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      The Met’s Next Costume Fashion Blockbuster Take On the Politics of Race

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      With support from LeBron James, ASAP Rocky, Pharrell Williams and more.The Costume Institute of the Metropolitan Museum of Art is wading into the politics of race relations.On Wednesday, the museum announced that its spring 2025 blockbuster fashion show will be “Superfine: Tailoring Black Style,” focusing on the history of the Black dandy and the way peacocking goes beyond aesthetics to empowerment. ASAP Rocky, Colman Domingo, Lewis Hamilton, Pharrell Williams and Anna Wintour will be co-chairs of the gala that opens the show; LeBron James will be the honorary chair.The Met’s first fashion exhibition to focus solely on the work of designers of color, as well as the first in more than two decades to focus explicitly on men’s wear, the show is another step in the Costume Institute’s efforts to rectify its own historic failures in diversity and inclusion, said Andrew Bolton, the curator in charge.“I wanted to stage a show on race that could use our collection to tell a story that had been absent from the conversation both within the museum and outside,” Mr. Bolton said. “This is a first of its kind.”LeBron James will be the honorary chair of the event. Mario Anzuoni/ReutersThe goal, he said, is to demonstrate what happens to the concept of the “dandy,” as defined by Beau Brummell in Regency England, when it is racialized. When, for example, an enslaved person is treated as a luxury object to be dressed up and displayed — and how those clothes in turn were appropriated by the enslaved and used to subvert existing systems and create new identities. Additionally, it will illustrate how contemporary Black men’s wear designers use their work to connect to this tradition.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Studio Museum in Harlem to Open New Building in Fall 2025

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      The 82,000-square-foot structure on 125th Street will open with a show featuring the artist Tom Lloyd.The Studio Museum in Harlem on Tuesday announced that it will open its new home on 125th Street in the fall of 2025. Its first show there will bring the museum full circle by focusing on the work of Tom Lloyd, the artist, educator and activist who was featured in the 1968 opening exhibition of the institution — which was then just a second-floor rented loft on upper Fifth Avenue.“This building represents the collective aspirations of all who have been involved in thinking about what it would mean to make a museum on 125th Street devoted to the work of Black artists,” said Thelma Golden, the museum’s director, in a recent walk through the new structure. “This space allows us to fully execute on all of the work that we have been known to do, but gives us so much more capacity and so much more possibility.”Featuring stacked volumes of differing sizes over five stories, the new building provides 82,000 square feet, increasing the exhibition space by more than 50 percent and the public areas by about 60 percent.The museum’s news release makes no mention of the building’s architect, David Adjaye, nor those currently credited for the design — Adjaye Associates in collaboration with Cooper Robertson. (The museum parted ways with Adjaye in the wake of allegations of sexual harassment and misconduct. Adjaye has denied the accusations.)Golden declined to discuss Adjaye, but said, “We are thrilled with and proud of this design and look forward to working in it.” A rendering of the lobby, facing north. The museum said it has raised more than $285 million of a $300 million capital campaign for future sustainability. via Adjaye AssociatesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Trump vs. Harris Would Be Nothing Without Myths

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      Kamala Harris and Donald Trump are making their appeals to the American electorate on the basis of personality, character and policy. But they are also framing themselves as actors in the American story — the events of the recent past and the deeper narrative of U.S. history carried by the symbol-rich stories of our national mythology.There has been very little common ground expressed between the parties in this election, except the belief that a victory by the opposition would be apocalyptic. Even when they invoke the same historical references, they present them in radically different ways. To Democrats, Jan. 6 was a shameful assault on democracy. To many Republicans, it was a patriotic protest of a rigged election.It’s as if we are living in two different countries, each with a different understanding of who counts as American.Each candidate is trying to pitch the contest to voters as a heroic episode in the unfolding of American history and invites them to imagine themselves as players in the narrative.In the “story wars,” Mr. Trump has an advantage over Ms. Harris: Conservatives have devised over decades a store of established mythological American “scripts,” something liberals have failed to do.Among the big issues at stake in the 2024 election, for both the campaigns and the country, is no less than shaping what it means to be an American and who gets to have power.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      In Georgia, Black Men’s Frustration With Democrats Creates Opening for Trump

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      Most Black men in the key battleground will back Vice President Kamala Harris — but the Trump campaign has made an effort to capitalize on a sense of dissatisfaction some voters have expressed.Over the last month, Freddie Hicks, 23, has received dozens of Republican mailers addressed to him at his home in deep-blue DeKalb County, an Atlanta suburb.The messaging was largely consistent, painting Vice President Kamala Harris as a “failed leader” with “dangerously liberal” views on crime and abortion, and former President Donald J. Trump as supporting a “common sense agenda” on abortion and immigration.But it was the sheer quantity that alarmed Mr. Hicks’s father, Fred Hicks, 47, an Atlanta-area Democratic strategist. No one else in his family was being inundated like that, including him. And nothing similar was arriving from the Democrats or Ms. Harris.Mr. Hicks’s son is one of Georgia’s most sought-after voters this election: a young Black man. Mailers are only one mode of campaigning and often not the most effective way to reach voters. But anecdotes of their uneven distribution have been enough to rattle some Democrats who see lagging Black male support as a warning sign for the vice president’s campaign in the key battleground.“They are young, they’re volatile with respect to their opinions and their voting decisions and they don’t have inherently the same loyalty to the Democratic Party that say, you know, their parents do,” Fred Hicks said of young Black men like his son, whom he described nonetheless as a staunch Democratic voter. “This is concerning to me not just for the 2024 election, but the payoff, I think for Republicans could come well over the next 20 years.”Black men are rivaled only by Black women in their high turnout and loyalty to Democrats. In recent surveys, the gap in support for the party between Black men and women is the narrowest of any race. Yet, more Black men under 50 have expressed in polling and conversations their openness to voting for Mr. Trump or staying home altogether — scenarios that could decide the election in hypercompetitive states, including Georgia.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Amadou Mahtar M’Bow, 103, Dies; His Tenure Leading UNESCO Was Stormy

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      He was the first Black African to head a major international organization, but complaints about his tenure led the U.S. and Britain to pull out of it.Amadou Mahtar M’Bow, a Senegalese civil servant and politician who became the first Black African to head a major international organization when he was elected director general of UNESCO — but whose contested tenure there led the United States and Britain to pull out — died on Tuesday in Dakar, Senegal. He was 103.His death, at a hospital, was announced on the website of UNESCO, the United Nations Educational, Scientific and Cultural Organization, which was established to promote international cooperation in those domains.Mr. M’Bow, a rare survivor among the continent’s first generation of independence leaders, had served as Senegal’s education and culture minister when he rose to the top post at UNESCO in 1974. Over the next 13 years he turned the agency into a spearhead for grievances in the developing world and the Soviet bloc, mainly over Western cultural dominance, while entrenching himself behind a phalanx of handpicked bureaucrats at UNESCO headquarters in Paris.His resistance to Western influences, as well as accusations of misspending and nepotism, contributed to decisions by President Ronald Reagan and Prime Minister Margaret Thatcher to pull their countries out of UNESCO in disgust, the U.S. in 1984 and Britain in 1985. Britain rejoined in 1997, the United States in 2003.The withdrawal by the U.S. was particularly disastrous for UNESCO, as American contributions had provided a quarter of its budget. For years afterward, the agency was seen by critics as the poster child for U.N. bloat and politicization.Criticism of Mr. M’Bow centered on his promotion of what came to be known as a “new world information order,” a vague body of recommendations that many in the West regarded as a threat to freedom of the press, while its advocates saw it as an attempt to break the perceived Western monopoly on the reporting and dissemination of news.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      California Will Formally Apologize for Being Complicit in Slavery

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      Gov. Gavin Newsom signed several bills intended to atone for the state’s role in the oppression of Black Americans, but California legislators so far have sidelined proposals on cash reparations.California will issue a formal apology for being complicit in slavery during the 19th century and for enforcing segregationist policies against Black residents as one of several new laws that Gov. Gavin Newsom signed on Thursday to atone for the state’s past discriminatory treatment of African Americans.Last year, California became the first state in the country to explore concrete restitution for historical racism after a social justice movement was spurred by the murder of George Floyd by a Minneapolis police officer in 2020. A state reparations task force last year determined, among other acts, that California courts had enforced fugitive slave laws and that more than 2,000 enslaved people were brought to California even after it was admitted as a free state in 1850.The official request for forgiveness “for the perpetration of gross human rights violations and crimes against humanity on African slaves and their descendants” was one of the dozens of recommendations the reparations panel made last year.But the committee’s central suggestion — financial reparations for the descendants of slaves — got little traction.Costs for a widespread payment plan, which no state has enacted, are estimated to run in the hundreds of billions of dollars, and California has faced budget deficits in the past two years.Led by the California Legislative Black Caucus, state lawmakers this session introduced more than a dozen initiatives to compensate Black Americans harmed by ancestral enslavement. At the time, the response was hailed as a first-in-the-nation model for other states.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      She Found a Home in Music. Now She’s the Composer for the King.

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      Errollyn Wallen, a Belize-born artist who has been named master of music by King Charles, discusses music as an escape, confronting racism and living by the sea.The call from Buckingham Palace came on a summer morning, when Errollyn Wallen, wearing a pink onesie with pom-pom trim, had just finished a breakfast of toast and marmalade at her seaside home in Scotland.A private secretary for the British royal family had phoned with momentous news: King Charles III wanted Wallen to serve as Master of the King’s Music, an honorary position roughly equivalent to that of poet laureate.Wallen, a composer and a pianist who was born in Belize, a former British colony, has spent her career challenging conventions in classical music.“I was astonished,” Wallen, 66, said in a recent Zoom interview. “I paused for a few moments, then cheerfully accepted.”Wallen, whose appointment was announced in August, is the first Black woman to serve in the role, which was created during the reign of King Charles I in the 17th century. While there are no fixed duties, Wallen is part of the royal household and will likely be called upon to compose pieces for special occasions, including weddings, jubilees and coronations. She is expected to hold the post for 10 years.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      NYPD Unwilling to Impose Discipline for Stop and Frisk, Report Says

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      The department’s discipline for illegal street detentions is lax at every level, according to an extraordinary review ordered by a federal judge.At every level, the New York Police Department has failed to punish officers who have violated the rights of people stopped on the street, according to a new report — a failure that reaches all the way to the top of the force.The report, the most comprehensive independent review of discipline since a landmark court decision in 2013, found that police commissioners during the past decade have routinely reduced discipline recommended for officers found to have wrongly stopped, questioned and frisked people, undermining efforts to curb unconstitutional abuses. The report, by James Yates, a retired New York State judge, was ordered by Judge Analisa Torres of Manhattan federal court and made public on Monday.Mr. Yates was assigned by the court to conduct a “granular, step-by-step analysis” of the department’s policies and discipline governing stop and frisk, a tactic of detaining people on the street that was being used disproportionately against Black and Latino New Yorkers.The 503-page document that resulted paints a picture of an agency unwilling to impose discipline on an abusive practice that has prompted criticism that the department oppresses many New Yorkers.The commissioners “demonstrated an inordinate willingness to excuse illegal stops, frisks and searches in the name of ‘good faith’ or ‘lack of malintention,’ relegating constitutional adherence to a lesser rung of discipline,” Mr. Yates writes.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More