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      Republican Refers to Sarah McBride, Transgender Congress Member, as a Man

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      A Republican lawmaker abruptly adjourned a congressional hearing on Tuesday after being challenged for referring to Representative Sarah McBride, Democrat of Delaware and the first openly transgender lawmaker in Congress, as a man.The Europe Subcommittee of the House Foreign Affairs panel was in the middle of a hearing on arms control and U.S. assistance to Europe when its chairman, Representative Keith Self of Texas, introduced his colleague by calling her “Mr. McBride.”Ms. McBride, who entered Congress knowing she would present a unique target for Republicans who have politicized and attacked transgender people, has generally chosen to let such moments slide. On Tuesday, she briefly registered her displeasure by returning Mr. Self’s slight, responding, “Thank you, Madam Chair,” before proceeding with her remarks.But Representative William Keating of Massachusetts, the ranking Democrat on the subcommittee, was not willing to move on. He interrupted to request that Mr. Self repeat his introduction, which he did, again referring to the Delaware Democrat as “Mr. McBride.”“Mr. Chairman, you are out of order,” Mr. Keating fired back. “Mr. Chairman, have you no decency? I mean, I’ve come to know you a little bit. But this is not decent.”Mr. Self said it was time to continue the hearing. But Mr. Keating refused to let go.“You will not continue it with me unless you introduce a duly elected representative the right way,” he said.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Archaeologists Unearth Oldest Jewish Ritual Bath Found in Europe

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      Discovered outside Rome, the bath, which is thought to be a mikvah, could be more than 1,600 years old. When Luigi Maria Caliò, a classical archaeology professor, first brought students from the University of Catania to excavate an area of Ostia Antica, the ancient commercial port of call outside Rome, he wasn’t sure what he might find.The dig site had not been explored in modern times, despite its central location next to a square that was once the city’s headquarters for shippers and traders and is today renowned for its mosaics.“We thought we’d find some warehouses or a fluvial port,” he said. Instead, the archaeologists — budding and not — last summer uncovered what may be the oldest existing example in the ancient Roman world of a mikvah, a Jewish ritual bath. They have tentatively dated the structure to the late fourth or early fifth century.“Such an antique mikvah has never been found” outside Israel, “so it’s a very relevant find,” said Riccardo Di Segni, Rome’s chief rabbi. He added that the discovery contributed to further illuminating the rich history of Jews in Rome and Ostia Antica.Jews first came to Rome in the second century B.C., and inhabited the city and its environs, including Ostia, a half-hour train ride outside the capital city.Rome and Ostia to this day are pockmarked with remnants of Jewish heritage: a menorah on the bas-relief of the first-century Arch of Titus; Jewish catacombs; sundry Roman-era inscriptions, and a synagogue at Ostia Antica.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Separatists Hijack Train Carrying Over 400 Passengers in Pakistan

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      The authorities were struggling to reach the remote site of the ambush in the country’s southwest, and the passengers’ fate was not immediately known.Separatist militants hijacked a train carrying more than 400 people in an isolated mountainous area of southwestern Pakistan on Tuesday. The fate of the passengers, whom the militants said they were holding hostage, was not immediately clear.The militants, Baloch ethnic fighters, forced the train to stop in the Bolan district of Balochistan Province after opening fire on it, according to railway and police officials. The train was traveling from Quetta, the capital of Balochistan, to Peshawar, the capital of Khyber Pakhtunkhwa Province. It was to pass through several cities, including Lahore and Rawalpindi, near Islamabad.Shahid Rind, a spokesman for the Balochistan provincial government, said the authorities were struggling to reach the site of the ambush because of the challenging terrain.Rashid Hussain, a trader in Quetta, said his family had left on the train for Rawalpindi in the morning but had become unreachable after 2 p.m. “I am deeply worried,” he said by telephone. “The government is not providing any updates. Neither roads nor trains are safe in this province.”The seizure of the passenger train highlighted the increasing sophistication of a separatist insurgency in Pakistan’s southwest. The attack was the latest in a series of violent episodes in Balochistan, a province bordering Iran and Afghanistan that is the site of major Chinese-led projects, including a strategic port.A group known as the Baloch Liberation Army, or B.L.A., claimed responsibility for the train hijacking. In a statement, it said its militants had taken hostages, some of whom were security personnel.The government has yet to confirm reports of hostages or any casualties.Last year, the B.L.A. carried out one of Pakistan’s deadliest terrorist attacks, a suicide bombing that killed at least 25 people, including security personnel, at Quetta’s busy railway station.The group also claimed responsibility for a deadly bombing targeting a convoy carrying Chinese citizens near the international airport in Karachi, Pakistan’s largest city. The separatists accuse the Chinese of stealing the province’s resources.In recent months, separatist groups have escalated high-profile attacks along Balochistan’s three major highways, directly challenging the state’s authority. Last week, an alliance of the groups, including the B.L.A., announced plans to intensify attacks on Pakistani security forces, infrastructure and Chinese interests in the region.“It points to two key trends: the increasing operational capabilities and sophistication of separatist groups and the weakening control of the government in Balochistan,” said Abdul Basit, senior associate fellow at the S. Rajaratnam School of International Studies in Singapore.At the Quetta railway station, families of passengers aboard the train anxiously gathered at the information counter on Tuesday, seeking updates.Many people in the region had begun to prefer rail travel after frequent militant ambushes on the highways in which passengers were killed after being taken off buses. Frequent protests have also caused road blockages.Train services had resumed only in October after a two-month suspension because of militant attacks on railway tracks. More

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      Trump Doubles Metal Tariffs as He Presses Canada to Become Part of U.S.

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      President Trump escalated his fight with Canada on Tuesday, saying that he would double tariffs on steel and aluminum imports and threatening to inflict even more pain on one of America’s closest traditional allies as he pressed Canada to become part of the United States.His comments sent jittery markets tumbling, with the S&P 500 down about 1 percent in early morning trading.In a post on his social media platform, Mr. Trump wrote that Canadian steel and aluminum would face a 50 percent tariff, double what he plans to charge on metals from other countries beginning Wednesday. He said the levies were in response to an additional charge that Ontario placed on electricity coming into the United States, and he threatened more tariffs if Canada didn’t drop various levies it imposes on U.S. dairy and agricultural products.“If other egregious, long time Tariffs are not likewise dropped by Canada, I will substantially increase, on April 2nd, the Tariffs on Cars coming into the U.S. which will, essentially, permanently shut down the automobile manufacturing business in Canada,” he threatened. More

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      Sony Gives N.Y.U. $7.5 Million for an Audio Institute

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      A multifaceted new program at the university’s Steinhardt School will train students (on Sony equipment) for jobs in music and audio “that don’t exist yet.”Students at New York University who study the music industry and do research at the frontiers of audio have a new benefactor: Sony.A $7.5 million donation from the Japanese electronics and media giant, made through its personal entertainment business unit, will help establish the Sony Audio Institute, a multifaceted partnership at N.Y.U.’s Steinhardt School of Culture, Education and Human Development. It is set to open this spring.N.Y.U. and Sony, which jointly announced their agreement on Tuesday, say that the institute is not a physical space. Rather, it’s an interdisciplinary approach to studying and researching the latest advances in consumer and pro-level audio tech — replete with Sony tools to facilitate. As part of the partnership, a studio space will be revamped with professional equipment from Sony and the institute will offer an array of internships, scholarships and programming, even letting students collaborate with Sony’s engineers and researchers.The institute will not, however, grant degrees. It will be part of Steinhardt’s degree programs in music business and music technology.“To have access to the researchers who are inventing the future of audio, as well as the businesspeople who are managing the introduction of those products, creates a great opportunity and a competitive advantage for our students,” Larry S. Miller, the director of Steinhardt’s music industry program, said in an interview.Miller, a former music executive, will step down from his leadership of the school’s music industry program in the fall to become director of the Sony Audio Institute, which has been established for an initial 10-year run. (It is unrelated to the Clive Davis Institute of Recorded Music, a degree program under N.Y.U.’s Tisch School for the Arts.)We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Some Vegans Were Harmed in the Watching of This Movie

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      A film critic who provides “vegan alerts” for animal cruelty goes beyond onscreen violence. Milk and eggs are problematic, too.Inside a dark theater in Midtown Manhattan, Allison McCulloch watched “Kraven the Hunter,” an origin story for the obscure Spider-Man villain, while jotting notes on a white piece of paper smaller than a Post-it.Fur clothing.Taxidermied animals.Characters eating steak.McCulloch is the Roger Ebert of vegans, a dedicated cinephile who cares as much as anyone about acting and cinematography — and more than almost anyone about onscreen portrayals of dairy, poultry and beef.In the short reviews she writes for the app Letterboxd, she includes her overall critique as well as “vegan alerts,” flagging signs of animal products in a one-woman quest to highlight animal welfare onscreen, even in details most viewers would overlook.“People might think a glass of milk is innocuous,” she said. “It’s not. It’s full of violence.”Some of McCulloch’s vegan alerts for “Kraven the Hunter,” with Aaron Taylor-Johnson: “Sergei catches and eats raw fish” and “tiger rug.”Columbia Pictures/Marvel, via Sony PicturesMcCulloch has documented her opinion on 24,082 movies on her Letterboxd account, putting her in the top 100 out of the app’s more than 18 million members. Movies starring animals are almost a lock for vegan-friendly ratings, with films like “Flow” and “Kung Fu Panda 4” getting four stars.“Kraven the Hunter,” about a criminal-tracking vigilante played by Aaron Taylor-Johnson, flopped by traditional measures (“incomprehensible plotting and dodgy one-liners,” Robert Daniels wrote in The New York Times). But it worked on some level for McCulloch, who was surprised by how it framed Kraven as a kind of conservationist who shares a supernatural connection with the creatures he encounters, and hunts criminals instead. She even gave the movie one “vegan point” for Kraven’s decision to not shoot a lion.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      The Transformer: Twyla Tharp Dives Into the Future

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      Tharp celebrates her 60th anniversary as a dance maker with a program pairing the monumental “Diabelli” (1998) and the new “Slacktide.”It could be the middle of the ocean on a starless night, but it’s a stage. An arm reaches up, glowing like a beacon of light. It lowers — slowly, deliberately — sliding into the darkness.A piece of movement is nothing without context. Twyla Tharp created that arm gesture nearly 40 years ago as the emphatic closing image of her celebrated “In the Upper Room” (1986), in which two women — the “stompers” — yank down a fist in victory. It’s as much a physical movement as a celebration of making it to the top of a choreographic Mount Everest.During a recent interview, Tharp, 83, hopped from a chair to her feet to illustrate its emphatic power. “Where that came from is the notion of pulling down a shade,” she said. “Blackout!”That dance unspools to a propulsive mix of ballet, modern dance and even calisthenics to music by Philip Glass. It ends with the sense of an exhalation, a release.But what if that final exhalation from “In the Upper Room” turned into an inhalation? What if an ending became a beginning? “Slacktide,” Tharp’s newest dance, is also set to Glass, his “Aguas da Amazonia,” in a new arrangement created and performed by Third Coast Percussion. It starts where “In the Upper Room” left off.“I take that last move and make it go incredibly slow into the future,” Tharp said. “Into another place, and that other place is a transformation.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More