Elections

Mansi Kothari makes her New York Times Crossword debut in a collaboration with Erik Agard.Jump to: Tricky CluesFRIDAY PUZZLE — If you solve crosswords regularly and have wondered what it would be like to make one of your own — perhaps you would like to see your byline in a publication such as The New York Times one day — you should know that there are experienced constructors who are happy to mentor new puzzle makers. They volunteer their time so that a wider range of voices and worldviews will be present in our crosswords, and that is a good thing. In fact, I think these constructors provide a noble service, right up there with the person who eventually ends daylight saving time so we can all get more sleep.Learning the ropes from an experienced constructor is important, especially if you would like to see your creation published within the next decade, because puzzle making is not an intuitive art. There are a lot of rules that need to be followed and broken as well. Part of the art is in knowing whether breaking a particular rule is a good idea or whether it’s an idea that will land your puzzle on the reject pile — a mentor can help you with that. Take my word for it, this will save you a lot of time.Erik Agard, a constructor for The New Yorker and former editor of the USA Today crossword, mentors aspiring puzzle makers, but he also contributes something else: He believes puzzles should be made conscientiously, with the intent to educate.Some solvers just want an escape from the world to go with their morning coffee, and there is nothing wrong with that. But there is also nothing wrong with learning something from solving a crossword. Awareness is the first step toward understanding, and understanding solves a whole host of problems.This is Mansi Kothari’s Times Crossword debut, and she acknowledges Mr. Agard in her constructor notes for demonstrating the importance of including entries that make people think. I liked the mix of trivia, pop culture and clues about social topics like the ones in 10D and 34A.Well done, Ms. Kothari. I hope to see more from you soon.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

The two men fled from a hospital in Boise, Idaho, after an ambush in which three corrections officers were shot. The authorities were investigating whether they had killed two people while at large.An Idaho prison gang member and an accomplice who fled a Boise hospital on Wednesday in a brazen escape in which three corrections officers were shot were arrested on Thursday, according to the authorities, who said they were investigating whether the men had killed two people while they were at large.The episode began about 2 a.m. Wednesday, when Idaho Department of Correction officers took Skylar Meade, 31, who is serving a 20-year prison sentence, to the Saint Alphonsus Regional Medical Center in Boise, Idaho, for medical treatment, the Boise Police Department said on Wednesday.As the officers were about to take him back to prison, they were attacked by someone who was later identified as Nicholas Umphenour, 28, according to the authorities. Three officers were shot — two by Mr. Umphenour, and one by a police officer who arrived at the hospital just after the ambush, the authorities said. Mr. Meade and Mr. Umphenour, who were prison mates for about four years, fled before Boise Police officers arrived at the hospital, the Police Department said.While Mr. Meade and Mr. Umphenour were on the loose, the police warned that the two men were considered “armed and dangerous.” They were caught without incident around 2 p.m. Thursday after a brief vehicle pursuit in the Twin Falls area, about 120 miles southeast of Boise, Chief Ron Winegar of the Boise Police Department said at a news conference.Lt. Col. Sheldon Kelley with the Idaho State Police said at the news conference that the authorities were investigating whether separate homicides of two men — one in Nez Perce County and another, about 100 miles northeast in Clearwater County in Idaho — are tied to Mr. Meade and Mr. Umphenour.Colonel Kelley said that shackles found at the scene of one of the killings helped the authorities establish a potential link to the two suspects.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

The circus-themed love story, already a novel and a movie, becomes a gorgeously imaginative Broadway musical.First come her ears, floating like ginkgo leaves. Then, from behind a screen, her shadow appears, followed by the marvelous sound of her trumpet. Next to arrive is her disembodied trunk, with a mind of its own, snuffling out friends and enemies and food. Finally, at the end of Act I of the new musical “Water for Elephants,” she is fully assembled: Rosie, the star of the circus, big as a bus and batting her pretty eyes.This gorgeous sequence, played out over perhaps 20 minutes, is emblematic of the many wonders awaiting audiences at the Imperial Theater, where “Water for Elephants” opened on Thursday. After all, Rosie is not a living creature potentially vulnerable to abuse. Nor is she a C.G.I. illusion. She is not really an illusion at all, in the sense of a trick; you can see the puppeteers operating and inhabiting her. Rather she is a product of the human imagination, including ours in the audience.What a pleasure it is to be treated that way by a brand-extension musical, a form usually characterized by craftlessness and cynicism. Indeed, at its best, “Water for Elephants” has more in common with the circus arts than it does with by-the-books Broadway. Sure, it features an eventful story and compelling characters, and apt, rousing music by PigPen Theater Co., a seven-man indie folk collective. But in the director Jessica Stone’s stunning, emotional production, it leads with movement, eye candy and awe.That’s only appropriate, given the milieu. The musical’s book by Rick Elice, based not just on the 2011 movie but also on the 2006 novel by Sara Gruen, is set among the performers and roustabouts of a ramshackle circus at the depths of the Depression. Escaping an unhappiness we learn about only later, Jacob Jankowski (Grant Gustin) jumps onto a train heading (as his introductory song tells us) “Anywhere.” But really, because the train houses the failing Benzini Brothers troupe, it’s heading everywhere — downhill and fast.Elice has smartly sped up the action by eliminating one of the two introductory devices that kept the movie’s story at a distance. In the one he retains, a much older Jacob (Gregg Edelman) serves as the narrator of the long-ago events. With pride but also anguish he recalls how, as a young man trained as a veterinarian, he quickly established himself in the chaotic and sometimes violent company of the circus: a hunky James Herriot caring for the medical needs of the animals. Soon, though, he becomes involved in more complicated, dangerous ways.The complication comes in the form of Marlena, the circus’s star attraction, who performs on horseback. The danger comes from her husband, August, Benzini’s possibly bipolar owner and ringmaster.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

The men bilked seven employees of more than $20,000 in wages, the Manhattan district attorney said. Workers sent desperate text messages.The owner of Grimaldi’s Pizzeria and the manager of its Manhattan branch were arrested on Thursday and charged with stealing more than $20,000 in wages from at least seven employees.Over the course of at least four years, the owner, Anthony Piscina, 63, and the manager, Frank Santora, 71, lied to and exploited pizza makers, salad preppers, busboys and dishwashers, the Manhattan district attorney, Alvin L. Bragg, said at a news conference.The seven workers are each owed between $500 and $8,000, according to court documents.“What may appear to some as a relatively low dollar amount can have life-changing consequences when someone is making minimum wage,” Mr. Bragg said.Both men pleaded not guilty to one felony charge of scheme to defraud and seven misdemeanor counts of wage theft. Following their arraignment at Manhattan Criminal Court Thursday afternoon, they were released without bail.The original Grimaldi’s is near the Brooklyn Bridge, but the charges concerned employees at the Manhattan branch.Emil Salman for The New York TimesGerard Marrone, a lawyer representing both Mr. Piscina and Mr. Santora, said that the men were “blindsided” by the charges and weren’t fully aware of the accusations against them until several hours after their arrest.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

The memories are unforgettable. A flood of screaming families carrying their bloodied loved ones through the doors of an already inundated hospital. A small boy trying to resuscitate a child who looked not much older than himself. A 12-year-old with shrapnel wounds to his head and abdomen being intubated on the ground.That January day at the Nasser Hospital in Khan Younis in southern Gaza — the aftermath of a missile strike on an aid distribution site — has haunted Dr. Zaher Sahloul, an American critical care specialist with years of experience treating patients in war zones, including in Syria and Ukraine.He and other volunteer doctors who have returned from besieged hospitals in Gaza took their firsthand accounts of the carnage to Washington this week, hoping to convey to the Biden administration and senior government officials that an immediate cease-fire was needed to provide lifesaving medical care.Among the evidence Dr. Sahloul took to show the American officials — including members of Congress and officials from the White House, State Department, Defense Department and the United States Agency for International Development — was a photo of the 12-year-old boy and his death certificate. The child never woke up from surgery after being intubated, the doctor said, and the hospital could not reach his family amid a near-total communications blackout.In the aftermath of a missile strike in Khan Younis, Gaza, in January, a stream of victims was brought to the Nasser Hospital.Courtesy of Zaher SahloulTwo other doctors in the delegation — Amber Alayyan, a Paris-based deputy program manager for Doctors Without Borders, and Nick Maynard, a British surgeon — said that robust medical advancements achieved by local doctors in Gaza had been wiped out by Israel’s war against Hamas.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

The awards included a lifetime achievement honor given to Judy Blume.The novelist Lorrie Moore on Thursday won a National Book Critics Circle Award for fiction for “I Am Homeless if This Is Not My Home,” her novel that follows a devastated young teacher who goes on a road trip with the animated corpse of his ex-girlfriend, who has died by suicide.In a citation, one of the judges, David Varno, praised the novel as “a heartbreaking and hilarious ghost story” and “an unforgettable achievement from a landmark American author.”The awards, which were announced at a ceremony at the New School in New York City, are among the most prestigious literary prizes in the United States. Unlike other major awards, the recipients are chosen by book critics instead of committees made up of authors or academics.The critics organization, which was founded in 1974, is made up of more than 700 critics and review editors. Thursday’s awards recognized works published last year and were open to authors of books published in English in the United States.In addition to giving prizes in literary categories like biography, criticism, autobiography, fiction and poetry, the group also recognizes individuals and organizations for their contributions to literary culture.This year, Becca Rothfeld, the nonfiction book critic for The Washington Post and the author of a forthcoming debut essay collection, “All Things Are Too Small,” received the Nona Balakian Citation for Excellence in Reviewing. The award, named after a former New York Times Book Review editor, is given to an N.B.C.C. member for criticism.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

President Biden halted approvals for new exports of liquefied natural gas to study its effect on the climate, national security and the economy. Major oil- and gas-producing states are angry.Louisiana and 15 other Republican-led states sued the Biden administration on Thursday over its decision to temporarily stop approving new permits for facilities that export liquefied natural gas.The lawsuit contends that the Biden administration acted illegally when it decided in January to pause the approvals so it could study how gas exports affect climate change, the economy and national security.Filed in the United States District Court for the Western District of Louisiana, the lawsuit asks a judge to end the pause, arguing that the White House had flouted the regulatory process and instead taken action “by fiat.”“There is no legal basis for the pause,” Elizabeth B. Murrill, the attorney general of Louisiana, which led the legal challenge, said in an interview.Ms. Murrill, who referred to the pause as a ban, said halting permits for any amount of time would hurt states’ economies and would have significant long-term consequences abroad by restricting supplies of gas from the United States to Europe.The United States is the world’s top exporter of natural gas. Liquefied natural gas is a gas that has been cooled to a liquid state to allow for shipping and storage. Even with the pause, the country is still on track to nearly double its export capacity by 2027 because of projects already permitted and under construction. But any expansions beyond that are now in doubt.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

Eye-popping pieces are cropping up around Victoria Harbor this month, just in time for Art Basel Hong Kong.This month, just before Art Basel Hong Kong begins, an array of artworks — some towering, some glowing, another harking back to old Hong Kong — will pop up outside the walls of the Hong Kong Convention and Exhibition Center.Five of these new, large-scale works were commissioned by a department of Hong Kong’s government for its outdoor art project, “Art@Harbour,” the harbor being Victoria Harbor, which separates Hong Kong Island from the Kowloon Peninsula.Another piece was jointly commissioned by M+, Hong Kong’s contemporary art museum, and Art Basel Hong Kong. That work, a new black-and-white film by the Chinese artist and filmmaker Yang Fudong, “Sparrow on the Sea,” will be projected on the museum’s facade nightly.One of the “Art@Harbour” projects, “Schrödinger’s Bed,” is by the Hong Kong artist Dylan Kwok.Mr. Kwok’s work is named after Schrödinger’s cat, the famous thought experiment by the theoretical physicist Erwin Schrödinger.That experiment, which the scientist proposed as a commentary on quantum mechanics, suggests that, if a cat is inside a sealed box with something which may kill it, it is impossible to know whether the cat is alive or dead until you observe the cat. So, until you open the box, the cat is at once both dead and alive.Mr. Kwok explained by email that his installation, in Tamar Park, a waterfront green space in the Admiralty district, “consists of nine futuristic daybeds that are placed in a tic-tac-toe alignment. Six inflatable cats in checkerboard patterns are (randomly) seated or lay on six daybeds out of the total of nine.” These outdoor couches are programmed to glow in differing patterns from 6 p.m. to midnight, he added, to surprise visitors sitting on them.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More