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      Jean-Philippe Allard, Jazz Producer and Musicians’ Advocate, Dies at 67

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      He called himself a “professional listener,” and he tended to develop lifelong relationships with the artists he worked with.Jean-Philippe Allard, a French record executive and producer who helped revive the careers of jazz greats who had been all but forgotten in the United States, and who earned a reputation for uncommonly fierce advocacy on behalf of musicians, died on May 17 in Paris. He was 67.The music producer Brian Bacchus, a close friend and frequent collaborator, said Mr. Allard died in a hospital from cancer, which had returned after a long remission.Artists ranging from Abbey Lincoln to Juliette Gréco to Kenny Barron all said they had never worked with a more musician-friendly producer.“Regarding my work, I would always consider it as co-producing with the artist,” Mr. Allard told the music journalist Willard Jenkins in an interview in March. “Some producers are musicians or arrangers, like Teo Maceo or Larry Klein; others are engineers; some are professional listeners. I would fall in this last category: listening to the artist before the session, listening to the music during the session, and listening to the mixing engineer.”He tended to develop lifelong relationships with the artists he worked with. “His ear was always open to the artist, and he was always concerned about what was best for the artist,” the vocalist Dee Dee Bridgewater said in an interview. “He saw me. He embraced me. He wasn’t afraid of me. He encouraged my independence. He encouraged me speaking out.”Mr. Allard, right, in the studio with the bassist Charlie Haden, one of the many prominent jazz musicians he worked with.Cheung Ching Ming, via PolyGram/UniversalWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      French-American Friendship in Four Courses

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      Under Emmanuel Macron, “culinary diplomacy” is back on the menu, with a lavish dinner fortifying an old alliance at a tense historical moment.Beneath the crystal chandeliers of the gilded reception hall of the Élysée Palace, opened in 1889 with a party for 8,000 people, President Emmanuel Macron of France hosted President Biden on Saturday night at a state dinner intended to celebrate a very old alliance and demonstrate that the bond is greater than its intermittent frictions.Mr. Biden, addressing the French leader as “Emmanuel,” rose from a long table adorned with a bouquet of pink peonies and roses to say that “France was our first ally, and that is not insignificant.” He cited a book titled “The Pocket Guide to France” that he said was distributed to the American forces who, eight decades ago, fought their way up the Normandy bluffs through a hail of Nazi gunfire to wrest Europe from tyranny.“No bragging,” Mr. Biden quoted the guide as saying, “the French don’t like that!” The book urged U.S. solders to be generous — “it won’t hurt you” — and said the French “happen to speak democracy in a different language, but we are all in the same boat.”That “same boat” of 1944 has repeatedly been invoked during Mr. Biden’s five-day visit to France as still existing today in the form of joint French and U.S. support for Ukraine in a battle against Russia defined as pivotal for the defense of European liberty. “We stand together when the going gets tough,” Mr. Biden said.The going was scarcely that at a sumptuous dinner served at tables set between the fluted columns of a room conceived a century after the French Revolution to project the glory of the Republic.Beneath golden caryatids and a painted ceiling medallion reading “The Republic safeguarding peace,” battalions of liveried waiters in white bow ties, bearing silver trays, served with impeccable precision a four-course meal accompanied by champagne and a 2006 Château Margaux that had taken 18 years to achieve perfection.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      D-day: Biden calls for supporting Ukraine in struggle against ‘dark forces’

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      Joe Biden has marked the 80th anniversary of the D-day landings in Normandy with an impassioned call to western allies to continue supporting Ukraine in the face of the “unending struggle between dictatorship and freedom”.Speaking on Thursday at a ceremony at the Normandy American cemetery attended by his French counterpart, Emmanuel Macron, and dozens of surviving veterans from the second world war, Biden drew parallels between the Allied troops who fought to free Europe and the alliance of nations that came together to defend Ukraine against Russian aggression.The president warned that democracy was under great threat than at any time since the end of second world war. Describing Vladimir Putin as a “tyrant bent on domination”, Biden said the Russian leader and “the autocrats of the world are watching closely to see what happens in Ukraine, to see if we let this illegal aggression go unchecked.“To surrender to bullies, to bow to dictators, is simply unthinkable,” Biden said. “If we do, Ukraine will be subjugated and it will not end there, Ukraine’s neighbours will be threatened, all of Europe will be threatened.”Biden honoured the American second world war veterans who, alongside allied soldiers, stormed the beaches of Normandy to drive out the forces of Nazi Germany.“We know the dark forces that these heroes fought against 80 years ago. They never fade,” he said.This D-day milestone carried particular significance as it was likely the last major ceremony attended by significant numbers of veterans, many of whom are aged 100 or more.“On behalf of the American people and as commander-in-chief, it’s the highest honour to be able to salute you here in Normandy,” Biden told them.Biden and the first lady, Jill Biden, greeted the veterans one by one and thanked them for their service. During the ceremony, Macron bestowed the Legion of Honour, France’s highest award of merit, to 11 American veterans and one from Britain in recognition of their sacrifice. The ceremony was attended by more than 150 members of Congress and dozens of members of the French parliament.On Wednesday, Biden arrived in Paris for the start of a five-day visit in France, during which he will underscore the US’s steadfast commitment to European security and contrast his foreign policy vision with his 2024 election opponent, Donald Trump.“Isolationism was not the answer 80 years ago and is not the answer today,” Biden said, in a veiled reference to Trump’s American First doctrine. “Real alliances make us stronger, a lesson that I pray we Americans never forget.”While in Normandy, Biden will hold talks with Ukraine’s president, Volodymyr Zelenskiy, to discuss “how we can continue and deepen our support for Ukraine”, the White House said. Biden is also expected to visit a cemetery where American soldiers who died in the first world war are buried. Trump opted not to visit the same site during a 2018 trip to France, citing bad weather, a move that drew intense criticism at the time.More than 25 heads of state are attending D-day commemorations in Normandy, including the Ukrainian president, Germany’s chancellor Olaf Scholz, and Britain’s prime minister Rishi Sunak and members of the royal family, as part of Europe is in the grip of the largest war since 1945. Russia will not be represented at Thursday’s ceremonies. More

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      Can Artificial Intelligence Rethink Art? Should it?

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      There is an increasing overlap between art and artificial intelligence. Some celebrate it, while others worry.The skeleton seems to be at the epicenter of a mystifying ritual.In a new work by the French artist Pierre Huyghe, robots powered by artificial intelligence film the unburied remains of a man, and periodically position objects next to it in a ceremony that only they seem to understand. The scene takes place in the Atacama Desert in Chile, one of the planet’s oldest and driest deserts.“Camata” is on view at the Punta della Dogana – Pinault Collection exhibition space, in a show concurrent with the Venice Biennale (through Nov. 24). It’s a stirring example of the increasing overlap between art and artificial intelligence, or A.I.Those two vowels, placed side by side, seem to present a menace to many disciplines whose practitioners risk being replaced by smart and autonomous machines. Humanity itself could, at some future point, be replaced by superintelligent machines, according to some globally renowned thinkers and philosophers such as the Israeli historian Yuval Noah Harari and Stephen Hawking.So why are artists dabbling with A.I.? And do they risk being extinguished by it?“There’s always been an attraction, on the part of artists, for chance: something which is beyond your own control, something that liberates you from the finite subject,” said Daniel Birnbaum, a curator who is the artistic director of the digital art production platform Acute Art and a panelist at the Art for Tomorrow conference here this week convened by the Democracy & Culture Foundation with panels moderated by New York Times journalists.Birnbaum said that Huyghe was among the artists who — rather than “overwhelming us with A.I.-generated nonsense from the internet” — are interested in exploring “places where nature and artificiality merge,” and where “biological systems and artificial systems somehow collaborate, creating visually strange things.”In the world at large, Birnbaum acknowledged, there were “frightening scenarios” whereby artificially intelligent systems could control decisions made by governments or the military, and pose grave threats to humanity.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      French Open: 50 Years Ago, Chris Evert and Bjorn Borg Changed Tennis

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      As teenagers, they brought the two-handed backhand to the sport — and to their first major championships, both at the French Open.When Chris Evert arrived in Paris for the 1973 French Open, she was an 18-year-old making just her second trip out of the United States. So she is still baffled as to why Philippe Chatrier, then the president of the French Tennis Federation, decided to take her and her mother, Colette, to Le Lido, the legendary burlesque theater on the Champs-Élysées.“He took us to dinner, and it was a dance club with half-naked women,” Evert said by phone from her Florida home in April. “They had their breasts showing. My eyes were like saucers. I had never been exposed to anything so sophisticated like that.”For Bjorn Borg, the ultimate Paris experience was celebrating his first French Open championship in 1974 with a private dinner in the Eiffel Tower.It has been more than a half century since Borg and Evert first played the French Open, but this year marks the 50th anniversary of their winning their first major championships in Paris. Evert went on to capture 18 Grand Slam singles titles, including a record seven at the French Open, six at the United States Open, three at Wimbledon and two at the Australian Open. Borg won six French Opens from 1974 to 1981 and five consecutive Wimbledons from 1976 to 1980.Borg was just days shy of his 17th birthday when he lost to Adriano Panatta in the round of 16 at the French Open in 1973, only his second appearance at a major after a first-round loss at the 1972 U.S. Open.Bjorn Borg playing Jean-François Caujolle in the first round of the French Open in 1974.Agence France-Presse — Getty ImagesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      President Macron Arrives in New Caledonia, French Territory on Brink of Civil War

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      New Caledonia, a French territory in the Pacific, is on the brink of civil war as pro-independence activists protest a law that would expand voting rights.President Emmanuel Macron of France has a lot to manage. The European elections are fast approaching, and his party is predicted to lose. There are the frenzied preparations for the Olympic Games in Paris. A manhunt is underway for a convict whose brazen and deadly jailbreak shocked the country.The last place many expected Mr. Macron to be was on a plane to one of France’s territories in the Pacific, where riots have exploded all week. But there he was, arriving in New Caledonia on Thursday with three ministers in tow, on a mission to heal and listen in a territory where many hold him personally responsible for the unrest.“I come here with determination to work toward restoring peace, with lots of respect and humility,” he said when he arrived.The riots were set off by the prospect of a vote last week in the National Assembly in Paris to expand voting rights in the territory. Many in the local Indigenous population worry that the law would hamper the long process toward independence.Mr. Macron planned to meet with local officials and civil-society activists, to thank the police and start a round of dialogue before quickly hopping back on a plane and returning more than 10,000 miles to mainland France.The trip, in many ways, is classic Macron. He feels that any dispute, no matter how heated, can be resolved through personal dialogue with him. But given the local distrust of the government, many believe his trip is not just short, but shortsighted.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      France Issues Scratch-and-Sniff Baguette Postage Stamps

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      The celebration of French heritage in the run-up to the Paris Olympics was unveiled on the feast day of Saint Honoré, the patron saint of bakers.Joining the ranks of the screen goddess Brigitte Bardot and the Eiffel Tower, another French treasure is being celebrated with its own postage stamp: the baguette.And this one is scratch-and-sniff.The latest showcasing of French cultural heritage as Paris prepares to host millions of visitors for the Summer Olympics and Paralympics, the new stamp features a cartoon image of a baguette wrapped in a tricolor ribbon.It was unveiled by France’s postal service on Thursday — May 16, the feast day of Saint Honoré, the patron saint of bakers.“The baguette, the bread of our daily lives, the symbol of our gastronomy, the jewel of our culture,” the usually not-flashy postal service raved in its description of its new offering.The stamp, which is intended to be used for international letters of up to 20 grams, or about 0.7 ounces, was released for sale at post offices and kiosks throughout the republic on Friday, with an initial print run of 594,000 and a price tag of 1.96 euros, or $2.14, each.Thanks to scratch-and-sniff technology, it will also transport “bakery fragrances” to those lucky enough to receive a letter from France.The baguette is one of the most talked-about breads in the world, and certainly the most popular in its native France: Six billion baguettes are made every year, according to the postal service.The culinary treat has also drawn international accolades, including being added to the UNESCO World Cultural Heritage List in 2022. At the time, a gushing President Emmanuel Macron called the baguette — made with just four ingredients: flour, water, salt and yeast — “the spirit of French know-how.”And this month, bakers in Suresnes, a Paris suburb, baked a 461-foot baguette in front of judges from Guinness World Records, breaking a record held by Italy since 2019.In Paris, the hottest competition is the annual “Grand Prix de la baguette” during which hundreds of baguettes compete to be called the city’s best. The jury is made up of professionals, a deputy mayor of Paris, five journalists and six members of the public, said to be selected at random.This year, Xavier Netry beat out 172 other bakers to take home the prize, which comes with an award of €4,000, the opportunity to supply the French presidential palace for a year, and bragging rights — as well as extra-long lines of customers — for perpetuity.The postal service is hoping people will line up to partake of the baguette stamp, as well.There was no word on when a croissant stamp might follow. More

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      Dancing Past the Venus de Milo

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      I fell in love with the Louvre one morning while doing disco moves to Michael Jackson’s “Don’t Stop ’Til You Get Enough” in the Salle des Cariatides.The museum, a former medieval fortress and then royal palace, had not yet opened, and I was following instructions to catwalk and hip bump and point in the grand room where Louis XIV once held plays and balls.The sun cast warm light through long windows, striping the pink-and-white checkered floor and bathing the marble arms, heads and wings of the ancient Grecian statues around me.“Point, and point, and point,” shouted Salim Bagayoko, a dance instructor. So I struck my best John Travolta poses and pointed around the room, my eyes landing on the delicate sandaled foot of Artemus, the wings of a Niobid and the stone penis of Apollo.The woman beside me caught my eye. We giggled.Over the years, I have felt many things in the world’s most-visited, and arguably most-famous, museum — irritation, exhaustion and some wonder, too.This time, I felt joy.The classes are part of an effort by museums and galleries across France to put on Olympics-themed shows as Paris prepares to host the Olympic Games.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More