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    Five Free Movies to Stream Now

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    In films like Andrew Haigh’s “Weekend,” you’ll find new beginnings in time for spring. Here’s a rundown of what’s currently on Tubi, Plex and PlutoTV.Spring, with its blooms and many unfurlings, is a time of awakening. Yet birth and renewal also means being confronted with the cold light of day.The early seconds of Josephine Decker’s 2018 film “Madeline’s Madeline” opens on a theater exercise that doubles as a kind of transformation for its teenage protagonist. “What you are experiencing is just a metaphor,” she’s assured. But what it represents will prove to be confusing and brutal; growing into the world often is.Spring, of course, also welcomes the budding of new romance. In the films from this month, you’ll recognize the sudden possibilities of love, in its wonder and its terror, along with the prickly realities of coming of age. For these (mostly) young characters, it’s a season of change. Watching them, one can only hope they make it out the other end intact.‘Weekend’ (2011)Stream it on PlutoTV.The fleeting encounter is an age-old archetype kept alive by the most romantic, and perhaps idealized, corners of our imagination. But in this story of a two-night stand by Andrew Haigh (“All of Us Strangers”), a brief connection is rendered achingly deep and real.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Fox Acquires Firm Behind Conservative and True Crime Podcasts

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      Tucker Carlson, Nancy Grace, Megyn Kelly and Piers Morgan are among the clients of Red Seat Ventures, which now joins Rupert Murdoch’s empire.The Fox Corporation said on Monday that it had acquired Red Seat Ventures, a growing digital media company that has become a go-to partner for old-media stars like Megyn Kelly, Tucker Carlson and Piers Morgan as they create their own independent online programming.Red Seat and its founding partners, the brothers Chris and Kevin Balfe, will continue to operate independently within Fox’s Tubi Media Group, an arm of Rupert Murdoch’s media empire focused on digital and streaming ventures. A purchase price was not disclosed.The acquisition moves the Fox Corporation into the heart of the online “creator economy,” where media personalities who once relied on old-school corporate distributors — like, say, the cable networks owned by Fox — have struck out on their own to build podcasts and streaming shows that rack up millions of subscribers on platforms like YouTube and SiriusXM.Red Seat’s lengthy client list includes Dr. Phil, Nancy Grace, Bill O’Reilly, the former “To Catch a Predator” host Chris Hansen and the “President’s Daily Brief” podcast. Last month, The New York Post, which is also owned by Mr. Murdoch, retained Red Seat to develop a new daily podcast and audio division for the newspaper.The deal means that Mr. Carlson and Mr. O’Reilly — former Fox News stars who both lost their shows — will once again be tied to the Murdoch universe, albeit at a remove. (The same goes for Ms. Kelly, who rose to fame on Fox News before leaving for NBC in 2017.) Because Red Seat is only a service provider, none of the three will be paid by Fox or report to its executives. In addition, Tubi Media and Fox News are housed in separate divisions of the Fox Corporation.Red Seat, founded a decade ago, has about 80 full-time employees and is based out of a loft space in the NoMad district of Manhattan, a neighborhood popular with tech start-ups. Among its most popular podcasts are those of Mr. Carlson and Ms. Kelly, which routinely rank near the top of Apple’s podcast charts.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Tubi’s Free Streaming Explodes in Popularity, Outranking Max and Apple TV+

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      Tubi has exploded in popularity over the past 18 months, outpacing some competitors with much bigger budgets.When Nicole Parlapiano joined Tubi as its marketing chief two years ago, one of the most searched questions about the decade-old streaming service was, “Is it a scam?” It was free, after all, and consumers were skeptical.“Would it put a virus on your computer?” Ms. Parlapiano said. “People wouldn’t even touch it.”That’s not an issue now.Tubi has exploded in popularity over the last 18 months, establishing itself as one of the most popular streaming outfits in the United States. It now consistently outranks Peacock, Max, Paramount+ and Apple TV+ in total viewing time, according to Nielsen — and is drawing even with Disney+. Only YouTube, Netflix, Amazon and Hulu are still ahead.The streaming service, which is owned by the Fox Corporation, runs a different business model from those competitors. In addition to being free — with revenue coming from advertising — it doesn’t require an account to use, making it more similar to services like Roku and Pluto. And it comfortably commands more engagement than those peers, according to Nielsen.“We’re like the little engine, and it’s just getting better and better,” Anjali Sud, Tubi’s chief executive, said.Its sudden rise has come as something of a shock to many competitors, as well as investors.Unlike its biggest rivals, which allocate huge budgets for original programs or premium sports rights like the N.F.L or the N.B.A., Tubi’s library contains tens of thousands of older shows and movies, many that seem to have been collected from the bargain bin. Some popular programs on the service include the 1970s procedural “Columbo,” and an early 2000s UPN sitcom, “Everybody Hates Chris.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More