Elections

Under normal circumstances, a visit by the Kennedy family to the White House on St. Patrick’s Day — a storied political family with Irish roots, hosted by a president of Irish heritage — might not be particularly newsworthy. But this year, the gathering had an undertone of family drama and political repudiation. Robert F. Kennedy Jr. is running an independent bid to supplant President Biden, breaking with the Democratic Party and with many members of his family, who have condemned his campaign as “dangerous.”They have also pointedly backed Mr. Biden. On Sunday, Kerry Kennedy — one of Mr. Kennedy’s sisters — posted a picture of the family on X at the White House with Mr. Biden. “President Biden, you make the world better,” she wrote. Mr. Biden responded to the post: “From one proud Irish family to another — it was good to have you all back at the White House.”Among the other Kennedy family members in attendance was Joseph P. Kennedy III, the U.S. special envoy to Northern Ireland. Robert F. Kennedy Jr’s presidential run has put him at odds with his family even as he repeatedly invokes their shared legacy on the campaign trail, and leans on Kennedy nostalgia. Mr. Kennedy, 70, an environmental lawyer, gained notoriety during the pandemic when his longstanding skepticism about vaccines and embrace of political conspiracy theories came to the fore.Mr. Kennedy had his own message for the Biden White House on St. Patrick’s Day: A complaint, shared in an email from his campaign Sunday morning, that his request for Secret Service protection had been once again denied. The Secret Service protects major candidates for president, but it is up to the homeland security secretary in consultation with a congressional panel to determine who qualifies. Mr. Kennedy, who is the son of the former attorney general and Senator Robert F. Kennedy and a nephew of former President John F. Kennedy, also appeared Sunday on The Volpe Report, a Pennsylvania public-access podcast, where he discussed the 60th anniversary of a speech his father made in Scranton — the birthplace of Mr. Biden. More

Muchos rusos dicen que apoyan a su presidente, pero no está claro cuáles serían sus preferencias si existieran otras alternativas.El Kremlin escenificó la votación presidencial rusa durante el fin de semana para enviar un solo mensaje dentro y fuera del país: que el apoyo al presidente Vladimir Putin es abrumador e inquebrantable, a pesar o incluso a causa de su guerra contra Ucrania.Desde el momento en que los resultados preliminares aparecieron por primera vez en la televisión estatal a última hora del domingo, las autoridades no dejaron lugar a interpretaciones erróneas. Putin, dijeron, obtuvo más del 87 por ciento de los votos, su competidor más cercano solo el 4 por ciento. Tenía toda la pinta de ser un plebiscito autoritario estilo Potemkin.Es posible que el Kremlin se haya sentido más confiado orquestando un margen de victoria tan amplio porque el índice de aprobación de Putin ha subido durante la guerra en las encuestas independientes, debido a un efecto bandera o de apoyo en tiempos de crisis, y al optimismo sobre la economía rusa. El Centro Levada, una encuestadora independiente, informó el mes pasado de que el 86 por ciento de los rusos aprobaban a Putin, su índice más alto en más de siete años.Pero aunque las cifras puedan sugerir un apoyo inquebrantable a Putin y a su programa en toda Rusia, la situación es más compleja de lo que transmiten los números. El líder de un grupo de investigación de la oposición en Moscú ha argumentado que el apoyo a Putin es en realidad mucho más frágil de lo que sugieren las simples cifras de aprobación.“Las cifras que aparecen en las encuestas de Rusia no significan lo que la gente cree que significan”, afirmó Aleksei Minyailo, activista de la oposición residente en Moscú y cofundador de un proyecto de investigación llamado Chronicles, que ha estado encuestando a rusos en los últimos meses. “Porque Rusia no es una democracia electoral, sino una dictadura en tiempos de guerra”.Una televisión en Moscú muestra los resultados electorales para Putin el domingo, último día de las elecciones.Maxim Shemetov/ReutersWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

The findings from the National Institutes of Health are at odds with previous research that looked into the mysterious health incidents experienced by U.S. diplomats and spies.New studies by the National Institutes of Health failed to find evidence of brain injury in scans or blood markers of the diplomats and spies who suffered symptoms of Havana syndrome, bolstering the conclusions of U.S. intelligence agencies about the strange health incidents.Spy agencies have concluded that the debilitating symptoms associated with Havana syndrome, including dizziness and migraines, are not the work of a hostile foreign power. They have not identified a weapon or device that caused the injuries, and intelligence analysts now believe the symptoms are most likely explained by environmental factors, existing medical conditions or stress.The lead scientist on one of the two new studies said that while the study was not designed to find a cause, the findings were consistent with those determinations.The authors said the studies are at odds with findings from researchers at the University of Pennsylvania, who found differences in brain scans of people with Havana syndrome symptoms and a control groupDr. David Relman, a prominent scientist who has had access to the classified files involving the cases and representatives of people suffering from Havana syndrome, said the new studies were flawed. Many brain injuries are difficult to detect with scans or blood markers, he said. He added that the findings do not dispute that an external force, like a directed energy device, could have injured the current and former government workers.The studies were published in The Journal of the American Medical Association on Monday alongside an editorial by Dr. Relman that was critical of the findings.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

As the share price plunges, investors wonder whether the company, led by Elon Musk, can withstand intensifying competition.Elon Musk appeared to be in a defiant mood Wednesday when he stood before employees at Tesla’s factory near Berlin a week after an arsonist set fire to a high-voltage power pylon and brought production to a standstill.“They can’t stop us,” Mr. Musk, the company’s chief executive, told workers in a giant tent beside the plant.But there are proliferating signs that Tesla may not be as unstoppable as it once seemed. The company’s car sales are no longer growing at a torrid pace. Chinese automakers and established brands like BMW and Volkswagen are flooding the market with electric cars. And Tesla has been slow to respond with new models.Mr. Musk’s many outside ventures, and his penchant for making polarizing political statements and attacking people he disagrees with, have raised questions about how focused he remains on managing Tesla. Wall Street is increasingly concerned about the company: Tesla’s share price has lost one-third of its value this year even as major stock indexes have hit record highs.“A bet on Tesla has always been a bet on Mr. Musk,” said Eric Talley, a professor at Columbia Law School who focuses on corporate law, governance and finance.In an interview with the former television anchor Don Lemon that streamed online on Monday, Mr. Musk brushed off the drop in the company’s share price as part of the cycle.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

Jonathan Tetelman will sing in “La Rondine” and “Madama Butterfly” in New York. He trained as a baritone and worked as a D.J. before finding his “authentic voice” as a tenor.In the middle of last summer’s production of Verdi’s “Macbeth” at the Salzburg Festival, the American tenor Jonathan Tetelman brought down the house. As Macduff, Tetelman gave a searing rendition of “Ah, la paterna mano,” the heartbreaking aria after his character learns that the bloodthirsty monarch has slaughtered his wife and children.Tetelman’s performance in Krzysztof Warlikowski’s monumentally gloomy production was one of the festival’s highlights. Later this month, the 35-year-old tenor will make his Metropolitan Opera debut in Puccini’s “La Rondine.” He’ll also be heard at the Met as Pinkerton in a revival of the composer’s better-known “Madama Butterfly” that reunites him with his “Macbeth” co-star, the soprano Asmik Grigorian, in April and May. (There are planned Met Live in HD broadcasts of both productions.)In an email, the Met’s general manager, Peter Gelb, wrote that Tetelman had a “beautiful and big voice that is perfectly suited to the generous size of the Met’s auditorium, which is much larger than most European opera houses, and to these soaring Puccini roles.”Tetelman has swiftly risen to become one of his generation’s most in-demand lyric tenors and is particularly sought after for his Puccini. After singing Rodolfo in “La Bohème” for the first time in 2017 in Fujian, China, he reprised the role a year later at Tanglewood (replacing the Polish star tenor Piotr Beczala) and then on opening night of Barrie Kosky’s production at the Komische Oper Berlin in January 2019.Tetelman played Macduff in a performance of “Macbeth” at the 2023 Salzburg Festival.Bernd Uhlig/SFBut Tetelman’s path to the Met’s stage was anything but typical. Born in Chile, Tetelman was adopted by an American couple when he was 6 months old and grew up in Princeton, N.J. As an undergraduate at the Manhattan School of Music, he trained as a baritone but felt frustrated.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

The pop singer’s sixth No. 1 album opens at the top with the equivalent of 227,000 sales in the United States.Ariana Grande’s long-awaited new album, “Eternal Sunshine,” opens at the top of the latest Billboard chart with the biggest debut of the year so far, kicking off a season of expected blockbusters from Beyoncé, Taylor Swift and Dua Lipa.“Eternal Sunshine,” Grande’s seventh studio album and her first in almost four years, starts at No. 1 with the equivalent of 227,000 sales in the United States, including 195 million streams and 77,000 copies sold as a complete package, according to the tracking service Luminate. After a first single, “Yes, And?,” went to No. 1 in January, the full album arrived with Grande performing on “Saturday Night Live” and then — along with Cynthia Erivo, her co-star in the upcoming two-part “Wicked” film — appearing as a presenter at the Oscars.“Eternal Sunshine” is Grande’s sixth No. 1 album. All of her studio LPs have gone to the top except “Dangerous Woman” in 2016, which was held at No. 2 by that year’s juggernaut, Drake’s “Views.”Since her last album, “Positions” (2020), Grande has been shooting an adaptation of the Broadway musical “Wicked,” in which she will play Glinda the Good. Production on the film was delayed first by the coronavirus and then by last year’s SAG-AFTRA strike; the first “Wicked” film is now set to be released in November.Grande’s first-week numbers are the best for any new album this year by a decent margin, topping Ye and Ty Dolla Sign’s “Vultures 1” (148,000). More big figures are on the horizon for Beyoncé’s country pivot, “Cowboy Carter,” due at the end of this month; Swift’s “The Tortured Poets Department,” in April; and then Lipa’s “Radical Optimism,” in May.Also this week, Morgan Wallen’s “One Thing at a Time,” which hit No. 1 for the 19th time last week, falls to No. 2. Noah Kahan’s “Stick Season” is No. 3, “Vultures 1” is No. 4 and SZA’s “SOS” is No. 5. More

The United Automobile Workers union said that 70 percent of the 4,000 eligible Volkswagen workers at a Chattanooga factory had signed cards expressing support.Volkswagen employees in Tennessee who are hoping to join the United Automobile Workers asked a federal agency on Monday to hold an election, a key step toward the union’s longtime goal of organizing nonunion factories across the South.With the union’s backing, Volkswagen workers filed a petition with the National Labor Relations Board asking for a vote on U.A.W. representation, saying that more than 70 percent of the 4,000 eligible workers at the plant had signed cards supporting the union.“Today, we are one step closer to making a good job at Volkswagen into a great career,” Isaac Meadows, an assembly worker at the plant, said in a statement.If held, an election would be the first test of the U.A.W.’s newfound strength after staging a wave of strikes in the fall against the three Detroit automakers — General Motors, Ford Motor and Stellantis — and winning record wage increases.The U.A.W. has been hoping to use momentum from its bargaining with the Detroit-based manufacturers to organize nonunion plants in Southern states that pay significantly lower wages than union factories. The U.A.W. says it plans to spend $40 million over the next three years on its campaign.Chattanooga workers have voted on U.A.W. representation twice before, and slim majorities rejected unionization each time. In a 2014 vote, the union had no opposition from Volkswagen management, but there was vocal resistance from state Republican leaders, who suggested that unionizing would jeopardize expansion and job growth at the plant. A second narrow loss came in 2019.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

When the author received an impassioned email, he dropped everything to visit the students who inspired it.Tommy Orange sat at the front of a classroom in the Bronx, listening as a group of high school students discussed his novel “There There.”A boy wearing blue glasses raised his hand. “All the characters have some form of disconnection, even trauma,” Michael Almanzar, 19, said. “That’s the world we live in. That’s all around us. It’s not like it’s in some faraway land. That’s literally your next-door neighbor.”The class broke into a round of finger snaps, as if we were at an old-school poetry slam on the Lower East Side and not in an English class at Millennium Art Academy, on the corner of Lafayette and Pugsley Avenues.Orange took it all in with a mixture of gratitude and humility — the semicircle of earnest, engaged teenagers; the bulletin board decorated with words describing “There There” (“hope,” “struggle,” “mourning,” “discovery”); the shelf of well-thumbed copies wearing dust jackets in various stages of disintegration.When Orange spoke, students paid close attention. Many identified with the characters in Orange’s book “There There” and with the world it portrayed. Hiroko Masuike/The New York TimesHis eyebrows shot up when a student wearing a sweatshirt that said “I Am My Ancestors’ Wildest Dreams” compared the book to “The Road,” by Cormac McCarthy. When three consecutive students spoke about how they related to Orange’s work because of their own mental health struggles, he was on the verge of tears.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More