Deaths (Obituaries)

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      Selma Miriam, Founder of the Feminist Restaurant Bloodroot, Dies at 89

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      She and Noel Furie had just come out as lesbians when they opened an unusual gathering place for women in Connecticut. Nearly half a century later, it is still thriving.Selma Miriam and Noel Furie were unhappy housewives, as they put it, when they met at a gathering of the National Organization for Women in Connecticut in 1972. Soon after, they divorced their husbands, came out as lesbians and set about creating a place for women to congregate.Ms. Miriam was a talented and adventurous cook, and at first they held dinners at her house, charging $8 for a weekly buffet of lush vegetarian dishes — a culinary choice they made because a friend pointed out that a feminist food enterprise should not contribute to the suffering of animals.In 1977 they opened Bloodroot, a feminist restaurant and bookstore tucked into an industrial building on a dead-end street in Bridgeport. They had no waiters, no printed menu and no cash register, and they did not advertise. Against the odds, the business thrived.Ms. Miriam, center, with Samn Stockwell, left, and Betsey Beaven, two of the original members of the Bloodroot collective, in 1977, the year the restaurant opened.Fred R. Conrad/The New York Times“The people who need us, find us,” Ms. Miriam always said.Selma Miriam died on Feb. 6 at her home in Westport, Conn. She was 89.The cause was pneumonia, her longtime partner, Carolanne Curry, said.“We don’t just want a piece of the pie, we want a whole new recipe,” Ms. Miriam declared in “A Culinary Uprising: The Story of Bloodroot,” a feature-length 2024 documentary about the restaurant. (Another documentary, “Bloodroot,” came out in 2019.)We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Geoff Nicholson, Author of Darkly Comic Novels, Dies at 71

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      In more than a dozen books, he created characters who were obsessed with maps, urban walking, sexual fetishes and Volkswagen Beetles.Geoff Nicholson, whose darkly comic literary novels and eclectic nonfiction were full of characters defined by their obsessions — with cartography, Volkswagen Beetles, urban walking, jokes and sexual fetishes, many of which were enduring interests of Mr. Nicholson himself — died on Jan. 18 in Colchester, England, northeast of London. He was 71.His death, in a hospital, was from chronic myelomonocytic leukemia, his partner, Caroline Gannon, said. It is a rare bone marrow cancer, though, as Mr. Nicholson mordantly observed, “not rare enough, obviously.”In novels with far-fetched plots, characters who often flirted with the cartoonish and stylized, noirish dialogue, Mr. Nicholson wrote with verve and biting wit, and he attracted a dedicated, if not large, readership for his prolific output.His Facebook profile once had a list of “liked” books whose first two titles were “Gravity’s Rainbow” and “The Big Sleep,” a thumbnail distillation of his own oeuvre of highbrow plundering of lowbrow culture.Mr. Nicholson was a verbal jokester, whether in ambitious fiction or in more prosaic writing. For the “About” page of his website, he annotated his own Wikipedia entry. In response to Wikipedia’s assertion that his work was “compared favorably” to that of Kingsley and Martin Amis, Will Self and Zadie Smith, Mr. Nicholson wrote, “I don’t recall anybody ever comparing me to Kingsley Amis, but I suppose they might have.”One person who did compare him to Kingsley Amis, the midcentury British satirist, was the New York Times critic Michiko Kakutani, writing a 1997 review of Mr. Nicholson’s best-known novel, “Bleeding London.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Art Schallock, Oldest Surviving Major Leaguer, Dies at 100

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      A pitcher, he played for the Yankees and the Orioles. When Mickey Mantle was sent to the minors in 1951, Schallock was called up.Art Schallock, the New York Yankees and Baltimore Orioles left-handed pitcher of the 1950s who had been the oldest living former major leaguer, died on Thursday in Sonoma, Calif. He was 100.His death was confirmed by his family.When the Yankees sent 19-year-old Mickey Mantle to the minors in 1951, they called up Schallock, who was making his major league debut.Pitching for five seasons in the majors, he appeared in 58 regular-season games, 14 of them as a starter.Arthur Lawrence Schallock was born in Mill Valley, Calif., near San Francisco, on April 25, 1924, the fourth child of Arthur and Alice Schallock. His father was a telephone and telegraph lineman.After pitching for high school and semipro teams, he served in the Navy during World War II as a radio operator on an aircraft carrier.The Brooklyn Dodgers signed him in 1946, and he pitched in their minor league system until they traded him to the Yankees in July 1951.Art Schallock in 1955. He spent five years in the major leagues, playing in 58 games.Harry Harris/Associated PressHe was a member of the Yankee teams that defeated the Dodgers in the 1952 and 1953 World Series, though he had only one postseason appearance: In Game 4 of the last of those matchups, he allowed one run in two innings.“I roomed with Yogi Berra and he knew all the hitters on each team,” he once said. “Besides that, I had to run down to the lobby and get his funny books. Every morning.”The Orioles obtained Schallock off waivers in May 1955.He had a career record of 6-7, with an earned run average of 4.02 and 77 strikeoutsSchallock’s family was struck by tragedy one night in March 1973 when a man who was an outpatient at a mental institution invaded the home of his brother Melvin; Melvin’s wife, Ruth; and the couple’s son, Daniel, in Mill Valley, Calif. The man set the house on fire and killed all of them with shotgun blasts.Last April, the Yankees honored Schallock on his birthday when they sent him a team jersey signed by the players.A list of Schallock’s survivors was not immediately available. His wife, Donna, died in 2023.For all his fortitude, Schallock did not set a record for longevity in professional baseball. The pitcher Si Simmons of the Lincoln Giants of the Negro leagues lived to 111, and the Yankee pitcher Red Hoff reached 107. More

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      Joey Molland of the Power-Pop Band Badfinger Dies at 77

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      He was the last remaining core member of a group that was both propelled and pigeonholed in the 1970s by its close association with the Beatles.Joey Molland, a guitarist and songwriter who was the last surviving member of Badfinger, one of the first acts signed to the Beatles’ Apple Records and a power-pop force in the early 1970s on the strength of hits like “Day After Day” and “No Matter What,” died on March 1 in St. Louis Park, Minn. He was 77.His partner, Mary Joyce, said he died in a hospital from complications of diabetes.Mr. Molland joined Badfinger — originally called the Iveys — in 1969. The band had been signed the year before as a marquee act for Apple Records, the much-publicized label formed by the Beatles in 1968 as part of the parent company Apple Corps.“Badfinger gave me the opportunity to do everything a musician could want,” Mr. Molland said in a 2020 interview with Guitar World magazine. “I got to make records. I heard my music on the radio, and I toured all over. I couldn’t believe the luck we were having. For a time, everything was great.”Apple Corps was a high-minded, if financially dubious, initiative to tap the Beatles’ millions to fund unknown talents in music, film and electronics. It was created so that, as John Lennon said at the news conference announcing the venture, “people who just want to make a film about anything don’t have to go on their knees in somebody’s office — probably yours.”This experiment in “Western Communism,” as Paul McCartney called it, involved no shortage of misfires. (The company’s retail shop, known as the Apple Boutique, hemorrhaged 200,000 pounds — the equivalent of millions in today’s dollars — in a little more than a year.) But Badfinger was a gamble that worked, and its members enjoyed their new status as rock stars.Badfinger in about 1970. From left: Pete Ham, Tommy Evans, Mike Gibbins and Mr. Molland.via Getty ImagesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Joan Dye Gussow, Pioneer of Eating Locally, Is Dead at 96

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      An indefatigable gardener, she was concerned, a colleague said, with “all the things that have to happen for us to get our food.”Joan Dye Gussow, a nutritionist and educator who was often referred to as the matriarch of the “eat locally, think globally” food movement, died on Friday at her home in Piermont, N.Y., in Rockland County. She was 96.Her death, from congestive heart failure, was announced by Pamela A. Koch, an associate professor of nutrition education at Teachers College, Columbia University, where Ms. Gussow, a professor emeritus, had taught for more than half a century.Ms. Gussow was one of the first in her field to emphasize the connections between farming practices and consumers’ health. Her book “The Feeding Web: Issues in Nutritional Ecology” (1978) influenced the thinking of writers including Michael Pollan and Barbara Kingsolver.“Nutrition is thought of as the science of what happens to food once it gets in our bodies — as Joan put it, ‘What happens after the swallow,’” Ms. Koch said in an interview.But Ms. Gussow beamed her gimlet-eyed attention on what happens before the swallow. “Her concern was with all the things that have to happen for us to get our food,” Ms. Koch said. “She was about seeing the big picture of food issues and sustainability.”Ms. Gussow, an indefatigable gardener and a tub-thumper for community gardens, began deploying the phrase “local food” after reviewing the statistics on the declining number of farmers in the United States. (Farm and ranch families made up less than 5 percent of the population in 1970 and less than 2 percent of the population in 2023.)We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Gwen McCrae, Singer Who Helped Open the Dance Floor to Disco, Dies at 81

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      Originally a gospel singer, she went on to meld soulful melodies with dance-floor-friendly grooves on songs like the 1975 Top 10 hit “Rockin’ Chair.”Gwen McCrae, whose gospel-infused R&B hits of the early 1970s like “Lead Me On” and “Rockin’ Chair” featured bouncing, dance-floor-friendly grooves that helped open the door to disco, died on Feb. 21 in Miami. She was 81.Her former husband and frequent singing partner, George McCrae, said she died in a care facility from complications of a stroke she had in 2012.Though she had her share of nationwide hits, Ms. McCrae was best known on the music scene in the Miami area, where her upbeat R&B fit perfectly with the hot nights and subtropical vibe.She released most of her best-known songs through TK Records, a regional powerhouse founded by Henry Stone that counted other proto-disco acts, like Betty Wright and KC and the Sunshine Band, among its stable.Ms. McCrae and her husband, George McCrae, in the early 1970s. After the worldwide success of his signature hit, “Rock Your Baby,” she recorded her own hit, “Rockin’ Chair.”GAB Archive/Redferns, via Getty ImagesShe began performing with Mr. McCrae as a duo. They recorded their own albums, sang backup on others and carved a presence for themselves in the clubs of South Florida.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      D’Wayne Wiggins, One Third of the R&B Group Tony! Toni! Toné!, Dies at 64

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      As a paragon of the New Jack Swing sound, the band recorded three platinum albums and a slew of hits, including “Feels Good.”D’Wayne Wiggins, who brought his smooth baritone to millions of fans as a founding member and the lead singer of the R&B trio Tony! Toni! Toné!, which had three platinum albums and a slew of hits in the 1980s and ’90s including “Feels Good” and “The Blues,” died on Friday at his home in Oakland, Calif. He was 64.His family said in a statement on social media that the cause was bladder cancer.Mr. Wiggins was born and raised in Oakland and lived there most of his life, absorbing and blending the blues, funk and hip-hop sounds that he encountered on the city’s streets and in its clubs, where his father, a blues guitarist, was a regular performer.He formed Tony! Toni! Toné! in 1986 with his half brother, Charles Ray Wiggins (later known as Raphael Saadiq), who sang and played bass, and their cousin Timothy Christian Riley, who played drums.Tony! Toni! Toné! backstage in Milwaukee in 1991. From left: Timothy Christian Riley, Raphael Saadiq and Mr. Wiggins.Paul Natkin/Getty ImagesThe trio first found success performing around the San Francisco Bay Area, but they did not release their first album, “Who?,” until 1988. It was an immediate hit: Their debut single, “Little Walter,” reached No. 1 on the Billboard R&B chart; three more singles from the album reached the Top 10; and the album was certified gold.“Who?” leaned into the traditional blues sound that the trio had grown up with, but their next three albums ventured into new territory, incorporating hip-hop, upbeat soul and dance-pop — a blend that came to be known as New Jack Swing.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Roy Ayers, Vibraphonist Who Injected Soul Into Jazz, Dies at 84

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      He helped introduce a funkier strain of the music in the 1970s. He also had an impact on hip-hop: His “Everybody Loves the Sunshine” has been sampled nearly 200 times.Roy Ayers, a vibraphonist who in the 1970s helped pioneer a new, funkier strain of jazz, becoming a touchstone for many artists who followed and one of the most sampled musicians by hip-hop artists, died on Tuesday in New York City. He was 84.His death was announced on his Facebook page. The announcement said he died after a long illness but did not specify a cause or say where in New York he died.In addition to being one of the acknowledged masters of the jazz vibraphone, Mr. Ayers was a leader in the movement that added electric instruments, rock and R&B rhythms, and a more soulful feel to jazz. He was also one of the more commercially successful jazz musicians of his generation.He released nearly four dozen albums, most notably 22 during his 12 years with Polydor Records. Twelve of his Polydor albums spent a collective 149 weeks on the Billboard Top 200 chart. His composition “Everybody Loves the Sunshine,” from a 1976 album of the same name, has been sampled nearly 200 times by artists including Tupac Shakur, Dr. Dre, Mary J. Blige and Snoop Dogg. The electric piano hook from “Love,” on his first Polydor album, “Ubiquity” — which introduced his group of the same name — was used in Deee-Lite’s 1990 dance hit “Groove Is in the Heart.”“Roy Ayers is largely responsible for what we deem as ‘neo-soul,’” the producer Adrian Younge, who collaborated with Mr. Ayers and Ali Shaheed Muhammad of the hip-hop group A Tribe Called Quest in 2020 on the second album in the “Jazz Is Dead” series, which showcases frequently sampled jazz musicians, told Clash magazine. “His sound mixed with cosmic soul-jazz is really what created artists like Erykah Badu and Jill Scott. It was just that groove.“That’s not to say people around then weren’t making music with a groove,” he added, “but he is definitely a pioneer.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More