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      Oren Alexander, Top Real Estate Agent, Faces Another Claim of Sexual Assault

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      A fourth woman filed a lawsuit against Oren Alexander, once a star agent of luxury real estate.An actress and comedian says she was drugged and sexually assaulted by Oren Alexander, a top luxury real estate agent who is facing a string of accusations that he and his two of his brothers sexually assaulted women — allegations that had been whispered throughout the high-end real estate industry for years.Renee Willett, 31, filed a federal lawsuit on Friday accusing Mr. Alexander, 37, of attacking her in his apartment nearly nine years ago. She is the fourth woman to file a lawsuit this summer against Mr. Alexander. Two earlier lawsuits filed this year name Mr. Alexander and his twin brother, Alon, who does not work in real estate but often socializes with him. A third suit filed in June names Oren, Alon and their older brother Tal Alexander, 38, who is Oren’s longtime partner in real estate sales.Isabelle Kirshner, a lawyer for Oren Alexander, said she had no comment on the new allegation at this time. Oren, Tal and Alon have denied all previous allegations.Like other women who have said they were assaulted, Ms. Willett said she was prompted to file a lawsuit after reading articles about similar claims involving the Alexanders. Her lawsuit, filed in U.S. District Court in the Southern District of New York, came two days after The New York Times published an article with accounts from several women about the brothers.“I felt a responsibility to come forward,” she said. “I have to do this not just for myself, but for everyone else.”Ms. Willett is an actress and comedian who is now working on a screenplay. She came forward, she said, after learning about other allegations of assault against the Alexanders.Vivien Killilea/Getty Images For Idol RocWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Black Sororities and Fraternities Line Up Behind Kamala Harris

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      A united “Divine Nine” could be a formidable political advantage as the vice president, a member of Alpha Kappa Alpha, looks to shore up the Democratic base. She’ll address another Black sorority on Wednesday.As Vice President Kamala Harris’s presidential campaign rushes to shore up its base, its efforts will be bolstered by a ready-made coalition: the more than two million members of Black Greek-letter organizations who have quickly united to mobilize Black voters nationwide.Before Ms. Harris had even hosted her first official campaign event as the de facto Democratic nominee, the heads of the “Divine Nine,” the country’s nine most prominent Black sororities and fraternities, were planning a giant voter organization effort. When President Biden announced on Sunday that he was stepping aside and endorsing Ms. Harris, excitement over her ascent spread swiftly among these groups’ members in group chats, Facebook groups and conference calls.After all, Ms. Harris, a member of Alpha Kappa Alpha since her undergraduate days at Howard University, is one of them.“Greek letter organizations who have worked in the trenches, some for over 100 years, never received any kind of publicity, any kind of notoriety,” said Representative Frederica S. Wilson of Florida, who is also a member of Alpha Kappa Alpha. Once Ms. Harris ran for president, in 2020, she said, that changed. “The A.K.A.s shouted to the highest hills, ‘That’s our soror! That’s our sister!’”On Wednesday, Ms. Harris is expected to address members of the Zeta Phi Beta sorority at their Boulé, or annual national gathering, in Indianapolis — her first such event as the Democratic Party’s likely standard-bearer. Members of Alpha Kappa Alpha cheer for Vice President Harris during the Boulé in Dallas, on July 10, 2024.LM Otero/Associated PressWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      A Female President? Big Deal.

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      In her concession speech to President-elect Donald Trump in November 2016, Hillary Clinton declared, “We have still not shattered that highest and hardest glass ceiling, but some day someone will — and hopefully sooner than we might think right now.”There was lots of talk about gender in politics then. Many of us thought that Clinton lost in part because of both hard-core misogyny and a softer unconscious bias that led just enough voters to think of presidents only as guys in suits.I’ve been thinking lately of that glass ceiling because of a conversation we’re not having — one about the gender of the Democratic nominee if Joe Biden takes advice from so many of us to drop out of the presidential race.If Biden withdraws, his most likely successor is a Black woman, Vice President Kamala Harris, who polls a bit better than Biden against Trump. Some of us have urged instead that Democrats nominate Gov. Gretchen Whitmer of Michigan, believing that she would be the nominee most likely to defeat Trump. And a few of us have mentioned the talented Commerce Secretary Gina Raimondo, a former governor and a star of the Biden cabinet.Our argument isn’t a feminist one about the significance of elevating women. It’s not even an argument that these politicians would perform better than Biden as president. Astonishingly given our history, it’s that they would also be more electable.Perhaps even more intriguing, gender has largely gone unmentioned. I’ve had people push back at my recommendation of Whitmer on the basis that she’s untested nationally, that choosing her over Harris would antagonize Black voters, that her name recognition is weak. All fair objections. But I haven’t heard anyone scoff: But Whitmer is a woman. We tried that in 2016, and it got us Trump.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      A Family Loses 3 Generations of Women in India Crowd’s Panic

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      Vinod Kumar was away from home on Tuesday, as he usually is for days at a time in search of masonry work, when he got the dreadful call.All the women in his family, three generations of them, were dead, crushed in a stampede.For the rest of the day, Mr. Kumar and his three sons went from hospital to hospital searching for their loved ones among the bodies of the 121 people who had died when a large gathering of a spiritual guru broke into deadly panic.Close to midnight, they found the bodies of his wife, Raj Kumari, 42, and daughter, Bhumi, 9, at the government hospital in Hathras, laid out on large slabs of ice among the dozens others in the corridor.“Why did you leave me just like that? Who will scold the children now and push them to go to school?” Mr. Kumar wailed at the feet of his wife.But he couldn’t afford to be entirely lost in grief yet. The body of his mother was yet to be found. He bent over to pick up his daughter for one last embrace. Bhumi wore a yellow top, and her hair was tied in a ponytail with a pink band.“Let her sleep,” Nitin, Mr. Kumar’s oldest son, told him, pulling the girl away from his father to lay her back on the slab so they could continue the search.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      The Wide, Wide World of Judy Chicago

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      The 84-year-old American is perhaps best known for her groundbreaking feminist installation “The Dinner Party,” but she is an artist with a formidable range.Like all women and all art, Judy Chicago contains multitudes. This summer, the 84-year old American artist’s lifelong interest in excavating and subverting female history through storytelling, activism and overtly feminine aesthetics and materials is on display in two bold and affecting European retrospectives.Across venues in Britain and France, six decades of Chicago’s distinctly feminist oeuvre show a remarkable range. Minimalist sculptures; psychedelic spray-painted car hoods; landscapes billowing with bright plumes of smoke; and paintings of swirling, hallucinatory flowers fill the galleries with Chicago’s hallmark bright colors and undulating line.Many works incorporate personal texts in tidy, looping cursive about gendered rejection, shame, longing and anger. And tapestries, wall hangings and monumental drawings on black paper present female bodies, including the body of the artist herself, in states of ecstasy, abandon, dissolution — being born, giving birth, dying and evanescing into the ether in rainbow sweeps and spirals. These works foreground the female nude, its life-giving properties and implicit connection to the natural world.One of the shows, “Herstory” — which ran at the New Museum in New York this past fall and is now on show at the LUMA Foundation in Arles, France — is a classic chronological display of Chicago’s work from the early 1960s to the present; the other, “Revelations,” at the Serpentine Galleries in London, focuses on the artist’s drawings. The catalog for the London exhibition also includes an illuminated manuscript of the same name from the 1970s that Chicago produced while creating her best-known work, “The Dinner Party” (1974-1979), an installation that imagines a ceremonial banquet for 39 pre-eminent women.“In the Beginning,” from “Birth Project” (1982), on display at the Serpentine Galleries in London.Judy Chicago/Artists Rights Society (ARS), New York, via Judy Chicago and Serpentine; Jo UnderhillNow a mainstay of art history studies, “The Dinner Party” has dominated understanding of Chicago’s career despite her prolific and wide-ranging output. The vast triangular table with elaborate ceramic and embroidered place settings was the product of years of collaborative work with female artisans, and it distilled a decade of research in archives and libraries, where Chicago unearthed figure after figure who had made groundbreaking discoveries across disciplines but whose contributions had been erased from history. Each place setting at the banquet is devoted to one of these women, each with her own special embroidered cloth and ceramic plate.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      June Leaf, Artist Who Explored the Female Form, Dies at 94

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      Womanly power was a recurring theme of her work, expressed in idiosyncratic sculpture and paintings that did not align with prevailing trends.June Leaf, a painter and sculptor whose exploration of the female form, by turns whimsical, graceful or ominous, paved the way for later generations of feminist artists, died Monday at her home in Manhattan. She was 94. The cause was gastric cancer, said Andrea Glimcher, her agent at the Hyphen management firm and a friend.Ms. Leaf worked for much of her long career outside the mainstream. Idiosyncratic and intuitive, she developed a unique blend of expressionism and primitivism, allied with a childlike sense of play. Her varied output included toylike kinetic sculptures, frantic ink drawings with a nervous, tensile line, satirical social scenes, and macabre skeletons painted on canvas or tin.Womanly power was a recurring theme, expressed early on in goddess-like figures with hugely distended hips and breasts and women with batlike wings or gyroscope torsos, and later in a powerful series of metal heads reminiscent of tribal sculpture.At no point did the work align with prevailing trends in contemporary art, and for much of her life Ms. Leaf was overshadowed by her husband, the photographer Robert Frank, whom she married in 1975. She nevertheless commanded a devoted audience attuned to her unique frequency, as well as the admiration of a small group of critics and curators.Reviewing her first solo New York show in 1968, Hilton Kramer of The New York Times called her work “remarkably forceful and robust — the product of an earthy imagination with a striking talent for projecting images that are at once ferocious and macabre, satirical and touching.” He added, “She is that rare thing in painting today: a poet with a taste and a talent for complex images.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Soma Golden Behr, 84, Dies; Inspired Enterprising Journalism at The Times

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      The first woman to serve as the paper’s national editor, she focused on issues of race, class and poverty in rising to assistant managing editor.Soma Golden Behr, a longtime senior editor at The New York Times who was a centrifuge of story ideas — they flew out of her in all directions — and whose journalistic passions were poverty, race and class, which led to reporting that won Pulitzer Prizes, died on Sunday in Manhattan. She was 84.Her death, in the palliative care unit of Mount Sinai Hospital, came after breast cancer had spread to other organs, her husband, William A. Behr, said.Ms. Golden Behr, whose economics degree from Radcliffe led to a lifetime interest in issues around inequality, was instrumental in overseeing several major series for The Times that examined class and racial divides. Each enlisted squads of reporters, photographers and editors for intensive, sometimes yearlong assignments.“How Race Is Lived in America,” overseen with Gerald M. Boyd, who would become the Times’s first Black managing editor, peeled away the conventional wisdom that the country at the turn of the 21st century had become “post racial.” Its deep dives into an integrated church, the military, a slaughterhouse and elsewhere won the paper the Pulitzer Prize for national reporting in 2001.Another series, “Class in America,” was an examination in 2005 of how social class, often unspoken, produced glaring imbalances in society.Earlier, Ms. Golden Behr oversaw a 10-part series in 1993, “Children of the Shadows,” which pushed past stereotypes of young people in inner cities. The reporter Isabel Wilkerson won a Pulitzer in feature writing for her searing portrait in the series of a 10-year-old boy caring for four siblings.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Women Are Paying for Birth Control When They Shouldn’t Have To

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      Senator Bernie Sanders of Vermont has called on a government watchdog to investigate. Here’s what you need to know.Last week, Senator Bernie Sanders of Vermont, chair of the Senate health committee, called on a government watchdog to investigate why insurance companies are still charging women for birth control — a move that thrust access to contraceptives back into the spotlight.In a letter to the Government Accountability Office, the senator noted that insurance companies were charging Americans for contraceptives that, under federal law, should be free — and that they were also denying appeals from consumers who were seeking to have their contraceptives covered. Some experts estimate that those practices could affect access to birth control for millions of women.Since 2012, the Affordable Care Act has mandated that private insurance plans cover the “full range” of contraceptives for women approved by the Food and Drug Administration, including female sterilizations, emergency contraceptives and any new products cleared by the F.D.A. The mandate also covers services associated with contraceptives, like counseling, insertions or removals and follow-up care.That means that consumers shouldn’t have any associated co-payments with in-network providers, even if they haven’t met their deductibles. Some plans might cover only generic versions of certain contraceptives, but patients are still entitled to coverage of a specific product that their providers deem medically necessary. Medicaid plans have a similar provision; the only exception to the mandate are plans sponsored by employers or colleges that have religious or moral objections.Yet many insurers are still charging for contraceptives — some in the form of co-payments, others by denying coverage altogether.A Quarter of Women Are Paying Unnecessarily for Contraceptives In his letter, Senator Sanders cited a recent survey by KFF, a nonprofit health policy research organization, that found that roughly 25 percent of women with private insurance plans said they had paid at least some part of the cost of their birth control; 16 percent reported that their insurance plans had offered partial coverage, and 6 percent noted that their plans did not cover contraceptives at all. Additionally, a 2022 congressional investigation, which analyzed 68 health plans, found that the process to apply for exceptions and have contraceptives covered was “burdensome” for consumers and that insurance companies denied, on average, at least 40 percent of exception requests.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More