Women and Girls

Subterms

    More stories

    • 138 Shares189 Views

      in Elections

      A Family Loses 3 Generations of Women in India Crowd’s Panic

      by

      Vinod Kumar was away from home on Tuesday, as he usually is for days at a time in search of masonry work, when he got the dreadful call.All the women in his family, three generations of them, were dead, crushed in a stampede.For the rest of the day, Mr. Kumar and his three sons went from hospital to hospital searching for their loved ones among the bodies of the 121 people who had died when a large gathering of a spiritual guru broke into deadly panic.Close to midnight, they found the bodies of his wife, Raj Kumari, 42, and daughter, Bhumi, 9, at the government hospital in Hathras, laid out on large slabs of ice among the dozens others in the corridor.“Why did you leave me just like that? Who will scold the children now and push them to go to school?” Mr. Kumar wailed at the feet of his wife.But he couldn’t afford to be entirely lost in grief yet. The body of his mother was yet to be found. He bent over to pick up his daughter for one last embrace. Bhumi wore a yellow top, and her hair was tied in a ponytail with a pink band.“Let her sleep,” Nitin, Mr. Kumar’s oldest son, told him, pulling the girl away from his father to lay her back on the slab so they could continue the search.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 88 Shares169 Views

      in Elections

      The Wide, Wide World of Judy Chicago

      by

      The 84-year-old American is perhaps best known for her groundbreaking feminist installation “The Dinner Party,” but she is an artist with a formidable range.Like all women and all art, Judy Chicago contains multitudes. This summer, the 84-year old American artist’s lifelong interest in excavating and subverting female history through storytelling, activism and overtly feminine aesthetics and materials is on display in two bold and affecting European retrospectives.Across venues in Britain and France, six decades of Chicago’s distinctly feminist oeuvre show a remarkable range. Minimalist sculptures; psychedelic spray-painted car hoods; landscapes billowing with bright plumes of smoke; and paintings of swirling, hallucinatory flowers fill the galleries with Chicago’s hallmark bright colors and undulating line.Many works incorporate personal texts in tidy, looping cursive about gendered rejection, shame, longing and anger. And tapestries, wall hangings and monumental drawings on black paper present female bodies, including the body of the artist herself, in states of ecstasy, abandon, dissolution — being born, giving birth, dying and evanescing into the ether in rainbow sweeps and spirals. These works foreground the female nude, its life-giving properties and implicit connection to the natural world.One of the shows, “Herstory” — which ran at the New Museum in New York this past fall and is now on show at the LUMA Foundation in Arles, France — is a classic chronological display of Chicago’s work from the early 1960s to the present; the other, “Revelations,” at the Serpentine Galleries in London, focuses on the artist’s drawings. The catalog for the London exhibition also includes an illuminated manuscript of the same name from the 1970s that Chicago produced while creating her best-known work, “The Dinner Party” (1974-1979), an installation that imagines a ceremonial banquet for 39 pre-eminent women.“In the Beginning,” from “Birth Project” (1982), on display at the Serpentine Galleries in London.Judy Chicago/Artists Rights Society (ARS), New York, via Judy Chicago and Serpentine; Jo UnderhillNow a mainstay of art history studies, “The Dinner Party” has dominated understanding of Chicago’s career despite her prolific and wide-ranging output. The vast triangular table with elaborate ceramic and embroidered place settings was the product of years of collaborative work with female artisans, and it distilled a decade of research in archives and libraries, where Chicago unearthed figure after figure who had made groundbreaking discoveries across disciplines but whose contributions had been erased from history. Each place setting at the banquet is devoted to one of these women, each with her own special embroidered cloth and ceramic plate.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 138 Shares189 Views

      in Elections

      June Leaf, Artist Who Explored the Female Form, Dies at 94

      by

      Womanly power was a recurring theme of her work, expressed in idiosyncratic sculpture and paintings that did not align with prevailing trends.June Leaf, a painter and sculptor whose exploration of the female form, by turns whimsical, graceful or ominous, paved the way for later generations of feminist artists, died Monday at her home in Manhattan. She was 94. The cause was gastric cancer, said Andrea Glimcher, her agent at the Hyphen management firm and a friend.Ms. Leaf worked for much of her long career outside the mainstream. Idiosyncratic and intuitive, she developed a unique blend of expressionism and primitivism, allied with a childlike sense of play. Her varied output included toylike kinetic sculptures, frantic ink drawings with a nervous, tensile line, satirical social scenes, and macabre skeletons painted on canvas or tin.Womanly power was a recurring theme, expressed early on in goddess-like figures with hugely distended hips and breasts and women with batlike wings or gyroscope torsos, and later in a powerful series of metal heads reminiscent of tribal sculpture.At no point did the work align with prevailing trends in contemporary art, and for much of her life Ms. Leaf was overshadowed by her husband, the photographer Robert Frank, whom she married in 1975. She nevertheless commanded a devoted audience attuned to her unique frequency, as well as the admiration of a small group of critics and curators.Reviewing her first solo New York show in 1968, Hilton Kramer of The New York Times called her work “remarkably forceful and robust — the product of an earthy imagination with a striking talent for projecting images that are at once ferocious and macabre, satirical and touching.” He added, “She is that rare thing in painting today: a poet with a taste and a talent for complex images.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 138 Shares129 Views

      in Elections

      Soma Golden Behr, 84, Dies; Inspired Enterprising Journalism at The Times

      by

      The first woman to serve as the paper’s national editor, she focused on issues of race, class and poverty in rising to assistant managing editor.Soma Golden Behr, a longtime senior editor at The New York Times who was a centrifuge of story ideas — they flew out of her in all directions — and whose journalistic passions were poverty, race and class, which led to reporting that won Pulitzer Prizes, died on Sunday in Manhattan. She was 84.Her death, in the palliative care unit of Mount Sinai Hospital, came after breast cancer had spread to other organs, her husband, William A. Behr, said.Ms. Golden Behr, whose economics degree from Radcliffe led to a lifetime interest in issues around inequality, was instrumental in overseeing several major series for The Times that examined class and racial divides. Each enlisted squads of reporters, photographers and editors for intensive, sometimes yearlong assignments.“How Race Is Lived in America,” overseen with Gerald M. Boyd, who would become the Times’s first Black managing editor, peeled away the conventional wisdom that the country at the turn of the 21st century had become “post racial.” Its deep dives into an integrated church, the military, a slaughterhouse and elsewhere won the paper the Pulitzer Prize for national reporting in 2001.Another series, “Class in America,” was an examination in 2005 of how social class, often unspoken, produced glaring imbalances in society.Earlier, Ms. Golden Behr oversaw a 10-part series in 1993, “Children of the Shadows,” which pushed past stereotypes of young people in inner cities. The reporter Isabel Wilkerson won a Pulitzer in feature writing for her searing portrait in the series of a 10-year-old boy caring for four siblings.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 138 Shares149 Views

      in Elections

      Women Are Paying for Birth Control When They Shouldn’t Have To

      by

      Senator Bernie Sanders of Vermont has called on a government watchdog to investigate. Here’s what you need to know.Last week, Senator Bernie Sanders of Vermont, chair of the Senate health committee, called on a government watchdog to investigate why insurance companies are still charging women for birth control — a move that thrust access to contraceptives back into the spotlight.In a letter to the Government Accountability Office, the senator noted that insurance companies were charging Americans for contraceptives that, under federal law, should be free — and that they were also denying appeals from consumers who were seeking to have their contraceptives covered. Some experts estimate that those practices could affect access to birth control for millions of women.Since 2012, the Affordable Care Act has mandated that private insurance plans cover the “full range” of contraceptives for women approved by the Food and Drug Administration, including female sterilizations, emergency contraceptives and any new products cleared by the F.D.A. The mandate also covers services associated with contraceptives, like counseling, insertions or removals and follow-up care.That means that consumers shouldn’t have any associated co-payments with in-network providers, even if they haven’t met their deductibles. Some plans might cover only generic versions of certain contraceptives, but patients are still entitled to coverage of a specific product that their providers deem medically necessary. Medicaid plans have a similar provision; the only exception to the mandate are plans sponsored by employers or colleges that have religious or moral objections.Yet many insurers are still charging for contraceptives — some in the form of co-payments, others by denying coverage altogether.A Quarter of Women Are Paying Unnecessarily for Contraceptives In his letter, Senator Sanders cited a recent survey by KFF, a nonprofit health policy research organization, that found that roughly 25 percent of women with private insurance plans said they had paid at least some part of the cost of their birth control; 16 percent reported that their insurance plans had offered partial coverage, and 6 percent noted that their plans did not cover contraceptives at all. Additionally, a 2022 congressional investigation, which analyzed 68 health plans, found that the process to apply for exceptions and have contraceptives covered was “burdensome” for consumers and that insurance companies denied, on average, at least 40 percent of exception requests.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 163 Shares199 Views

      in Elections

      Gilead Shot Provides Total Protection From HIV in Trial of Young African Women

      by

      An injection given just twice a year could herald a breakthrough in protecting the population that has the highest infection rates.Researchers and activists in the trenches of the long fight against H.I.V. got a rare piece of exciting news this week: Results from a large clinical trial in Africa showed that a twice-yearly injection of a new antiviral drug gave young women total protection from the virus.“I got cold shivers,” said Dr. Linda-Gail Bekker, an investigator in the trial of the drug, lenacapavir, describing the startling sight of a line of zeros in the data column for new infections. “After all our years of sadness, particularly over vaccines, this truly is surreal.”Yvette Raphael, the leader of a group called Advocacy for Prevention of H.I.V. and AIDS in South Africa, said it was “the best news ever.”The randomized controlled trial, called Purpose 1, was conducted in Uganda and South Africa. It tested whether the every-six-months injection of lenacapavir, made by Gilead Sciences, would provide better protection against H.I.V. infection than two other drugs in wide use in high-income countries, both daily pills.The results were so convincing that the trial was halted early at the recommendation of the independent data review committee, which said all participants should be offered the injection because it clearly provided superior protection against the virus.None of the 2,134 women in the arm of the trial who received lenacapavir contracted H.I.V. By comparison, 16 of the 1,068 women (or 1.5 percent) who took Truvada, a daily pill that has been available for more than a decade, and 39 of 2,136 women (1.8 percent) who received a newer daily pill called Descovy were infected.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 125 Shares149 Views

      in Elections

      In Hunter Biden Trial, Focus Turns to the Biden Women

      by

      The women called to testify have at different times tried to support a man whose history of addiction continues to hit them with shrapnel.Naomi Biden Neal, Kathleen Buhle, Jill Biden and Hallie Biden attended Hunter Biden’s trial this week.Haiyun Jiang for The New York TimesOne by one, the women drifted into the courthouse: The wife. The ex-wife. The daughter. The sister-in-law who, through the fog of tragedy and drug abuse, ended up an ex-girlfriend.Once inside the courtroom, they locked their eyes past the many strangers who watched them — people who wondered if they would break down, or say the wrong thing. If they would cry.Hunter Biden is the one on criminal trial, staring down gun charges. But the spectacle in the courtroom has forced the Biden women into an uncomfortable spotlight.In the family, public life has often revolved around the men. The women called to testify had, at different points, tried to support and protect the one who was the troubled husband, father and son — and whose ruinous history of addiction continues to hit them with shrapnel. The women who didn’t speak sat in the courtroom, playing parts of nurturers and sentinels.The pain of this responsibility was written on the face of Hunter Biden’s eldest daughter, Naomi Biden Neal, who testified on his behalf on Friday.“He seemed great,” a nervous-sounding Ms. Biden Neal, dressed in black with her hair pulled back, told the court on Friday. “He seemed hopeful.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 175 Shares159 Views

      in Elections

      Overlooked No More: Hansa Mehta, Who Fought for Women’s Equality in India and Beyond

      by

      This article is part of Overlooked, a series of obituaries about remarkable people whose deaths, beginning in 1851, went unreported in The Times.Human rights has long been considered a Western concept, but recent scholarship has been uncovering the influence of women from the global south. Women like Hansa Mehta.Mehta stood up against the British government during India’s struggle for independence. She campaigned for women’s social and political equality and their right to an education. And she fought for her ideals during the framing of the constitution for a newly independent India.Mehta with Eleanor Roosevelt in 1949, when they were the only two women named as delegate to the U.N. Commission on Human Rights.Marvin Bolotsky/United NationsFor Mehta, women’s rights were human rights. This conviction was best exemplified at a 1947 meeting of the United Nations Commission on Human Rights, to which she had been appointed as one of just two women delegates, alongside Eleanor Roosevelt. Mehta boldly objected to the wording of Article 1 of the Universal Declaration of Human Rights, which the commission was tasked with framing.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More