Wintour, Anna

Subterms

    Latest story

    150 Shares135 Views

    Rihanna Arrives at the Met Gala, Appearing to Confirm A Third Pregnancy

    by

    The pop star seemed to confirm rumors she was pregnant when she met shouts of congratulations with: “Thank you!”Rihanna loves a show — a splashy late arrival, a “personal news” tease. The pop star arrived at the Met Gala on Rihanna time, around 10 p.m.Tonight is of course about her partner, ASAP Rocky, who is co-chair of the gala and arrived earlier in the evening, wearing a suit he said nodded to the film “Harlem Nights.” But it’s also about Rihanna in the sense that everything is always about Rihanna.The pop star set social media atwitter earlier in the day, when she walked into the Carlyle Hotel wearing a gray two piece suit, captured in photos that sparked speculations the singer was pregnant again. It wouldn’t be Rihanna’s first stunt pregnancy reveal: At the 2023 Super Bowl, she used her half time performance to debut a subtle bump, confirming the news moments after she left the stage. Even before that, during her first pregnancy, she announced the news in a street shoot that launched a thousand imitators (“pink padded coat” sales shot up 200 percent).Walking up the blue-carpeted steps of the Met, the pop star seemed to confirm the suspicions when she met shouts of congratulations with: “Thank you!”ASAP Rocky, in an interview Monday night, appeared to add his own confirmation, saying: “I don’t know, whatever, just don’t really cover her baby bump, you dig?”The theme of the night was “tailored for you,” a celebration of personal twists on dandy style that ranged from André 3000 with a piano on his back to Stevie Wonder in a bedazzled cape. But the Met Gala is also perpetually an event tailored for Rihanna. In 2018, she made waves in a papal get-up; in 2023, her look verged on walking wedding cake, but glamorous. This year, her absence for hours on the red carpet, and the swirl of rumors surrounding it, said more than any outfit could.When she finally arrived, she joked with reporters who had been waiting for her arrival: “I can barely wink,” she told them, “but I’ll do it for you.” More

    More stories

    • 138 Shares79 Views

      in Elections

      This Year’s Met Gala Raises the Most Money in Its History

      by

      The Met’s annual fashion party has become a fund-raising juggernaut, but the lavish event comes with a price tag of its own. How much bang does it get for its buck?The Met Gala has outdone itself, even before it’s begun.The annual gala at the Metropolitan Museum of Art — the flashy fashion extravaganza that highlights the city’s social scene every May — raised a record $31 million this year, museum officials announced on Monday, the biggest gross in the event’s 77-year history.The money haul — and the avid interest the gala inspires — further cements its place as the pre-eminent benefit among the city’s cultural institutions, and one the world’s most sought-after tickets. The Met’s take dwarfs events like a September gala for the New York Philharmonic (which brought in nearly $4 million) and the 2024 event for the Whitney Museum of American Art, which raised some $5.2 million.The $31 million figure does not reflect the seven-figure cost of staging the gala, which will kick off on Monday evening with the procession of pop stars, fashion icons and sporting-world superstars striding the red carpet, enduring countless flashbulbs, and surrounded by a swarm of publicity and eager onlookers.The gala will act, as always, as the opening of a Costume Institute exhibition: This year’s is entitled “Superfine: Tailoring Black Style,” examining 300 years of Black fashion and the vibrant history of Black dandyism.That emphasis is a significant departure from the department’s largely monochromatic past: This is the Met’s first fashion exhibition devoted entirely to designers of color, and is being seen as part of a larger effort to diversify the collection. It is also a rarity for its focus on men’s wear.As such, it drew an array of Black celebrities to help host the event — including Colman Domingo, Lewis Hamilton, ASAP Rocky and Pharrell Williams. LeBron James, whose Los Angeles Lakers were bounced from the N.B.A. playoffs last week, is the honorary chair.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 150 Shares139 Views

      in Elections

      Graydon Carter Looks Back on a Glossy Career of Parties and Feuds

      by

      After our interview, Graydon Carter emailed me.“Oh God, did I do okay yesterday? Too boring? Too indiscreet? Drank too much? Didn’t drink enough?”This was something I had failed to notice about Mr. Carter during his plummy, powerful quarter-century astride a glittering Vanity Fair. This one-time social arbiter, who ran a wildly successful magazine in the peak era for glossies, has social anxiety.How could the man who caused so much social anxiety, when he mercilessly decided who was in and who was out for the most exclusive parties on the planet, including his white-hot Oscar parties, have social anxiety?“I’m not cool — I’m the squarest person you’ve ever met,” he says, unconvincingly.We both started at Time magazine in the early ’80s, a louche era of bars in offices, clouds of cigarette smoke, cascading illicit affairs, sumptuous dining carts of roast beef rolling down the halls and expense accounts so lavish that a top editor would think nothing of sending someone from Paris to London to fetch a necktie he had left in a hotel room.I knew Mr. Carter only slightly back then, but he sure looked confident and debonair to me. Unlike a lot of the men at Time, he wasn’t condescending to the few women writers there. My impression, when I met him, was of a Canadian who seemed to want to dress and talk like a Brit, with dandy aspirations and an upper-crust pronunciation of rather as rah-ther.“It was a British suit,” he affirmed, laughing. “Well, you know, nobody’s going to buy a Canadian suit.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 150 Shares129 Views

      in Elections

      LACMA Gala Photos: Charli XCX, Blake Lively and More Celebrities Turn Out

      by

      Blake Lively, Kaia Gerber and Kim Kardashian took pictures under the lights, posing against a backdrop of more than 200 restored street lamps from “Urban Light,” an installation by the artist Chris Burden that served as a stand-in for a red carpet.It was the 13th annual Art+Film gala, held Saturday night, which raised more than $6.4 million for the Los Angeles County Museum of Art, the largest art museum in the Western United States.On one side, a sage green carpet contrasted with striking red and glass galleries designed by the Italian architect Renzo Piano. On the other, there was a concrete wall of the much-anticipated new LACMA building by the architect Peter Zumthor.And the guest list for the gala, sponsored by Gucci, felt as eclectic as the museum it benefited, as Hollywood fixtures rubbed shoulders with luminaries from the art world, who gathered to honor the filmmaker Baz Luhrmann and the artist Simone Leigh. (LACMA is currently co-presenting an exhibit of Ms. Leigh’s work with the California African American Museum.)This starry mix of creative worlds aligns with the museum director Michael Govan’s vision for LACMA. “The idea was to design it as a place of inspiration for creative people,” Mr. Govan said.The filmmaker Baz Luhrmann.Michelle Groskopf for The New York TimesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 150 Shares129 Views

      in Elections

      During NYFW, Jill Biden, Anna Wintour and More March for Voting Awareness

      by

      Jill Biden, Anna Wintour and top American designers participated in a voting awareness march at the onset of New York Fashion Week.Morning rush hour in Midtown Manhattan slowed to a halt on Friday as nearly 1,000 fashion-industry professionals walked up Broadway in a march meant to urge people to vote on Election Day in November.The march, held at the onset of New York Fashion Week, was organized by a group that included the Council of Fashion Designers of America; I Am a Voter, an organization that promotes civic engagement; and Vogue. The event was billed as bipartisan, but an appearance by Jill Biden, the first lady, and a Harris-Walz campaign scarf worn discreetly by Anna Wintour, the editor of Vogue, were among the signs of an underlying Democratic tilt.The march started outside the Macy’s store in Herald Square, where designers, including Tory Burch, Brandon Blackwood, Joseph Altuzarra and Proenza Schouler’s Jack McCollough and Lazaro Hr4ernandez gathered with fashion editors and garment industry workers before the crowd walked roughly six blocks to Bryant Park, chanting “V-O-T-E, vote, vote, vote” along the way.Anna Wintour of Vogue with the designer Thom Browne. On Ms. Wintour’s bag is a scarf Mr. Browne designed in partnership with the Harris-Walz campaign.Todd Heisler/The New York TimesMost marchers wore Old Navy T-shirts that said “Fashion for our future” and were designed by Zac Posen, right, the brand’s chief creative officer.Todd Heisler/The New York TimesThe designer Prabal Gurung marched with the group from Herald Square to Bryant Park.Todd Heisler/The New York TimesMost participants were uniformly dressed in Old Navy T-shirts designed by Zac Posen, the brand’s recently appointed chief creative officer, which were emblazoned with the slogan “Fashion for our future.” In a manner particular to fashion activism, the T-shirts were styled in myriad ways: tucked into pleated slacks, layered over slip dresses, knotted into crop tops.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 163 Shares199 Views

      in Elections

      Kim Kardashian Stuns Met Gala in Corset That Leaves Little Room to Breathe

      by

      Kim Kardashian created a hoo-ha at the 2022 Met Gala when she admitted to going on a crash diet to fit into the Marilyn Monroe “Happy Birthday Mr. President” dress she wore to pose on the museum steps.This year, however, she engaged in a different kind of body modification via the extreme corseting of the Maison Margiela by John Galliano couture dress she wore, cinched so tight at the waist it turned her figure into an hourglass version of the X Games. It was to tight, it was hard to imagine how she could breathe — let alone eat once inside the museum.Viewers on social media immediately took notice. “Kim Kardashian honestly looks so uncomfortable and like she can barely move or even breathe,” posted one observer. “Fashion shouldn’t be like that.”“Everyone is snatching their waist,” another wrote on X. “They said the one rule in the garden of time is no breathing, from Bad Bunny to Kim Kardashian.”The corseting had been a feature of Mr. Galliano’s much ballyhooed January Margiela couture show, where it had been worn by both men and women, and where “making of” photographs on Mr. Galliano’s mood boards displayed the bruises left on the models’ flesh by the lacing. (Ms. Kardashian had been in the front row of that show.)In the incarnation worn this time around by Ms. Kardashian, the corset was re-imagined in an antique silver brocade, and paired with a sheer silver metal skirt covered in lacy flowers, twigs, and mirror shards, to reflect the evening’s dress code, “The Garden of Time.” The idea of suffering for fashion, it turns out, is everlasting.Gina Cherelus More