Deaths (Obituaries)

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    Silvano Marchetto, Owner of Glitzy Greenwich Village Trattoria, Dies at 77

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    Da Silvano was a celebrity hangout, drawing boldface names like Madonna, Barry Diller and Yoko Ono. It was often referred to as the downtown Elaine’s.Silvano Marchetto, an Italian restaurateur whose Greenwich Village trattoria, Da Silvano, opened in 1975 and became a star-studded canteen and a Page Six fixture, died on June 4 in Florence, Italy. He was 77.His daughter, Leyla Marchetto, said the cause was heart failure.For four decades, akin to a downtown Elaine’s, Da Silvano was one of New York’s reigning haunts for the art, fashion, media and film crowds. And Mr. Marchetto, a hard-living Tuscan who parked his Ferrari ornamentally outside his establishment, was its rustic host and mascot.He wore Hawaiian shirts and yellow pants, and his wrists were covered in silver bracelets and jewelry. After he fired waiters in fits of passion, he soon missed them, sending emissaries to lure them back. And when everyone from Rihanna to Barry Diller to Patti Smith frequented his restaurant, he greeted them with a friendly growl as he nursed a glass of wine.Before social media democratized the public’s access to the lives of celebrities, tabloids like The New York Post and The Daily News relied on Da Silvano as a source of juicy gossip. The patio tables beneath its yellow awning were coveted seating for those who wanted to be seen, and the pictures snapped by the paparazzi posted up along the sidewalk outside notified New Yorkers about how their favorite celebrities dated, argued, wheedled and canoodled.“Page Six covered us so much people asked if I owned The New York Post,” Mr. Marchetto (pronounced MARK-et-oh) once said. “But it was good for Da Silvano, whatever they wrote.”Mr. Marchetto’s roster of regulars included Calvin Klein, Anna Wintour, Lindsay Lohan, Joan Didion, Madonna, Yoko Ono, Harvey Weinstein, Susan Sontag, Lou Reed, Salman Rushdie, Stephanie Seymour and Larry Gagosian.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Ron Simons, Who Brought Black Stories to Broadway, Dies at 63

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      He left a career in tech and found success as a producer, winning four Tonys. His mission: staging productions about underrepresented communities.Ron Simons, who left his job as an executive at Microsoft to pursue his dream of acting but later found his métier as a theatrical producer — one of the relatively few Black ones on Broadway — and won four Tony Awards, died on June 12. He was 63.His death was announced by Simonsays Entertainment, his production company. A spokesman declined to say where he died or provide the cause of death.Mr. Simons had been acting for about a decade, but was unhappy with the roles he was being offered, when he started producing in 2009. He believed that his experience as an actor and businessman would serve him well as a producer.“I’ve found that many businesspeople can handle the question of financial viability but can’t judge a good story, so as an artist I also have that area of expertise,” he told DC Theater Arts in 2020. “Plus, even if it’s a good story, it has to be crafted to take it to the stage, so the leadership must understand how to get it there.”Success came quickly. He was a producer of “The Gershwins’ Porgy and Bess,” starring Audra McDonald and Norm Lewis, which won the Tony for best revival of a musical in 2012. Mr. Simons won a second Tony a year later for best play for “Vanya and Sonia and Masha and Spike,” a comedy by Christopher Durang about three middle-aged siblings.Audra McDonald, center, in the musical “The Gershwins’ Porgy and Bess,” which Mr. Simons produced.Sara Krulwich/The New York TimesFrom left David Hyde Pierce, Kristine Nielsen and Sigourney Weaver in the Tony-winning “Vanya and Sonia and Masha and Spike.”Sara Krulwich/The New York TimesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Remembering Willie Mays as Both Untouchable and Human

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      Mays, who died on Tuesday at 93, had been perfect for so long that the shock of seeing baseball get the best of him was the shock of seeing a god become mortal.At the end, the Say Hey Kid looked nothing like the extraordinary force who had been at the center of the American imagination for much of the 20th century.The Kid — Willie Mays — struggled at the plate and stumbled on the basepaths. A line drive arced his way, easily catchable for Mays during most of his career. But he fell. Another outfield mistake caused the game to be tied in the ninth inning.He was a creaky-kneed 42 years old on that October afternoon, Game 2 of the 1973 World Series — Mays’s New York Mets in Oakland facing the A’s. On the grandest stage, the ravages of time had settled upon the game’s most gilded star.That he would redeem himself at the plate three innings later is often forgotten. The unthinkable had happened. Mays had not only failed, he had appeared lost, clumsy and out of sorts.The shock of seeing him that way would linger long past his playing days as a warning: Don’t be like Willie Mays, sticking around too long, stumbling in center field, a shadow of his former self. Such became the axiom, uttered in so many words by everyone from politicians to business leaders to commentators weighing in on great athletes who yearn to play into their twilight.Quit before it is too late.In retirement, Mays, who died on Tuesday at 93, did his best to ignore the game that would be his last. But there is another way to view its echoes.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Angela Bofill, R&B Hitmaker With a Silky Voice, Dies at 70

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      Starting in the late 1970s, she scored multiple hit singles, including “This Time I’ll Be Sweeter” and “I Try,” but multiple strokes in the 2000s ended her career.Angela Bofill, a New York-bred singer whose sultry alto propelled a string of R&B hits in the late 1970s and early ’80s before strokes derailed her career in the 2000s, died on Thursday in Vallejo, Calif. She was 70.Her death, at the home of her daughter, Shauna Bofill Vincent, was announced in a social media post by her manager, Rich Engel. He did not specify a cause.With a silky blend of Latin, jazz, adult-contemporary and soul, Ms. Bofill is best remembered for jazzy love songs like “This Time I’ll Be Sweeter” and funk-inflected pop numbers like “Something About You.” Armed with a three-and-a-half-octave range, her voice was “as cool as sherbet, creamy, delicately colored, mildly flavored,” as Ariel Swartley wrote in Rolling Stone magazine in 1979.Starting in 1978, Ms. Bofill logged six albums in the Top 40 of the Billboard R&B charts, with five of them crossing over to the Top 100 of the pop charts. She also scored seven Top 40 R&B singles, including “Angel of the Night,” (1979) and “Too Tough” (1983).Angela Tomasa Bofill was born on May 2, 1954, in New York City to a Puerto Rican mother and a Cuban father and grew up in the Williamsburg neighborhood of Brooklyn, in Manhattan and in the West Bronx. She started writing songs as a child.By her teens, she was already showing off her vocal chops in a duo with her sister Sandra and a group called the Puerto Rican Supremes, and also as a member of the prestigious All-City Chorus, a group composed of top high-school singers in the city’s five boroughs.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      John Everett Benson, Who Chiseled John F. Kennedy’s Grave, Dies at 85

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      A master of the ancient and exacting art of carving into rock, he was 25 when he began his first major commission, at Arlington National Cemetery. John Everett Benson, a master stone carver, designer and calligrapher whose chisel marked the deaths of presidents, playwrights, authors and artists, as well as generations of American families — and whose elegant inscriptions graced museums and universities, government buildings and houses of worship — died on Thursday in Newport, R.I. He was 85.His son Christopher said he died in a hospital but did not specify the cause.Mr. Benson practiced the ancient and exacting art of carving into rock; slate was his preferred medium. He did so, precisely and gorgeously, on cornerstones, gravestones and monuments, as his father had before him, working out of an atelier in Newport called the John Stevens Shop. Founded in 1705, it is one of the oldest continuously run businesses in the country.The art Mr. Benson practiced is mostly devoted to mortality, the brief span of a life, though it is designed for eternity, or something close to it. It is often described as the slowest writing in the world. Mr. Benson could spend a day carving a cross; a gravestone might take three months.For the inscriptions for the East Building of the National Gallery in Washington, designed by I.M. Pei in the 1970s, he averaged an hour and a half carving each letter, some of which are nearly a foot tall. He and his team at the time, two young carvers named John Hegnauer and Brooke Roberts, spent months completing the painstaking work.Mr. Benson in 2020 at the John Stevens Shop, in Newport, R.I., with his son Nick, who took over his business in 1993, and his granddaughter Hope, who is training to be a stone carver like her father and grandfather.via Benson FamilyHe carved the words on the pedestal that supports Secretariat’s statue at Belmont Park; he also carved John D. Rockefeller Jr.’s credo into a slab of polished granite in Rockefeller Center. His elegant slate alphabet stone — alphabet stones are where lapidary artists show off their chops, their calligraphic feats and flourishes — lives in Harvard’s Houghton Library. He also worked on the National Cathedral in Washington, Yale University and the Boston Public Library, among other institutions.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Ben Vautier, Artist Whose Specialty Was Provocation, Dies at 88

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      A core member of the anti-art movement Fluxus, he died by suicide hours after the death of his wife of 60 years.Ben Vautier, a French artist and agitator who often worked under the moniker Ben, and who as a core member of the anti-art collective Fluxus blurred the boundaries of high and low, art and life, while adhering to the credo “Everything is art,” died on June 5 at his home in Nice, France. He was 88.He died by suicide shortly after his wife, Annie Vautier, a performance artist he married in 1964, died of a stroke, his children, Eva and Francois, posted on social media. “Unwilling and unable to live without her,” they wrote, “Ben killed himself a few hours later at their home.”Theirs was an intense, if tangled, relationship. “We called her “Sainte-Annie,” Mascha Sosno, a friend, was quoted as saying in a recent article on the France Info website.“It was difficult to live with him,” she added. “They argued all the time, but in fact they adored each other, and he was inseparable from Annie, too.”Forever looking to provoke, Mr. Vautier found a kindred spirit in 1962 when he met George Maciunas, who spearheaded the avant-garde Fluxus movement of the 1960s, which included Yoko Ono, Nam June Paik and other artists, and which drew from the iconoclastic Dada movement of the early 20th century.Fluxus, as articulated in Mr. Maciunas’s 1963 manifesto, was intended as a revolution, a call to comrades to “promote living art, anti-art, promote non-art reality,” while purging the world of “dead art, imitation, artificial art.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Lynn Conway, Computing Pioneer and Transgender Advocate, Dies at 86

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      She made significant contributions at IBM, but she lost her job because of her conviction that she inhabited the wrong body. She later fought for transgender rights.Lynn Conway, a pioneering computer scientist who was fired by IBM in the 1960s after telling managers that she was transgender, despite her significant technological innovations — and who received a rare formal apology from the company 52 years later — died on June 9 in Jackson, Mich. She was 86.Her husband, Charles Rogers, said she died in a hospital from complications of two recent heart attacks.In 1968, after leaving IBM, Ms. Conway was among the earliest Americans to undergo gender reassignment surgery. But she kept it a secret, living in what she called “stealth” mode for 31 years out of fear of career reprisals and concern for her physical safety. She rebuilt her career from scratch, eventually landing at the fabled Xerox PARC laboratory, where she again made important contributions in her field. After she publicly disclosed her transition in 1999, she became a prominent transgender activist.IBM offered its apology to her in 2020, in a ceremony that 1,200 employees watched virtually.Ms. Conway was “probably our very first employee to come out,” Diane Gherson, then an IBM vice president, told the gathering. “And for that, we deeply regret what you went through — and know I speak for all of us.”Ms. Conway in 1983 beside her Xerox Alto, an early personal computer developed at the company’s PARC laboratory.Margaret Moulton/Palo Alto WeeklyMs. Conway’s innovations in her field were not always recognized, both because of her hidden past at IBM and because designing the guts of a computer is unsung work. But her contributions paved the way for personal computers and cellphones and bolstered national defense.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Edward Stone, 88, Physicist Who Oversaw Voyager Missions, Is Dead

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      He helped send the twin spacecraft on their way in 1977. Decades and billions of miles later, they are still probing — “Earth’s ambassadors to the stars,” as he put it.Edward C. Stone, the visionary physicist who dispatched NASA’s Voyager spacecraft to run rings around our solar system’s outer planets and, for the first time, to venture beyond to unravel interstellar mysteries, died on Sunday at his home in Pasadena, Calif. He was 88.His death was confirmed by his daughter Susan C. Stone.Inspired by the launch of the Soviet satellite Sputnik in 1957, while he was a college student, Dr. Stone went on to oversee the Voyager missions 20 years later for the Jet Propulsion Laboratory, which the California Institute of Technology manages for NASA.Twin aircraft, Voyager 1 and Voyager 2 were launched separately in the summer of 1977 from Cape Canaveral, Fla. Almost five decades later, they are continuing their journeys deep into space and still collecting data.Dr. Stone was the program’s chief project scientist for 50 years, starting in 1972, when he was a 36-year-old physics professor at Caltech. He became the public face of the project with the double launch in 1977.Dr. Stone in 1972 as a physics professor at Caltech. That year, he became chief project scientist of the Voyager program and held that post for 50 years, retiring in 2022.Caltech ArchivesTaking advantage of a gravitational convergence of four planets that occurs only once every 176 years, the spacecraft soared past Jupiter, Saturn, Uranus and Neptune.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      John Wilmerding, Who Helped Give American Art an Identity, Dies at 86

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      American paintings were largely overlooked and undervalued until he came along. A scholar, curator and collector, he oversaw important exhibitions over the last 50 years.John Wilmerding, a towering figure in American art whose eclectic career as a scholar, museum curator and collector was instrumental in elevating the cultural significance and market value of painters such as Winslow Homer, Thomas Eakins and Fitz Henry Lane, died on June 6 in Manhattan. He was 86.His brother, James Wilmerding, said the cause of death, at NewYork-Presbyterian Hospital, was complications of congestive heart failure.When Mr. Wilmerding began teaching in the 1960s, American art was underappreciated, if not totally unknown. There were virtually no university survey courses in the subject, textbooks or major exhibitions.“American art just didn’t hold the same sort of attention and respect that European art did, and certainly the art of the Renaissance or the old masters,” said Justin Wolff, chairman of the art history department at the University of Maine and a former student of Mr. Wilmerding’s. “It was behind culturally. It didn’t really have an identity.”Mr. Wilmerding helped give it one.Mr. Wilmerding’s book “American Masterpieces” (2019) is a collection of his columns on art for The Wall Street Journal. He published 19 other books. David R. GodineHe published more than 20 books, including “American Masterpieces: Singular Expressions of National Genius” (2019), a collection of his columns on art in The Wall Street Journal.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More