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‘Fifteen-Love’ Is a Tense Tennis Drama

A British import on Sundance Now, the series balances sports sudsiness with prickly, fraught drama about sex, maturity, consent and power.

Ella Lily Hyland and Aidan Turner in a scene from “Fifteen-Love.”Rob Youngson/Sundance Now

Justine (Ella Lily Hyland) was a promising tennis player in her teens, and the French Open seemed like it would be her breakthrough tournament. But a gnarly wrist injury and an total emotional breakdown derailed her. Now she’s in her early 20s, working as a physical therapist at her old tennis academy, stewing in self-loathing and coming to terms with the fact that her coach, Glenn (Aidan Turner), assaulted and manipulated her. Part of her wants to leave that in the past, but when Glenn re-emerges at the club, coaching other teen girls, she can’t.

“Fifteen-Love,” a British import on Sundance Now, balances sports sudsiness with prickly, fraught drama about sex, maturity, consent and power. Justine has great instincts but terrible impulses; she knows Glenn preyed on her, but there’s no real mechanism for justice or restitution. Some people in her life believe her; some don’t. But worst of all are the ones, like her mother, who mostly believe her but think what happened is no big deal — always a victim, they say. In Justine’s eyes, though, she never got to be a victim at all.

Hyland’s performance here is mesmerizing but grounded, showing us how in some ways Justine grew up too fast, and in others she hasn’t grown up at all. She is angry and can be self-destructive, and the show shines in its argument scenes. Tennis players know how to volley. “You used to be on my side,” Justine spits at her best friend and fellow player. “No,” says the friend. “I was in your shadow.”

Over its six episodes, “Fifteen-Love” loses steam, especially when it kicks into thriller mode toward the end. More characters does not always mean more story, and the show is most interesting when it is narrowly focused, probing the dynamic between Justine and Glenn. It’s not as pat as just victim and abuser — where do the other feelings go?

Even as the plot sags, the specifics still land. In one scene, Justine and a comrade comb through years of possibly incriminating emails, looking for leads on other victims. What should they search for? “Sexual?” the friend suggests. “Inappropriate?” Justine instead types in “emotional.”

So far four episodes are available, with new installments arriving Thursdays.


Source: Elections - nytimes.com


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