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    Millions of Girls in Africa Will Miss HPV Shots After Merck Production Problem

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    The company has told countries that it can supply only 18.8 million of the 29.6 million doses it was contracted to deliver this year.Nearly 1.5 million teenage girls in some of the world’s poorest countries will miss the chance to be protected from cervical cancer because the drugmaker Merck has said it will not be able to deliver millions of promised doses of the HPV vaccine this year.Merck has notified Gavi, the international organization that helps low- and middle-income countries deliver lifesaving immunizations, and UNICEF, which procures the vaccines, that it will deliver only 18.8 million of the 29.6 million doses it was contracted to deliver in 2024, Gavi said.That means that more than 10 million girls will not receive their expected HPV shots this year — and 1.5 million of them most likely will never get them because they will be too old to qualify for the vaccine in subsequent years.Patrick Ryan, a spokesman for Merck, said the company “experienced a manufacturing disruption” that required it to hold and reinspect many doses by hand. He declined to give further details about the cause of the delay.“We are acting with urgency and rigor to deploy additional personnel and resources to resolve this matter as soon as possible,” he said.Mr. Ryan said that Merck would deliver the delayed doses in 2025. He also said the company would ship 30 million doses of the vaccine to Gavi-supported countries this year. However, about a third of these are doses that were supposed to have been sent in 2023, leaving Gavi with the 10.7 million dose shortfall.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      The Kamala Harris Moment Has Arrived

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      One of Kamala Harris’s most memorable moments during the 2020 presidential election cycle was when, during a Democratic primary debate, she sharply criticized Joe Biden for working with segregationists in the Senate in their shared opposition to busing.She personalized her criticism, saying: “There was a little girl in California who was a part of the second class to integrate her public schools, and she was bused to school every day. And that little girl was me.”The power in the attack was not only the point being made but that she — a person affected from a group affected — was making it. Although some of Biden’s defenders saw her remark as a gratuitous broadside, there was an authenticity to the way she confronted the issue.The verbal jab also aligned with the national zeitgeist at a time when calls for racial justice and the Black Lives Matter movement were ascendant.She ticked up in the polls, and donations poured in. Ultimately, her candidacy didn’t catch fire, but the following summer, Biden, the eventual nominee, made a historic offer to Harris to join his ticket, leading to her becoming the first woman, first Black person and first Asian American to be vice president.Fast-forward to now, when Vice President Harris has served nearly a full term alongside President Biden, and she is moving into another moment when the political stars are aligned for her as the perfect messenger on a subject that has fixed Americans’ attention and is central in the 2024 presidential campaign: reproductive rights.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Cries of Sexism Greet a Nike Olympic Reveal

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      The sporting giant offered a sneak peek at its track and field outfits for Team U.S.A., and an unexpected backlash ensued.Ever since the Norwegian women’s beach handball team made it known that they were required to wear teeny-tiny bikini bottoms for competition into a cause célèbre, a quiet revolution has been brewing throughout women’s sports. It’s one that questions received conventions about what female athletes do — or don’t — have to wear to perform at their very best.It has touched women’s soccer (why white shorts?), gymnastics (why not a unitard rather than a leotard?), field hockey (why a low-cut tank top?) and many more, including running.So it probably should not have come as a shock to Nike that when it offered a sneak peek of the Team U.S.A. track and field unies during a Nike Air event in Paris celebrating its Air technology on Thursday (which also included looks for other Olympic athletes, like Kenya’s track and field team, France’s basketball team and Korea’s break dancing delegation), they were met with some less-than-enthusiastic reactions.See, the two uniforms Nike chose to single out on the mannequins included a men’s compression tank top and mid-thigh-length compression shorts and a woman’s bodysuit, cut notably high on the hip. It looked sort of like a sporty version of a 1980s workout leotard. As it was displayed, the bodysuit seemed as if it would demand some complicated intimate grooming.Citius Mag, which focuses on running news, posted a photo of the uniforms on Instagram, and many of its followers were not amused.“What man designed the woman’s cut?” wrote one.“I hope U.S.A.T.F. is paying for the bikini waxes,” wrote another. So went most of the more than 1,900 comments.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      WWII Rosie the Riveters Are Honored in Washington

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      Rosie the Riveters, American women who filled a crucial labor shortage during World War II and reshaped the work force, were honored at the Capitol.Soon after the attack on Pearl Harbor in 1941, Marian Sousa moved to California to care for the children of her sister Phyllis Gould, who had gone to work as a welder in a Bay Area shipyard.Just a year later, Ms. Sousa, at 17 years old, joined the wartime work force herself, drafting blueprints and revising outdated designs for troop transports. Wearing a hard hat and with a clipboard in hand, she would accompany maritime inspectors on board ships she’d helped design and examine the product of her labors.She and her sister were just two of the roughly 6 million women who went to work during World War II, memorialized by the now iconic recruitment poster depicting Rosie the Riveter, her hair tied back in a kerchief, rolling up the sleeve of her denim shirt and flexing a muscle beneath the slogan, “We can do it!”More than eight decades later, Ms. Sousa, now 98, gathered at the Capitol on Wednesday with around two dozen other so-called Rosies — many of them white-haired and most wearing the red with white polka dots made famous by the poster — to receive the Congressional Gold Medal in honor of their efforts.Marian Sousa, wearing a red shirt with white polka dots in a nod to the classic recruitment poster depicting Rosie, at the ceremony on Wednesday.Kenny Holston/The New York Times“We never thought we’d be recognized,” Ms. Sousa said in an interview. “Just never thought — we were just doing the job for the country and earning money on the side.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      The History Behind Arizona’s 160-Year-Old Abortion Ban

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      The state’s Supreme Court ruled that the 1864 law is enforceable today. Here is what led to its enactment.The 160-year-old Arizona abortion ban that was upheld on Tuesday by the state’s highest court was among a wave of anti-abortion laws propelled by some historical twists and turns that might seem surprising.For decades after the United States became a nation, abortion was legal until fetal movement could be felt, usually well into the second trimester. Movement, known as quickening, was the threshold because, in a time before pregnancy tests or ultrasounds, it was the clearest sign that a woman was pregnant.Before that point, “women could try to obtain an abortion without having to fear that it was illegal,” said Johanna Schoen, a professor of history at Rutgers University. After quickening, abortion providers could be charged with a misdemeanor.“I don’t think it was particularly stigmatized,” Dr. Schoen said. “I think what was stigmatized was maybe this idea that you were having sex outside of marriage, but of course, married women also ended their pregnancies.”Women would terminate pregnancies in several different ways, such as ingesting herbs or medicinal potions that were thought to induce a miscarriage, Dr. Schoen said. The herbs commonly used included pennyroyal and tansy. Another method involved inserting an object in the cervix to try to interrupt a pregnancy or terminate it by causing an infection, Dr. Schoen said.Since tools to determine early pregnancy did not yet exist, many women could honestly say that they were not sure if they were pregnant and were simply taking herbs to restore their menstrual period.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Hillary Clinton’s Return to Wellesley Met With Protests and Ceasefire Calls

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      Pro-Palestinian demonstrations surrounded an appearance at a new research center named after the former secretary of state and presidential nominee at her alma mater. Hillary Clinton returned on Saturday to her alma mater, Wellesley College, to celebrate the opening of a new research and study center that bears her name, more than half a century after she graduated and set off on the path that would make her its most famous alumna.She was met, as ever, by Wellesley faculty, students and alumnae who see her as a rock star, a kind of campus demi-deity who forever elevated the status of this small liberal arts college west of Boston. But as Mrs. Clinton moderated a panel on “democracy at a crossroads” at the new center’s inaugural summit, a group of student protesters outside chanted and raised signs objecting to her presence, an angry display of the more critical way many in the latest generation of Wellesley women view her legacy.Near the end of the panel, a student attendee inside the event stood and started shouting, accusing Mrs. Clinton of indifference to violence against Palestinians. “We’re having a discussion,” Mrs. Clinton told the woman, who was escorted out of the hall by college staff members. “I’m perfectly happy to meet you after this event and talk with you.”Protesters who gathered on campus Friday and Saturday to show their disregard for Mrs. Clinton, a former first lady, U.S. senator, secretary of state and Democratic Party nominee for president, declined to speak to reporters or identify the group or groups behind the demonstrations. “Do not talk to the cops, do not talk to the press,” a protest leader with a bullhorn reminded them Saturday morning. We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Beyoncé’s ‘Cowboy Carter’ Is a Vivid Mission Statement. Let’s Discuss.

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      The pop superstar teased a move to country, then tackled so much more. Three critics and a reporter explore her new album’s inspirations, sounds and stakes.BEN SISARIO I don’t usually say this about news releases, but since Beyoncé says so little about the making of her art, the “Cowboy Carter” announcement was intriguing for noting that “each song is its own version of a reimagined Western film,” and that Beyoncé screened movies while she recorded, including “Urban Cowboy,” “The Hateful Eight,” even “Space Cowboys” (?!).My first reaction to hearing the album was surprised gawking at its range of genre and sound, after she head faked us all into perhaps more limited expectations of “country.” (Of course we should have known better.) Viewed only as a genre-hopping exercise, “Cowboy Carter” might be a confusing jumble. But the film frame puts narrative and character at the center of her message, and with that everything came into clearer focus for me.As a heroine, Beyoncé makes a big, bold statement of her quest in “Ameriican Requiem,” taking on nothing less than American history. She finds villains in Jolene and (ahem) the Grammys. Songs like “II Most Wanted” and “Levii’s Jeans” could be plot-break montages while our conquering cowgirl hangs with some sidekicks she meets along the way. By the final reel she’s recapitulating her complaints and declaring herself the victorious leader of a grand resistance (“We’ll be the ones to purify our fathers’ sins”).SALAMISHAH TILLET I’ve listened to the album so many times now — on a plane, in a spin class, and, as I think she intended, while I drove on the highway (sadly, 280, not the 405). Yes, Ben, she has gone big here! But, instead of longing for some lost past, she is taking on “History” — musical and American — with, as we say in academia, a big “H,” or those big narratives about identity, belonging and discrimination.I almost missed those lyrics, “Whole lotta red in that white and blue, ha/History can’t be erased, oh-oh/You lookin’ for a new America” because I was too busy Proud Marying, jerking and twerking to “Ya Ya.” I think that might be the point — it is as if she saying, “The times are so desperate, I am going to use all the vocal gifts and genres at my disposal to bring the country together and show you how good I am at doing them (again)!”Beyoncé onstage with the Chicks performing “Daddy Lessons” at the 2016 Country Music Association Awards.Image Group LA/ABC, via Getty ImagesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      LSU’s Kim Mulkey Courts Controversy in Style

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      Inside the coach’s winning fashion playbook.The smog of a Washington Post exposé may have been hanging over Kim Mulkey’s head during the L.S.U. game on Saturday afternoon, but the highest paid coach in women’s collegiate basketball wasn’t going to hide. How could you tell?Well, in part because at the start of the N.C.A.A. tournament, she had given a news conference threatening a lawsuit about the article, thus calling to attention to it. In part because there she was, running up and down the sidelines and screaming her head off. And it part because … goodness, what was she wearing?A gleaming pantsuit covered in a jumble of Op Art sequined squiggles, as if Big Bird had met Liberace and they’d teamed up for “Project Runway.”Kim Mulkey, resplendent in sequins at the L.S.U. Sweet Sixteen game on March 30.Gregory Fisher/USA Today, via ReutersEven in the context of basketball, a sport in which players and coaches understood the power of personal branding through clothes long before almost any other athletes, Ms. Mulkey stands out. More than perhaps anyone else in the league — possibly in all of women’s basketball — she has made her image a talking point, a reflection of her own larger-than-life personality and a tool to draw attention to her sport. She is basketball’s avatar of the Trumpian era, offering a new version of The Mulkey Show at every game and costuming herself for the moment. As her team meets the University of Iowa again in the Elite Eight, brand Mulkey will most likely be raising the stakes once more.It would be wrong to call her clothes “fashion.” They have little to do with trends or silhouette. But love what she wears or hate it, love how she behaves or hate it, her sometimes ridiculous, always eye-catching outfits are, like her winning record, abrasive personality, problematic comments about Covid-19 and reported homophobia, impossible to ignore.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Paula Weinstein, Hollywood Veteran and Political Activist, Dies at 78

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      Raised by a McCarthy-era rebel, the producer and journalist Hannah Weinstein, she followed her mother’s path into movies and television, advocacy and action.Paula Weinstein, a movie producer, studio executive and political activist who became a fierce advocate for women in her industry, died on Monday at her home in Manhattan. She was 78.Her sister Lisa Weinstein confirmed the death. She said the cause was not yet known.In the boy’s club of Hollywood, Ms. Weinstein was the rare female top executive: Over her long career, she was president of United Artists, a vice president of Warner Bros. and an executive vice president at 20th Century Fox. She was just 33 when she was hired at Fox in 1978, and when she was promoted to vice president a year later, The Los Angeles Times called her “the highest-ranking woman in the motion picture industry.”“A man can be mediocre in almost everything, but a women’s got to be perfect,” she told Life magazine that year, when she was included in an article about Hollywood’s “Young Tycoons.”But Ms. Weinstein, who colleagues said possessed a wicked sense of humor — her sister described her laugh as an infectious cackle — and a steely commitment to social justice, was unusual in Hollywood beyond her gender. As Ken Sunshine, the veteran public relations consultant and longtime Democratic activist, put it in a phone interview: “Unlike so many, she didn’t play at politics. To her, social and political change was paramount. She was the antithesis of a phony Hollywood activist looking for good P.R. or a career boost. She was unique in a sea of pretenders.”Ms. Weinstein accepted the Emmy Award for the HBO movie “Recount” in 2008. She was an executive producer on the film, which was based on the 2000 presidential election.Kevin Winter/Getty ImagesActivism was the family business: Her mother, Hannah Weinstein, was a journalist and speechwriter who in 1950 took her three young daughters to live in Paris and then London, fleeing the grim and punitive politics of the country’s McCarthy era. In Britain, where the family lived for more than a decade, Hannah Weinstein produced movies and television series using blacklisted actors and writers like Ring Lardner Jr. and Ian McLellan Hunter. She repeatedly told her daughters, as Lisa recalled, “If you believe in something, you have to be willing to get up off your ass and do something, and if you don’t get up off your ass, you really didn’t believe in it.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More