Carlos Basualdo, a veteran curator who has spent most of his career at the Philadelphia Museum of Art, will take over the Nasher Sculpture Center next month.
Carlos Basualdo visited Dallas for the first time in October with interest in seeing the Nasher Sculpture Center, a prized small museum. It mingles 20th-century European sculpture by Pablo Picasso, Constantin Brancusi and Alberto Giacometti with contemporary works by American artists like Arlene Shechet and Carol Bove.
“I fell in love with the building and the garden,” said Basualdo, a veteran curator who has spent most of his career at the Philadelphia Museum of Art.
He will be returning to the Nasher on May 12 with the title of director, his first time overseeing an institution.
The Nasher is relatively intimate, with a collection of about 500 works and an annual operating budget of about $13 million, but it has long commanded an outsize reputation for its holdings. It is housed in a jewel of a building: a light-flooded, travertine-and-glass structure by Renzo Piano. From the museum’s entrance you can see, in a nearly seamless glance, through the interior and across the length of the sculpture garden out back.
“When I walked into the place, coming out of the street, it was super-powerful,” Basualdo said. “It’s open, it’s very present, it’s not ostentatious, it’s generous, it’s full of light.
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Source: Elections - nytimes.com
