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    Trump claims new CBS owner will gift him $20m worth of airtime after $16m settlement

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    Donald Trump has claimed that the future owner of the US TV network CBS will provide him with $20m worth of advertising and programming – days after the network canceled The Late Show With Stephen Colbert.The US president recently reached a $16m settlement with Paramount, the parent of CBS News, over what he claimed was misleading editing of a pre-election interview with the Democratic candidate for president, Kamala Harris.While CBS initially called the lawsuit “completely without merit”, a view shared by many legal experts, Paramount is in the midst of an $8bn sale to the Hollywood studio Skydance Media, which requires the approval of federal regulators.In a post on his Truth Social platform, Trump claimed the settlement had been paid – and that he was expecting much more from the new owners of Paramount.“Paramount/CBS/60 Minutes have today paid $16 Million Dollars in settlement, and we also anticipate receiving $20 Million Dollars more from the new Owners, in Advertising, PSAs [public service announcements], or similar Programming, for a total of over $36 Million Dollars,” he wrote.CBS and Skydance did not immediately respond to requests for comment.Trump’s claim that he has been offered millions of dollars’ worth of programming is likely to exacerbate anger over the axing of The Late Show, which CBS announced on Thursday.Days earlier, Colbert, a high-profile critic of Trump, had branded Paramount’s settlement with Trump “a big fat bribe”. He is due to remain on air until May, and declared on Monday that “the gloves are off”.Skydance was founded in 2010 by David Ellison, son of the tech billionaire Larry Ellison, co-founder of Oracle, and an ally of Trump.The $16m settlement was already seen by critics as a further example of capitulation by media companies hoping to smooth the waters with the US president. ABC News, ultimately owned by Disney, also agreed to pay $15m to settle a defamation lawsuit over its coverage.After Trump’s latest claim regarding $20m worth of advertising and programming from Paramount, the Democratic senator Elizabeth Warren said in a statement on X, formerly Twitter: “This reeks of corruption.” More

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      in US Politics

      The end of Stephen Colbert’s Late Show is a concerning nail in the coffin for comedy | Jesse Hassenger

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      The idea that the political career of Donald Trump would be a goldmine for comedy died a long time ago, with the coffin accepting stray nails for the past five years. The latest and possibly last such nail is the cancellation of The Late Show, the CBS late-night talkshow hosted by Stephen Colbert since the fall of 2015, and originated by David Letterman when the network poached him from NBC in 1993. At this point, Trump hasn’t just made topical late-night comedy look outdated, hackneyed and an insufficient response to his reign of terror; he’s also made a chunk of it flat-out go away.There will be time to eulogize Colbert’s particular talkshow style later; the Late Show isn’t leaving the air for another 10 months, when his contract is up. Surely that leaves plenty more time to savage the president – and Colbert has been in this slot since right around the time Trump became a real contender in the presidential race, so why has this only now come to a head? Seemingly because the axing of the Late Show franchise follows the $16m settlement of a frivolous Trump lawsuit against CBS and their newsmagazine show 60 Minutes over the show’s editing of a 2024 interview with presidential candidate Kamala Harris. Colbert made great fun of his bosses’ payout as a cowardly “bribe” designed to appease the Trump administration, who are in the position to approve or deny the sale of Paramount, the corporate owners of CBS, to the company Skydance. In other words, the pre-merger nixing a comedian who regularly goofs on Trump on network TV seems like a convenient bit of timing – maybe even an unspoken bonus to go along with those millions of dollars.The network, of course, has characterized the decision as “purely financial” amid a period when most traditional late-night shows have struggled. As excuses go, it’s not entirely unconvincing. After all, Colbert isn’t being replaced with another host; The Late Show is simply going the same route as its short-lived companion series After Midnight (and The Late Late Show before it). CBS is surrendering the late-night block entirely. This represents a major retreat after the Letterman deal made the network a genuine player for the first time in ages. Presumably it’s back to reruns and old movies going forward.In that sense, this decision does transcend politics. CBS has ripped off a bandage that the big three networks have been applying to similar wounds for years. Late-night programming simply doesn’t mean as much as it used to, with smaller network lead-ins from primetime lineups and more audience choices for comedy, talk, music or even the dopey celeb games that Jimmy Fallon throws together. Saturday Night Live has retained some cultural cachet, thanks to a combination of lower commitment (20 episodes a year, on a night where many people don’t have work the next day, versus eight times as many, all airing on weeknights), legacy branding (it’s still known as a star showcase and political comedy go-to, no matter how wan those cold-open sketches get), and sketch comedy that travels well online. These days, it’s routinely one of the highest-rated network shows of the week when it airs a new episode, offering an encouraging sign that old time-slot rules about viewership no longer apply. It’s also extremely expensive to produce and difficult to replicate, which nonetheless looks more viable than the tired talkshow format.View image in fullscreenBroadly, this could be a good thing for comic minds including Colbert or Conan O’Brien. Some comedians seem unable to resist the siren call of late-night talkshows, chasing the Tonight Show dream even when that actual job remained out of reach. O’Brien is a singularly brilliant comedy writer and performer; as great as his late-night shows could be, in retrospect should he have spent three decades primarily in that waning medium? Colbert, meanwhile, did his strongest political satire playing a parody of a conservative commentator on The Daily Show and its later spinoff The Colbert Report. His warmth and sometimes-sharp humor made him a good “real” talkshow host – and by most standards, a successful one. In recent matchups, his Late Show has been the most-watched such program across the major networks. That he can face cancellation anyway should (alongside O’Brien losing his Tonight Show gig years ago) signal to newcomers that the rarified air of the national late-night talkshow host is also getting pretty thin, maybe unbreathable.Yet Trump has sucked up some of that oxygen, too. Even with the “challenges” cited by CBS, it’s difficult to believe that vanquishing a longtime issuer of Trump mockery wasn’t at least considered a side benefit of canceling The Late Show. Even if the decision was, as claimed, a financial one, it accompanies another financial decision: that Paramount could afford to pay Trump $16m rather than proceed with litigation that many seemed to think they could win. That’s precisely the kind of expense that could diminish how, say, your late-night talkshow attracts more eyeballs than The Tonight Show.Beyond Trump personally smudging up the balance sheets, he’s helped to hasten the demise of late-night comedy simply by being himself, seeming to provide the perfect target: a venal, dimwitted perma-celebrity with an army of devoted sycophants. But after two non-consecutive administrations have flooded the zone with grotesqueries, performing a lightly zinging monologue or sketches as a warmup act for good-natured interviews seems unlikely to entice either those craving anti-Trump catharsis, or those desperate to believe in his strongman powers.That Colbert took a somewhat less cutesy approach than his competitor Fallon seemed to be all that was necessary to mark him as a troublemaker. The thing is, Trump might have ultimately consumed him either way. By providing a ready-made caricature of himself, intentionally or not, the president has beaten the system again. It may not be worth mourning the hacky, presidential-themed jokes we might miss in a future with fewer talkshows than ever. But it does feel like the enforcement of one of Trump’s more minor cruelties: the ability to see himself as the only real star in the world. More

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      in US Politics

      How the rightwing sports bro conquered America

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      View image in fullscreenThis February, Pat McAfee was broadcasting live on ESPN, the most watched sports network in the US, when he aired a salacious rumor about the sex life of a teenage college student. Once a workaday punter with the Indianapolis Colts, McAfee is now the most influential pundit in American sports with an eponymous ESPN show, who has more than 11m followers across YouTube, X, Instagram and TikTok.To howls of merriment from his panel, McAfee spelled out the rumor centered on a 19-year-old female student at Ole Miss, a public university in Mississippi, as it was “being reported by everybody on the internet”: that the student had sex with her boyfriend’s father. “Ole Miss dads are slinging meat right now!” roared “Boston” Connor Campbell, one of McAfee’s sidekicks.McAfee did not directly name Mary Kate Cornett, the college freshman at the center of the rumor, but she has since described how McAfee’s amplification of this “completely false” story encouraged others in the sports talk world to do likewise, resulting in her receiving a deluge of threats and harassment. Cornett has engaged lawyers to explore suing McAfee, ESPN and others involved in spreading the rumor for defamation. McAfee appeared moderately chastened by the episode: “I never, ever want to be a part of anything negative in anybody’s life, ever,” he said recently while addressing the outrage that his boosting of the rumor prompted. But he has not yet apologized, and in no way does his future as one of ESPN’s most bankable stars seem in jeopardy. Whatever blowback ensued has blown right on by.The whole episode served as a demonstration of power: the world of sports influencers such as McAfee, which is particularly influential among young men and can be understood as an extension of the Donald Trump-aligned “manosphere”, now stands as an important bastion of the culture of insensitivity and entitlement on which Trumpism thrives.View image in fullscreenA new generation of sports talk starsThe Pat McAfee Show, a two-to three-hour afternoon blast of high-volume sports chat, sweating and raw, uncomplicated American male heterosexuality, launched in 2019. It has quickly become a favored media stop for many of the top names in US sports and culture. Tom Cruise spent 30 minutes on the show recently (“I appreciate the shit outta you,” McAfee told Cruise); LeBron James stopped by for an hour.Throughout the show’s history, McAfee has courted controversy: he’s called WNBA star Caitlin Clark a “white bitch”, he’s made jokes about child abuse, he’s helped air rumors linking celebrities to Jeffrey Epstein. None of it seems to matter: McAfee, whose show moved to ESPN on a five-year, $85m deal in 2023, powers on unperturbed, growing in cultural might with each passing month.McAfee is now the avatar of a new generation of sports talk stars who have upended the rules about public speech, remade culture in their own brash image, and are completely bulletproof.View image in fullscreenAmong McAfee’s peers in this dripped-out new world of costless needling are Barstool Sports boss Dave Portnoy; former NFL players Will Compton and Taylor Lewan, who co-host the show Bussin’ With the Boys; and NFL receiver-turned-podcaster Antonio Brown. Sports are also a major, though not exclusive, topic of conversation for Joe Rogan, Theo Von and other leaders of the manosphere. The Wikipedia pages of many of these figures contain hefty “controversy” tabs. Portnoy has faced extensive and credible accusations of sexual misconduct; Brown refers to WNBA star Clark, an athlete on whom the anti-woke right seems psychotically fixated, as “Cousin Itt”, referencing the Addams Family’s hirsute, non-verbal relative, and is so crassly sexist online that even the famously feminist redoubt of Barstool Sports has described him as a “crackpot”.In an earlier era, reckless promotion of tasteless gossip about a teenager’s sex life might have been enough to sink a career like McAfee’s. Provocation, abrasiveness and a delight in offending have been essential to sports talk – on radio and cable TV – for decades. But in the years before social media, on-demand programming and betting turned sports into an all-hours, all-platforms juggernaut, there were still lines that sporting pundits could not cross: shock jock Don Imus, for instance, built his career on being outspoken but was fired by WFAN/MSNBC in 2007 after making racist and misogynist comments including describing the Rutgers women’s basketball team as “nappy-headed hos”.Today’s sports broadcast world runs according to a new set of rules, in which “respectable” TV and the demi-monde of sports podcasts, streaming, and shitposting increasingly intersect: all engagement is good engagement, and the best type of filter is no filter. Whatever faint norms of decorum constrained earlier generations of professional sports talkers have faded completely.There’s a reciprocal flow of testosterone and ideas between these shows, the world of sports, social media and real life. A handful of subjects and themes recur: veneration of the military, glorification of strength and traditional “male” values, celebration of gambling, the denigration of women and anything thought to represent “woke” culture. On any given day across the sporting bro-zone you might hear Bussin’ With the Boys and their guests rail against pronouns and cancel culture, the hosts of Barstool Sports’ Pardon My Take podcast argue Taylor Swift needs to “release a sex video” to make her presence at NFL games tolerable to the average male fan, or McAfee devote 30 minutes (as he did recently) to describing his day among “maybe the baddest motherfuckers on earth”: the drill instructors at the US Marine Corps training center on Parris Island in South Carolina. These interests and obsessions mirror the president’s cultural politics, turning the sports bros into critical emissaries for Trump’s peculiar brand of popularly elected vandalism.It’s worth questioning, of course, how influential these influencers really are. A recent poll from the Harvard Kennedy School’s Institute of Politics found that 35% of young men had an unfavorable view of Rogan, while a further 36% had never heard of him or did not know enough about him to have an opinion. The much-rehearsed idea that the minds of young male voters have been irretrievably colonized by the manosphere is surely overblown.But there seems little dispute that these influencers have been effective in platforming rightwing figures and ideas. The sports bros are an essential part of that legitimizing apparatus – all the more so because their endorsement of the right’s reflexes, priorities and modes of attack is couched in the ostensibly apolitical language of sports. The cultural supremacy of the sports bros is now so total that Barstool’s Dave Portnoy is now famous for his online pizza reviews that can make or break restaurants in America. When a casual day trader from Massachusetts who built his media empire on college gambling advice becomes the arbiter-in-chief of America’s favorite food, something fundamental has shifted in how we determine cultural authority.View image in fullscreenThe sports bro supremacyThe unsinkability of these sporting mouths, bobbing forever on the surface of our cultural consciousness, parallels the envenomation of online discourse and the transformation of Trump from presidential punchline into the most consequential political figure of the century. Trump, let’s not forget, first reached the White House after navigating a storm of outrage over the Access Hollywood tape, a victory that set a precedent for the practitioners of “locker room talk” who have found fame in his wake. With the tacit endorsement of the sports bros, on whose shows he became a regular guest during last year’s election, Trump not only seized the young male vote, he also engineered a complete reversal in his own reputation throughout the sporting world from his first to second terms.Interestingly, McAfee himself declined an invitation to have Trump on his show during last year’s election campaign, reasoning that he and his sidekicks are “not the ones” to be asking questions about politics – an uncharacteristic moment of modesty. But UFC-adjacent comedian Theo Von and Barstool Sports’ Bussin’ With the Boys both featured extended conversations with Trump during the campaign.These appearances showed Trump to be extremely well-versed in sports, which is perhaps no surprise when you consider the amount of time he spends tweeting about them, watching them and playing them – not to mention his own tangled history with the business side of sports (Trump owned a New Jersey-based team in the short-lived United States Football League during the 1980s). These podcasts also helped humanize Trump, presenting him as a relatable guy who works long hours and is sympathetic enough to engage a jumpy figure like Von in a conversation about drug addiction. The warm audience Trump received helped normalize his politics and support.Today the sporting world, with a few notable exceptions, genuflects before Trump in a way that seemed unthinkable during his first term. Beyond the unquivering Trumpian stronghold of Dana White’s UFC, the big professional leagues such as the NFL and NBA either kept their distance from the 45th president or were at outright war with him; now No 47 is the guest of honor at the Super Bowl and every second athlete is doing the Trump dance, the double fist pump and minor hip swivel that the president has turned into his signature choreographic move on the campaign stage.The president’s political endurance has perhaps, in turn, acted as a kind of bro bat signal, helping to validate the obnoxiousness and resistance to introspection on which the sports bros thrive: if he doesn’t have to censor himself, apologize or pay lip service to feelings, why should they?View image in fullscreenThe personality of American culture has long been split between purity and profanity. The death of consequences for figures like McAfee suggests the balance of power has definitively swung in favor of the trolls and tough guys, and now none of puritanical old America’s sanctities will hold them back. It says everything about the sports bros’ invincibility that among the top names floated by progressives to counter the blitzkrieg of Trump’s second term and lead them to 2028 is Stephen A Smith, the sports pundit who turned relentlessness into a career and is something of a spiritual godfather to the McAfees and Portnoys of the world. The only person who can defeat a sports bro is another sports bro.Might there be another strategy for the left to combat this tide flooding the sporting-cultural zone? Recent reports suggest Democrats are slinging money to all corners of the country in a desperate attempt to find the progressive answer to Rogan: the chatter is all about “speaking with American men” and investing to generate a “return on culture”, and Democrats such as Hakeem Jeffries and Josh Shapiro have in recent months zombied from sports podcast to sports podcast in a doomed and focus group-refined attempt to revive a cadaverous Democratic party with the tonic of their everyman cool.These appearances might be wooden and inauthentic, but it does suggest a key role for sports in the left’s attempt to pull itself off the canvas following the catastrophe of last November. Sports are hardly the exclusive preserve of the right. The Golden State Warriors’ four-time championship winning head coach, Steve Kerr, is probably the most vocal critic of Trumpism at work in American sports today, and Democrats have long associated themselves with sports: Barack Obama, of course, is an accomplished hooper, while Zohran Mamdani, the socialist candidate for New York City mayor who loves Arsenal and cricket and has spun his appearances at Knicks games during the recent NBA playoffs into campaign trail gold, is living proof that it’s possible to be passionate and knowledgeable about sports while eschewing the ugliness of bro culture.But left-leaning sports pundits? That’s a tougher ask. The pallor of recent attempts to seed a more robust progressive presence online highlights how severely Democrats have been left behind in the new world of sports talk. Broadcasts such as the Pat McAfee Show are powerful engines of political orientation not because they address politics directly – they almost never do – but because their politics emerge in the interstices of everything said on screen.There aren’t many popular voices in sports punditry that do for the left what McAfee and his cohort do, casually yet masterfully, for the right: embody an ethos, solidify an idiom and transmit a set of values that find a natural downstream outlet in electoral politics. Influential Twitch lefty Hasan Piker occasionally discusses sports but they are not his main focus; pundits such as Pablo Torre and Bomani Jones lean liberal but they do not have the same reach that the McAfees of the world do, and they don’t express their politics with anything like the same splash. Over the past decade sports broadcasters who discussed politics from a leftist perspective, such as former ESPN host Jemele Hill, were gradually forced out of the mainstream. NFL star Travis Kelce, who hosts a popular podcast with his older brother Jason, seems vaguely progressive in orientation but he also said playing in front of Trump at this year’s Super Bowl was “a great honor”, a tellingly wimpy political intervention. Like LeBron before him, he’s too big to get too real, too good to get dirty; the Kelce-James brand of progressivism is very much by the book, a progressivism of the civics class. Where the right is loud, the sporting left speaks with a militant squeak.View image in fullscreenA lack of voices on the leftOn-field athletic competition is about domination, strength, winners and losers, yes, but it’s also about finesse, beauty, cunning and wit; it’s a place where conservative fantasies of order and the cerebrations of the progressives can both find a home.But if any side should be controlling the field of sports talk, it is the left, since so many of the inequalities that plague society at large now infect sports as well, which are increasingly run on extractive lines for the benefit of predatory rentiers, autocrat-backed sovereign wealth funds and private-equity ghouls. Meanwhile the leveling mechanisms that still keep the American professional leagues interesting and unpredictable – collective wage bargaining, drafts, salary caps and luxury taxes – have their roots in this country’s unlikely tradition of sporting socialism. Far from being a natural stage for the tiresome politics of cultural revenge in which the right traffics, sports (as a thing to shoot the shit about) offer a rich canvas for the exploration of many issues about which the left cares deeply: race, gender, class, social mobility and the corrupting influence of money.The left should not be afraid of learning from the lords of the sporting bro-zone even as it spurns their machismo and lack of tact. A culture used to crew necks can’t go back to buttoned collars.For example, as part of his deal with ESPN, McAfee is allowed to swear live on TV: “The following progrum is a collection of stooges talking about happenings in the sports world,” announces a disclaimer that airs before each show, read aloud in a geriatric voice reminiscent of Grampa Simpson. “There may be some ‘cuss’ words because that’s how humans in the real world talk.” This is one area where the bros and the left should make common cause: swearing is good. Viewers love McAfee not despite the fact he’s loose, unpolished and has a dirty mouth; they love him because of these things. This is a man, let’s not forget, who first came to prominence at age 23, while playing for the Colts, after being arrested in downtown Indianapolis for taking a pre-dawn swim in a canal. Asked to explain why he was soaking wet, McAfee replied: “I am drunk.” The charge was dismissed but the hearts of a city were won, and a media career was born.Why can the left not take the best of McAfee and his ilk while jettisoning the worst? Surely it’s possible to talk sports in a way that’s biting, real, unfiltered, funny and even mean – to “connect with men where they are”, as we are repeatedly told the left must – without descending into toxicity, cruelty, belligerence and hate. If progressives want to reclaim the White House, they could do worse than to start rambling for hours on end about games and players that have nothing to do with politics at all. Sports-loving leftists of America, unite: you have nothing to lose but your parlays. More

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      Why is the media paying millions to Trump? – podcast

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      Archive: CBS News, PBS, NBC News, WHAS11, CNN, Fox 5 New York
      Read Edward Helmore’s piece on Trump’s war on the media
      Listen to Science Weekly’s episode on the Texas floods
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      Send your questions and feedback to politicsweeklyamerica@theguardian.com
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      I chaired the FCC. The 60 Minutes settlement shows Trump has weaponized the agency | Tom Wheeler

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      It is time to unfurl the “Mission Accomplished” banner at the Federal Communications Commission (FCC). Paramount Global, the parent of CBS Television, has agreed to pay $16m to settle a lawsuit brought by Donald Trump over the editing of a 60 Minutes interview with Kamala Harris. Presumably, the FCC can now cease its slow-walking of the Paramount-Skydance Media merger.Just two days after the president took office, the agency’s new chair, Brendan Carr, inserted the FCC into the issues in the Trump lawsuit that alleged “news distortion”. As the New York Post headlined: “Trump’s FCC pick Brendan Carr says ‘60 Minutes’ editing scandal could affect Paramount-Skydance merger review.”That lawsuit was filed in the final week of the 2024 presidential campaign under the Texas Deceptive Trade Practices Act, a statute historically used against false advertising. The case was filed in a single-judge federal district court that one legal publication characterized as “a favored jurisdiction for conservative legal causes and plaintiffs”. CBS characterized the case as “without merit”.The 60 Minutes broadcast aired in October; the day before, a different excerpt had appeared on Face the Nation. Soon after, the Center for American Rights – a group that describes itself as “a public interest law firm dedicated to protecting Americans’ most fundamental constitutional rights” – filed a complaint at the FCC alleging CBS had engaged in “significant and substantial news alteration”. The complaint was dismissed as seeking “to weaponize the licensing authority of the FCC in a way that is fundamentally at odds with the First Amendment”. Immediately upon becoming the FCC chair, Carr reversed that decision and ordered a formal proceeding on the matter (but let stand the dismissal of a complaint against a local Fox station over its 2020 election coverage).The election of Trump and the installation of a Trump-appointed FCC chair transformed the Paramount/CBS merger from a review of the public interest merits of the transfer of broadcast licenses into a broader question that included the 60 Minutes editing. Carr told an interviewer: “I’m pretty confident that the news distortion complaint over the 60 Minutes transcript is something that is likely to arise in the context of the FCC review of that transaction.”The formal paperwork for FCC approval of the license transfers was submitted 10 months ago, on 6 September 2024. Now that the lawsuit has been settled, it will be interesting to see how quickly the FCC acts.The CBS case is just one example of the tactical leverage the Trump FCC regularly exerts over those it regulates. Carr, who wrote the FCC chapter in the “Project 2025” Maga blueprint, has not been shy about using this authority to achieve such political goals.Even before formally assuming the FCC chair position, Carr began exercising chair-like authority to advance the Maga agenda. This began with a letter to the CEOs of Alphabet (Google and YouTube), Meta (Facebook and Instagram), Microsoft and Apple alleging: “you participated in a censorship cartel … [that is] an affront to Americans’ constitutional freedoms and must be completely dismantled.” Going beyond traditional FCC authority, he threatened: “As you know, Big Tech’s prized liability shield, Section 230, is codified in the Communications Act, which the FCC administers.” Carr suggested he might investigate whether those editorial decisions were made in good faith.Recently, Carr conditioned the approval of Verizon’s acquisition of Frontier Communications on Verizon agreeing to drop its corporate diversity, equity and inclusion (DEI) policies. Continuing his anti-diversity efforts, he launched an investigation into Comcast Corporation because it promotes DEI as “a core value of our business”.In his pre-FCC chair days, Carr championed press freedom. In a 2021 statement, he wrote: “A newsroom’s decision about what stories to cover and how to frame them should be beyond the reach of any government official.” Once he became Trump’s FCC chair, however, he not only picked up on the 60 Minutes matter, but also launched an investigation into the public broadcasters NPR and PBS “regarding the airing of … programming across your broadcast member stations”.The FCC’s regulatory authority directly covers about one-sixth of the American economy while also affecting the other five-sixths that rely on the nation’s communications networks. What was once an independent, policy-based agency has been transformed into a performance-based agency, using any leverage it can discover or invent to further the Trump Maga message.

      Tom Wheeler was the chair of the Federal Communications Commission from 2013 to 2017 More

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      Former CBS anchor slams Paramount settlement with Trump: ‘It was a sellout’

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      A former CBS News anchor and 60 minutes correspondent, Dan Rather, has blasted the $16m settlement between Paramount, the parent company of CBS News, and Donald Trump, calling it a “sad day for journalism”.“It’s a sad day for 60 Minutes and CBS News,” Rather, a veteran journalist who was a CBS News anchor for over 20 years, told Variety in an interview published on Wednesday. “I hope people will read the details of this and understand what it was. It was distortion by the president and a kneeling down and saying, ‘yes, sir,’ by billionaire corporate owners.”Last November, Trump sued CBS News, claiming that the network’s interview with the Democratic presidential candidate Kamala Harris, had been doctored to portray her in a favorable light – which he alleged amounted to “election interference”.Many legal experts had widely dismissed the lawsuit as “meritless” and unlikely to hold up under the first amendment, but on Wednesday Paramount announced that it had agreed to pay Trump $16m to settle the case over the interview that was broadcast on the CBS News program 60 Minutes.The settlement comes as Paramount is preparing for a $8bn merger with Skydance Media, which requires approval from the US Federal Communications Commission. Paramount has said that the lawsuit is separate from the company’s merger.A spokesperson for Trump’s legal team said in a statement to the Guardian that “With this record settlement, President Donald J. Trump delivers another win for the American people as he, once again, holds the Fake News media accountable for their wrongdoing and deceit.“CBS and Paramount Global realized the strength of this historic case and had no choice but to settle,” the spokesperson added.According to Wednesday’s announcement, the settlement funds will not be paid to Trump directly, but instead would be allocated to Trump’s future presidential library. The settlement did not include an apology.Rather told Variety on Wednesday that in his opinion “you settle a lawsuit when you’ve done something wrong” and “60 minutes did nothing wrong, it followed accepted journalistic practices”.“Lawyers almost unanimously said the case wouldn’t stand up in court,” he said.Ultimately though, Rather said he was disappointed but not surprised by the settlement.“Big billionaire businesspeople make decisions about money,” he said. “We could always hope that they will make an exception when it comes to freedom of the press, but it wasn’t to be.“Trump knew if he put the pressure on and threatened and just held that they would fold, because there’s too much money on the table,” Rather said. “Trump is now forcing a whole news organization to pay millions of dollars for doing something protected by the constitution – which is, of course, free and independent reporting. Now, you take today’s sellout. And that’s what it was: It was a sellout to extortion by the president. Who can now say where all this ends?”He continued: “It has to do with not just journalism, but more importantly, with the country as a whole. What kind of country we’re going to have, what kind of country we’re going to be. If major news organizations continue to kneel before power and stop trying to hold the powerful accountable, then we all lose.”In his more than 60 years in journalism, Rather told Variety he had never seen the profession face the kind of challenges as those it faces today.“Journalism has had its trials and tribulations before, and it takes courage to just soldier on,” Rather said. “Keep trying, keep fighting. It takes guts to do that. And I know the people at CBS News, and particularly those at 60 Minutes, they’ll do their dead level best under these circumstances. But the question is what [is] this development and the message it sends to us. And that’s what I’m trying to concentrate on.” More

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      Win a game show, become a US citizen? We’ve entered the realm of the truly depraved | Dave Schilling

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      I guess Republicans really love game shows. Just a few days after Fox aired its “isn’t Trump wild” guessing game, What Did I Miss, it was revealed that the TV producer Rob Worsoff has pitched the United States Department of Homeland Security on a series premise he calls The American, which would give immigrants a chance to compete in a series of challenges for the prize of US citizenship. The actual process of winning citizenship is obviously too boring to film. Filling out an N-400 form? Snore. A written exam? I’d rather watch a dog eat grass. Skip all that and give us an obstacle course instead.People have stupid ideas all the time. My child thought it would be fun to squeeze lemon juice in his hot chocolate. He took one sip, almost barfed on the table, then begged me to order him another, lemon-less beverage. Stupid ideas are great, because most of them are harmless. “Oh, I ate a large bug off the ground. Whoops.” The only stupid ideas that are a problem are the ones where the actual government considers cosigning them. The DHS assistant secretary Tricia McLaughlin was asked by Time magazine what the status of Worsoff’s pitch was and responded via email that it “has not received approval or rejection by staff”.Gotta really think this one through, I guess. Something like this must be thoroughly vetted by serious people. How cruel is this one, exactly? How desirable is the bloodthirsty demo for advertisers these days? Can we sell a presenting sponsorship? And is this for streaming or broadcast? Can we get Chris Hardwick to host? These are all vital questions to consider before making a decision in show business.Such an idea would be eye-rollingly low-class in normal times, but as the Trump administration attempts to ramp up deportations and to do away with the constitutional right of citizenship by birth (and federal courts bravely fight back), this dumb concept travels at warp speed to the dimension of the truly depraved. The US Citizenship and Immigration Services website takes great pains to describe the process of becoming an American as solemn and full of responsibility. Step 10 of the site’s “10 Steps to Naturalization” is “Understanding U.S. Citizenship”. It states: “Citizenship is the common thread that connects all Americans. Check out this list of some of the most important rights and responsibilities that all citizens – both Americans by birth and by choice – should exercise, honor, and respect.”Yes, but what if you had to guess the number of jelly beans in a jar first?To make his pitch even more appealing to the bigwigs in Washington, Worsoff suggested a few choice ideas for challenges that correspond to the most stereotypical aspects of life in America’s 50 states. A pizza-making contest for New York, a rocket-launching challenge for Florida, and a “gold rush challenge” for California. Nothing says “vital skills for living in 2025” like panning for gold in a pair of tattered Levi’s 501s. Perhaps Levi’s will sponsor the segment. Gosh, this thing pays for itself.But why stop there? Maybe a Breaking Bad-themed meth-making challenge for New Mexico. Polygamy challenge for Utah? How efficiently can you operate a turn-of-the-20th-century steel mill in Pennsylvania? Can you safely land a plane at Newark airport? For Washington state, you just have to answer trivia questions about Seattle inaccuracies in the sitcom Frasier. The possibilities for inanity are significant.In order to advance to the next round of this bottomless pit of human misery, contestants would be subjected to a vote, which Worsoff described as “like a presidential election”. Oh, how fun. Can you contest the results of that vote, too? Worsoff said in an CNN interview that his idea is “not like the Hunger Games”. Mostly because the costume budget isn’t as high.The Democratic opposition in Congress has, naturally, lined up to publicly condemn such a grotesque notion. The New York congressman Jerry Nadler said on X (formerly known as a useful platform for conversation) that “human lives are not game show props.”A nice sentiment, but I must be the bearer of bad news. Human lives have been game show props since the invention of the form. In 2005, Fox (why is it always Fox?) aired a reality show called Who’s Your Daddy, where a woman had to guess which of eight men was her real father. If she guessed correctly, she’d win both an awkward conversation and $100,000. Presumably the cash prize would go directly to her therapy bills. Bravo’s Real Housewives franchise, while not a game show (the real winners are the viewers, I suppose) is a reality universe where women frequently abuse alcohol to the detriment of their own lives and the lives of others around them. If human lives are not props in these shows, are they even entertaining to the masses?An idea like The American, then, is the natural extension of the genre, taking someone’s desperation, fear, and overwhelming desire and squeezing all the drama possible out of it. Worsoff told CNN that he had pitched this idea to previous Democratic administrations, but weirdly, we never heard about it back then. It’s only now that such a concept feels enough in line with the zeitgeist of immigration paranoia that Worsoff felt emboldened to speak freely about it.He said: “I’m putting a face to immigration. This is a great celebration of America.” Yes, it is a celebration of America. Specifically our worst impulses: the desire to make everything a game and revel in the bread-and-circuses spectacle of life and death, but to cloak it in nobility and charity. Worsoff continued: “I’m very fortunate and lucky and honored to be an American. And I want everybody to understand the process.”At no point did I think that a pizza-making contest was part of the process.

      Dave Schilling is a Los Angeles-based writer and humorist More

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      ‘Fight back’: journalist taking Trump administration to court calls for media to resist attacks

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      The lead plaintiff in a lawsuit fighting Donald Trump’s order to dismantle Voice of America has said the media has to resist as the administration becomes increasingly aggressive against the press.“I never in a million years thought I would have to fight for freedom of the press in the United States of America. And yet here we are,” says Patsy Widakuswara, the White House bureau chief for the broadcasting network. “As journalism is under attack, it feels empowering to fight back. We need more people to resist and fight back.”Kicked out of press conferences on multiple continents for asking pointed questions, Widakuswara is not the type to balk at challenging powerful leaders. In her three decades as a journalist those instincts have served her well, and perhaps at no better time than now.The White House reporter is now leading the charge to save VOA, which the US president has described as “anti-Trump” and “radical”. In March, Trump signed an executive order that effectively cut off its funding via its parent company, the US Agency for Global Media (USAGM).Launched in 1942, initially to counter Nazi propaganda, VOA is a federally funded international broadcasting network, produced in dozens of languages that reach about 350 million people around the globe.View image in fullscreenFor decades it has been seen as a form of soft power, encapsulating the values of liberal America. But after Trump’s order its operations have been suspended, with virtually all of VOA’s staff of 1,300 placed on immediate administrative leave and about 600 contractors terminated.The lawsuit filed by Widakuswara and several of her colleagues follows lawsuits the Trump administration has taken out against ABC News and CBS’s 60 Minutes in the US, and attempts to expel some press from the White House. Those backing the case argue that VOA has for decades provided an important source of objective information, especially in illiberal environments.“These are not just women in Afghanistan or farmers in Africa,” said Widakuswara of VOA’s audience. “They’re also activists in Russia and decision makers all around the world who are also facing the onslaught of disinformation and propaganda from Russia, Iran, China, and extremist organisations like [Islamic State] and al-Qaida.”At home having a quiet Saturday when she received the email about VOA’s demise, Widakuswara says to do nothing was inconceivable. In a matter of days she had rallied a team to fight against it, and by Friday morning had filed a lawsuit.“It’s just the way I’m wired,” she says over the phone from Washington. “Congress gave us a mandate to tell America’s story to the world through factual, balanced and comprehensive reporting. If they want to change the size, structure or function of VOA, they can’t just shut us down. They must go through Congress. That’s the law.”View image in fullscreen‘Holding autocratic governments to account’Starting her career in Jakarta in the late 90s, just as Indonesia’s decades-long dictator Suharto was being toppled, the Indonesian-born journalist has seen first-hand the impacts of authoritarian regimes.Widakuswara worked at a campus radio station, and later as a fixer for foreign journalists when they flooded in to cover the event, as mass student protests inundated the parliament building and forced Suharto to step down.skip past newsletter promotionafter newsletter promotion“That was my first taste in media,” she says. “Holding autocratic governments to account.”The experience led to a career in television, and a British Foreign and Commonwealth Office scholarship to obtain her master’s in journalism at Goldsmiths, University of London. After stints at the BBC and Channel 4, she was named VOA’s White House bureau chief in 2021.Now, she finds herself pushing against fascistic tendencies in her adopted home. “I grew up in 80s Indonesia where there was no press freedom and newspapers had to be careful what they printed to avoid government closure,” she says. “Could the US backslide that far? Not if enough people resist, and that’s why I’m fighting back.”Her lawsuit, backed by Reporters Without Borders and four unions, argues the Trump administration, through the actions of the defendants, USAGM, and the government’s special adviser Kari Lake, are attempting to unlawfully dismantle VOA’s operations because they deem it contrary to the government’s agenda.Widakuswara argues that Trump’s executive order is a violation of press freedom, the first amendment, and laws to prevent executive overreach, with VOA funding approved by Congress, not the president.Another motivating factor is to support her 47 colleagues at VOA on J-1 or journalist visas in the US, who could be sent back to countries such as Russia, Belarus, Vietnam and Myanmar which have previously jailed journalists.Widakuswara’s efforts to save VOA appeared to score an early win, with a judge in April ordering the Trump administration to restore funding to VOA and other US-funded media. But the preliminary injunction was only a temporary measure.On Saturday, just as VOA staff were preparing for a “phased return” to work, a court of appeals issued a stay on that ruling, saying the court did not have the authority to block Trump’s executive order regarding employment matters.Keenly aware of the unfavourable political climate she is up against, Widakuswara says it is hard to know if their case will ultimately prevail, but the only choice is to try. “Even if it’s just like a 5% chance or even a 1% chance, that’s better than a 0% chance, which is what happens if we do nothing.” More

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      The loss of editorial freedom at 60 Minutes is a sorry milestone for US media | Margaret Sullivan

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      There have been so many red alerts for press freedom in the United States over the past few months that it can be hard to know which ones really matter.The one at CBS’s 60 Minutes really matters.It came as a one-two punch. First, Bill Owens, the highly respected executive producer of the venerable news show stepped down, writing in a letter to employees that he no longer felt he had crucial editorial independence. It had become clear, he wrote, “that I would not be allowed to run the show as I have always run it”.Although he wasn’t specific, corporate interference was clearly the problem, as the network’s parent company, Paramount, has been trying to get federal approval for a big media merger.Owens’s departure was a shocker, but one that was mostly felt internally at CBS and in media-watching circles.Last Sunday night, the problem went public – dramatically so. One of the most well-known faces of 60 Minutes, the correspondent Scott Pelley, closed out the program with a remarkable statement to the audience. He praised Owens and made the context painfully clear.“Stories we’ve pursued for 57 years are often controversial – lately, the Israel-Gaza war and the Trump administration,” Pelley said. “Bill made sure they were accurate and fair … but our parent company, Paramount, is trying to complete a merger. The Trump administration must approve it. Paramount began to supervise our content in new ways.”Pelley said that, to date, no story had been killed but that Owens “felt he lost the independence that honest journalism requires”.Pelley’s comments were picked up widely, and now the world knows that viewers can no longer fully trust what they see on the Sunday evening show that has done such important and groundbreaking journalism for decades.Of course, as with so many of the red alerts mentioned above – lawsuits, threats, changes in long-held practices that protect the public’s right to know – the problem involves Donald Trump’s overweening desire to control the media. Controlling the message is what would-be authoritarians always do.Trump sued 60 Minutes for $20bn a few months ago, claiming unfair and deceptive editing of an interview with his then rival for the presidency, Kamala Harris. And his newly appointed head of the Federal Communications Commission, Brendan Carr, took an aggressive approach by reopening an investigation into CBS over supposed distortion of the news. The editing of the Harris interview, by all reasonable accounts, followed standard practices.What has happened with 60 Minutes is a high-octane version of what is happening everywhere in Trump 2.0.Those who could stand up to Trump’s bullying are instead doing what scholars of authoritarianism say must be avoided, if democracy is to be salvaged. They are obeying in advance.Not everyone, of course. It’s inspiring to see prominent institutions – Harvard and other universities, many law firms, Georgetown law school and the Associated Press – refusing to buckle.They may pay a price. Perhaps a lucrative merger won’t go through, perhaps important federal grants will be lost, perhaps they’ll lose access to news sources, or be punished in some other way. But they’ll have their reputations and integrity intact.skip past newsletter promotionafter newsletter promotionFor universities, for law firms and certainly for media companies like CBS, that’s extremely important.And what’s more, yielding to Trump’s bullying is never successful in the long run. The goalposts of appeasement will be moved, again and again.Just think of what happened with Jeff Bezos, who has put at risk the editorial independence of the Washington Post, which he owns, in order to please Trump and protect the fortunes of his companies, including Amazon.Did all his bending the knee – including killing a Post endorsement of Harris just before the election – buy him long-term protection? Certainly not. When Amazon reportedly planned to display the cost of Trump’s tariffs next to prices on the site, the White House went ballistic, calling it a “hostile and political act”.You can guess what happened next. Amazon buckled, disavowing and scrapping the plan.If the rich and powerful won’t stand up to Trump, what hope can there be for the disenfranchised and powerless?Journalists at 60 Minutes are telling us that Shari Redstone, the executive and heiress who is the controlling shareholder of Paramount, is doing real damage by appearing to intrude into her venerable show’s independence. She may get the merger she wants but only at great cost to the journalism of which she should be a stalwart steward.There was another road to take – certainly a less traveled one but one with a far better destination in mind.

      Margaret Sullivan is a Guardian US columnist writing on media, politics and culture More