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He will be the youngest music director in the orchestra’s 133-year history, and one of the youngest ever to lead a top American ensemble.The Chicago Symphony Orchestra, which has been led for decades by conducting titans including Georg Solti, Daniel Barenboim and Riccardo Muti, announced Tuesday that its next music director would be Klaus Mäkelä, a 28-year-old Finnish conductor whose charisma and clarity have fueled his rapid rise in classical music.When he begins a five-year contract in 2027 at 31, Mäkelä will be the youngest maestro in the ensemble’s 133-year history, and one of the youngest ever to lead a top orchestra in the United States.Mäkelä, who will become music director designate immediately, said in an interview that he did not think his age was relevant, noting that he had been conducting for more than half his life, beginning when he was 12.“I don’t think about it,” he said. “Music doesn’t really have any age.”Mäkelä, who will also take over as chief conductor of the Royal Concertgebouw Orchestra in Amsterdam in 2027, said he was joining the Chicago Symphony because it has “that intensity — that same sound from the past.”“You felt as if anything you would ask, they could actually improve and do more,” he said, recalling his recent guest appearances there. “For a conductor, that is a very, very special feeling because you see that there really are no limits to what you can achieve.”Mäkelä making his debut conducting the New York Philharmonic in December 2022.Chris LeeWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

The pop superstar teased a move to country, then tackled so much more. Three critics and a reporter explore her new album’s inspirations, sounds and stakes.BEN SISARIO I don’t usually say this about news releases, but since Beyoncé says so little about the making of her art, the “Cowboy Carter” announcement was intriguing for noting that “each song is its own version of a reimagined Western film,” and that Beyoncé screened movies while she recorded, including “Urban Cowboy,” “The Hateful Eight,” even “Space Cowboys” (?!).My first reaction to hearing the album was surprised gawking at its range of genre and sound, after she head faked us all into perhaps more limited expectations of “country.” (Of course we should have known better.) Viewed only as a genre-hopping exercise, “Cowboy Carter” might be a confusing jumble. But the film frame puts narrative and character at the center of her message, and with that everything came into clearer focus for me.As a heroine, Beyoncé makes a big, bold statement of her quest in “Ameriican Requiem,” taking on nothing less than American history. She finds villains in Jolene and (ahem) the Grammys. Songs like “II Most Wanted” and “Levii’s Jeans” could be plot-break montages while our conquering cowgirl hangs with some sidekicks she meets along the way. By the final reel she’s recapitulating her complaints and declaring herself the victorious leader of a grand resistance (“We’ll be the ones to purify our fathers’ sins”).SALAMISHAH TILLET I’ve listened to the album so many times now — on a plane, in a spin class, and, as I think she intended, while I drove on the highway (sadly, 280, not the 405). Yes, Ben, she has gone big here! But, instead of longing for some lost past, she is taking on “History” — musical and American — with, as we say in academia, a big “H,” or those big narratives about identity, belonging and discrimination.I almost missed those lyrics, “Whole lotta red in that white and blue, ha/History can’t be erased, oh-oh/You lookin’ for a new America” because I was too busy Proud Marying, jerking and twerking to “Ya Ya.” I think that might be the point — it is as if she saying, “The times are so desperate, I am going to use all the vocal gifts and genres at my disposal to bring the country together and show you how good I am at doing them (again)!”Beyoncé onstage with the Chicks performing “Daddy Lessons” at the 2016 Country Music Association Awards.Image Group LA/ABC, via Getty ImagesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

Responding to our list of the funniest books since “Catch-22,” readers offer their own choices.Nothing is funnier than unhappiness, according to Samuel Beckett, and publishing an excruciatingly short list of books deemed “the funniest” was bound to create a fair amount of it. We asked our staff book critics to choose 22 favorites among the many books that have made them laugh: They had to be novels written in English and published since “Catch-22” (1961), which we felt was a turning point in American literary humor. Then we heard from you on what our critics missed. In article comments and a reader questionnaire, more than 4,000 of you let us have it.What fired up readers the most was our omission of A CONFEDERACY OF DUNCES (1980), John Kennedy Toole’s novel about a hapless medievalist and sometime hot-dog vendor padding around New Orleans. It was, by a landslide, the most frequently cited title in your responses, and your reactions ranged from gentle prodding to biblical wrath. Many recounted their ecstatic reading experiences: “My wife and I took turns reading chapters aloud in bed, readings that countless times were choked off by paroxysms of laughter and tears,” wrote Fritz and Cindy Tripp Johnson of Dillingham, Alaska.Other popular picks included THE HITCHHIKER’S GUIDE TO THE GALAXY (1979), by Douglas Adams; WHERE’D YOU GO, BERNADETTE? (2012), by Maria Semple; and LESS (2017), by Andrew Sean Greer. John Irving! many clamored. Gary Shteyngart! Elif Batuman! All great suggestions. For some of you, the time frame was too constraining, as were any conventional understandings of humor: You oddballs went to bat for “Wuthering Heights,” “Moby-Dick,” “The Magic Mountain” and, somewhat distressingly, “The Pentagon Papers.”“Not since ‘The Bell Jar’ have I laughed at food poisoning,” said Alice McGinnis of Silver Spring, Md., who pulled for Katherine Heiny’s STANDARD DEVIATION (2017).Here’s what else you told us.You appreciate certain authors but disagree on which is their funniest book.Carl HiaasenSQUEEZE ME (2020): “Skewers the Former Guy [Donald Trump], Palm Beach, xenophobia and Florida wildlife control, and makes me laugh out loud, even on second reading. What’s not to love?” — Lin Robinson (Albuquerque, N.M.)We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

The civil rights activist’s life and legacy will be honored in a 2024-25 lineup that will also include spotlights on jazz history, and a rising star to warm up November.Jazz at Lincoln Center announced its 2024-25 concert season on Tuesday, which will include performances that celebrate the 20th anniversary of the center’s Frederick P. Rose Hall, a tribute to the civil rights activist Bayard Rustin and concerts by Grammy Award-winning artists.The season will run from Sept. 19, 2024, to June 14, 2025, and will begin with Hot Jazz and Swing, in which the music director Loren Schoenberg will guide the Jazz at Lincoln Center Orchestra through revitalized arrangements of 1920s and ’30s tunes.On Oct. 18-19, Bryan Carter, a drummer and composer, will lead the Jazz at Pride Orchestra in honoring the life and legacy of Rustin.Other nods to the past will focus on the history of jazz. Led by Wynton Marsalis, the artistic director of Jazz at Lincoln Center, the center’s orchestra will perform 10 concerts that will each pay homage to a decade of jazz history, from the 1920s to the present.Performances in February will honor the early years of jazz and its many inspirations by incorporating cuts from blues, gospel, country and bluegrass, as well as from recordings by Louis Armstrong, Duke Ellington and others. On Nov. 8-9, a pair of concerts will focus on the jazz pioneers Thelonious Monk, Bud Powell, Tadd Dameron and others.From Jan. 16-18, Cool School & Hard Bop concerts will explore midcentury jazz, featuring works from Miles Davis, Art Blakey, Max Roach and others. And May 29-31, the saxophonist Ted Nash will lead the Jazz at Lincoln Center Orchestra in performances of new arrangements of music associated with the 1970s.The season will also include more modern performances, including concerts that will feature music from Joanne Brackeen, Charlie Haden, Terence Blanchard and others.Several concerts will also spotlight specific musicians. On Nov. 15-16, Joshua Redman will return to the Rose Theater in a collaboration with Gabrielle Cavassa, a rising star from New Orleans. Later in the season, on Feb. 14-15, Dianne Reeves will perform in a Valentine’s Day celebration filled with songs about romance and heartbreak. The pianist and composer Monty Alexander will celebrate his 80th birthday by performing on Jan. 24-25, while Anat Cohen and her brothers will celebrate her 50th birthday with performances of early swing, post-bop and Brazilian choro on March 14-15.The final performances of the season, June 13-14, will feature music directed by Marsalis and will showcase works by the veteran band members Chris Crenshaw, Vincent Gardner and others. More

The group said one of the seven workers who was killed was a dual citizen of the U.S. and Canada, while the others were from Australia, Britain, Gaza and Poland.The disaster relief organization World Central Kitchen said seven of its workers were killed in the Gaza Strip late on Monday in an Israeli strike on their convoy. It said one of the seven was a dual citizen of the United States and Canada, while the others were from Australia, Britain, Gaza and Poland. Here’s what is known about the victims, listed by homeland:AustraliaAustralia’s foreign minister, Penny Wong, condemned the strike and named its citizen who had been killed as Lalzawmi Frankcom, known as Zomi.“The tributes flowing for Lalzawmi ‘Zomi’ Frankcom tell the story of a life dedicated to the service of others, including her fellow Australians during natural disasters,” Ms. Wong said on social media, adding that “her tireless work to improve the lives of others should never have cost Ms. Frankcom her own.”Last month, World Central Kitchen posted a video of Ms. Frankcom talking to a chef in the organization’s kitchen in Deir al Balah in central Gaza as he prepared rice and stew for hungry Gazans.BritainBritain’s foreign secretary, David Cameron, said on social media on Tuesday that “British nationals are reported to have been killed” in the incident. He gave no further details.GazaA Palestinian working as a driver and translator for World Central Kitchen was also killed. Agence France-Presse and Reuters, which gave two different names for the man, released photos of his body being carried at his funeral in Rafah, in southern Gaza.PolandDamian Sobol, an aid worker from the southeastern Polish city of Przemysl, died in the attack, according to the city’s mayor, Wojciech Bakun.“There are no words to describe what people who knew this fantastic boy feel at this moment,” he said in a post on social media.United States and CanadaInformation about the identity of the dual citizen of the United States and Canada was yet to emerge. More

The regional rivals have for decades targeted each other’s interests, including with a recent strike in Syria that killed three Iranian commanders. Here are some other notable flash points.For decades, Israel and Iran have fought a shadow war across the Middle East, trading attacks by land, sea, air and in cyberspace.Iran has largely used foreign proxies to strike Israeli interests, while targeted assassinations of Iranian military leaders and nuclear scientists have been a key part of Israel’s strategy.Israel’s strike in the Syrian capital, Damascus, that killed three top Iranian commanders on Monday was the most brazen attack in years, raising fears of a wider confrontation. That would be particularly dangerous in a region already in turmoil on multiple fronts, including Israel’s war in Gaza, cross-border skirmishes between Israel and the Lebanese militant group Hezbollah and attacks by Yemen’s Houthi militia against Western interests in the Red Sea. An escalation between Israel and Iran would also risk further entangling the United States, given the presence of American troops in the region.Here are some key moments in the yearslong conflict.January 2020: A major targetThe assassination of Maj. Gen. Qassim Suleimani, commander of the foreign-facing arm of Iran’s Islamic Revolutionary Guards Corps, in an American drone strike in Baghdad was greeted with satisfaction in Israel.Crowds at the funeral for Maj. Gen. Qassim Suleimani in Tehran in 2020.Arash Khamooshi for The New York TimesIran hit back by attacking two bases in Iraq that housed American troops with a barrage of missiles, injuring about 100 U.S. military personnel.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

Former President Donald J. Trump will campaign on immigration and border policy today with events planned in Michigan and Wisconsin, two crucial battleground states in the Midwest.Mr. Trump and other Republicans are trying to keep voters’ attention on the border as President Biden and Democrats, bolstered by a pair of court rulings out of Florida on Monday, grow more optimistic about their ability to center the campaign on abortion.On Monday afternoon, the Florida Supreme Court overturned decades of precedent in ruling that the State Constitution did not protect abortion rights, allowing a six-week ban to take effect. But it simultaneously ruled that a proposed constitutional amendment to guarantee abortion rights until fetal viability could go on the ballot in November.That means Floridians will be voting directly on abortion after living with a near-total ban for several months — which Democrats hope will increase turnout and give them a fighting chance in a state that has become increasingly favorable to Republicans.Wisconsin is one of several states with presidential primaries on Tuesday, and its voters will also decide on two ballot measures after the state’s Republican-led Legislature proposed changing the State Constitution to restrict private funding and staffing of election offices.Connecticut, Rhode Island, New York are also voting. Mr. Trump and President Biden have already clinched their nominations, though, so the outcomes of today’s primaries are not in doubt. Delaware even canceled primaries it would have otherwise held today.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

“Fallout,” “Girls State” and a “Bluey” special are streaming.Every month, streaming services add movies and TV shows to its library. Here are our picks for some of April’s most promising new titles. (Note: Streaming services occasionally change schedules without giving notice. For more recommendations on what to stream, sign up for our Watching newsletter here.)New to Amazon Prime Video‘Fallout’ Season 1Starts streaming: April 11This sardonic postapocalyptic action-adventure series combines elements from different games within the larger “Fallout” video game franchise, which since its debut in 1997 has delighted gamers with a mix of rich storytelling and wry wit. The series has Ella Purnell playing Lucy, an exemplary citizen in an underground bunker colony on an Earth ravaged by nuclear warfare. When circumstances force Lucy to the surface, the sunny optimism she learned from her father (Kyle MacLachlan) is tested by her encounters with scavengers, mutants and heavily armed soldiers in robotic armor. Developed by Jonathan Nolan and Lisa Joy (the team behind “Westworld”) with the showrunners Geneva Robertson-Dworet (the co-writer of “Captain Marvel”) and Graham Wagner (a “Portlandia” writer), “Fallout” aims to be the rollicking, irreverent counter to all the dour end-of-the-world TV shows.Also arriving:April 1“House” Season 1April 4“Música”April 5“How to Date Billy Walsh”“Alex Rider” Season 3April 12“Apartment 404”April 18“Dinner With the Parents” Season 1“Going Home With Tyler Cameron” Season 1April 25“Them: The Scare” Season 1Cecilia Bartin in “Girls State,” a documentary directed by Amanda McBaine and Jesse Moss on Apple TV+.Whitney Curtis/Apple TV+New to Apple TV+‘Girls State’Starts streaming: April 5The 2020 documentary “Boys State” followed a group of Texas high schoolers at a politics-themed summer camp. For this sequel, the directors Jesse Moss and Amanda McBaine cover a similar camp from a different perspective, embedding with Missouri high school girls as they run for office, draft resolutions and hear court cases, emulating the functions of a state government. This particular edition of Missouri’s Girls State was held on the same campus as Boys State, inviting direct comparison between the programs (which differ in their levels of rigor). It also happened not long after the draft of the Supreme Court’s Dobbs v. Jackson decision was leaked. As with the earlier film, Moss and McBaine avoid turning their subjects into simplistic heroes or villains. Instead, “Girls State” honors these bright, concerned young ladies’ earnest interest in making friends and becoming better leaders.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More