Deaths (Obituaries)

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      Baltazar Ushca, Who Kept Andean Ice Harvesting Alive, Dies at 80

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      He trekked up Ecuador’s tallest mountain twice a week for six decades to hack ice off a glacier with a pickax. He is believed to have been the last of his breed.For 60 years, Baltazar Ushca worked a rare but rigorous trade: ice merchant. Once or twice a week, he climbed snow-capped Mount Chimborazo, Ecuador’s highest peak, to hack ice from a glacier with a pickax, wrap the 60-pound blocks in hay and transport them on the backs of his donkeys. He would then sell them to villagers who did not have electricity and needed refrigeration to conserve their food.It started as a family business. Mr. Ushca’s father, Juan, was an ice merchant, as were his brothers, Juan and Gregorio, and they made their very modest livings off the Chimborazo ice.But Mr. Ushca, who was 4-foot-11, chipped at the ice decades after modern refrigeration came to his village, by which time his job was nearly obsolete. He gradually became known as the last of his breed, selling his blocks of ice for a few dollars each largely to vendors in a market in Riobamba, Ecuador, for use in fruit drinks and making ice cream.“The natural ice from Chimborazo is the best ice,” Mr. Ushca said in a short documentary, “El Último Hielero,” or “The Last Ice Merchant” (2012), directed by Sandy Patch. “The tastiest and the sweetest. Full of vitamins for your bones.”Once he reached the market, he delivered the blocks of ice by carrying them on his back.“My kids would say, ‘Why suffering so much?’” Gregorio Ushca said the documentary. “‘Being so cold, walking far, if you almost make no money?’”Since he was 15, Baltazar Ushca has harvested the glacial ice of Ecuador’s Mount Chimborazo. His brothers have long since retired. “El Último Hielero” is a story of cultural change and adaption.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Dorothy Allison, Author of ‘Bastard Out of Carolina,’ Dies at 75

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      She wrote lovingly and often hilariously about her harrowing childhood in a working-class Southern family, as well as about the violence and incest she suffered.Dorothy Allison, who wrote with lyrical, pungent wit about her working-class Southern upbringing — and about the incest and violence that shaped her — and whose acclaimed 1992 novel, “Bastard Out of Carolina,” based on her harrowing childhood, made her a literary star, died on Tuesday at her home in Guerneville, Calif., in Sonoma County. She was 75.Her death, from cancer, was announced by the Frances Goldin Literary Agency, her longtime representative.Ms. Allison was flat broke in 1989 when she decided to try to sell “Bastard Out of Carolina,” the novel she had been writing for nearly a decade, to a mainstream publisher. “Trash,” a critically praised collection of short stories, had already been published by Firebrand Books, a feminist publishing house; so had her collection of poetry, “The Women Who Hate Me,” which she first published herself as a chapbook in 1983. In both books, she tackled lust, the scrum of feminist politics and her chaotic, beloved family. Feminism had saved her life, she often said, and she was certain that because of her political convictions, the mainstream press would not welcome her.“Bastard Out of Carolina” was published in 1992 to almost unanimous acclaim and made numerous best-seller lists.No creditMs. Allison liked to describe herself, as she told The New York Times Magazine in 1995, as a “cross-eyed, working-class lesbian addicted to violence, language and hope.”But at the time, she and her partner, Alix Layman, a trombone player who had been kicked out of the Army for being gay, were living on grits. Ms. Allison, who was legally blind in one eye, had numerous other health concerns and medical debt, and she could no longer support her writing with part-time clerical jobs.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      James Ledbetter, Media Critic and Business Journalist, Dies at 60

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      He wrote the Press Clips column for The Village Voice, held top jobs at Inc. magazine and Slate, and wrote a book about how the startup magazine The Industry Standard fizzled.James Ledbetter, a former media critic who wrote the Press Clips column for The Village Voice in the 1990s, led Inc. magazine as its editor in chief and started an online financial technology newsletter, died on Monday at his home in Manhattan. He was 60.His sister Kathleen Ledbetter Rishel confirmed the death but declined to specify the cause.At The Village Voice, where Alexander Cockburn had originated Press Clips, Mr. Ledbetter was a keen observer of local and national news media.“Week after week, perhaps no one tops James Ledbetter’s razor-sharp dissection of the nation’s print media,” Seth Rogovoy of The Berkshire Eagle in Massachusetts wrote in 1995.Michael Tomasky, the editor The New Republic and a friend, said Mr. Ledbetter “was a voracious reader of the tabloids, all four of them at the same time,” adding, “He wrote Press Clips at a time when media criticism exploded into an industry.”In a column about The New York Post in 1998, Mr. Ledbetter castigated New York State for approving a $12.9-million economic development grant to the newspaper to keep it from moving to New Jersey.“Why, taxpayers want to know, should part of our hard-earned paychecks pamper the pockets of the paper that’s always complaining about everyone else’s welfare check?” he wrote. “Especially since that paper is owned by billionaire Rupert Murdoch?”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Dub Jones, Who Scored 6 Touchdowns for Browns in One Game, Dies at 99

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      A 6-foot-4 halfback and flanker, he was a tall, reliable target for Browns quarterback Otto Graham as Cleveland rolled to titles in the late 1940s and ’50s.Dub Jones, an All-Pro running back and flanker for Cleveland Browns championship teams of the late 1940s and ’50s and one of four N.F.L. players to score six touchdowns in a single game, died on Saturday at his home in Ruston, La. He was 99.His son Bert, a former N.F.L. quarterback, confirmed the death.Playing in an innovative offensive scheme devised by Paul Brown, the founder and coach of the Browns, Jones was a double threat. He was an outstanding runner at right halfback and caught passes out of the backfield as a flanker, a position introduced by Brown to spread the field for passes uncorked by the future Hall of Fame quarterback Otto Graham.On Nov. 25, 1951, Jones scored four touchdowns running from scrimmage and two on passes from Graham in the Browns’ 42-21 rout of the Chicago Bears at the cavernous old Cleveland Stadium, tying the six-touchdown record set by the Chicago Cardinals’ Ernie Nevers in a 1929 game. Only Gale Sayers, with the 1965 Bears, and Alvin Kamara, with the 2020 New Orleans Saints, have matched them.Brown used rotating guards as “messengers” to bring in plays, although he allowed quarterbacks to call an “audible,” changing his play if they saw a vulnerable defensive alignment. Late in the Browns’ 1951 romp of the Bears, Brown stuck with that procedure.“With Cleveland safely ahead, I sent in a running play,” he recalled in an autobiography, “PB: The Paul Brown Story” (1979, with Jack Clary). “Otto knew that Dub Jones had already scored five touchdowns and needed only one more to set a record, so he discarded the call and selected a pass. Dub scored on the play, and I said nothing about it because the play had been successful.”Jones ran for 116 yards on nine carries and caught three passes for 80 yards in that game, including Graham’s climactic 43-yard touchdown toss.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      DJ Clark Kent, Who Introduced Jay-Z to the Notorious B.I.G., Dies at 58

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      He was a producer and club D.J. who helped rappers find their voices and fortunes, and who later became known as a raconteur of hip-hop history.Antonio Franklin, known as DJ Clark Kent, a widely respected hip-hop insider for four decades who had influential relationships with many leading rappers, died on Thursday at his home in Greenbrook, a township in northern New Jersey. He was 58. The cause was colon cancer, his wife, Kesha (Vernon) Franklin, said.Mr. Franklin’s career followed the trajectory of hip-hop itself. He entered the scene just as it was taking shape, in New York in the 1980s, and he reached prime time when rap itself did, in the mid-90s. After being a club D.J. for years, he moved on to work as a producer and took jobs with Atlantic Records and Motown.In 1995, he produced a rap classic — and his first hit song — with “Player’s Anthem” by Junior M.A.F.I.A., a group formed by the Notorious B.I.G., who also appeared on the track. The song became a breakout single for the group and introduced Lil’ Kim to the international hip-hop audience.The next year, he produced three songs on Jay-Z’s debut album, “Reasonable Doubt.” His most noteworthy contributions were to the song “Brooklyn’s Finest.” Mr. Franklin provided the vocals for the hook, and he suggested to Jay-Z and his manager, Damon Dash, that they include Notorious B.I.G. on the track. The two somewhat hesitantly agreed — without realizing that Mr. Franklin had already asked Notorious B.I.G. to wait downstairs. The collaboration took place instantly.That kind of behind-the-scenes orchestration was ordinary for Mr. Franklin. In 1998, he saw a young man who went by Shyne freestyling in a barbershop, then introduced him to Sean “Puff Daddy” Combs, who signed him to a record deal on the spot.“I practically knew every rapper before they made their records,” Mr. Franklin told the pop culture publication Complex. “They wanted to be familiar with the D.J.s and what was happening in hip-hop. I was happening in hip-hop.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Tom Jarriel, Globetrotting ABC News Reporter, Is Dead at 89

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      In his 37 years at the network, he was a White House correspondent, weekend anchor and correspondent for “20/20.” He won 19 Emmy Awards.Tom Jarriel, a globetrotting, Emmy-winning reporter who was best known for his work on the ABC newsmagazine “20/20” but also served as the network’s chief White House correspondent and weekend news anchor, died on Thursday at a nursing facility in Annapolis, Md. He was 89.His death was confirmed by his son Steve, who said he had a debilitating stroke last year.Mr. Jarriel started at “20/20” in 1979 — a year after it went on the air — and was there for 23 years. His subjects included the child victims of the civil war in Mozambique (including a 9-year-old boy forced by rebels to burn down his own house), the return of the Khmer Rouge in Cambodia and famine in Ethiopia.“We did not do happy stories together,” Janice Tomlin, his longtime producer, said in an interview. “You had to be in serious trouble for Tom and I to do a story on you.”He considered the defining story of his career to be a series of reports over a decade on the thousands of forgotten, abused and malnourished orphans in Romania. He and Ms. Tomlin found them naked and warehoused in orphanages — some of them dying, others with flies all over them, and others in primitive institutions for what Mr. Jarriel said were unsalvageable children.“In more than 50 institutions hidden in remote areas of Romania, innocent children are locked away like condemned prisoners,” Mr. Jarriel said in one of two reports broadcast in 1990. “These are not the orphanages seen before on American television. These are state-run asylums shrouded in secrecy. This is where children with physical or mental defects are banished by a government which has branded them worthless.”Ms. Tomlin recalled: “We found children in cages, with their heads shaved, four to a crib, some in straitjackets. It was like Auschwitz. The children were dying from malnutrition and fixable things.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      David Harris, Actor in the Cult Classic ‘The Warriors,’ Dies at 75

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      He played Cochise, a member of the Warriors gang who navigated a panoply of costumed aggressors in New York City.David Harris, who played a member of a street gang in the 1979 cult classic movie “The Warriors,” died on Friday at his home in New York City. He was 75.His daughter, Davina Harris, said the cause was cancer.As the Warriors evaded and did battle with rival crews in New York City streets and subway cars, Mr. Harris in the role of Cochise dutifully supported his brothers. In a gang that conformed to matching red leather vests, Cochise cut a defiant presence with his headband and turquoise necklaces that bobbed to the rhythm of their violent journey home to Coney Island.After the Warriors are falsely accused of killing a gang leader, they have to navigate a panoply of colorful and costumed rivals — malevolent mimes, pinstriped baseball bat thumpers and villains aboard a school bus fit for “Mad Max.”In a movie with moments (the sinister bottle clinking, the baritone bellow of “Can you dig it?”) that have been recreated and parodied in media in the decades since the film’s release, one of Mr. Harris’s scenes inside a rival gang’s den was a central point in the mayhem.After being seduced by an all-female gang, a party in an apartment quickly turns sideways, with a hand near Mr. Harris’s face suddenly wielding a switchblade. He bobs and dodges, jumps and jukes before swinging a chair and plowing through a door that allows him and his fellow members to escape bullets and blades.“We thought it was a little film that would run its little run and go, and nobody would ever talk about it again,” Mr. Harris said in an interview in 2019 with ADAMICradio, an online channel about TV, films and comics.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Thelma Mothershed Wair, Little Rock Nine Student, Dies at 83

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      In 1957, Mrs. Mothershed Wair and eight other Black students enrolled at Little Rock Central High School. They faced racist mobs and were escorted by federal troops.Thelma Mothershed Wair, one of nine Black students who became known as the Little Rock Nine for integrating a high school in 1957 during one of the biggest confrontations of the civil rights movement, died on Saturday at a hospital in Little Rock. She was 83.Her death was confirmed by her sister, Grace Davis. No cause was given.In the fall of 1957, nine Black students enrolled at Little Rock Central High School, the country’s first test for school integration after the 1954 Supreme Court Brown v. Board of Education decision declared “separate but equal” education unconstitutional.In a 2004 oral history interview with the Little Rock Central High School National Historic Site, Mrs. Mothershed Wair recalled seeing Gov. Orval Faubus of Arkansas on television calling on the National Guard to block the students from entering on their first day. “I thought he meant to protect me,” she said in the 2004 interview. “How wrong I was.”The students faced angry, racist mobs that first day, and the soldiers blocked them from entering the school. Mrs. Mothershed Wair also recalled seeing cars with out-of-state license plates near the school.For three weeks, Gov. Faubus defied the federal desegregation order, setting off a crisis across Little Rock. Then President Dwight D. Eisenhower ordered federal troops to escort the students to school on Sept. 25. “The army has come into our city to put nine kids in a school?” she said she remembered thinking. “Did that make any sense? Was this not America?”With the 101st Airborne Division accompanying them, Mrs. Mothershed Wair recalled how the mobs that had blocked them from entering school “parted like when Moses stretched out his staff at the Red Sea.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More