Walt Disney Company

Subterms

    Latest story

    100 Shares159 Views

    “Shogun” Emmy Win Lifts FX Past Bigger Rivals

    by

    The network has been a darling among critics for years. But it hit a new high on Sunday, with “Shogun” winning best drama and “The Bear” picking up several awards as well.When the “Shogun” writer and producer Justin Marks stormed the Emmys stage after his show won best drama on Sunday night, his first order of business was to pay tribute to the people who helped bring him there: the executive team at FX.How, he wondered aloud, did the network approve a show that was extremely expensive, and would be mostly subtitled in Japanese?“I have no idea why you did that, but thank you for your faith in this incredible team,” he said.For roughly two decades, that team at FX has been a darling to television critics with series like “American Horror Story,” “The Americans,” “It’s Always Sunny in Philadelphia” and “Atlanta.” But the network, with less money at its disposal than rivals such as Netflix and HBO, had never won television’s most prestigious prize, best drama, until Sunday.And that’s not all it won.“Shogun,” an adaptation from a 1975 best-selling book centered on 17th century feudal Japan on the brink of civil war, had a dominant night at the Emmys. It set a record for most Emmys won by a show in a single year, winning 18 in all. It was also the first time a foreign language show (roughly 70 percent of the show was in Japanese) had taken the best drama award that is normally the domain of shows that take place in the United States, the United Kingdom or Westeros.Hiroyuki Sanada in a scene from “Shogun.”Katie Yu/FX, via Associated PressAnother FX show, “The Bear,” won several major Emmys on Sunday night, including three acting awards. But in an upset, Max’s “Hacks” defeated “The Bear” in best comedy series.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    More stories

    • 100 Shares149 Views

      in Elections

      Disney and DirecTV Reach Deal, Ending ESPN Blackout

      by

      The agreement ends a two-week dispute that had prevented many of DirecTV’s 11 million customers from watching programs like Monday Night Football.Disney and DirecTV said on Saturday that they had reached an agreement that will allow channels like ESPN and ABC to return to the satellite TV service.The deal ends a two-week blackout that prevented many of DirecTV’s 11 million customers from viewing programs like Monday Night Football and the U.S. Open tennis tournament as the two sides haggled over terms of a new distribution agreement.The pact was struck in time to avoid alienating viewers who wanted to watch college football on ESPN and the Emmys, which will air on Sunday on Disney’s ABC broadcast network.“DirecTV and Disney have a longstanding history of connecting consumers to the best entertainment,” the companies said in a joint statement. “And this agreement furthers that commitment by recognizing both the tremendous value of Disney’s content and the evolving preferences of DirecTV’s customers.”One of the big sticking points in negotiations over the last week was whether Disney — which spends lavishly on shows for the Disney+ streaming service — could continue to charge DirecTV high rates for traditional TV content. DirecTV argued that Disney was shortchanging its traditional TV customers by expecting the same fees for what is effectively less content.Under the terms of the new agreement, Disney’s streaming services, including Disney+, will be offered to DirecTV customers in select packages. That compromise has now become common in cable deals, with similar agreements reached by the cable giant Charter with Disney and Warner Bros. Discovery.The dispute between DirecTV and Disney underscored the harsh economic realities experienced by satellite TV networks, which do not have products like broadband internet that make their services harder to abandon.The deal will also allow DirecTV customers to watch the Disney Channel, Freeform, the FX networks and the National Geographic channels. Though the contract is still being finalized, service was restored on Saturday morning to DirecTV customers.DirecTV’s agreement with Disney comes amid reports that the company is working on a much larger deal that would transform the company. Earlier this week, Bloomberg reported that DirecTV is negotiating a merger with Dish, another TV provider, in a deal that would create a satellite TV giant. More

    • 138 Shares149 Views

      in Elections

      ESPN and ABC Go Dark on DirecTV in Feud With Disney

      by

      The outage struck on Sunday, cutting access for many DirecTV viewers to the U.S. Open tennis tournament on ABC.Disney’s channels went dark on DirecTV on Sunday, leaving millions of subscribers to the satellite TV service without access to marquee networks like ESPN and ABC and cutting off viewership to the U.S. Open tennis tournament.The dispute means that most of DirecTV’s roughly 11 million U.S. subscribers can’t watch ESPN; the ABC broadcast network, which airs the U.S. Open, was also blacked out for many customers.The outage is the latest instance of a routine dispute between a television programming company and its distributor resulting in a service disruption. Typically both sides must agree to new terms every few years, and failure to do so risks alienating customers who have grown increasingly disenchanted with having to pay for traditional TV. In the long run, these carriage disputes are unprofitable for both parties, and they are usually resolved in a few days.The contracts are usually written so they expire at periods of peak viewer interest, giving both sides an incentive to reach a deal before the channels go dark. Disney’s dispute with DirecTV was the latest example: the outage began on the eve of Labor Day, cutting off access for many customers who were settling in for the long weekend.Disney has found itself at the center of other disputes with TV distributors fed up with paying high fees for channels like ESPN when the company is spending lavishly to produce shows for Disney+ and its other streaming services. A year ago, Disney was locked in a standoff with the Charter cable system that was resolved after the two agreed to a pact that gave Charter’s customers access to Disney’s streaming services at a lower rate.The early hours of carriage disputes quickly involve lots of finger-pointing, with both sides blaming the other for making unrealistic financial demands that deprive customers of the channels they are paying for. In the streaming era, TV programmers sometimes encourage viewers to find their shows and events on a service like Hulu or Fubo that stream live sports.In a statement, Disney said it believed DirecTV was offering to pay too little for its programming.“We invest significantly to deliver the No. 1 brands in entertainment, news and sports because that’s what our viewers expect and deserve,” said the statement, from Dana Walden and Alan Bergman, co-chairmen of Disney Entertainment, and Jimmy Pitaro, the chairman of ESPN. “We urge DirecTV to do what’s in the best interest of their customers and finalize a deal that would immediately restore our programming.”Rob Thun, DirecTV’s chief content officer, said in a statement that Disney is shifting content to its streaming services, while expecting higher prices from distributors.“Disney is in the business of creating alternate realities, but this is the real world where we believe you earn your way and must answer for your own actions,” Mr. Thun said. He added: “Disney’s only magic is forcing prices to go up while simultaneously making its content disappear.” More

    • 88 Shares159 Views

      in Elections

      Almin Karamehmedovic Named President of ABC News

      by

      Almin Karamehmedovic, the senior executive producer of ABC’s flagship newscast with anchor David Muir, will run Disney’s news division.ABC News said on Monday that Almin Karamehmedovic, the senior executive producer of “World News Tonight with David Muir,” is the network’s next president.The appointment puts Mr. Karamehmedovic, 52, in charge of a diminished but still powerful TV news empire that includes popular shows like “Good Morning America,” “World News Tonight with David Muir,” “20/20” and “Nightline.” He will also oversee the network’s coverage of special events, such as the upcoming presidential debate and election, and the ABC News Studios division.Mr. Karamehmedovic has been at ABC News for more than two decades, working his way up the ranks from freelance video editing to the pinnacle of the TV news industry. His ascension is a positive omen for Mr. Muir, who anchors ABC’s flagship newscast, putting one of his key allies in control of the entire network.Mr. Karamehmedovic said in a statement that he would be leading “the best team in journalism” in his new role.“I approach this role with great respect and humility, not only for the hundreds of colleagues around the world whose tireless contributions fuel the unflinching and unbiased reporting of ABC News but also for the viewers we serve,” Mr. Karamehmedovic said.Mr. Karamehmedovic replaces Kim Godwin, whose tenure was marred by infighting and incessant leaks. Ms. Godwin announced her exit in May.Disney is appointing Mr. Karamehmedovic at a tricky moment for network news. As viewership of traditional TV erodes, networks have developed streaming services like ABC News Live to try to attract and retain viewers. But those services are not the appointment viewing juggernauts that network news programs were in their heyday, when broadcasters like Peter Jennings, Tom Brokaw and Dan Rather were household names.Mr. Karamehmedovic oversaw one of the genuine success stories at ABC News. “World News Tonight With David Muir” is consistently the most highly rated network newscast and frequently outperforms non-news programs.Mr. Karamehmedovic, who began working for ABC News on a freelance basis in 1998, has held a variety of roles at the network. He embedded with the U.S. Army in 2003, during the U.S. invasion of Iraq, and traveled to Darfur in 2005 to report on the genocide there. He joined “Nightline,” ABC’s Peabody Award-winning evening news program, in 2008 and served as its executive producer before joining “World News Tonight.” More

    • 88 Shares99 Views

      in Elections

      ‘Alien: Romulus’ Solidifies Disney’s Box Office Rebound

      by

      After struggling in recent years, Hollywood’s biggest movie company has now delivered four hits in a row, dominating the summer with a 42 percent market share.“Alien: Romulus” was on pace to collect at least $40 million at theaters in the United States and Canada over the weekend, a strong total that solidified a turnaround at Disney’s movie division.Disney’s seven movie factories — Marvel, Lucasfilm, Pixar, 20th Century, Searchlight Pictures, Disney Animation and Walt Disney Pictures — began to break down in 2021. They had been pushed too hard to make content for Disney’s streaming service. The pandemic added difficulties, resulting in a string of failures like “Jungle Cruise,” “Strange World,” “Lightyear,” “Haunted Mansion,” “Indiana Jones and the Dial of Destiny,” “Nightmare Alley,” “The Marvels” and “Wish.”Investors grew increasingly agitated, putting Robert A. Iger, Disney’s chief executive, and Alan Bergman, Disney’s top movie executive, under extreme pressure to deliver improved results. Movies carry unusual weight at the Walt Disney Company, which relies on them for much more than ticket revenue. At Disney, movies also power a vast consumer products division and underpin theme park attractions.It certainly appears that Disney has regained its box office footing. So far this summer (from May 1 to Sunday), Disney films have accounted for 42 percent of total ticket sales in the United States and Canada, according to Box Office Mojo, a film database. Last summer, Disney had about a 27 percent market share.Alan Bergman, co-chairman of Disney Entertainment, oversees seven movie studios, including Marvel and Pixar.Ronda Churchill/Agence France-Presse — Getty ImagesWith the successful release of “Alien: Romulus” (20th Century), the company has now delivered four consecutive hits. In May, Disney rolled out “Kingdom of the Planet of the Apes,” a 20th Century movie that cost about $160 million to make and collected nearly $400 million worldwide. “Inside Out 2” (Pixar) arrived in June and has taken in $1.6 billion worldwide. In July, “Deadpool & Wolverine” (Marvel) set a record for the largest R-rated opening in Hollywood history, and has gone on to sell $1.1 billion in tickets.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 150 Shares159 Views

      in Elections

      Judge Blocks Joint Streaming Service from Disney, Fox and Warner Bros. Discovery

      by

      The planned service from Disney, Fox and Warner Bros. Discovery was slated to cost $42.99 a month and aimed at fans who had abandoned cable TV.A judge issued a preliminary injunction against Disney, Fox and Warner Bros. Discovery on Friday over a planned sports-focused streaming service from the companies, saying the joint venture would most likely make the market for sports viewership less competitive.The 69-page ruling from a federal judge in New York’s Southern District effectively halts — at least for the moment — the companies’ ambitious plans for the service, called Venu, which was aimed at sports fans who had abandoned cable television.The service, which had been expected to become available this fall and cost $42.99 a month, promised to offer marquee games from the National Football League, the National Basketball Association and Major League Baseball.But the idea raised alarms with rivals, most notably a sports streaming service called Fubo, which sued to block the new service’s formation after it was announced this year. In a statement accompanying its complaint, filed on Feb. 20, Fubo alleged that Disney, Fox and Warner Bros. Discovery had “engaged in a long-running pattern” of trying to stymie its business through anticompetitive tactics.The complaint led to a hearing this month that focused on whether Fubo should be able to obtain a preliminary injunction against Venu, essentially stopping the sports-media venture from proceeding.In her ruling, Judge Margaret Garnett said Fubo was likely to prevail in its claim that the new service would “substantially lessen competition and restrain trade.” She added that refusing to grant the injunction could limit the effectiveness of any court order reached after a trial.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 175 Shares169 Views

      in Elections

      ‘Deadpool & Wolverine’ Is the Type of of Superhero Movie the Franchise Once Mocked

      by

      Making fun of schlocky, overwrought superhero movies used to be the Deadpool signature. But with “Deadpool & Wolverine,” and Disney’s push into the Marvel Universe, that thread is lost.Deadpool movies might as well begin with a fun qualifier for audiences: This isn’t a typical superhero movie; in fact, all genres and tropes are ripe for mocking by this foul-mouthed mercenary hero.In the first “Deadpool,” in the midst of a fight that includes decapitation and maiming, Ryan Reynolds’s Deadpool says, “I may be super, but I am no hero. And yeah, technically this is a murder. But some of the best love stories start with a murder. And that’s exactly what this is: a love story.” In the sequel, Deadpool says, “Believe it or not, ‘Deadpool 2’ is a family film. True story,” as he creatively murders a whole warehouse of Russian criminals. Dolly Parton’s “9 to 5” plays in the background.We’ve got a violent superhero movie that’s also a low-key sendup of tender rom-coms, then another violent superhero movie that pokes fun at the loving family film. So what’s “Deadpool & Wolverine”? Nothing as exciting — just another formulaic Marvel Cinematic Universe movie with a saucier rating.This third installment of the Deadpool franchise fails to deliver on that same knowing play with genre. The jokes are mostly about leaning heavily into the rules and standards of the superhero genre as orchestrated by Marvel — a bad omen for the Deadpool brand, formerly of 20th Century Fox before Disney acquired it in 2019.The new movie picks up a thread from the previous one when Deadpool uses a time-travel device to save the love of his life, Vanessa (Morena Baccarin). It’s a blatant deus ex machina, and the film casually undercuts its own emotional arc in order to make meta jokes about whether time travel could have changed the trajectory of Reynolds’s career.“Deadpool & Wolverine” seems to have forgotten its own joke about the earnest use of cheap plot devices like that — it dives headfirst into the commercial wholesomeness, overextended plotlines and shameless fan service that have come to define the majority of the Marvel Cinematic Universe in the last few years. In the latest film, Wolverine’s back from the dead (see the end of “Logan” to catch up), thanks to the multiverse, and he and Deadpool team up to keep Deadpool’s timeline from being decimated by the Time Variance Authority (see “Loki” to catch up).We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 138 Shares179 Views

      in Elections

      NBA Agrees to Massive Rights Deals With Disney, Comcast and Amazon

      by

      The agreements, set to begin after next season, could potentially pay the league about $76 billion over 11 years.The National Basketball Association’s Board of Governors has approved a set of agreements for the rights to show the league’s games, Commissioner Adam Silver said on Tuesday, moving one step closer to completing deals that would reshape how the sport is watched over the next decade.Mr. Silver declined to discuss any financial details or even the companies involved, though there have been reports for months that Disney, Comcast and Amazon were close to deals with the league. TNT, which is owned by Warner Bros. Discovery, has shown N.B.A. games since the 1980s, but its prominent on-air personalities like Charles Barkley talked during the playoffs about how they worried that the network would lose the rights after next season, the last covered by the current nine-year TV deal.The companies are expected to pay the N.B.A. a total of about $76 billion over 11 years. On average, ESPN would pay the N.B.A. about $2.6 billion annually, NBC around $2.5 billion and Amazon roughly $1.8 billion, according to three people familiar with the agreements, who spoke on the condition of anonymity to discuss the financial details.The Board of Governors voted to approve the deals at its yearly meeting in Las Vegas. The N.B.A. must now present the deals to Warner Bros. Discovery, and once that happens, the company will have five days to match one of them to remain in the mix.“We did approve this stage of those media proposals, but as you all know there are other rights that need to be worked through with existing partners,” Mr. Silver said.Warner Bros. Discovery was expected to try to match Amazon’s offer, according to two people familiar with the company’s thinking, who spoke on the condition of anonymity because of the delicate nature of the negotiations.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 150 Shares169 Views

      in Elections

      Inside a Writer’s First Ride on Tiana’s Bayou Adventure at Disney World

      by

      When Walt Disney World replaced a ride that was based on a racist film with a new attraction, Brooks Barnes, who covers entertainment, was first in line.Times Insider explains who we are and what we do and delivers behind-the-scenes insights into how our journalism comes together.I suppose I qualify as a Disney Adult, the pejorative term for grown-ups who visit Disney theme parks without children in tow.Disney has 12 theme parks and two water parks around the world, and I’ve been to all of them. I was at Walt Disney World in Florida when the theme park reopened in July 2020 after closing for four months during the coronavirus pandemic. And I was at Disneyland in California in 2022, when Mickey Mouse was allowed to share hugs again after a two-year pandemic-induced hiatus. I also hung out at the Turkey Leg Stand in Disneyland’s Frontierland for an entire afternoon.And this month, when Disney World began testing its newest ride, Tiana’s Bayou Adventure, I was on it.But I didn’t do any of those things as a dewy-eyed Disney fan. I go to the company’s parks because, as a reporter who covers the entertainment business, it’s part of my job.Early in my career, in the late 1990s, I covered “hard news,” including cops and courts in Philadelphia. That posting was a picnic compared with my current one. Disney does not respond well, to put it mildly, when articles puncture its Happiest Place on Earth mythmaking. I once tried to get information out of a Toy Story Mania ride operator — I wanted to know how Disneyland employees felt about new safety procedures — and a corporate communications officer appeared out of nowhere and curtly put an end to the conversation.As of 2021, the Walt Disney Company had a 500-person global media relations team. There is just one of me. Still, I aim to cover all the big news.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More