Elections

From voter intimidation to refusing to provide paper tallies to verify the result claimed by the government, the election was riddled with problems.It had already been clear for months that Venezuela’s presidential election on Sunday, would not be free or fair, as the government jailed opposition leaders or disqualified them from running for office.But as the day progressed it became all the more evident just how flawed the country’s democratic process had become and why the victory claim by the country’s autocratic leader, President Nicolás Maduro, has provoked such fury.A skirmish between pro-government supporters and opposition election observers in Caracas on Sunday.Alejandro Cegarra for The New York TimesVoter intimidationAcross the country citizens, local reporters and journalists for The New York Times observed instances of voter intimidation.In the early morning about 15 men in unmarked black jackets temporarily blocked access to one voting center in the capital, Caracas, a Times journalist observed. One volunteer vote monitor was punched.The crowd eventually started demanding the right to vote and the long line started moving inside, more than an hour and a half after voting was officially supposed to start.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

A program of arts events shown in conjunction with the 2024 Olympic and Paralympic Games looks at the relationship between art and sport.In dance and in sports, there is a common ritual: warming up. As much an art as an activity, it energizes not just the body, but also the mind, speaking less to effort than to surrender. What does it take to get into the zone, that place where the body and mind show up as equals?Since 2022 France has been warming up — on a grand scale. Culture, along with sport and education, is a pillar of Olympism, and France has taken that seriously with its Cultural Olympiad, a program of multidisciplinary arts events directed by Dominique Hervieu, a choreographer, an experienced leader in the arts and a former dancer as well.The thread running through this Olympiad is the connection between sports and art. When do they find symbiosis? When do they diverge? As Hervieu sees it, what binds the Olympic Games is culture, and there, the dance values she embraces play a role: “It’s a way to think with your body,” she said in an interview in Paris. “To think about society, to think about individuality, to think about space.”In other words, to be aware of yourself in the larger world. The contemporary mandate for including a cultural component with the Games began in 1992 in Barcelona, Hervieu said. But how to integrate it is a choice made by the host city, and Hervieu decided on the sports-art connection.Dominique Hervieu is the director of the Cultural Olympiad, a vast program of arts events that began in 2022. “We have 2,500 projects, and it’s incredible,” she said. “It could have been only 500. And everybody would be happy with 500. Me too!”Benjamin BoccasThere are obvious similarities between the two — the idea of excellence and surpassing oneself — but Hervieu also wanted to “show that art is not sport and vice versa,” she said. “The dimension of physical performance, which is the goal of sport with a view to winning, is not the goal of art. This difference is fundamental, because virtuosity in art is always a means of creating a space for meaning or poetry.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

John Mangum, who helped guide the Houston Symphony through the turmoil of the pandemic, will serve as the company’s next general director.John Mangum, a veteran orchestra manager who helped guide the Houston Symphony through the turmoil of the pandemic, will serve as the next general director of Lyric Opera of Chicago starting this fall, the company announced on Wednesday.Mangum, 49, will take the reins of Lyric, one of the premier opera companies in the United States, as it faces a series of challenges, including rising costs, cuts to programming and changes in audience behavior.Mangum said in an interview that he was joining Lyric because it is “one of the great opera companies in the country and really in the world.” He said he was confident that Lyric could find ways to expand its base of fans and donors.“Opera is about storytelling,” he said. “We have to remind people that this is what opera is built from, and there are ways for them to connect.”Mangum has not worked in opera before, but he is a veteran of the classical music industry. He has held posts at a number of institutions, including the San Francisco Symphony, the Los Angeles Philharmonic and the New York Philharmonic. Since 2018, he has led the Houston Symphony, helping increase fund-raising and expand community programs.Sylvia Neil, chair of Lyric’s board, said Mangum’s experience in the orchestral world would help the company as it works to broaden its audience.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

Musical adaptations of “Midnight in the Garden of Good and Evil” and “The Lord of the Rings” as well as a new Samuel D. Hunter play were on our critic’s itinerary.The musical adaptation of “Midnight in the Garden of Good and Evil” that’s playing at the Goodman Theater incorporates quite a bit of crowd work. In a final coup de théâtre that felt both radical and exhilarating, a character leads theatergoers in a communal use of their Playbills.While the three shows I saw during a recent weekend trip to Chicago were wildly different from one another, my mind kept returning to their relationship with their respective audience. Seeing “Midnight in the Garden of Good and Evil” first set me off on that train of thought.Based on John Berendt’s best-selling retelling of a true crime in 1980s Savannah, Ga., the musical, which is running through Aug. 11, has edited out some colorful figures (goodbye, Joe Odom) and condensed the events (the legal wranglings taking up a good chunk of Berendt’s book whiz by in a few minutes). But the biggest move is a bold change in perspective for the show, which has a book by Taylor Mac and a score by Jason Robert Brown.Berendt’s omnipresent chronicler is now us, the theatergoers, whom the characters often address directly from the stage. This will particularly resonate with those familiar with Mac’s way of integrating the audience into a narrative (as Mac did most notably with the 2016 epic “A 24-Decade History of Popular Music”). Another key Mac preoccupation is the haunting of America by its past, something particularly relevant when it comes to Savannah’s self-mythologizing of its lineage. “Get out of my head, dirty demons of historical pain!” the Lady Chablis (J. Harrison Ghee, a Tony Award winner for “Some Like It Hot”) says at one point. She’s referring to her own history, but it’s hard not to hear a wider reference.Chablis, an exuberant entertainer and insuppressible life force, has moved from the book’s periphery to the show’s center, and Ghee’s performance, languid yet sharply angled, is a delight. The nightclub number “Let There Be Light” could use a little more voltage, but then the director Rob Ashford and the choreographer Tanya Birl-Torres are overall too timid in the splashier scenes.The show’s other focal point is Jim Williams (Tom Hewitt), the wealthy antique dealer and furniture restorer who kills his younger lover, Danny Hansford (Austin Colby). In effect, Mac’s book is structured around two ways of being queer in the South 40 years ago. The outsider Chablis is Savannah’s very own Puck, spreading joyful bedlam and ladling out truths; Jim is both accepted and resented by the city’s elite — personified by the Ladies Preservation League, led by Emma Dawes (Sierra Boggess, revealing previously underused comedic chops).We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

Even with control of the White House and Congress up in the air, lawmakers and lobbyists are gearing up for a big debate next year over expiring measures in former President Donald Trump’s tax law.President Biden’s decision not to seek re-election is upending expectations about who will control Washington next year. But there is one thing lawmakers and lobbyists are certain of: A tax fight is coming.Across the nation’s capital, preparations are quietly starting for what some are calling the “Super Bowl of tax.” On Capitol Hill, Republicans and Democrats are holding strategy and education sessions. Lobbyists are pressing their case to lawmakers and preparing multimillion-dollar publicity campaigns to defend tax breaks for corporations. Think tanks are churning out research assailing or lauding elements of the byzantine tax code.On the line is the future of the Tax Cuts and Jobs Act, which a Republican Congress passed and former President Donald J. Trump signed into law in 2017.To avoid blowing too large of a hole in the federal budget at the time, Republicans scheduled many of the tax cuts to expire after 2025. That deadline has created a rare opportunity to reshape federal tax policy next year, and lawmakers in each party intend to be ready to wield whatever power voters give them in November.“We’re studying and preparing,” said Senator Michael D. Crapo of Idaho, who as the top Republican on the Senate Finance Committee has been holding meetings and gathering ideas about next year. “It’s preseason.”Many of the expiring tax measures are ones that benefit middle-class Americans, including a larger standard deduction, lower marginal income tax rates and a more generous child tax credit. Republicans chose to let those tax cuts expire — while making other measures like a lower 21 percent corporate rate permanent — in a bet that Democrats would eventually vote to protect them.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

Anatoly Kurmanaev está en Caracas informando sobre las consecuencias de que el gobierno venezolano declaró que su líder autoritario, Nicolás Maduro había ganado las elecciones presidenciales.[Times Insider explica quiénes somos y qué hacemos y ofrece información entre bastidores sobre cómo se elabora nuestro periodismo]A primera hora del lunes, el gobierno venezolano declaró que su líder autoritario, Nicolás Maduro, quien llegó al poder en 2013, había ganado las elecciones presidenciales. Maduro derrotó aparentemente al candidato de la oposición, Edmundo González, por siete puntos porcentuales, un resultado incongruente con las encuestas públicas y las estimaciones estadísticas basadas en recuentos parciales de votos.Las acusaciones generalizadas de fraude electoral e intimidación no se hicieron esperar. Países de todo el mundo, incluido Estados Unidos, denunciaron los resultados. Y los venezolanos salieron a las calles de Caracas, la capital del país, para protestar.Anatoly Kurmanaev, periodista de The New York Times, está en Caracas informando sobre las consecuencias. Kurmanaev, quien vive actualmente en Berlín, vivió en Venezuela durante ocho años, hasta 2021, y ha cubierto media decena de elecciones locales, regionales y presidenciales. Aunque el gobierno venezolano ha reportado cifras falsas de participación electoral en el pasado, la falta total de transparencia en estas elecciones no se parece a nada que Kurmanaev haya visto antes.“El hecho de que el consejo electoral diera a Maduro una victoria masiva sin dar ningún desglose de los resultados, sin seguir ninguno de los procedimientos normales, fue sorprendente”, dijo Kurmanaev en una entrevista telefónica el lunes.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

For 15 months, Gen. Abdel Fattah al-Burhan has been leading a war for control of the country against his rival, Lt. Gen. Mohamed Hamdan, the head of the paramilitary Rapid Support Forces.Sudan’s army said two drone strikes hit an army base in the country’s east on Wednesday after a graduation ceremony attended by the country’s de facto leader, Gen. Abdel Fattah al-Burhan, who has been locked in a civil war for over a year with a rival military general.At least five people were killed and several others injured in the attack in the town of Gebeit, the army said, which has been held by the army and is about 50 miles from its wartime capital of Port Sudan. The Sudanese army spokesman, Nabil Abdallah, told the BBC that General al-Burhan had survived an assassination attempt, and blamed it on the Rapid Support Forces, the paramilitary group that has been battling the army for power for 15 months.A military spokesman could not be reached for comment. In statements posted on social media, the military did not say whether General al-Burhan had been hurt or where he was during the attack. But it posted videos showing him interacting with the soldiers and members of the public before and after the graduation ceremony.No group has claimed responsibility for the strikes. The paramilitary group’s media office did not immediately respond to a request for comment.The war between General al-Burhan and his rival, Lt. Gen. Mohamed Hamdan, who leads the Rapid Support Forces, has devastated Sudan, one of Africa’s largest nations. More than 18,000 people have been killed, according to an estimate from the Armed Conflict Location and Event Data Project, though aid workers estimate the death toll to be higher.At least 10 million people have been driven from their homes, according to the United Nations, while more than half the country’s 48 million people face hunger, and hundreds of thousands of others are facing a looming famine.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

Ismail Haniyeh, who was killed on Wednesday in Iran, was among the most senior members of Hamas’s leadership, a group that is tightly coordinated despite being scattered inside and outside Gaza.Hamas’s leaders, especially those in Gaza, have repeatedly been targets of Israeli assassination attempts, but the group has swiftly replaced those who have been killed.The group’s leadership structure is often opaque, but here is a look at what we know about some of Hamas’s most prominent leaders who are either believed to be alive or whose fate is unclear.Yahya Sinwar, the head of Hamas in GazaMr. Sinwar helped establish Hamas in the late 1980s around the time of a Palestinian uprising against Israeli rule. He was arrested by the Israeli authorities several times, spending over 20 years in Israeli prison until he was released in a prisoner exchange in 2011.After rising through Hamas’s ranks, he was elected its leader in Gaza in 2017. Israeli officials said that he was one of the leaders who had masterminded the Oct. 7 attack, alongside Mohammed Deif, the commander of Hamas’s military wing in Gaza, and Marwan Issa, the deputy commander, who was killed in an Israeli strike in March. Mr. Sinwar is believed to be hiding in the group’s tunnel network beneath Gaza.A number of Hamas’s leaders in Gaza, including Mr. Sinwar, are seen as more radical than Mr. Haniyeh, the leader who was killed in Iran. The death of Mr. Haniyeh, who was considered a relatively pragmatic counterpoint, “will make a cease-fire much more difficult to achieve,” said Hugh Lovatt, a senior policy fellow at the European Council on Foreign Relations.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More