White, Mike (1970- )

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    Why Wasn’t Anyone Traumatized in the ‘White Lotus’ Finale?

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    After a violent climax to the third season of the hit HBO show, everyone seems A-OK. Was it a Hollywood ending, or a natural trauma response?This article contains spoilers for the finale of the third season of “The White Lotus.” Unless you’re an employee or a guest at a White Lotus resort, in which case it appears that it is impossible for your day to be truly spoiled.“The White Lotus” is a show about vacation. It deals with the dos and don’ts of vacationing: Do go out to party! (Do not engage in incestuous relations while partying.) Do sample the local cuisine! (Unless the fruit is poisonous, in which case please do not give it to your family.)And it is a show about murders.And apparently, based on Sunday’s season finale, no one is traumatized by them. Hours after a mass shooting takes place at the pristine White Lotus resort in Thailand, characters who have just witnessed intense tragedy hop on a boat and seem to sail happily into the sunset, or simply show up for work as if nothing happened.“Only in Hollywood,” Tracey Musarra Marchese, a professor at Syracuse University who specializes in trauma, said with a chuckle.But some of the characters’ reactions, which raised questions about their plausibility and prompted admiration for one character’s athletic sprint, might be completely normal in the face of trauma, experts say.“Sometimes what happens is in the moment because your system — physically, mentally, emotionally — you’ve been so overwhelmed that you might dissociate,” Marchese said.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘White Lotus’ Has an Old-School View of Relationships

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      The hotly anticipated final episode of the third season of HBO’s hit “White Lotus” airs Sunday. The show has earned a reputation for revealing the sordid emotional lives of the 1 percent, the types who regularly vacation at five-star-resorts like the White Lotus on fabulous Thai islands.No matter who on the lavish grounds is sacrificed tomorrow night for our entertainment, I predict that if all of the couples literally survive, their relationships will probably survive, too. And the traumatic events they endure will only bring them closer, no matter how much they’ve previously lied to each other and themselves.In many ways, married couples and nuclear families are the two pillars of society that the show’s director and creator, Mike White, doesn’t want to blow up.In spite of the more provocative, sexually transgressive plotlines Mr. White has explored — this season’s Ratliff brothers’ incestuous three-way comes to mind — ultimately, the show has its own old-school view of marriage: ‘Til death do us part.If the pop cultural vogue in relationships emphasizes radical honesty, and talking through feelings in a therapeutic environment, in all three seasons of the show, marriage is about loyalty, strategic deception, and keeping up appearances. This is true even as the characters individually dabble in new age wellness practices like meditation that are meant to get at deeper truths and self-knowledge.The show has a satisfying honesty about the role money plays in marital cohesion, even as we like to pretend that modern marriage is built on love, fidelity and compatibility. As the historian Stephanie Coontz explained in her sweeping 2005 book “Marriage, a History: How Love Conquered Marriage,” for millennia, marriage for the upper crust was not about affection, it was a financial and political arrangement meant to consolidate power. “The marriages of the rich and famous in the ancient and medieval worlds can be told as political thrillers, corporate mergers, military epics and occasionally even murder mysteries.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘The White Lotus’ Season 3 Premiere Recap: Thai Up

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      The premiere of the new season of the HBO anthology drama, set in Thailand, suggests that Mike White’s formula retains plenty of pop.Season 3, Episode 1: ‘Same Spirits, New Forms’Take a moment. Focus on your breathing. Calm your mind. Let the sounds of the external world fade away. Did you just hear gunshots? Ignore them. Embrace the now. Find in your minds what is timeless. Pay no attention to the corpse floating by you.If you watched either of the previous two seasons of the HBO hit “The White Lotus,” you probably were not surprised to see Season 3 kick off with a dead body. This show is effectively an anthology drama, with each new edition following a different set of rich tourists and well-meaning service industry employees at high-end international resorts. The writer-director Mike White has developed a sturdy blueprint for this series, combining beautiful locations, talented actors, dark social satire, gentle humanism and just a little bit of mystery. Think “Fantasy Island,” but with a TV-MA twist.Because White takes his time establishing characters and telling their stories, he hooks the audience in the opening minutes of each season with a tease of where the plot is headed. Someone — as yet unidentified — is going to die. Please stay tuned.In the Season 3 premiere at least, this formula retains plenty of pop. We begin in a sun-dappled Thailand jungle, where one of the White Lotus chain’s wellness-centered seaside getaways is nestled among thick groves of trees filled with monkeys and wild birds. There, a stress-management session is interrupted by some loud pops and a cadaver. And away we go, rewinding to the start of the story, one week earlier.Once again, White has assembled a stellar cast, easily sorted into four different groups who will all, no doubt, interact before the season’s over.The largest is the Ratliff family, North Carolina blue bloods led by Timothy (Jason Isaacs), a business bigwig with no interest in any of the resort’s spiritual healing exercises. Parker Posey plays Tim’s wife, Victoria, a brassy belle who thinks everything her children do is a hoot. Patrick Schwarzenegger plays the eldest son, Saxon, a beefy finance bro who works for Tim and is on a constant hunt for sexual partners. Sarah Catherine Hook is Piper, the daughter, a University of North Carolina student working on a thesis project about eastern religions (and who is the reason the other Ratliffs are, semi-reluctantly, in Thailand). And Sam Nivola is the youngest son, Lochlan, a high school senior who just got into Duke but isn’t sure he wants to follow in his father’s and brother’s heavy footsteps.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More