Elections

In Clare Beams’s eerie new novel, “The Garden,” nefarious things are afoot.THE GARDEN, by Clare BeamsIrene Willard is a midcentury American woman with a history of miscarriages and a husband who is eager to start a family. Still childless, now pregnant for the sixth time, Irene dutifully packs herself off to an isolated ancestral estate that has been repurposed by a husband-and-wife medical team into a care center for high-risk pregnancies. This place is more haunted manse than hospital. The doctors are prone to say things like “now for your first injection” — and they won’t take no for an answer. Small indefinable living things skitter in the shadowed corners of the rooms. And: There is a neglected garden out back that has the power to bring dead things back to life.With such a richly gothic setup, you might forgive me for thinking “The Garden” was about to deliver some blood-splattery fun and maybe even some zombie babies by the end. But that is not this book — or at least, that is not the whole story. Tucked inside this story’s gothic envelope is a tale inspired by a horrific chapter in the history of obstetric medicine.“The earliest whisper of ‘The Garden’ came to me in the history of diethylstilbestrol” (or DES), Beams writes in her acknowledgments. “That drug’s story … set mine in motion.” A synthetic estrogen that was prescribed for decades to prevent miscarriage, DES did nothing to prevent miscarriage; what it did instead was cause cancers, infertility and birth defects. How could such a medical tragedy have continued for so long? Beams borrows facts from history to fashion an answer to that question in the guise of a horror story.Irene is savvy and skeptical and she has doubts from the beginning about the hospital and its so-called state-of-the-art treatments. But her fear of triggering another miscarriage keeps her paralyzed and compliant: She “would never go home by choice to wait for the wave, the streak, the clot, the pool, the groan, the clench, the seep, the first slight cramp, each moment a terrible balance of hoping and dreading, listening and trying not to listen, feeling and trying not to feel.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

The governor was firm: Nebraska would reject the new federal money for summer meals. The state already fed a small number of children when schools closed. He would not sign on to a program to provide all families that received free or cut-rate school meals with cards to buy groceries during the summer.“I don’t believe in welfare,” the governor, Jim Pillen, a Republican, said in December.A group of low-income youths, in a face-to-face meeting, urged him to reconsider. One told him she had eaten less when schools were out. Another criticized the meals at the existing feeding sites and held a crustless prepackaged sandwich to argue that electronic benefit cards from the new federal program would offer better food and more choice.“Sometimes money isn’t the solution,” the governor replied.A week later, Mr. Pillen made a U-turn the size of a Nebraska cornfield, approving the cards and praising the young people for speaking out.“This isn’t about me winning,” he said. “This is about coming to the conclusion of what is best for our kids.”After meeting with young people, Gov. Jim Pillen of Nebraska reversed himself and accepted federal money for summer meals.Kenneth Ferriera/Lincoln Journal Star, via Associated PressMr. Pillen’s extraordinary reversal shows the conflicts shaping red-state views of federal aid: needs beckon, but suspicions run high of the Biden administration and programs that critics call handouts.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

Online messages urged violent attacks on four matches, prompting the police in England, France and Spain to step up precautions.Public safety officials in England, France and Spain said Tuesday that they would step up security for matches this week in the Champions League, Europe’s marquee soccer competition, after ISIS-related groups called for violent attacks on the contests.The first of four quarterfinal matchups were scheduled in London and Madrid on Tuesday, and were to feature some of the top clubs in world soccer: Spain’s Real Madrid; the English giants Arsenal and Manchester City; and Germany’s Bayern Munich. Two other high-profile matches will take place on Wednesday in Paris and Madrid.“We don’t know what location might be particularly targeted, neither in what conditions,” the French interior minister, Gérald Darmanin, told reporters in Paris. But he said he had spoken with police officials in Paris on Tuesday morning and had been assured that they “have considerably reinforced the security measures.”In Spain, the interior ministry said it had raised the country’s terrorist alert level after the appearance of a photo online carrying the message “Kill them all” and the names of the four stadiums where this week’s games are to be played, according to reports in the Spanish newspaper El Mundo. The ministry said security measures at the matches in Madrid had been increased and additional agents deployed.At least one of the threats was accompanied by an image showing the main entrances to Arsenal’s stadium in London.“The U.K. terrorism threat level remains at ‘substantial,’ meaning an attack is likely,” said Ade Adelekan, the deputy assistant commissioner for the Metropolitan Police in London. The Metropolitan Police said it would have a “robust” security plan in place for the Arsenal-Bayern Munich match at London’s Emirates Stadium.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

Turkey said on Tuesday that it would restrict exports to Israel until there is a cease-fire in Gaza, prompting threats of a tit-for-tat response from a government with which it has long had tense relations.President Recep Tayyip Erdogan of Turkey has defended Hamas and lashed out at Israel over the war in Gaza, accusing it of deliberately attacking civilians. But his government had until Tuesday stopped short of taking concrete economic measures against Israel over the conflict.Turkey’s Trade Ministry said it was imposing restrictions covering dozens of exports — including aluminum, steel products, cement and jet fuel — after Israel denied a Turkish government request to airdrop humanitarian aid to Gaza.“This decision will remain in place until Israel declares a cease-fire in Gaza and allows the flow of a sufficient amount of uninterrupted aid to the Gaza Strip,” the ministry said in a statement.The announcement drew an angry response from Israel’s foreign minister, who accused Mr. Erdogan of “sacrificing the economic interests” of Turkey’s people in the name of supporting Hamas.“Israel will not capitulate to violence and blackmail and will not overlook the unilateral violation of the trade agreements and will take parallel measures against Turkey that will harm the Turkish economy,” the minister, Israel Katz, said in a statement.Turkey’s exports to Israel were worth $5.4 billion in 2023, or 2.1 percent of its total exports, according to official data.Turkey has long had turbulent relations with Israel, though in recent years there had been some signs of a thaw: In 2022, Turkey welcomed Israel’s president to Ankara, the first visit by an Israeli head of state since 2008. Mr. Erdogan met with Prime Minister Benjamin Netanyahu of Israel for the first time last September.Less than a month after that meeting, Hamas led the Oct. 7 attack on Israel that set off the war in Gaza.Under Mr. Erdogan, Turkey has often hosted members of Hamas, some of whose leaders were in the country for meetings on Oct. 7. The Turkish leader has strongly criticized Israel’s bombardment of Gaza, putting him sharply at odds with his NATO allies.But the rising death toll and dire humanitarian crisis in Gaza have prompted increasing criticism from Israel’s allies over how the war is being conducted.President Biden threatened last week to condition future U.S. support for Israel on how it addresses his concerns about civilian casualties and the humanitarian crisis. This week, the foreign minister of France told French news media that imposing sanctions might be one way of putting more pressure on Israel to open humanitarian corridors to Gaza.Gabby Sobelman More

Proposed legislation would allocate $1 billion annually for an industry coping with rising expenses and smaller audiences.The financial crisis facing nonprofit theaters in America has captured the attention of Congress, where a group of Democratic lawmakers is introducing legislation that would direct $1 billion annually to the struggling industry for five years.That money could be used for payroll and workforce development, as well as other expenses like rent, set-building and marketing. But the legislation, which lawmakers plan to introduce on Tuesday, faces long odds at a time when a divided Congress — where Republicans control the House and Democrats lead the Senate — has had trouble agreeing on anything.Nonprofit theaters around the country have reduced their programming and laid off workers to cope with rising expenses and smaller audiences since the coronavirus pandemic began. There are exceptions — some nonprofit theaters say they are thriving — but several companies, including New Repertory Theater in suburban Boston, Southern Rep Theater in New Orleans, and Book-It Repertory Theater in Seattle, have ceased or suspended operations in response to the crisis.“It hasn’t been a recovery for the nonprofits — they’re really lagging compared to many other sectors in the economy, and it’s for a lot of reasons,” Senator Peter Welch of Vermont, one of the legislation’s sponsors, said in an interview. “So they do need help.”Mr. Welch argued that the organizations merit government assistance because they strengthen communities and benefit local economies.The legislation, which is called the Supporting Theater and the Arts to Galvanize the Economy (STAGE) Act of 2024, is also being sponsored by Senators John Fetterman of Pennsylvania and Jack Reed of Rhode Island. Representative Suzanne Bonamici of Oregon is sponsoring it in the House.Senator Chuck Schumer of New York, who is the majority leader and who led the fight to win government aid for performing arts organizations during the pandemic, is supportive of the proposed legislation and is also open to other ways to assist nonprofit theaters, according to a spokesman.The pandemic aid package that Mr. Schumer championed serves as a precedent: In 2020, Congress passed the Save Our Stages Act, which led to a $16 billion Shuttered Venue Operators Grant program that made money available to a wide array of commercial and nonprofit performing arts organizations.Mr. Welch said the earlier aid program succeeded despite initial skepticism.“With everything else that was going on, the expectation was this would die on the vine, but it didn’t — as this started getting momentum, there was excitement about being about to do something concrete,” he said.The new legislation is narrower, benefiting only professional nonprofit theaters, and only those that have either seen a decline in revenues or that primarily serve historically underserved communities.“This is a beginning,” Mr. Welch said. “There are obstacles, but let the effort begin.” More

She is a trailblazer of the architectural sculpture movement, and her diaries rival Frida Kahlo’s. Are we ready for the unsettling clarity of Donna Dennis?One of Donna Dennis’s architectural installations — a false tunnel entrance installed on the Mad River — so confounded local Ohioans that one morning in August 1981, someone pipe-bombed it. New York’s bomb squad confiscated part of another structure, a cabin occupying City Hall Park, in 1986. The works by Dennis are so faithful to existing vocabularies of infrastructure that they defy classification as art objects.In 1970s New York, as painting and sculpture gave way to a gold rush of conceptualism, environments, performance and politics, the Ohio-born Dennis, fresh from art school in Minnesota and Paris, tuned into consciousness-raising women’s groups and devoted her craft to unsettlingly frank resemblances of buildings.First came hotel and subway facades, then houses in the round — each a combination of construction and artist materials, and slightly too small to pretend functionality. (For lights she uses appliance bulbs, and her doors terminate at her eye level.) Since the ’80s she has gone industrial: room-size lift bridges, stairways, rail platforms, pump houses and roller coaster girdings that have increased in complexity as they lessen in number.Dennis in 1981 with half of “Mad River Tunnel: Entrance and Exit,” in Dayton, Ohio.Donna DennisThis month, the gates crack on this scarce and challenging oeuvre. The bellwether art gallery O’Flaherty’s has darkened its space on Avenue A to a dramatic degree, and filled it with five Dennis works from the 1970s and ’90s, for a show called “Houses and Hotels.” Whatever else they do, these shrines to vernacular architecture, humane, seductive and commanding, make clear that a godmother of installation art has been unwisely overlooked.“Two Stories with Porch (for Robert Cobuzio)” (1977-79) is a 10-foot-tall rowhouse in the style of suburban New Jersey. From a darkened first-story window, a VACANCY sign glows greenly. (A tribute to the late friend of the title.) A wallpapered room lit by ceiling bulb is just visible upstairs. As your eyes adjust in the dark, unlit details fade in: a coat of aluminum paint on the cornice, a staircase through the curtain, a tracing of mortar among stones in the foundation.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

The couple married while Ms. Blanchard, who was found guilty of helping to kill her mother, was still in prison. Gypsy Rose Blanchard, who was convicted of helping to kill her abusive mother in a widely covered case, filed for divorce Monday from Ryan Anderson after just under two years of marriage, according to Louisiana court records.Mr. Anderson, a special-education teacher from Louisiana, has said that he sent Ms. Blanchard a letter at the Chillicothe Correctional Center in Missouri and that the two began corresponding. They married while Ms. Blanchard was still in prison in 2022.After her release in late December, Ms. Blanchard became the subject of frenzied social media attention, much of which concerned her relationship. The pair discussed their introduction to married life on Entertainment Weekly and documented a trip to New York City for Ms. Blanchard’s millions of social media followers.Ms. Blanchard filed for divorce in Lafourche Parish, La., just before 2 p.m. on Monday, according to the clerk of court, and the legal grounds for divorce are not yet public. TMZ was first to report the news of the couple’s divorce proceedings.Ms. Blanchard and Mr. Anderson did not immediately respond to requests for comment on Monday.The ongoing fascination with Ms. Blanchard has raised fresh questions about the ethics of public obsession with true crime figures and victims of abuse — and of remaking those figures as influencer-style celebrities.Ms. Blanchard, now 32, pleaded guilty to the second-degree murder of her mother, Dee Dee Blanchard, in 2016. Ms. Blanchard’s boyfriend at the time, Nicholas Godejohn, was convicted of first-degree murder and sentenced to life in prison.A plea agreement acknowledged that Dee Dee Blanchard had been abusive: “Gypsy’s mom was abusing her physically, medically, giving her medication she didn’t need, having her go through procedures that she didn’t need,” Ms. Blanchard’s trial lawyer, Mike Stanfield, said at a news conference in 2016.An HBO documentary and a Hulu mini-series released during her sentence characterized her as a victim of Munchausen syndrome by proxy — a form of abuse in which a parent sickens a child for attention — and drew intense public attention to the case.That attention morphed into a complex strain of social media celebrity after Ms. Blanchard’s release. She amassed more than eight million followers on Instagram and close to 10 million on TikTok, where she shared day-by-day updates with Mr. Anderson and promoted her Lifetime series, “The Prison Confessions of Gypsy Rose Blanchard.”Comments on such posts were mixed, with some praising her frank discussion of her regrets — among them, she said, her role in murdering her mother — and others expressing discomfort that her story was being repackaged as entertainment.“It feels like a disservice to let her become just another social-media curiosity, with her abuse and her crimes being meme-ified for an uncaring public,” Alice Bolin, the author of “Dead Girls: Essays on Surviving an American Obsession,” wrote in an article for The Cut.Ms. Blanchard deactivated her TikTok and Instagram accounts last month, citing concerns about the effects of public scrutiny on her mental health.Alain Delaquérière More

Caroline Sommers and Freddie Cheng place a few orders.Jump to: Today’s Theme | Tricky CluesTUESDAY PUZZLE — Certain suffixes are such obvious fodder for wordplay that catchphrases form to wink back at them. Endings that rhyme with “er,” for example, have long attracted a bawdy rejoinder — “Catcher? I hardly know ’er!” — and I have friends who insist on making a call-and-response game of “-le” endings. One offers, “A hammer won’t fix your car, but an axle,” and the other affirms it with “Yes it will!”One such suffix is sent up in today’s crossword, constructed by Caroline Sommers and Freddie Cheng. This is a debut collaboration for Mr. Cheng and Ms. Sommers in The New York Times, and it’s Ms. Sommers’s first Times puzzle. While their theme’s wordplay may be familiar, the constructors have managed to give it a wonderfully fresh coat of puzzle paint. Trivia references and original clue phrasing abound, and they kept me guessing all the way through until I finally prospered. (Prosper? I hardly know ’er!) (OK, some of them don’t work.)Today’s ThemeI hope you’ve studied up on your 24As, because each of today’s themed entries plays on the name of a STAR. These names would normally end in ETT, but their clues turn them into directives ending in IT. For example: “Hey, Mr. Gazillionaire from Omaha — go shine the car!” (20A) solves to WARREN, BUFF IT (normally spelled Buffett). And if you wanted to let “Julia Roberts’s ex” Lyle Lovett know that he was “doing great!” you’d say LYLE, LOVE IT (34A).I found the directives difficult to infer only when I didn’t already know the name of the celebrity in question. I was surprised to learn, for instance, that the “shut up!” in 42-Across solved partly to CLAMP IT — playing on the last name of the character Jed Clampett from “The Beverly Hillbillies” — since that phrase has never appeared on its own in a Times Crossword.Tricky Clues18A. This “Bit of Indian music” is a RAGA, which is a collection of pitches whose structure and phrasing can be used to evoke distinct moods or themes in music.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More