Elections

People cross boundaries in Alan Hollinghurst’s “The Spell” and Penelope Lively’s “The Photograph.”Should you feel like a creep reading about transgressive family affairs on the subway?Librado Romero/The New York TimesDear readers,“My sister. My daughter. … She’s my sister and my daughter!” If you’ve ever seen Roman Polanski’s sun-bleached neo-noir “Chinatown,” which turns 50 this year, you can’t forget it: a defiant, tear-stained Faye Dunaway wailing the sordid secret of her troubled-heiress character’s life while Jack Nicholson’s flinty detective Jake Gittes slaps her halfway to next Saturday.I thought of that scene again recently after reading a much-passed-around piece in The Atlantic about the surprising prevalence of incest that has been exposed by test results from popular ancestry sites like 23AndMe. And I felt smugly justified in never getting around to swabbing myself with one of the two DNA kits, still languishing somewhere at home in a junk drawer, that I’d received as thoughtful but vaguely terrifying gifts. Better, perhaps, to never know that you are 6.7 percent Slavic highlander, and also that your great-uncle is actually your grandpa.The two books in this week’s column are not about that sort of flowers-in-the-attic depravity (or even the highbrow provocation of literary fire-starters like Kathryn Harrison’s fevered 1997 memoir “The Kiss”). But they do cast a sometimes-discomfiting eye on blood ties: tales of romance and longing that transgress most good people’s idea of familial propriety, and sometimes cross much starker lines. Should you feel like a creep reading these on the subway? Forget it, Jake; it’s fiction.—Leah“The Spell,” by Alan HollinghurstFiction, 1998We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

The latest assault on the eastern city killed at least six people, local authorities said. As Kyiv waits on American aid, Moscow has stepped up bombardments, including using modified “glide bombs.”Russian rockets slammed into residential buildings in Kharkiv before dawn on Saturday, Ukrainian officials said, killing at least six people and injuring at least 11 more in the latest assault on Ukraine’s second-largest city.“Russian terror against Kharkiv continues,” President Volodymyr Zelensky of Ukraine said in a statement. “It’s crucial to strengthen the air defense for the Kharkiv region. And our partners can help us with this.”Ukraine’s air defenses have come increasingly under strain since American military support stopped flowing into the country more than six months ago, and future assistance remains uncertain amid Republican resistance in Congress to a $60 billion aid package.Speaker Mike Johnson, Republican of Louisiana, has hinted that he would soon bring the issue of military aid for Ukraine to a vote in the House, but has also said that he might tie the issue to unrelated matters like domestic energy policies that could complicate its passage.At the same time, Russia has replenished and expanded its stockpile of missiles, guided bombs and attack drones and is stepping up its bombardments across the country.Mr. Zelensky said this past week that “in March alone, Russian terrorists used over 400 missiles of various types, 600 Shahed drones and over 3,000 guided aerial bombs against Ukraine.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

An earthquake. An eclipse. A bridge collapse. A freak blizzard. A biblical flood. Donald Trump leading in battleground states.Apocalyptic vibes are stirred by Trump’s violent rhetoric and talk of blood baths.If he’s not elected, he bellowed in Ohio, there will be a blood bath in the auto industry. At his Michigan rally on Tuesday, he said there would be a blood bath at the border, speaking from a podium with a banner reading, “Stop Biden’s border blood bath.” He has warned that, without him in the Oval, there will be an “Oppenheimer”-like doomsday; we will lose World War III and America will be devastated by “weapons, the likes of which nobody has ever seen before.”“And the only thing standing between you and its obliteration is me,” Trump has said.An unspoken Trump threat is that there will be a blood bath again in Washington, like Jan. 6, if he doesn’t win.That is why he calls the criminals who stormed the Capitol “hostages” and “unbelievable patriots.” He starts some rallies with a dystopian remix of the national anthem, sung by the “J6 Prison Choir,” and his own reciting of the Pledge of Allegiance.The bloody-minded Trump luxuriates in the language of tyrants.In “Macbeth,” Shakespeare uses blood imagery to chart the creation of a tyrant. Those words echo in Washington as Ralph Fiennes stars in a thrilling Simon Godwin production of “MacBeth” for the Shakespeare Theater Company, opening Tuesday.“The raw power grab that excites Lady Macbeth and incites her husband to regicide feels especially pertinent now, when the dangers of autocracy loom over political discussions,” Peter Marks wrote in The Washington Post about the production with Fiennes and Indira Varma (the lead sand snake in “Game of Thrones.”)We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

After more than two years of brutal, unrelenting war, Ukraine is still ready and has the capacity to defend its democracy and territory against Russia. But it cannot do so without American military assistance, which the United States had assured the Ukrainians would be there as long as it was needed.A majority of Americans understand this, and believe that curbing the revanchist dreams of Russia’s leader, Vladimir Putin, is America’s duty to Ukraine and to American security. A survey by the Chicago Council on Global Affairs and Ipsos found that 58 percent of Americans favor providing economic help to Ukraine and sending more arms and military equipment to the Ukrainian government. And 60 percent of respondents said that the U.S. security relationship with Ukraine does more to strengthen American national security than to weaken it.While that support has declined somewhat since the beginning of Russia’s invasion, and it is weaker among Republicans, many Republican members of Congress also support continuing military aid. So it is distressing that the fate of Ukraine has fallen prey to internecine Republican politicking. House Speaker Mike Johnson has the power to do the right thing, but time is running critically short.Without American artillery, as well as antitank and antiaircraft shells and missiles, Ukraine cannot hold off an army that has a far deeper supply of men and munitions. “Russia is now firing at least five times as many artillery rounds as Ukraine,” as Andrew Kramer of The Times reported. As summer approaches, Russia is expected to prepare a new offensive thrust. Mr. Johnson knows this. He also knows that, if he brings it to a vote, a $60.1 billion aid package for Ukraine would most likely sail through the House with bipartisan support. Many Republican members and most Democrats want to pass it. The Senate passed it in February.Yet so far, Mr. Johnson has avoided a vote, fearing that a clutch of far-right House members, who parrot the views of Donald Trump and oppose any more aid for Ukraine, could topple him from the speaker’s post. To placate them, the speaker has said he will produce a proposal with “important innovations” when legislators return to work on Tuesday. These may include lifting the Biden administration’s hold on liquefied natural gas exports, including a proposed terminal in his home state, Louisiana; calling the aid a loan; or seizing billions of frozen Russian assets.None of those conditions are wise. Tying aid for Ukraine to unrelated political goals, such as undoing President Biden’s climate change agenda, may be typical of congressional horse trading, but it turns Ukraine into a pawn in partisan conflict. “This is not some political skirmish that only matters here in America,” Donald Tusk, the Polish prime minister, said on his visit to Washington last month. The speaker’s decision, he said, “will really cost thousands of lives there — children, women. He must be aware of his personal responsibility.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

David Chang’s Momofuku company is waging a trademark battle for the term “chile crunch.” But what does ownership mean for such an everyday pleasure?It’s hard to pinpoint exactly when we reached peak chile crisp in the United States, but if you were to inspect my kitchen today you’d see, alongside an old jar of Lao Gan Ma — years ago, the only chile crisp I could easily find in the food shops nearby — at least a half-dozen others.While each jar contains a spicy crimson sediment under oil, some have the sweetness of star anise, while others are deepened with tiny dried shrimp or fried shallots. Some have the delicate crunch of fried sesame seeds, garlic or crushed peanuts, or the mouth-numbing tingle of Sichuan peppercorns.Some of these preparations are rooted in regional Chinese or diasporic traditions, family customs or someone’s idiosyncratic taste, and each is different from the others. (Yes, I really do need them all!)You might call these condiments chile oil or chile crisp or chile crunch, and the truth is that I didn’t give the precise language of the category too much thought until Thursday.That’s when The Guardian reported that Momofuku, the global culinary company founded by the celebrity chef David Chang, owned the trademark for the term “chile crunch” and was moving to protect it, while seeking similar trademark status for “chili crunch,” spelled with an “i.”Momofuku’s Chili Crunch was introduced to stores in 2020.Mariah Tauger/Los Angeles Times, via Getty ImagesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

The authorities are trying to identify an arsonist who struck outside the U.S. senator’s office in Burlington, Vt. No one was injured, and the senator was not there.The authorities in Vermont said they were searching for a man who started a fire outside Senator Bernie Sanders’s office in Burlington on Friday morning.The unidentified man walked into the vestibule of Senator Sanders’s office and sprayed an “apparent accelerant” on the entrance door to the third-floor office, before lighting the accelerant and fleeing, the Burlington Police Department said in a statement. It was unclear exactly what the man sprayed on the door.“A significant fire engulfed the door and part of the vestibule,” which prevented staff members who were working inside the office from exiting, the Police Department said.The building’s sprinkler system activated, which mostly put out the fire before firefighters arrived around 10:45 a.m., the Police Department said.A surveillance photo of a man the police say set a fire outside Senator Bernie Sanders’s office in Burlington, Vt., Friday morning.Burlington Police DepartmentThe Burlington Fire Department said that the door to the senator’s office “sustained moderate” damage from the fire, and that the third floor of the building and the floors below it also had water damage.No injuries were reported. Senator Sanders, independent of Vermont, was not at the office at the time of the fire, his office said in a statement.Investigators with the Vermont State Police determined that the fire was an act of arson. The authorities had not concluded a motive.The Police Department released a photo from surveillance footage of the man who started the fire. In the photo, he is wearing a black jacket, dark-colored pants, white sneakers and an orange beanie.Kathryn Van Haste, the Vermont state director for Senator Sanders, said in a statement, “We are grateful to the Burlington Fire and Police Departments who responded immediately today to a fire incident that took place in our office building.”The United States Capitol Police and the Senate sergeant-at-arms were working with local authorities in Burlington investigating the fire, Ms. Van Haste said.Mayor Emma Mulvaney-Stanak of Burlington said in a statement that she was “relieved to hear that everyone made it out safely.” More

It is usually an afterthought in politics, but the power of food was made clear this week.The deadly Israeli strike on an aid convoy that killed seven workers for the relief group World Central Kitchen in the Gaza Strip shook official Washington this week. It prompted President Biden to issue his sharpest public criticism of Israel to date and spurred Israel’s military to make a rare admission of fault.It also revealed the power of something that is usually an afterthought in national and global politics: food.José Andrés, the celebrity chef who built World Central Kitchen from a scrappy outfit feeding hurricane victims to a $500 million relief organization operating in war zones, dialed up political pressure on both Biden and Prime Minister Benjamin Netanyahu of Israel. He spoke directly with Biden, White House officials said on Tuesday, and on Wednesday, in an interview with Reuters, he accused the Israel Defense Forces of “systematically” attacking the three-car convoy.On Thursday, Biden held a tense call with Netanyahu, threatening to place conditions on future support for the country. Hours later, Israel said it would permit more aid deliveries in Gaza. It also promised new steps to reduce civilian casualties and broker a temporary cease-fire in exchange for the release of hostages who are being held in Gaza by Hamas militants after they attacked Israel on Oct. 7, killing some 1,200 people.I spoke with my colleague Kim Severson, a reporter who covers food for The New York Times and has written extensively about Andrés, about the celebrity chef’s political activism and why the deaths of these seven workers have drawn so much attention in a war that has already been so deadly. The interview was edited and condensed.JB: We know José Andrés as a celebrity chef who brings relief efforts all over the world, and who doesn’t hesitate to wade into politics. How did his message evolve over the course of this week?We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

Being raised during the Depression, we all learned to be creative with what we had on hand. At Christmas or on my birthday, I always got art supplies, and I was jealous that my siblings got bikes and stuff. I realize now that my parents were fostering my creativity.An early influence on my becoming an artist was Simon Rodia. My grandmother lived in Watts, and we would walk by the Watts Towers when they were being built. I was fascinated by how he used bottle caps and corn cobs and broken plates — trash, essentially — to make art, to make something beautiful. Then, much later, in the 1960s, I saw the work of Joseph Cornell. He refined the use of found objects and materials and boxes, and I thought, “Wow, I’ve kind of been doing that, too.” I didn’t know it was called assemblage, but it made sense to me and set me in that direction as an artist.A young Betye Saar in 1965 at the entrance to Simon Rodia’s monumental towers in the Watts neighborhood of Los Angeles.via Betye Saar and Roberts ProjectsThe main challenge, I guess, to being an artist is how to make a living. But being a creative person means you have to find ways to do this. I studied design at U.C.L.A., and after I graduated, I made greeting cards, I made jewelry, I got into printmaking and then sold my prints. I taught art classes in colleges all over the states. My creativity kept evolving with my needs as I got married and bought a house, had my daughters and put them through college. Through it all, I loved making art. It kept me going.I still want to make art. Sometimes in the morning when I wake up, it’s hard to get out of bed, hard to get back into my body and get it to move. But I do it. Not everyone has a reason to get out of bed, something they love to do and that gives their life meaning. I am so lucky that I have that as part of my life. I don’t really think about my age, unless someone mentions it, though I guess I feel middle-aged — which for me is, like, 50 to 70. It would be kind of neat to live to 100, to have 100 revolutions around the sun. I’m pretty close.Greeting Card #8Betye Saar, via Roberts Projects; Photo by Paul SalvesonThe inside of Greeting Card #8Betye Saar, via Roberts Projects; Photo by Paul SalvesonGreeting Card #1Betye Saar, via Roberts Projects; Photo by Paul SalvesonThe inside of Greeting Card #1Betye Saar, via Roberts Projects; Photo by Paul SalvesonMemories Lost at Sea, 2024Betye Saar, via Roberts Projects; Photo by Paul SalvesonThe exterior of Memories Lost at Sea, 2024.Betye Saar, via Roberts Projects; Photo by Paul SalvesonA Different Destiny, 2024Betye Saar, via Roberts Projects; Photo by Paul SalvesonThe exterior A Different Destiny, 2024.Betye Saar, via Roberts Projects; Photo by Paul SalvesonDark Passage 2024Betye Saar, via Roberts Projects; Photo by Paul SalvesonThe exterior of Dark Passage 2024.Drifting Toward Twilight, 2023 (installation view)Betye Saar, via The Huntington Library, Art Museum, and Botanical Gardens; Photo by Joshua WhiteCurrent and upcoming projects: Completed “Drifting Toward Twilight,” an installation at the Huntington Library in the Bronx; “Betye Saar: Heart of a Wanderer” exhibition at the Isabella Stewart Gardner Museum in Boston; “Betye Saar: Serious Moonlight” at the Kunstmuseum in Lucerne, Switzerland; and completed a newly commissioned artwork for “Paraventi; Folding Screens from the 17th to the 21st Century” at the Fondazione Prada in Milan.This interview has been edited and condensed. More