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The agency said an “undercover phone sweep” of more than 250 homes found that 38 failed to provide prices or supplied inconsistent prices in separate calls.The Federal Trade Commission said its first “undercover phone sweep” of funeral homes across the country had found that dozens didn’t accurately disclose costs for services to callers.Of the more than 250 funeral businesses F.T.C. employees called, 38 either didn’t answer questions about prices or supplied inconsistent prices for identical services, the commission said. Many homes, it said, provided “materially different” prices for the same services during two separate phone calls.Another home promised to send an itemized price list, the agency said, but instead sent a list of package prices, which don’t meet disclosure requirements.The 39 funeral homes received warning letters in January that they had failed to comply with a law known as the Funeral Rule. The F.T.C. enforces the rule, which outlines protections for consumers shopping for funeral services.“It’s very important that consumers are able to comparison shop,” said Melissa Dickey, an F.T.C. lawyer and a co-coordinator of the Funeral Rule. “Not everyone can go in person to pick up a price list.”Of the funeral home that sent a list of package options, Ms. Dickey said: “You don’t have to buy a package.” The funeral home must let you buy only the services you want.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

Exxon and Chevron reported robust earnings and large payouts to investors as they continued to expand their fossil-fuel production.Exxon Mobil and Chevron, the largest U.S. energy companies, on Friday reported sizable profits for the final quarter of last year, showing that the oil and gas industry remained robust at a time of doubts because of climate change concerns.The companies’ earnings were down from the bonanza year of 2022, when a surge in prices pushed up profits, but were otherwise the strongest in recent history.Exxon earned $7.6 billion in the fourth quarter of 2023, a 40 percent fall from the same period in 2022. For all of 2023, the company reported $36 billion in earnings, compared with $55.7 billion in 2022. Before that, the last time Exxon made more than $30 billion in a year was in 2014.Chevron reported earnings of $2.3 billion in the fourth quarter, down from $6.3 billion a year earlier. The change was because of lower commodity prices and write-downs, especially in the company’s home state, California. For the year, the company made $21.4 billion, down from $35.4 billion in 2022 but, like Exxon, otherwise its biggest annual profit in a decade.The companies generated enough cash to fund big dividends and share buybacks. Such payouts are what investors now look for in the industry, analysts say. “In 2023, we returned more cash to shareholders and produced more oil and natural gas than any year in the company’s history, “ Mike Wirth, Chevron’s chief executive, said in a statement.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

Companies like Meta that could tout their work in the fast-growing field saw a benefit in their fourth-quarter results — and won praise from eager investors.Mark Zuckerberg, Meta’s C.E.O., spoke expansively to analysts about his company’s work on A.I.Carlos Barria/ReutersA.I. and cost cuts lift Big Tech Earlier this week, Mark Zuckerberg of Meta endured a grilling on Capitol Hill and publicly apologized to relatives of victims of online abuse. Little more than a day later, he had a lot to crow about, as his business delivered some of its best quarterly earnings in years.Meta’s results illustrate how the most recent earnings season has gone for Big Tech: a mostly positive period in which companies that could claim the benefits of artificial intelligence and cost-cutting were hailed the most on Wall Street.Meta shot the lights out. After years of facing questions about its ad business and its ability to cope with scandals, the parent of Facebook and Instagram reported that fourth-quarter profits tripled from a year ago. A.I. was credited for some of that, with the technology helping make its core ad business more effective. So too was cost-cutting, which included tens of thousands of layoffs as part of the company’s self-described “year of efficiency.”Meta’s profit was so good that the company will soon start paying stock dividends for the first time (which could total $700 million a year for Zuckerberg alone) and announced a $50 billion buyback. It’s a sign that the tech giant is “coming of age,” according to one analyst, joining Microsoft and Apple in making regular payouts to investors.Zuckerberg pledged more investment in A.I. — “Expect us to continue investing aggressively in this area,” he said on an earnings call — and the company said it had largely concluded its cost cuts. But some analysts said that Meta will eventually have to show a return on that spending.Amazon also touted its A.I. initiatives. Much of its earnings call was spent talking about Rufus, a new smart assistant intended to help shoppers find what they’re looking for. (It may also allow Amazon to reduce ad spending on Google and social media platforms.)We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

Ryan Judge opens our solving weekend.Jump to: Tricky CluesFRIDAY PUZZLE — When constructors mention seed entries for their themeless puzzles, they are referring to words or phrases that enchant them so much that they choose to build entire crosswords around them.These entries are usually placed in the grid first, just as a gardener plants a seed in the ground. The rest of the fill is entered into the grid around that seed, the clues are written and then the entry is watered in well. With diligence, a dose of well-timed fertilizer in the spring and a bit of luck with regard to the weather, a constructor can look forward to a decent crop at harvest time.I’m sorry, I drifted. What I meant to say was that these seed entries can sometimes be the most interesting answers in the grid. While today’s puzzle by Ryan Judge is no different, he also includes a lot of other lively fill and clues for us to enjoy.Tricky Clues1A. This “Sky-high” is an emotion rather than a location. The answer is IN ECSTASY.15A. My brain has been trained to look for any misdirection in the clues, to the extent that I sometimes overthink them. I thought that “Solo act?” might have something to do with Solo cups, the ubiquitous party fixtures. In this puzzle, it’s an actor’s solo, and the answer is MONOLOGUE.17A. I knew that the “Footwear with distinctive yellow stitching” was made by the Doc Martens brand, but I had never seen it referred to as DR. MARTENS. A visit to its website showed me that’s actually the official name.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

Bruce Springsteen has long said that his mother was among his greatest influences and credited her with encouraging his musical ambitions.Adele Springsteen, who nurtured the budding musical talent of her son, the pioneering rock star Bruce Springsteen, died on Wednesday. She was 98.Mr. Springsteen announced his mother’s death in an Instagram post on Thursday. No cause was given, but Ms. Springsteen had struggled for more than a decade with Alzheimer’s disease.Her son has been outspoken about his relationship with his mother and her influence on him.Ms. Springsteen rented him his first guitar when he was 7, he said in 2021 during his Broadway show, “Bruce on Broadway,” which ran for more than two months as the city began to emerge from pandemic-related closures. The show had wide-ranging reflections, including thoughts about his mother.It was also Ms. Springsteen, he told the brimming Broadway audiences, at the St. James Theater, who danced to 1940s swing music and impressed in him the joys of bop-inspiring tunes, according to the NBC program “Today.”He also spoke of his mother’s ability to persist in her vivacious spirit even as aging and a punishing disease took their toll.“She’s 10 years into Alzheimer’s,” he said. “She’s 95. But the need to dance, that need to dance is something that hasn’t left her. She can’t speak. She can’t stand. But when she sees me, there’s a smile.”Ms. Springsteen was born Adele Zerilli on May 4, 1925, in Brooklyn. She married Douglas Springsteen, with whom she had her son in 1949 and later two daughters, Virginia and Pamela.She worked as a legal secretary and raised a young working-class family in Freehold, N.J., while her husband often struggled to find steady work and grappled with mental illness. He died in 1998.“She willed we would be a family and we were,” Mr. Springsteen wrote in “Born To Run,” his memoir. “She willed we would not disintegrate and we did not.”Ms. Springsteen’s high-spirited ethos, ever-present, seemed to be the through line in her life, and one that buoyed the lives of the people around her.“My mother is the great energy — she’s the energy of the show,” Mr. Springsteen told The Miami Herald in 1987. “The consistency, the steadiness, day after day — that’s her.” He added that “it was she who created the sense of stability in the family, so that we never felt threatened through all the hard times.”In the Instagram post on Thursday announcing his mother’s death, Mr. Springsteen shared a video of his mother, in old age, dancing to “In the Mood” by Glenn Miller, captioned with an excerpt from his own 1998 song about her, “The Wish.”“I’m older but you’ll know me in a glance,” it read. “We’ll find us a little rock ’n’ roll bar and we’ll go out and dance.”Aimee Ortiz More

Adele Springsteen bought her son, Bruce, his first electric guitar and encouraged him to get up and dance. She died on Wednesday at 98.Joy and despair, vitality and darkness course through Bruce Springsteen’s songs. The joy, he told the world, came from his mother, Adele Springsteen, who died on Wednesday at 98.When he accepted the Ellis Island Family Heritage award in 2010, Springsteen brought his mother onstage with her sisters, Dora and Eda, and declared, “They put the rock ’n’ roll in me.”Adele, born Adele Zerilli in 1925, was constantly listening to Top 40 radio when Springsteen was growing up, getting her son on his feet to dance with her. She scrimped to buy him his first electric guitar and she encouraged him to be a musician.She worked for decades as a legal secretary, an example that taught her son the dignity and camaraderie of holding a job. “It’s a sight that I’ve never forgotten, my mother walking home from work,” he said during “Springsteen on Broadway,” his autobiographical stage show. “My mom was truthfulness, consistency, good humor, professionalism, grace, kindness, optimism, civility, fairness, pride in yourself, responsibility, love, faith in your family, commitment, joy in your work and a never-say-die thirst for living — for living and for life. And most importantly, for dancing.”She also protected him from his father, who had a lifelong struggle with depression — and whose grimmer view of humanity is the counterweight that runs through Springsteen’s songs. “She was a parent,” he wrote in his memoir, “Born to Run,” and that’s what I needed as my world was about to explode.”As his career took off, she kept detailed scrapbooks of every small milestone. And she danced in the spotlight at her son’s concerts when she was well into her 90s, even when her Alzheimer’s disease had taken its toll and music was an instinctive consolation.“Through my mother’s spirit, love and affection, she imparted to me an enthusiasm for life’s complexities, an insistence on joy and good times, and the perseverance to see the hard times through,” the musician wrote in his memoir. That’s the measured, grown-up Springsteen, striking his balance. But a key moment in “Springsteen on Broadway” was “The Wish,” a song to his mother that glows with pure fondness.In it, he looks back to getting a guitar as a Christmas present, and he reminisces about “me in my Beatle boots, you in pink curlers and matador pants/Pullin’ me up on the couch to do the Twist for my uncles and aunts.” He also considers “all the things that guitar brought us” and offers to play his mother a request, but with one proviso: “If you’re looking for a sad song, well I ain’t gonna play it.”Art is never just autobiography, and children grow up to be far more than the sum of their parents. But anyone who’s ever shouted along on a chorus with an arena full of Springsteen fans — those choruses that often break through the darker thoughts in the verses — clearly owes Adele Springsteen some thanks. More

Gabby Beans shines as a time-hopping protagonist tracing her trauma in Rachel Bonds’s slip-slidey new Off Broadway play.Roundabout Theater Company’s website tells you right up front that the title character of “Jonah,” Rachel Bonds’s slip-slidey, stunning new play, “is not all he seems.” And if you click on the link to the production’s content advisory, self-harm, suicide and physical abuse are among the topics it flags.All of that can leave a theatergoer in a state of wariness — which, it turns out, is a great way to watch this play: trusting nothing, unsure where reality lies, guard firmly raised against any kind of charm. Mind you, “Jonah” will charm you anyway, and make you laugh. So will Jonah, the adorable day student (or is he?) whom Ana, our teenage heroine, meets at her boarding school (or does she?). Who and what is illusory here?The notes I took during the show are filled with skepticism like that about my own perceptions, even as Danya Taymor’s all-around excellent production, which opened Thursday at the Laura Pels Theater, lured me right in.The flirty, funny banter between the self-assured Ana (Gabby Beans, in a top-of-her-game performance) and the more broken-winged Jonah (a disarming Hagan Oliveras) is utterly adolescent, as is the way they occupy their bodies. They still have the flop-on-the-floor looseness of little kids, but it’s mixed with cheeky daring (mostly hers) and mortified caution (mostly his), because hormones and desire have entered the picture.“I don’t want to be weird,” Jonah says in Ana’s dorm room, when things between them edge toward intimacy, “and I just want you to feel OK and safe and my whole body is basically an alien colony, I have been colonized by sex aliens and I’m sorry.”With a flash of white light and a zapping sound, the comforting comedy of that milieu vanishes, as does Jonah. Ana is now in her bedroom at home, where a guy named Danny (Samuel H. Levine), who appears to be her brother, gives off a profoundly creepy vibe. (The set is by Wilson Chin, lighting by Amith Chandrashaker and sound by Kate Marvin.)We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

The police declined to say what the connection was between the child whose remains were found in a storage unit in Pueblo, Colo., and two children last seen in 2018.The remains of a child were found encased in concrete in a storage unit in Pueblo, Colo., last month, and the police said Thursday that they were searching for two other children last seen in 2018 as part of the homicide investigation.The grisly discovery was made on the morning of Jan. 10 at a storage facility downtown, the Pueblo Police Department said in a statement.The police said they were called to the facility, about 45 miles south of Colorado Springs, after a person found a metal container “filled with hardened concrete.” A search of the container revealed the remains of a child.The authorities said they were now searching for two children, Jesus and Yesenia Dominguez, who were last seen more than five years ago. Jesus would now be about 10 years old, and Yesenia would be 9, the police said. They would not provide information about how the two children might be connected to the child whose remains were found or to the homicide investigation.The Pueblo County Coroner will identify the remains, the police said. The coroner’s office did not immediately respond to a request for comment Thursday afternoon.Sgt. Franklyn Ortega of the Pueblo Police Department said by phone that while no report had been filed regarding the two missing children, the police had been called on to make welfare checks for the children but could never locate them.When asked why the police had not then inquired further about the children’s whereabouts, Sergeant Ortega said that there were “custody issues” regarding the children, and that he could not provide further details. He said that the police had questioned two people of interest regarding the homicide, but that they did not have anyone in custody. More