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The hospital cited a “lack of clarity” in recent state legislation meant to shield I.V.F. providers as a factor in its decision. A separate fertility clinic at the site said it would relocate.A Mobile, Ala., hospital at the center of a State Supreme Court ruling that found that frozen embryos could be considered children said on Wednesday that it would no longer provide in vitro fertilization lab services after this year.In an email explaining the decision, Hannah Peterson, a spokeswoman for the Infirmary Health hospital system, cited “pending litigation and the lack of clarity of the recently passed I.V.F. legislation in the state of Alabama.”It was not immediately clear what effect the decision would have on patients seeking I.V.F. treatment. The fertility clinic that leases space in the hospital and uses its lab services said it would relocate.But the announcement added a new layer to the confusion and apprehension that has hung over patients since the February court ruling, which led the Mobile clinic and others in the state to temporarily suspend I.V.F. treatments.Infirmary Health and the clinic, the Center for Reproductive Medicine, have been embroiled in legal turmoil since three couples sued them over the accidental destruction of their frozen embryos in 2020.The State Supreme Court ruling was a victory for the couples, allowing them to proceed with their wrongful-death claims with the court’s assertion that frozen embryos could legally be considered children. A second lawsuit was filed against both the hospital and the clinic in the weeks after the decision.In the wake of the ruling, Alabama lawmakers scrambled to pass legislation that would shield clinics from criminal or civil liability. The new law does not apply to any embryo-related lawsuits in progress before it was enacted, including the Mobile case.With the suits against it still to be resolved, the hospital said on Wednesday that it would no longer offer I.V.F. treatment services after Dec. 31.The Center for Reproductive Medicine said in a separate statement that it had also resumed treatment and would relocate its work to new facilities in Mobile and Daphne, Ala.The new locations, the center said, would allow it to continue a “mission of helping individuals and couples achieve their dreams of starting or expanding their families.”The hospital’s decision also underscored concerns that the new Alabama law had not gone far enough to adequately protect access to I.V.F. treatments, given that it did not address the question of whether frozen embryos should be considered children. Legal experts warned that the law might face additional constitutional challenges.Doctors, I.V.F. patients and their supporters in Alabama have begun pushing for lawmakers in Washington to codify federal protections for I.V.F. and other fertility treatments.But with a divided Congress and Republicans torn between pledges to protect life starting at conception and defend access to I.V.F., it is unlikely that legislation will move quickly. More

Andrey Desmond pleaded guilty to three felony charges in the attack on Maryam Khan, a member of the Connecticut House of Representatives, last June.It has been nearly 10 months since a man attacked Maryam Khan, the first Muslim elected to the Connecticut House of Representatives, outside an Eid al-Adha prayer service in Hartford, Conn. She is still struggling to heal, she said.“I have a lot of things to get through, both emotionally and physically,” Ms. Khan said. “I’m still working on trying to heal and process what happened.”But she felt some closure in a courtroom on Tuesday, she said, when she watched her attacker plead guilty to felony charges related to the attack.The man, Andrey Desmond, 30, of New Britain, Conn., pleaded guilty to attempted third-degree sexual assault, strangulation and risk of injury to a child, according to the clerk’s office at the State Superior Court in Hartford.“He claimed to understand what was happening, and for me, personally, it was helpful to be there and to witness that,” Ms. Khan said.Under the terms of a plea agreement, Mr. Desmond is required to serve five years in prison, register as a sex offender and receive mental health treatment after he is released. His sentencing is scheduled for June 4.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

The agency’s future moon buggies will reach speeds of 9.3 miles per hour and will be capable of self-driving.NASA will be renting some cool wheels to drive around the moon.Space agency officials announced on Wednesday that they have hired three companies to come up with preliminary designs for vehicles to take NASA astronauts around the lunar south polar region in the coming years. After the astronauts return to Earth, these vehicles would be able to self-drive around as robotic explorers, similar to NASA’s rovers on Mars.The self-driving capability would also allow the vehicle to meet the next astronaut mission at a different location.“Where it will go, there are no roads,” Jacob Bleacher, the chief exploration scientist at NASA, said at a news conference on Wednesday. “Its mobility will fundamentally change our view of the moon.”The companies are Intuitive Machines of Houston, which in February successfully landed a robotic spacecraft on the moon; Lunar Outpost of Golden, Colo.; and Venturi Astrolab of Hawthorne, Calif. Only one of the three will actually build a vehicle for NASA and send it to the moon.NASA had asked for proposals of what it called the lunar terrain vehicle, or L.T.V., that could drive at speeds up to 9.3 miles per hour, travel a dozen miles on a single charge and allow astronauts to drive around for eight hours.The agency will work with the three companies for a year to further develop their designs. Then NASA will choose one of them for the demonstration phase.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

Judith Godrèche did not set out to relaunch the #MeToo movement in France’s movie industry.She came back to Paris from Los Angeles in 2022 to work on “Icon of French Cinema,” a TV series she wrote, directed and starred in — a satirical poke at her acting career that also recounts how, at the age of 14, she entered into an abusive relationship with a film director 25 years older than her.Then, a week after the show aired, in late December, a viewers’ message alerted her to a 2011 documentary that she says made her throw up and start shaking as if she were “naked in the snow.”There was the same film director, admitting that their relationship had been a “transgression” but arguing that “making films is a kind of cover” for forms of “illicit traffic.”She went to the police unit specialized in crimes against children — its waiting room was filled with toys and a giant teddy bear, she recalls — to file a report for rape of a minor.“There I was,” said Ms. Godrèche, now 52, “at the right place, where I’ve been waiting to be since I was 14.”Since then, Ms. Godrèche has been on a campaign to expose the abuse of children and women that she believes is stitched into the fabric of French cinema. Barely a week has gone by without her appearance on television and radio, in magazines and newspapers, and even before the French Parliament, where she demanded an inquiry into sexual violence in the industry and protective measures for children.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

A renewed push by Nebraska Republicans to move to a “winner-take-all” system in presidential elections has raised the prospect that the 2024 contest could end in an electoral college tie — with the House of Representatives deciding the winner.Nebraska and Maine are the only states that divide their electoral votes according to the presidential winners of congressional districts. In 2020, Joseph R. Biden Jr. won the eastern district around Omaha and its one vote. On Tuesday, Gov. Jim Pillen of Nebraska, a Republican, threw his support behind a G.O.P.-led bill languishing in the state’s unicameral legislature that would end the practice.“It would bring Nebraska in line with 48 of our fellow states, better reflect the founders’ intent, and ensure our state speaks with one unified voice in presidential elections,” Mr. Pillen wrote in a statement.The resurrection of the state bill was sparked this week by Charlie Kirk, the chief executive of Turning Point USA, a pro-Trump conservative advocacy group, who pressed the state legislature to move forward on social media.Former President Donald J. Trump quickly endorsed the governor’s “very smart letter” on his social media site.And for good reason. If Mr. Biden were to hold Wisconsin, Michigan and Pennsylvania, but lose Georgia, Arizona, Nevada and the one Nebraska vote he took in 2020, the electoral college would be deadlocked at 269 votes each. The House would then decide the victor, not by total votes but by the votes of each state delegation. That would almost certainly give the election to Mr. Trump.But that Sun-Belt-sweep-plus-one scenario still might be out of reach. Democrats in the legislature expressed confidence on Tuesday that they could filibuster the measure, and the state legislative session is set to end on April 18.Conversely, Maine, where Democrats hold the governor’s office and a majority in the legislature, could change its system to take back the electoral vote that Mr. Trump won in 2020. Mr. Biden won Maine by nine percentage points, but Mr. Trump took a vote in the electoral college by winning the state’s rural second district. More

Representative Lauren Boebert, a far-right ally of former President Donald J. Trump from Colorado who is part of the razor-thin Republican majority in the House, had surgery on Tuesday to remove an acute blood clot in her leg, her campaign said.Ms. Boebert, 37, who is running for re-election this year, was admitted to UCHealth Medical Center of the Rockies in Loveland, Colo., on Monday after experiencing severe swelling in her upper left leg, according to her campaign. It said that she was expected to make a full recovery.The campaign disclosed that doctors diagnosed Ms. Boebert with May-Thurner syndrome, which the Cleveland Clinic describes as a condition in which a major artery in the leg compresses a major vein, disrupting blood flow.A stent was inserted during the surgery, the campaign said.Ms. Boebert, who is part of a group of right-wing provocateurs in the House that includes Representatives Matt Gaetz of Florida and Marjorie Taylor Greene of Georgia, announced in December that she would run in a more conservative district than the one she now represents.During the midterm elections in 2022, she narrowly staved off a challenge from Adam Frisch, a Democratic businessman and former Aspen city councilman, who is running again in her current district.A series of departures from the House Republican caucus later this month will mean G.O.P. lawmakers can afford just a single defection from party-line votes when all members are present. More

Kim Conaty will steer exhibitions and the permanent collection, saying she will pay close attention to work by Latino and Indigenous artists.When Scott Rothkopf, the former deputy director and chief curator of the Whitney Museum of American Art, stepped up as director of the New York institution last fall, he knew he would have to hire his replacement in the curatorial area. That role — one of the most influential in the contemporary art world — will be filled, effective next week, by Kim Conaty, the museum’s curator of drawings and prints since 2017. In her new position she will steer the institution’s permanent collection and acquisitions, as well as its exhibitions and conservation activities.Conaty has a reputation for creating shows that please critics and crowds alike. Her celebrated 2022-2023 exhibition “Edward Hopper’s New York” was among the best-attended in the museum’s history, while the 2023-2024 exhibition of drawings by Ruth Asawa that she organized with another curator was lauded as “revelatory” by The New York Times. As the chief curator, Conaty said she plans to focus on Latino and Indigenous artists, who remain underrepresented in the Whitney’s collection, and invest in emerging talent. But she also intends to slow down the pace of collecting. “Gifts are not free,” she said, referring to the cost of storing and preserving artworks. “We’re being extremely intentional about how we’re building the collection.”The Whitney has seen significant turnover in recent years. In addition to the departure of its longtime director, Adam D. Weinberg, two high-profile curators — David Breslin and Jane Panetta — decamped for roles at the Metropolitan Museum of Art, while its chief advancement officer, Pamela Besnard, retired last year. Rothkopf has made several new appointments, including promoting the curator Adrienne Edwards to a newly created leadership role as senior curator and associate director of curatorial programs. The chief financial officer I.D. Aruede was promoted to deputy director.A few weeks ago, Rothkopf had his first taste of controversy as director when the museum was seemingly caught unaware that the artist Demian DinéYazhi’ had slipped a “Free Palestine” message into a flickering neon sign in the Whitney Biennial, which opened on March 20.Asked about how he and Conaty plan to navigate such bumps in the future, he said, “In appointing Kim, it was important to think about someone who had the sensitivity interpersonally and the intellectual sophistication to help navigate the times that we’re in — I’m not going to be coy about that. These are key attributes for someone at a museum like the Whitney, which is so committed to the art and the ideas of our moment.” More

In a career spanning more than 40 years, he established himself as a hyperliterate jester and an anarchic clown.Christopher Durang, a Tony Award-winning playwright and a master satirist, died Tuesday night at his home in Pipersville, Pa., in Bucks County. He was 75.His agent, Patrick Herold, said the cause was complications of aphasia. In 2016, Mr. Durang was found to have a rare form of dementia, logopenic primary progressive aphasia. The diagnosis was made public in 2022.An acid, impish writer, Mr. Durang never met a classic (“The Brothers Karamazov,” “The Glass Menagerie,” “Snow White”) that he couldn’t skewer. In a career spanning more than 40 years, he established himself as a hyperliterate jester and an anarchic clown. Regarding subject and theme, he pogoed from sex to metaphysics to serial killers to psychology, and he had a way of collapsing high art and jokes that aimed much lower.“He’s so scaldingly funny,” the actress Sigourney Weaver, a friend and collaborator since she met Mr. Durang at the Yale School of Drama, said in an interview. “You laugh with horror at what’s going on and your sheer inability to do anything about it.”But even in his most uproarious work — like his early play, the sex and psychoanalysis farce “Beyond Therapy,” or his late hit “Vanya and Sonia and Masha and Spike,” a delirious homage to Chekhov — there was often a strong undertow of melancholy.Mark Alhadeff and Cynthia Darlow in a 2014 production of Mr. Durang’s “Beyond Therapy” at the Actors Company Theater in New York.Marielle SolanWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More