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      A. Cornelius Baker, Champion of H.I.V. Testing, Dies at 63

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      Working inside the government and out, he lobbied to improve the lives of people with H.I.V. and AIDS, particularly those who belonged to minority groups.A. Cornelius Baker, who spent nearly 40 years working with urgency and compassion to improve the lives of people with H.I.V. and AIDS by promoting testing, securing federal funding for research and pushing for a vaccine, died on Nov. 8 at his home in Washington. He was 63.Gregory Nevins, his companion, said the cause was hypertensive atherosclerotic cardiovascular disease.Mr. Baker — who was gay and who tested positive for H.I.V. — became active in Washington in the 1980s, during the early years of the AIDS epidemic. He soon distinguished himself as an eloquent voice for people with H.I.V. and AIDS. A policy wonk and health-care expert, he held positions in the federal government and with nonprofits, including serving as the head of a clinic for the L.G.B.T.Q. community.“He was very kind, very embracing and inclusive — his circles, both professionally and personal, were the most diverse I’ve ever seen, which was driven by his Christian values,” said Douglas M. Brooks, a director of the Office of National AIDS Policy during the Obama administration. “His ferocity appeared when people were marginalized, othered or forgotten.”In 1995, as the executive director of the National Association of People with AIDS, he helped establish June 27 as National H.I.V. Testing Day. “This effort was designed to help reduce the stigma of H.I.V. testing and to normalize it as a component of regular health screening,” Mr. Baker wrote in 2012 on the website of FHI 360, a global health organization for which he served as technical adviser.As an adviser to the National Black Gay Men’s Advocacy Coalition from 2006 to 2014, Mr. Baker worked with the Centers for Disease Control and Prevention and the National Institutes of Health to help fund research for the care of Black gay men with H.I.V. and AIDS.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Daniel Penny’s Defense Shifts Focus From Choke to Sickle Cell and Drug Use

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      Lawyers for Daniel Penny, who is accused of choking Jordan Neely to death, called an expert who argued that a combination of factors led to Mr. Neely’s death.Jordan Neely, a Black man who died after he was choked in a subway car last year, had the sickle cell trait, a genetic condition that can affect blood cells and overwhelmingly occurs in Black people. Whether Mr. Neely knew that he had the trait is unclear. But since his death, it has become a point of contention for lawyers.Prosecutors have said that Daniel Penny, who is on trial for manslaughter and criminally negligent homicide because he put Mr. Neely in a chokehold, restrained Mr. Neely for about six minutes, cutting off his airway. When Mr. Neely tried to break free, the pressure of Mr. Penny’s chokehold increased, prosecutors said.But Mr. Penny’s lawyers have centered their case on convincing the jurors that Mr. Neely’s death was not caused by the chokehold and that it is impossible to know how much pressure Mr. Penny was exerting. Before they rested their case on Friday, the defense argued that Mr. Neely’s schizophrenia, synthetic marijuana use and misshapen blood cells led to his death. People with the sickle cell trait typically do not have many, if any, sickle-shaped cells or experience symptoms, but blood slides from Mr. Neely’s autopsy shared at the trial showed misshapen cells at the time of his death.Now that both the defense and the prosecution have made their cases, each side will present closing arguments to the 12 jurors and four alternates. The judge presiding over the case, Maxwell Wiley, has decided that closing arguments will not happen until after Thanksgiving.Here is what to know about the defense’s case for Mr. Penny.The Role of Sickle Cell TraitThe medical examiner, Dr. Cynthia Harris, determined that Mr. Neely died from “compression of the neck,” and held firm to her findings through three days of testimony. However, an expert Mr. Penny’s legal team called to testify, Dr. Satish Chundru, rebutted that.Dr. Chundru, a forensic pathologist, said Mr. Neely died from “combined effects.”“Sickle cell crisis, the schizophrenia, the struggle and restraint and the synthetic marijuana,” he listed for jurors. He argued that Mr. Penny had struggled with Mr. Neely but had not choked him to death.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Tony Todd, Prolific Actor Best Known for ‘Candyman,’ Dies at 69

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      Mr. Todd’s decades-long career spanned across mediums and genres, but he was largely associated with a scary figure summoned in front of a mirror.Tony Todd, a prolific actor whose more than 100 film and television credits included “Candyman” and “Final Destination,” died on Wednesday at his home in Los Angeles. He was 69.Jeffrey Goldberg, Mr. Todd’s manager, announced the death in a statement on Saturday morning. He did not specify the cause.Mr. Todd’s decades-long acting career spanned genres and mediums. He starred or had prominent roles in several films, including the 1990 remake of “Night of the Living Dead,” “The Crow,” “The Rock” and Oliver Stone’s Oscar-winning Vietnam War movie, “Platoon.” His television credits include “Star Trek: The Next Generation,” “24,” “The X-Files,” and many other shows. He also lent his rich voice to animation and video games.He was perhaps best known for his role as the titular demon in the 1992 movie “Candyman.” He told The New York Times in 2020 that he was proud of playing the terrifying figure with a hook for a hand, a Black man who had been wronged in life and is summoned from the beyond by people who call his name five times while looking in a mirror — unleashing vicious attacks in which the Candyman slices to death those who dared to disturb him. “If I had never done another horror film,” he said, “I could live with that, and I’d carry this character.”Mr. Todd reprised the role in the film’s 1995 and 1999 sequels and returned to it for the 2021 reboot, directed by Nia DaCosta and written by Jordan Peele.In the “Final Destination” franchise, Mr. Todd played the role of the mysterious funeral-home owner William Bludworth — the rare recurring character in a film series that famously killed off all of its new characters by the time the end credits rolled.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Judith Jamison, Alvin Ailey Dancer of ‘Power and Radiance,’ Dies at 81

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      Judith Jamison, a majestic dancer who became an international star as a member of Alvin Ailey American Dance Theater and who directed the troupe for more than two decades, building it into the most successful modern dance company in the country, died on Saturday in Manhattan. She was 81.Her death, at NewYork-Presbyterian Weill Cornell Medical Center, was announced by Christopher Zunner, a spokesman for the Ailey company, who said she died “after a brief illness.”Ms. Jamison performed Alvin Ailey’s “Cry” at New York City Center in 1975. “Cry,” an immediate hit, made her a star.Jack Vartoogian/Archive Photos, via Getty ImagesAt 5-foot-10, Ms. Jamison was unusually tall for a woman in her profession. “But anyone who’s seen her onstage is convinced she’s six feet five,” the critic Deborah Jowitt wrote in The New York Times in 1976.“I was the antithesis of the small-boned, demure dancer with a classically feminine shape.” Ms. Jamison (pronounced JAM-ih-son) wrote in her 1993 autobiography, “Dancing Spirit.”It wasn’t just her size and shape that were distinctive, however. She was a performer of great intelligence, warmth and wit.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      What Trenton Doyle Hancock Learned From Philip Guston

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      The Jewish Museum pairs the Texas artist with a 20th-century master. Together they confront racism with horror — and humor.When Trenton Doyle Hancock discovered the artist Philip Guston, it was a revelation. Hancock had just transferred from junior college in his hometown, Paris, Texas, to nearby East Texas State University. He was taking a printmaking class and working with a haunting photograph he’d made of himself partially cloaked in a white sheet with a noose around his neck. The rope wound around his body, including his semi-bare right arm, which holds up a hammer. Titled “The Properties of the Hammer” (1993), it probed the dark contradictions of being a Black man in America.Hancock’s printmaking teacher, Thomas Seawell, asked if he knew about Philip Guston, the New York School artist. Guston had (very controversially) left behind Abstract Expressionism in the 1960s to make figurative, cartoonish paintings of objects like books and shoes, which hearkened back to the Holocaust, as well as hooded Ku Klux Klan figures. Seawell saw a kinship between Guston’s work and Hancock’s, but Hancock had never heard of Guston. So Seawell lent him a book, and the student fell in love.“The forms were so rich, bulbous and tangible,” Hancock, 50, recalled recently. “When you put a colorful toy in front of a child, they want to eat it. That’s how I felt about those paintings: I just wanted to eat them. I didn’t even know you could make work that looked like this. It was totally new to me.”In “The Studio” (1969), Philip Guston’s hooded protagonist is an artist painting his own effigy. The artist was exploring “what would it be like to be evil?” Trenton Doyle Hancock recalled: “The forms were so rich, bulbous and tangible.” The Estate of Philip Guston; via Metropolitan Museum of Art, New YorkIf you’ve never had the urge to eat a painting, you’re not alone, but meeting Hancock or seeing his art helps make that impulse understandable. He is a voracious consumer of culture, and his work has an intense physicality — in the bodies that are forever bending, stretching and breaking in his images, and in the cutout and collaged surfaces of his paintings. Hancock’s world is a profusion of colors, of media, of characters in his ever-expanding multiverse.His studio in a Houston suburb bears this out. Rooms of the two-story house are devoted to various collections, including sketchbooks dating back to childhood, scraps and detritus (literally dirt swept off the floor of past studios), and plastic bottle caps sorted by color.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      A Trump Rally Speaker Trashed Puerto Ricans. Harris Reached Out to Them.

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      Vice President Kamala Harris’s campaign moved quickly on Sunday to elevate and denounce racist and inflammatory remarks made by speakers at a rally for former President Donald J. Trump at Madison Square Garden in New York.Before Mr. Trump had even taken the stage, warm-up speakers had called Puerto Rico an “island of garbage,” referred to Ms. Harris as “the devil” and “the Antichrist,” and made racist or derogatory remarks about Latinos generally, African Americans, Palestinians and Jews.The remarks at the rally came as Ms. Harris wrapped up a day in Philadelphia, where she spent time courting Pennsylvania’s significant Puerto Rican population by visiting a local Puerto Rican restaurant. While there, she talked about a new plan she announced on Sunday to bring economic opportunities to Puerto Rico, discussed her visit there after Hurricane Maria, and said that even as a senator she had “felt a need and an obligation” to “make sure Puerto Rico’s needs were met.”“This is not a new area of focus for me,” she said. She received a warm reception from the crowd, with chants of “Sí, se puede.”Before the Trump rally on Sunday, Ms. Harris had already taken aim at her Republican rival in a video message to Puerto Rican voters. She noted that, as president, Mr. Trump had resisted sending aid to the island after back-to-back hurricanes, adding that he had offered nothing but “paper towels and insults.”“I will never forget what Donald Trump did and what he did not do when Puerto Rico needed a caring and a competent leader,” she said.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Harris Slams Trump in Interview With Charlamagne Tha God: 5 Takeaways

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      Vice President Kamala Harris agreed on Tuesday with the radio host Charlamagne Tha God that former President Donald J. Trump was a fascist, going a step further than she had before in casting her Republican rival as a dangerous authoritarian leader.During a free-flowing interview that often spoke to the concerns of Black Americans, Ms. Harris was contrasting her vision for the nation with Mr. Trump’s when Charlamagne jumped in to say: “The other is about fascism. Why can’t we just say it?”“Yes, we can say that,” Ms. Harris replied.Her comments came days after it was revealed that Mark A. Milley, the chairman of the Joint Chiefs of Staff under Mr. Trump, had called the former president “a fascist to the core,” according to a new book from the journalist Bob Woodward.Ms. Harris’s hourlong appearance on Tuesday in Detroit with Charlamagne — a co-host of the popular hip-hop morning radio show “The Breakfast Club,” which has many Black listeners — was part of a major push to counteract weakening support from Black voters. And during the conversation, she predicted that the election would come down to the wire.“This is a margin-of-error race,” she said. “I’m going to win, but it’s tight.”Here are five takeaways from the interview.Harris sharpened her attack on Trump as ‘weak’ yet dangerous.For much of her vice presidency, some of Ms. Harris’s aides have thought she is too cautious in her public remarks. But when it came to Mr. Trump on Tuesday, she did not hold back.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ¿Por qué a Trump le va tan bien con los votantes negros e hispanos?

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      Cinco posibles explicaciones sobre el aumento de apoyo al expresidente, sobre todo entre los hombres jóvenes.Un acto de Trump en el Bronx en mayo mostró el apoyo de negros y latinos.Hiroko Masuike/The New York TimesEn 2016, Donald Trump se convirtió en el candidato republicano y finalmente ganó la presidencia tras llamar violadores a muchos inmigrantes mexicanos y afirmar falsamente que Barack Obama no había nacido en Estados Unidos.Ocho años después, las encuestas sugieren que bien podría volver a la Casa Blanca al obtener mejores resultados entre los votantes negros e hispanos combinados que cualquier candidato presidencial republicano desde la promulgación de la Ley de Derechos Civiles en 1964.¿Cómo es posible? Es una pregunta que me hacen a menudo, y las últimas encuestas del New York Times/Siena College entre votantes negros e hispanos de todo el país representan nuestro mejor esfuerzo por responderla.Al igual que nuestras otras encuestas de este ciclo, los sondeos revelan que a Trump le va inusualmente bien para un republicano entre los votantes negros e hispanos. En general, Kamala Harris va a la cabeza, 78 por ciento a 15 por ciento, entre los votantes negros, y va a la cabeza, 56-37, entre los votantes hispanos.Casi de cualquier manera que podamos medirlo, Trump está funcionando tan bien o mejor entre los votantes negros e hispanos que cualquier republicano en la memoria reciente. En 2020, el apoyo de las personas negras a Joe Biden era del 92 por ciento entre los votantes de los principales partidos; su apoyo hispano era del 63 por ciento, según cálculos del Times.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More