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      ‘The Outsiders,’ a Broadway Adaptation of the Classic Novel, Wins the Tony for Best Musical

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      “The Outsiders,” a muscular stage adaptation of the classic young adult novel about class conflict between a pair of high school gangs, won the coveted Tony Award for best musical on Sunday.The show, which has been gaining steam at the box office, is set in Tulsa, Okla., in 1967, and is based not only on the best-selling 1967 novel by S.E. Hinton, but also on Francis Ford Coppola’s 1983 film adaptation.The musical is gritty, bloody and relentlessly youthful — the creative team eliminated virtually all adult characters, and the show features some of the most effectively vivid violence seen on a Broadway stage, using a mix of fight choreography, strobe-like lighting and percussive sound design to evoke the brutality pervading these adolescent lives. The show is saturated with water and dirt, but also with poetry and literature, as its orphaned protagonist turns to reading and writing to escape the circumstances of his childhood.The show received mixed reviews from critics; in The New York Times, the chief theater critic, Jesse Green, wrote that “many stunning things are happening on the stage of the Bernard B. Jacobs Theater — and from the sobs I heard the other night, in the audience, too.” But, he said, “structural problems mean its achievements don’t stick.”Nonetheless, in recent weeks the show has been playing to full houses, fueled in part by healthy interest from young patrons, and it has been grossing about $1 million a week, which is solid but not spectacular for a show of this scale. The Tony Award should provide the show with a box office boost.“The Outsiders” features a score from the country duo Jamestown Revival in collaboration with the Broadway musical artist Justin Levine; the musical’s book is by the playwright Adam Rapp, also in collaboration with Levine. It is directed by Danya Taymor — a niece of “The Lion King” director Julie Taymor, she is helming a major musical for the first time — and choreographed by the brothers Rick and Jeff Kuperman.The musical began its production life with a run last year at the nonprofit La Jolla Playhouse in San Diego. The Broadway production, which opened in April, has a huge producing team led by the Araca Group, established by two brothers, Matthew and Michael Rego, and their childhood friend Hank Unger. The show was capitalized for $22 million, according to a filing with the Securities and Exchange Commission.To win the best musical Tony, “The Outsiders” bested “Hell’s Kitchen,” “Illinoise,” “Suffs” and “Water for Elephants.”A cast recording of “The Outsiders” was released in May by Sony Masterworks Broadway. And the musical’s producers have announced plans to start a North American tour in the fall of 2025, opening at the Tulsa Performing Arts Center. More

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      Sarah Paulson Wins Her First Tony for Best Actress in a Play

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      Sarah Paulson won the Tony Award for best actress in a play for her performance in the family drama “Appropriate.” This is Paulson’s first Tony.An Emmy winner who made her name in television, Paulson, in her first stage role in a decade, appears in the Branden Jacobs-Jenkins play as a sharp-tongued elder sister who is reunited with her siblings to deal with their deceased father’s estate.“Appropriate,” which won best revival of a play on Sunday, became one of the buzziest shows of the year, partly because of Paulson’s star power.The role takes endurance. Set at the family’s home in Arkansas, the play is largely propelled by the reactionary anger of Paulson’s character, Toni Lafayette, who is seeking to protect her father’s legacy from mounting evidence that he harbored racist convictions. Her approach involves searing insults aimed at her siblings, played by Michael Esper and Corey Stoll.Thanking Jacobs-Jenkins in her acceptance speech, Paulson said: “I will never be able to convey my gratitude to you for trusting me, for letting me hold the hand of Toni Lafayette, a woman you have written who makes no apology, who isn’t begging to be liked or approved of but does hope to be seen.”Though Paulson has found fame in television series like “American Horror Story” and “The People v. O.J. Simpson: American Crime Story” — winning an Emmy for her performance as the prosecutor Marcia Clark — her career has roots in theater. And she was exposed to Broadway early on. After she moved to New York City as a child, her mother worked as a waitress at Sardi’s, a Broadway haunt that just so happens to be next door to the theater where “Appropriate” opened in December.Paulson’s first job out of high school was as an understudy on Broadway for Amy Ryan in “The Sisters Rosensweig.” (Ryan, who starred in the play “Doubt,” was also nominated in the leading actress category this year.)The nominees also included two movie stars: Jessica Lange for “Mother Play” and Rachel McAdams for “Mary Jane.” Betsy Aidem was nominated for “Prayer for the French Republic.”Paulson’s win carried echoes of the Tony Awards in 2005, when her girlfriend at the time, the actress Cherry Jones, won the award for her performance in the original production of “Doubt.” Paulson, who was seated beside her, kissed Jones ahead of her acceptance speech, coming out publicly for the first time as being in a relationship with a woman.On Sunday, when she won the award, Paulson kissed her longtime partner, the actress Holland Taylor. More

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      ‘Stereophonic’ Wins the Tony Award for Best New Play

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      “Stereophonic,” which eavesdrops on a folk-rock quintet whose members make up and break up as they lay down tracks for what will become a smash LP, won the Tony Award for best new play on Sunday. Its 13 Tony nominations are the most a play has ever received.It was the fifth award of the night for “Stereophonic.” Daniel Aukin won for best direction of a play; Will Brill, who plays the band’s bassist, for best featured actor in a play; David Zinn, for best scenic design of a play; and Ryan Rumery for best sound design of a play.A meditation on the joy and torture of creative collaboration, “Stereophonic” — written by David Adjmi and directed by Daniel Aukin, with songs by Will Butler — is a transporting work of naturalistic drama and a star-making break for its cast. Set over the course of a year, first in a recording studio in Sausalito, Calif., and later in Los Angeles, it embraces the technical aspects of recording.“I took that as a challenge,” Adjmi told The New York Times. “So much of it, the banality of the process, is part of what’s so beautiful about it, the granularity of it.”“Stereophonic,” which opened in April at the Golden Theater, is a critical hit. “The play is a staggering achievement and already feels like a must-see American classic,” Naveen Kumar wrote in a review for The Times.Remarkably, many of the cast members had barely played an instrument before rehearsals began. And none of them had played professionally. But after an unusually rigorous rehearsal period, they became a band, supporting one another even through bum notes and fitful tempo.“We all hit wrong notes all the time,” Sarah Pidgeon, a star of the show, said. “But it still works because it’s real.”The other nominees for best new play were “Jaja’s African Hair Braiding,” “Mary Jane,” “Mother Play” and “Prayer for the French Republic.” More

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      ‘Merrily We Roll Along’ Was a Flop in 1981. Now It’s a Tony Winner.

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      “Merrily We Roll Along,” long considered one of the most storied flops in Broadway history, found redemption on Sunday when it won the Tony Award for best musical revival, belatedly establishing it in the pantheon of Stephen Sondheim masterpieces.The award, although widely expected, nonetheless represents a miraculous rehabilitation for a troubled title. The original production, in 1981, closed just 12 days after opening, dogged by terrible reviews and reports of audience walkouts. The current production — which features a major movie star, Daniel Radcliffe, alongside two popular Broadway performers, Jonathan Groff and Lindsay Mendez — has been a profitable hit met with near-universal acclaim, sold-out houses and high average ticket prices.“Merrily,” about the implosion of a three-way friendship over a 20-year period, features music and lyrics by Sondheim and a book by George Furth. It is based on a 1934 play by George S. Kaufman and Moss Hart, and the original production was directed by Hal Prince. The debacle was notorious enough that it became the subject of a 2016 documentary, “Best Worst Thing That Ever Could Have Happened.”But the show lived on and has been repeatedly reworked in the decades since because, despite its difficult birth, a cadre of passionate fans has long found it profound and, with a widely admired score, worthy of reconsideration.Much has changed, in addition to rewrites, to transform the show from failure to success. The show unfolds in reverse chronological order, a device that was less familiar to audiences in the early 1980s than it is now. To portray characters who start the show in their 40s and end it in their 20s, the original cast was made up of adolescents and young adults. Later productions have gone the other way, generally relying on actors who are older, which has proved more emotionally effective for theatergoers.The current production’s starry, appealing cast, who also performed in a 2022 Off Broadway run at New York Theater Workshop, helped make the show a must-see even before audiences discovered that they liked the story and the songs and found the show both affecting and artful.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Chita Rivera’s Life and Career Are Honored at the Tonys

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      Chita Rivera, who dazzled Broadway audiences for nearly seven decades, died in January at the age of 91. She “was a Broadway star as long as anyone — and maybe longer,” our chief theater critic, Jesse Green, wrote in an appraisal. Rivera, whose father was born in Puerto Rico, was best known for starring as Anita in “West Side Story” and Velma Kelly in “Chicago,” but had a long list of credits to her name. (She detailed her life in career in “Chita: A Memoir,” written with Patrick Pacheco, in 2023.)The New York Times has extensively covered Rivera’s life and career. Here is a look at some of our recent work remembering her. More

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      Daniel Radcliffe Conjures Up His First Tony

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      Daniel Radcliffe is one of the world’s most famous actors. But he’s never won a major award. Until now.Radcliffe won the Tony Award for best performance by an actor in a featured role in a musical, for his work in the smash hit revival of “Merrily We Roll Along.” The show is Radcliffe’s fifth on Broadway, but the first for which he was even nominated for a Tony, despite mostly admiring reviews all along the way.Radcliffe, 34, will forever be known as the actor who played the title wizard in all eight “Harry Potter” films. But even before shooting of those films concluded, he had begun making the adventurous choices — onstage and onscreen — that have helped him accomplish the rare transition from child star to respected adult actor.In “Merrily,” Radcliffe plays Charley Kringas, a lyricist-turned-playwright whose long friendship and collaboration with a talented composer (a character named Franklin Shepard, played by Jonathan Groff) has imploded.Radcliffe’s enormous star power is a significant factor in the success of this production, which promises to forever alter how “Merrily” is viewed because the show’s original production, in 1981, was a storied flop.Radcliffe has been with the production since 2022, when he played the same role, with the same co-stars, during an Off Broadway run at the nonprofit New York Theater Workshop. The Broadway production opened last October, and is scheduled to conclude on July 7.He has repeatedly shown a willingness to try new things. Radcliffe first arrived on Broadway in 2008, starring in a revival of “Equus” that required him to appear nude; his next role, in a 2011 revival of the musical “How to Succeed in Business Without Really Trying,” required him to sing.He has since returned to Broadway to star in two more plays, “The Cripple of Inishmaan” in 2014 and “The Lifespan of a Fact” in 2018, and he also starred in an Off Broadway play, “Privacy,” in 2016 at the Public Theater.He has continued to make movies, many of them indie-ish projects including “Kill Your Darlings,” “Swiss Army Man” and “Weird: The Al Yankovic Story.”In an interview last month, two days after being nominated for the Tony Award, Radcliffe said that he keeps returning to the stage “because I love it.”“There’s something thrilling about doing something that scares you, live, a bit, every night,” he said. “And just the connection with the audience — being in a room full of people and feeling them react to the story. We’re very lucky it’s such an emotional show: There’s a lot laughs, and there’s a lot of comedy, but you can also hear people being emotionally affected by it towards the end, and that’s a very rewarding thing to be a part of.” More

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      Nick Jonas and Adrienne Warren to Star in ‘Last Five Years’ on Broadway

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      Whitney White will direct the first Broadway production of Jason Robert Brown’s popular musical, which plans to open next spring.Nick Jonas and Adrienne Warren are planning to star in a production of “The Last Five Years” on Broadway next spring.Jonas appeared in several Broadway shows as a child; his one starring role was in 2012, when he stepped into a production of “How to Succeed in Business Without Really Trying,” and his most recent appearance on Broadway was for a Jonas Brothers concert stand last year.Warren is a Tony Award winner for playing the title role in “Tina.” She also had roles in Broadway productions of “Shuffle Along, or the Making of the Musical Sensation of 1921 and All That Followed” and “Bring It On.”“The Last Five Years,” by Jason Robert Brown, is about the breakup of a marriage. Critics have rarely warmed to it, but it has a huge fan base, and is widely staged. It has never been on Broadway, in part because it is so small — just two characters and one act. The show also has an unusual structure: the male protagonist, a novelist named Jamie, tells the story from beginning to end, while the female protagonist, an actress named Cathy, tells it in reverse chronological order.It was first staged in Illinois, at Northlight Theater, in 2001, with Norbert Leo Butz and Lauren Kennedy, and then had an Off Broadway run at the Minetta Lane Theater in 2002, with Butz and Sherie Rene Scott. In the decades since, there have been numerous national and international productions and adaptations. There was a film adaptation, starring Anna Kendrick and Jeremy Jordan, in 2015. More recently, Cynthia Erivo and Joshua Henry starred in a concert version in 2016, and at the height of the pandemic Out of the Box Theatrics and Holmdel Theater Company staged a memorable streaming production filmed inside an apartment with Nicholas Edwards and Nasia Thomas. (The number of licensed productions of the show doubled during the pandemic because the small cast and idiosyncratic narrative structure made it conducive to social distancing.)The Broadway production, directed by Whitney White (a Tony nominee for “Jaja’s African Hair Braiding”), will be produced by Seaview, an increasingly prolific producing entity run by Greg Nobile; ATG Productions, a subsidiary of British theater owner ATG Entertainment; and the Season, which is the new producing entity of theater marketers Mike Karns and Steven Tartick. More

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      Listen to the Best Songs From 8 Tony-Nominated Shows

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      “Hell’s Kitchen,” “Stereophonic” and others are up for top prizes at Sunday’s ceremony. Our critic takes stock of their cast albums, all available now.Cast albums are both keepsakes and fantasies, preserving a show for those who have seen it and implying it for those who have not. At their best, they are also stand-alone works of musical-theater art. Listening to the recordings of the eight shows nominated for Tony Awards in the best musical and best score categories — all of which are now available — I was impressed by how often and how variously they reached that standard. Below, in chronological order by opening date on Broadway, a guide to the latest batch of future treasures.‘Here Lies Love’The first of the season’s best score nominees, this sung-through biography of Imelda Marcos was the only one not to release a cast recording. That’s a shame, but die-hards can seek out the 2014 Off Broadway version or the 2010 concept album, with its whacka-whacka disco-beat ditties by David Byrne and Fatboy Slim. Remastered in 2023, and with a very different collection of songs from the Broadway show, the concept album is naturally less theatrical; with each track featuring a different singer in a totally distinctive style — Tori Amos, Florence Welch, Natalie Merchant, Sia — character development is impossible. Instead, it offers hypnotic dance-floor euphoria, as in Cyndi Lauper’s take on Imelda’s “Eleven Days” of courtship.“Eleven Days”“Here Lies Love,” featuring Cyndi Lauper, from the 2010 concept album (Nonesuch)‘Days of Wine and Roses’A story of husband-and-wife alcoholics on diverging paths toward recovery and disaster is bound to be harrowing, but Adam Guettel’s score carefully balances the inevitable lows with the sometimes wild highs. The cast album brilliantly captures that full-spectrum range, especially in the edge-of-danger singing by Kelli O’Hara and Brian D’Arcy James at their finest. Their quasi-operatic cries for relief and forgiveness effectively contrast (but do not contradict) the jazzy mania of songs like “Evanesce,” in which the snockered characters sound like xylophones and leap like dolphins, making you ache if not for drink then for these desperate drinkers.“Evanesce”“Days of Wine and Roses” (Nonesuch)‘Water for Elephants’Jessica Stone’s thrilling staging is a real eye-catcher in this circus-based musical at the Imperial Theater. But the cast album demonstrates how the songs, by PigPen Theater Co., a seven-man indie folk collective, can grab you by the ears. Avoiding the rut of some Americana scores, PigPen, along with its arrangers and orchestrators, offers a wide variety of sounds and formats that suit the milieu and the action: bravura showstoppers for the ringmaster, soaring anthems for the hero, haunting ballads for the woman caught between them. One of those ballads is “Easy,” a heartbreaker even if you have no idea that it’s sung to a dying horse.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More