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      A Trump Rally Speaker Trashed Puerto Ricans. Harris Reached Out to Them.

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      Vice President Kamala Harris’s campaign moved quickly on Sunday to elevate and denounce racist and inflammatory remarks made by speakers at a rally for former President Donald J. Trump at Madison Square Garden in New York.Before Mr. Trump had even taken the stage, warm-up speakers had called Puerto Rico an “island of garbage,” referred to Ms. Harris as “the devil” and “the Antichrist,” and made racist or derogatory remarks about Latinos generally, African Americans, Palestinians and Jews.The remarks at the rally came as Ms. Harris wrapped up a day in Philadelphia, where she spent time courting Pennsylvania’s significant Puerto Rican population by visiting a local Puerto Rican restaurant. While there, she talked about a new plan she announced on Sunday to bring economic opportunities to Puerto Rico, discussed her visit there after Hurricane Maria, and said that even as a senator she had “felt a need and an obligation” to “make sure Puerto Rico’s needs were met.”“This is not a new area of focus for me,” she said. She received a warm reception from the crowd, with chants of “Sí, se puede.”Before the Trump rally on Sunday, Ms. Harris had already taken aim at her Republican rival in a video message to Puerto Rican voters. She noted that, as president, Mr. Trump had resisted sending aid to the island after back-to-back hurricanes, adding that he had offered nothing but “paper towels and insults.”“I will never forget what Donald Trump did and what he did not do when Puerto Rico needed a caring and a competent leader,” she said.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Harris Slams Trump in Interview With Charlamagne Tha God: 5 Takeaways

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      Vice President Kamala Harris agreed on Tuesday with the radio host Charlamagne Tha God that former President Donald J. Trump was a fascist, going a step further than she had before in casting her Republican rival as a dangerous authoritarian leader.During a free-flowing interview that often spoke to the concerns of Black Americans, Ms. Harris was contrasting her vision for the nation with Mr. Trump’s when Charlamagne jumped in to say: “The other is about fascism. Why can’t we just say it?”“Yes, we can say that,” Ms. Harris replied.Her comments came days after it was revealed that Mark A. Milley, the chairman of the Joint Chiefs of Staff under Mr. Trump, had called the former president “a fascist to the core,” according to a new book from the journalist Bob Woodward.Ms. Harris’s hourlong appearance on Tuesday in Detroit with Charlamagne — a co-host of the popular hip-hop morning radio show “The Breakfast Club,” which has many Black listeners — was part of a major push to counteract weakening support from Black voters. And during the conversation, she predicted that the election would come down to the wire.“This is a margin-of-error race,” she said. “I’m going to win, but it’s tight.”Here are five takeaways from the interview.Harris sharpened her attack on Trump as ‘weak’ yet dangerous.For much of her vice presidency, some of Ms. Harris’s aides have thought she is too cautious in her public remarks. But when it came to Mr. Trump on Tuesday, she did not hold back.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ¿Por qué a Trump le va tan bien con los votantes negros e hispanos?

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      Cinco posibles explicaciones sobre el aumento de apoyo al expresidente, sobre todo entre los hombres jóvenes.Un acto de Trump en el Bronx en mayo mostró el apoyo de negros y latinos.Hiroko Masuike/The New York TimesEn 2016, Donald Trump se convirtió en el candidato republicano y finalmente ganó la presidencia tras llamar violadores a muchos inmigrantes mexicanos y afirmar falsamente que Barack Obama no había nacido en Estados Unidos.Ocho años después, las encuestas sugieren que bien podría volver a la Casa Blanca al obtener mejores resultados entre los votantes negros e hispanos combinados que cualquier candidato presidencial republicano desde la promulgación de la Ley de Derechos Civiles en 1964.¿Cómo es posible? Es una pregunta que me hacen a menudo, y las últimas encuestas del New York Times/Siena College entre votantes negros e hispanos de todo el país representan nuestro mejor esfuerzo por responderla.Al igual que nuestras otras encuestas de este ciclo, los sondeos revelan que a Trump le va inusualmente bien para un republicano entre los votantes negros e hispanos. En general, Kamala Harris va a la cabeza, 78 por ciento a 15 por ciento, entre los votantes negros, y va a la cabeza, 56-37, entre los votantes hispanos.Casi de cualquier manera que podamos medirlo, Trump está funcionando tan bien o mejor entre los votantes negros e hispanos que cualquier republicano en la memoria reciente. En 2020, el apoyo de las personas negras a Joe Biden era del 92 por ciento entre los votantes de los principales partidos; su apoyo hispano era del 63 por ciento, según cálculos del Times.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      The Met’s Next Costume Fashion Blockbuster Take On the Politics of Race

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      With support from LeBron James, ASAP Rocky, Pharrell Williams and more.The Costume Institute of the Metropolitan Museum of Art is wading into the politics of race relations.On Wednesday, the museum announced that its spring 2025 blockbuster fashion show will be “Superfine: Tailoring Black Style,” focusing on the history of the Black dandy and the way peacocking goes beyond aesthetics to empowerment. ASAP Rocky, Colman Domingo, Lewis Hamilton, Pharrell Williams and Anna Wintour will be co-chairs of the gala that opens the show; LeBron James will be the honorary chair.The Met’s first fashion exhibition to focus solely on the work of designers of color, as well as the first in more than two decades to focus explicitly on men’s wear, the show is another step in the Costume Institute’s efforts to rectify its own historic failures in diversity and inclusion, said Andrew Bolton, the curator in charge.“I wanted to stage a show on race that could use our collection to tell a story that had been absent from the conversation both within the museum and outside,” Mr. Bolton said. “This is a first of its kind.”LeBron James will be the honorary chair of the event. Mario Anzuoni/ReutersThe goal, he said, is to demonstrate what happens to the concept of the “dandy,” as defined by Beau Brummell in Regency England, when it is racialized. When, for example, an enslaved person is treated as a luxury object to be dressed up and displayed — and how those clothes in turn were appropriated by the enslaved and used to subvert existing systems and create new identities. Additionally, it will illustrate how contemporary Black men’s wear designers use their work to connect to this tradition.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Studio Museum in Harlem to Open New Building in Fall 2025

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      The 82,000-square-foot structure on 125th Street will open with a show featuring the artist Tom Lloyd.The Studio Museum in Harlem on Tuesday announced that it will open its new home on 125th Street in the fall of 2025. Its first show there will bring the museum full circle by focusing on the work of Tom Lloyd, the artist, educator and activist who was featured in the 1968 opening exhibition of the institution — which was then just a second-floor rented loft on upper Fifth Avenue.“This building represents the collective aspirations of all who have been involved in thinking about what it would mean to make a museum on 125th Street devoted to the work of Black artists,” said Thelma Golden, the museum’s director, in a recent walk through the new structure. “This space allows us to fully execute on all of the work that we have been known to do, but gives us so much more capacity and so much more possibility.”Featuring stacked volumes of differing sizes over five stories, the new building provides 82,000 square feet, increasing the exhibition space by more than 50 percent and the public areas by about 60 percent.The museum’s news release makes no mention of the building’s architect, David Adjaye, nor those currently credited for the design — Adjaye Associates in collaboration with Cooper Robertson. (The museum parted ways with Adjaye in the wake of allegations of sexual harassment and misconduct. Adjaye has denied the accusations.)Golden declined to discuss Adjaye, but said, “We are thrilled with and proud of this design and look forward to working in it.” A rendering of the lobby, facing north. The museum said it has raised more than $285 million of a $300 million capital campaign for future sustainability. via Adjaye AssociatesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Trump vs. Harris Would Be Nothing Without Myths

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      Kamala Harris and Donald Trump are making their appeals to the American electorate on the basis of personality, character and policy. But they are also framing themselves as actors in the American story — the events of the recent past and the deeper narrative of U.S. history carried by the symbol-rich stories of our national mythology.There has been very little common ground expressed between the parties in this election, except the belief that a victory by the opposition would be apocalyptic. Even when they invoke the same historical references, they present them in radically different ways. To Democrats, Jan. 6 was a shameful assault on democracy. To many Republicans, it was a patriotic protest of a rigged election.It’s as if we are living in two different countries, each with a different understanding of who counts as American.Each candidate is trying to pitch the contest to voters as a heroic episode in the unfolding of American history and invites them to imagine themselves as players in the narrative.In the “story wars,” Mr. Trump has an advantage over Ms. Harris: Conservatives have devised over decades a store of established mythological American “scripts,” something liberals have failed to do.Among the big issues at stake in the 2024 election, for both the campaigns and the country, is no less than shaping what it means to be an American and who gets to have power.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      In Georgia, Black Men’s Frustration With Democrats Creates Opening for Trump

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      Most Black men in the key battleground will back Vice President Kamala Harris — but the Trump campaign has made an effort to capitalize on a sense of dissatisfaction some voters have expressed.Over the last month, Freddie Hicks, 23, has received dozens of Republican mailers addressed to him at his home in deep-blue DeKalb County, an Atlanta suburb.The messaging was largely consistent, painting Vice President Kamala Harris as a “failed leader” with “dangerously liberal” views on crime and abortion, and former President Donald J. Trump as supporting a “common sense agenda” on abortion and immigration.But it was the sheer quantity that alarmed Mr. Hicks’s father, Fred Hicks, 47, an Atlanta-area Democratic strategist. No one else in his family was being inundated like that, including him. And nothing similar was arriving from the Democrats or Ms. Harris.Mr. Hicks’s son is one of Georgia’s most sought-after voters this election: a young Black man. Mailers are only one mode of campaigning and often not the most effective way to reach voters. But anecdotes of their uneven distribution have been enough to rattle some Democrats who see lagging Black male support as a warning sign for the vice president’s campaign in the key battleground.“They are young, they’re volatile with respect to their opinions and their voting decisions and they don’t have inherently the same loyalty to the Democratic Party that say, you know, their parents do,” Fred Hicks said of young Black men like his son, whom he described nonetheless as a staunch Democratic voter. “This is concerning to me not just for the 2024 election, but the payoff, I think for Republicans could come well over the next 20 years.”Black men are rivaled only by Black women in their high turnout and loyalty to Democrats. In recent surveys, the gap in support for the party between Black men and women is the narrowest of any race. Yet, more Black men under 50 have expressed in polling and conversations their openness to voting for Mr. Trump or staying home altogether — scenarios that could decide the election in hypercompetitive states, including Georgia.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Amadou Mahtar M’Bow, 103, Dies; His Tenure Leading UNESCO Was Stormy

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      He was the first Black African to head a major international organization, but complaints about his tenure led the U.S. and Britain to pull out of it.Amadou Mahtar M’Bow, a Senegalese civil servant and politician who became the first Black African to head a major international organization when he was elected director general of UNESCO — but whose contested tenure there led the United States and Britain to pull out — died on Tuesday in Dakar, Senegal. He was 103.His death, at a hospital, was announced on the website of UNESCO, the United Nations Educational, Scientific and Cultural Organization, which was established to promote international cooperation in those domains.Mr. M’Bow, a rare survivor among the continent’s first generation of independence leaders, had served as Senegal’s education and culture minister when he rose to the top post at UNESCO in 1974. Over the next 13 years he turned the agency into a spearhead for grievances in the developing world and the Soviet bloc, mainly over Western cultural dominance, while entrenching himself behind a phalanx of handpicked bureaucrats at UNESCO headquarters in Paris.His resistance to Western influences, as well as accusations of misspending and nepotism, contributed to decisions by President Ronald Reagan and Prime Minister Margaret Thatcher to pull their countries out of UNESCO in disgust, the U.S. in 1984 and Britain in 1985. Britain rejoined in 1997, the United States in 2003.The withdrawal by the U.S. was particularly disastrous for UNESCO, as American contributions had provided a quarter of its budget. For years afterward, the agency was seen by critics as the poster child for U.N. bloat and politicization.Criticism of Mr. M’Bow centered on his promotion of what came to be known as a “new world information order,” a vague body of recommendations that many in the West regarded as a threat to freedom of the press, while its advocates saw it as an attempt to break the perceived Western monopoly on the reporting and dissemination of news.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More