first round of the French Open in 1974.Agence France-Presse — Getty ImagesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More