Elections

Alex Eaton-Salners leaves space for the unknown.Jump to: Today’s Theme | Tricky CluesWEDNESDAY PUZZLE — Some of the most impressive crossword themes to behold are those that achieve either the ample presence or total absence of a single letter. In a puzzle from February 1999, Janet R. Bender subtly restricted her vowel use to the letter E, managing to squeeze it into her grid a whopping 78 times. In a puzzle from May 2012, Patrick D. Berry used every letter of the alphabet except E. These themes tend to resist apprehension until the grids are entirely filled — which makes the discovery of them all the more satisfying.Alex Eaton-Salners takes a different tack in today’s crossword: He makes letters disappear and reappear at will. He even manages to slide them under our noses incognito. But I’ll make no more pronouncements on the matter and let the puzzle do the rest of the talking.Today’s ThemeYou probably noticed that some letters were missing from the themed clues and that they were easy enough to deduce from the words they should complete: “Lip_on produc_s” (17A), for example, was clearly missing its T’s. But this, dear readers, is hardly half of the riddle: We still have to solve the clue and figure out what those circles in the entry row might be trying to tell us.17A’s answer is INSTANT TEAS (the bold type denotes the circled letters). Why isn’t that third T circled? The pattern is repeated at 28A, when “_lum-colored _lants” leads us to PURPLE PEAS. Here, too, the third P isn’t part of the circled set, so the entry circles must indicate something other than the letters missing from their clues.It all clicked for me at “Fr_endly fac_al tra_t” (55A), which solved to SMILING EYES. Suddenly, I heard what I was meant to see all along: the EYES were the I’s. The sounds of the circled letters were reflected in the second words of their homophonic entries.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

Voters in Wisconsin approved adding language to the State Constitution on Tuesday that will forbid officials from accepting donations of money or staffing to help run elections, The Associated Press said.The questions were placed on the state’s primary ballot by the Republican-controlled Legislature. They were rooted in complaints raised about the 2020 election, including objections to donations that a group supported by the billionaire Mark Zuckerberg and Priscilla Chan, his wife, made to local election offices, as well as assistance given to election administrators by nonprofit groups. The donations could be used to defray any of a wide variety of costs, like polling-place rental fees, drive-through voting sites or training for poll workers.Mr. Zuckerberg has said he no longer planned to award grants to election offices.President Biden narrowly won Wisconsin in 2020, a result that some Republicans tried and failed to overturn afterward. Voters in the state, which Donald J. Trump carried in 2016, tend to split about evenly between the two major parties, and the state could be decisive in this year’s presidential race. Republicans have argued that funding for running elections should be provided solely by the government and should be allocated equitably to all jurisdictions.Opponents of the ballot question concerning outside staffing for election offices said Wisconsin law already made clear who could or could not work as an election official, and that passing the amendment could have unintended consequences.By opting for a statewide vote on the proposed election limits, Wisconsin Republicans were able to maneuver around Gov. Tony Evers, a Democrat who vetoed a bill in 2021 that would have banned private grants for elections.“Regardless of the source of additional funding for election administration, election administrators must always run elections according to state and federal law,” Mr. Evers said in his veto message.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

The deal, which would be one of the largest U.S. arms sales to Israel in years, awaits congressional approval as criticism of the war in Gaza rises.The Biden administration is pressing Congress to approve a plan to sell $18 billion worth of F-15 fighter jets to Israel, as President Biden resists calls to limit U.S. arms sales to Israel over its military offensive in Gaza.The State Department recently sent an informal notice to two congressional committees to start a legislative review process for the order, a first step toward the department’s giving formal authorization for the transfer of up to 50 of the planes.The F-15 order was reported earlier by Politico and CNN and confirmed by two U.S. officials. The deal, which would be one of the largest U.S. arms sales to Israel in years, would also include munitions, training and other support.Although the United States has expedited some arms for Israel’s current campaign against Hamas, the F-15s would not be delivered for at least five years, the U.S. officials said.With a top speed of nearly 2,000 miles per hour, the F-15 is capable of both air-to-air combat and bombing targets on the ground. While Israel has used the F-15s it already owns to strike Gaza, its request for the planes appears to reflect longer-term concern about regional threats, including from Lebanon-based Hezbollah, Iran-backed militias in Syria, and Iran itself. The Israel Defense Forces would probably employ F-15s in any potential attack on Iran’s nuclear program.Israeli officials have also told their U.S. counterparts that Israel is about to place a new order for F-35 jets, a U.S. official said.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

The C.I.A. told Russia that Islamic State terrorists were plotting an attack on Crocus City Hall, a concert venue.The U.S. warning to Russia ahead of a terrorist attack near Moscow was highly specific: Crocus City Hall was a potential target of the Islamic State, according to U.S. officials.The warning had the right venue but imprecise timing, suggesting that the attack could come within days. Indeed, the public warning by the United States Embassy on March 7 warned of potential terrorist attacks in the next two days.Gunmen stormed the hall on March 22, killing 144 people, the deadliest attack in Russia in nearly 20 years. The Islamic State claimed responsibility for the attack, and Russia charged four men from Tajikistan, accusing them of carrying out the massacre.But President Vladimir V. Putin and other top officials have continued to claim, without evidence, that Ukraine could have played a role in the attack, a statement that American officials have repeatedly said was baseless.The news that the U.S. warning specified the precise target of the attack was reported earlier Tuesday by The Washington Post.The United States works intensely to collect intelligence on potential plots by the Islamic State and its Afghanistan-based branch, ISIS-Khorasan.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

Donald J. Trump, appearing in two crucial swing states on Tuesday, avoided discussing abortion but teased that he would address the issue “next week,” once again demurring on taking a clear position on the issue after two Florida Supreme Court rulings shook up the 2024 campaign in the former president’s home state.The conservative top court in Florida on Monday allowed a strict six-week abortion ban to take effect in May while also allowing a proposed constitutional amendment to be placed on the ballot that would guarantee access to abortion “before viability,” or at about 24 weeks.The rulings present a potential new vulnerability for Mr. Trump in the presidential race. Florida has become steadily more conservative in recent years, placing most statewide elections well out of reach for the Democratic Party. But the two decisions will elevate abortion — an issue that has carried many races for Democrats in recent years — to a position of prominence both on the campaign trail and on the ballot.The former president indicated last month that he was likely to back a 15-week federal ban on abortion, while adding that he thought abortion should be a state issue — and that anti-abortion activists who wanted a ban earlier in pregnancy should understand that “you have to win elections.”Mr. Trump did not otherwise address abortion in his campaign appearances on Tuesday in Grand Rapids, Mich., and Green Bay, Wis. Mr. Trump said that “we’ll make a statement next week on abortion” after being asked by a reporter in Grand Rapids if he supported the six-week ban in Florida. The pro-Trump crowd tried to drown out the question with boos and began chanting “four more years” and “U.S.A.” as Mr. Trump walked away.Representatives of the Trump campaign did not immediately respond to questions about the abortion announcement and where that would fit into Mr. Trump’s campaign schedule. The former president has often promised policy plans — for example on infrastructure or health care — that are either delayed or never delivered.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

David Ellison, the founder of the Skydance media company, met with Paramount’s board of directors late last month to discuss the deal.Shari Redstone is getting one step closer to selling her media empire.Paramount, home to one of Hollywood’s most storied movie studios as well as CBS and cable networks like Nickelodeon, has been discussing entering into exclusive talks with the media company Skydance for a potential deal, according to four people with knowledge of the discussions. Moving to exclusive talks would be a significant step forward in a process that has been shrouded in uncertainty for months.Whether the two sides will agree to exclusivity remains to be seen, especially with other investors still pursuing Paramount. Apollo Global Management, an investment firm with more than $500 billion under management, has submitted an $11 billion offer to acquire the Paramount movie studio. Paramount’s board of directors, though, is seeking a deal for the entire company — including its cable channels and CBS — rather than pieces.Apollo continues to evaluate what proposal might most appeal to the company’s board, two people familiar with the situation said. Byron Allen, whose Entertainment Studios owns the Weather Channel, has also expressed interest in acquiring Paramount.Ms. Redstone, the controlling shareholder of Paramount, began negotiating with Skydance to sell her stake in the company last year. She controls Paramount through National Amusements, a holding company that owns her voting stock in Paramount. Ms. Redstone has held off on a sale for years, betting that the company’s fortunes would improve as its flagship streaming service, Paramount+, gained momentum.The terms of the deal being discussed would involve Skydance’s buying National Amusements and merging with Paramount. That deal hinges on approval from Paramount’s board, which has for weeks been weighing its options with the help of advisers.Late last month, David Ellison, the tech scion who founded Skydance, met with Paramount’s board committee to discuss his vision for a deal, according to two of the people familiar with the talks. Founded in 2010, Skydance is best known for shepherding blockbusters for Paramount, including movies in the “Mission: Impossible” and “Top Gun” franchises.Representatives for Paramount and Skydance declined to comment, and the financial terms of the deal couldn’t be learned.Paramount’s stock has fallen 18 percent since the start of the year amid headwinds for the media industry. The company is trading at a steep discount to the combined value of Viacom and CBS, which merged to form Paramount in 2019. Paramount+ is still losing money, but its losses have slowed and it continues to add subscribers.The ratings agency S&P Global downgraded Paramount’s debt to junk last week, citing “accelerating declines” in its traditional television business and continued uncertainty in its push toward streaming. Some analysts said that ratings action might make Paramount easier to acquire, since it could circumnavigate a provision that would require a buyer to immediately pay the company’s debt. More

By merrily using fiction to dissect itself, he was at the vanguard of a movement that defined a postwar American style.Nobody likes the comic who explains his own material, but the writer John Barth, who died on Tuesday, had a way of making explanations — of gags, of stories, of the whole creative enterprise — sing louder and funnier and truer than punchlines. The maxim “Show, don’t tell” had little purchase with him. In novels, short stories and essays, through an astoundingly prolific six-decade career, he ran riot over literary rules and conventions, even as he displayed, with meticulous discipline, mastery of and respect for them.He was styled a postmodernist, an awkwardly fitting title that only just managed to cover his essential attributes, like a swimsuit left too long in the dryer. But it meant that much of what Barth was doing — cheekily recycling dusty forms, shining klieg lights on the artificiality of art, turning the tyranny of plot against itself — had a name, a movement.For many years, starting in the 1960s, he was at the vanguard of this movement, alongside writers like Thomas Pynchon and William Gaddis. He declared that all paths for the novel had already been taken, and then blazed new ones for generations of awe-struck followers. He showed us how writing works by letting us peer into its machinery, and reminded us that our experience of the world will always be dictated by the instruments we have to observe and record it. While never abandoning narrative, he found endless joy in picking apart its elements, and in the process helped define a postwar American style.Were Barth the author of this article, for example, he might pause here to point out that the lines above constitute what journalists like to call the nut graf, an early paragraph that provides larger context for the topic at hand and tries to establish its importance — and is sometimes wedged in last-minute by a harried writer or editor ordered to “elevate” a story or “give it sweep.” Then Barth might explain why this one is lousy, why the whole business of nut grafs is more or less absurd.The constructive disruption, the literary public service announcement: It became something of a signature for Barth, and it’s best expressed in his story collection “Lost in the Funhouse” (1968). The title piece, a masterwork of metafiction, follows a teenage boy lurching about the revolving discs and mirrored walls of an amusement-park fun house, where he realizes, dolefully, that he is better suited to construct such contrivances than experience them.Throughout, a comically pedantic narrator critiques the very tale he’s telling by identifying the flashy tricks of the “funhouse” that is fiction: symbolism, theme, sensory detail, resolution. The story is simultaneously a rigorous analysis, vivid example and ruthless dismantling of how literature operates.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

Alaluna offers dry-aged fish with an Italian approach, Bon Bon serves up Swedish hot dogs and more restaurant news.OpeningLola’sThe chef Suzanne Cupps is honoring her lola (grandmother in Filipino) Annunciasion Rocamora Paraiso with this new restaurant that pays tribute to her courage during World War II. The menu reflects Ms. Cupp’s experiences growing up in Aiken, S.C., and working in New York with the chefs Anita Lo and Michael Anthony. Expect seasonal dishes like Southern stuffed clams, fried tilefish lettuce wraps with kohlrabi slaw, country rib skewers, and stir-fried egg noodles with early spring greens and silk chile crisp. The beverage director, Adrienne Vanni, has sought value on the wine list, with many options under $100 and several nonalcoholic choices. There is a bar up front and tables at green banquettes that follow back to the emerald tile open kitchen with a terrazzo counter where the chef will be at work. (Opens Thursday)2 West 28th Street, 646-941-4787, lolasnyc.com. AlalunaThe downtown group of Italian shopping and eating areas called Travelers Poets and Friends is now complete with the addition of this intimate spot for seafood by the executive chef and partner Riccardo Orfino. The emphasis is on dry-aged fish. Exposing fish to air, a Japanese technique that’s gaining ground, reduces moisture to the benefit of fat and succulence. Mr. Orfino takes it to Italy with a cured fish plate, aged bonito tartare and smoked yellowtail agnolotti. The restaurant is next to the all-day bistro in the space.467 Avenue of the Americas (11th Street), 212-420-0057, travelerspoetsandfriends.com. Mala Hot PotThis is not the first Chinese restaurant named málà, meaning numbing and spicy, as known best in Sichuan food. The partner Kevin Chen, formerly of Tang Hotpot, and the chef Yi Bin Yang, from Sichuan, offer a raft of ingredients including prime and Wagyu beef, assorted vegetables and innards like tripe, duck blood and pork artery to simmer in broth. The setting is industrial.35 West 36th Street, 646-582-4049, malahotpotnyc.com. The MouthBrooklyn Art Haus in Williamsburg now has its own restaurant next door. The kitchen is run by the chefs Naama Tamir and her brother, Assaf Tamir, who own Lighthouse Restaurant nearby. The menu, which emphasizes sustainability, is mainly Middle Eastern and will expand to cover more of the Mediterranean. (Saturday)20 Marcy Avenue (Metropolitan Avenue), Williamsburg, Brooklyn, 929-397-0000, themouthbk.com. Dinner at Shlomo’sThis supper club, tucked inside Comodo restaurant and named for the “Law Office of Shlomo and Shlomo” found on a door in the restaurant’s cellar, will offer chef’s dinners, $150. From Thursday through Saturday the chef will be Elly Fraser, who had a restaurant, Elly’s, in Mexico City and is now cooking in New York. From April 18 to 20, the chef will be Carolina Santos-Neves of Comodo. (Thursday)Freehand New York, 23 Lexington Avenue (23rd Street), 212-475-1924, [email protected]. Universal TacoFranklin Becker has changed the name and concept of what was Oliva Tapas in the food hall on Columbia University’s uptown campus. It now takes a global approach to tacos with fillings like Jamaican braised oxtail and lamb gyro along with traditional choices like al pastor. (April 9)3229 Broadway (130th Street), manhattanvillemarket.com/universaltaco. We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More