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      Steve Mensch, President of Tyler Perry Studios, Dies at 62

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      Mr. Mensch, a longtime supporter of the film industry in Georgia, died in a plane crash on Friday in Florida, according to officials.Steve Mensch, a film executive in Georgia who pushed for state policies to support the industry and who was the president of Tyler Perry Studios, died in a plane crash in Florida on Friday. He was 62.Mr. Mensch was the sole occupant of a small-engine fixed-wing aircraft that crashed on Highway 19 in Homosassa, Fla., just after 8 p.m. on Friday, according to the Citrus County Sheriff’s Office. The Federal Aviation Administration and the National Transportation Safety Board are investigating the crash.Mr. Mensch worked at Tyler Perry Studios for more than eight years, managing the 330-acre studio in Atlanta that was once home to Fort McPherson, a U.S. military base that closed in 2011, according to the company.Mr. Perry, the actor and entertainment mogul whose movies and television shows often depict the lives of Black Americans, bought the decommissioned base for $30 million in 2015.The lot has been a host to many of Mr. Perry’s projects, like “Boo! A Medea Halloween,” featuring Mr. Perry in his comedic role. Since his breakout role as Madea, Mr. Perry has appeared in nearly 50 shows and movies, including “Don’t Look Up” and “Gone Girl” and has over 70 producer credits, according to IMDb.Other shows and films have been shot at his studio, including “Pitch Perfect 3,” “The Walking Dead” and “Black Panther.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Miho Nakayama, Japanese Music and Movie Star, Dies at 54

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      A top-selling pop singer as a teenager in the 1980s, she also had an award-winning career as a dramatic actress.Miho Nakayama, a reigning J-pop star of the 1980s who broke through to become a critically acclaimed dramatic actress and gained international attention for her starring role in the sentimental Japanese drama “Love Letter,” died on Friday at her home in Tokyo. She was 54.Ms. Nakayama was found dead in a bathtub, according to a statement from her management company. The statement added, “We are still in the process of confirming the cause of death and other details.”The Japan Times reported that Ms. Nakayama had canceled an appearance at a Christmas concert in Osaka, Japan, scheduled for that same day, citing health issues.Born in the city of Saku in Nagano Prefecture on May 4, 1970, and raised in Tokyo, Ms. Nakayama — known by the affectionate nickname Miporin — rocketed to fame in 1985, becoming one of Japan’s most successful idols, as popular young entertainers there are known, with the release of her first single, “C.” That same year, she took home a Japan Record Award for best new artist.She exploded on both the big and small screens that same year with starring roles in the comedy-drama series “Maido Osawagase Shimasu” (roughly, “Sorry to Bother You All the Time”) and the film “Bi Bappu Haisukuru” (“Be-Bop High School”), an action comedy set on a dystopian campus filled with uniformed schoolgirls and brawling schoolboys.Such stories were popular teenage fare at the time, as evidenced by her subsequent role in “Sailor Fuku Hangyaku Doumei” (“The Sailor Suit Rebel Alliance”), a television series that made its debut in 1986, in which Ms. Nakayama played a member of a group of martial arts-savvy girls who squared off against wrongdoers at a violence-marred high school.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Year in Review

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      As critics issue their year-end lists, we want to know your personal favorites of 2024.It’s the most wonderful time of year, and I don’t mean the holiday season, although I’ve heard that people are excited about that too. No, for nerds like me who love to plan out their holiday culture consumption — those whose appetites are always far larger than their capacity for viewing/reading/listening — December is sacred because it is when critics issue their retrospective best-of lists, their verdicts on the best movies, music, TV, books and other cultural artifacts of 2024.I’ve always thought it a shame that everyone I know doesn’t issue a best-of list. Yes, critics are experts in their fields, completists who have surveyed the landscape of their beats such that their assessments of “the best” are far more informed than the average cultural consumer’s. But I also want to know what my friends and family loved, and why. There’s no easier way to get to know someone a little bit more deeply than by asking them for a recommendation. I have a fantasy of pulling out a bullhorn on my morning commute and asking everyone in my subway car their top five films of the year. I’m not sure anyone would play along with my reindeer game, but if they did, I expect that I’d get a few good recs, some truly nutty ones, and that it would certainly bring a spirit of joy and conviviality to a typically alienating part of the day.And why stop at the usual categories? Best-of lists are typically limited to the same categories. Tell me your favorite movie, book and song, but I also want to know the best line of poetry you read this year, the best cocktail you devised, the best tradition you started, the best grilling technique, the best piece of advice you received. We’re all living and exploring and absorbing.And so I ask you, as I do every year, to send in your own highly specific, idiosyncratic, genre-free favorites from 2024. What did you discover? What did you learn? What did you love? Submit your answers here, and I’ll include as many of them as I can in upcoming newsletters.For moreThe Morning readers’ bests of 2023 and 2022.The best advice Morning readers received in 2023 and 2022.“As with everything worth making — bread, sweet love, mix tapes — there’s an art to creating a great Top 10 list.” From 2011, Dan Kois on how and why to make a best-of list.The Times’s best of 2024 lists.More year-end lists from around the internet.THE WEEK IN CULTUREFilm and TVAmy Adams in a scene from “Nightbitch.”Searchlight Pictures, via Associated Press“Nightbitch,” which stars Amy Adams as a stay-at-home mother who turns into a feral dog, is one of the movies Times critics are talking about this week.“The Agency” on Paramount + and Netflix’s “Black Doves” are part of a new crop of spy dramas whose biggest battles take place within the hearts and minds of their agents.ArtThe discovery of a rare picture of the poet Arthur Rimbaud, made by his lover Paul Verlaine, prompted a bidding war in Paris.At New York’s Grolier Club, an exhibition renders physical representations of lost or unfinished works by writers including Ernest Hemingway and Christopher Marlowe.More CultureJean-Charles de CastelbajacAlain Jocard/Agence France-Presse — Getty ImagesWhen Notre-Dame Cathedral reopens, the clergy will be wearing new liturgical garb designed by the French designer Jean-Charles de Castelbajac.The most expensive dinosaur fossil ever sold at auction — a stegosaurus that went for almost $45 million — has a new home at the American Museum of Natural History in New York.The two remaining defendants in the case against Young Thug’s rap label YSL were found not guilty of murder and gang charges.THE LATEST NEWSWar in SyriaRebel fighters in the streets of Hama on Friday.Bakr Al Kassem/Agence France-Presse — Getty ImagesRebels fighting to depose Syria’s president, Bashar al-Assad, advanced on another major city en route to the capital. The sudden intensification of the war has led neighboring countries to close their borders.Iran, which for years has helped Assad maintain control of Syria, is now evacuating military personnel from the country.The leader of Syria’s rebel groups told The Times that he was confident his fighters could oust Assad. “This operation broke the enemy,” he said.Other Big StoriesA vote on whether to impeach South Korea’s president, Yoon Suk Yeol, slowed to a crawl as the opposition tried to convince members of his party to support the ouster of the president.A federal judge ruled that the U.S. Naval Academy can consider race and ethnicity in admissions, asserting that affirmative action was essential to protect national security.A panel of federal judges upheld a law that would ban TikTok in the U.S. unless its Chinese owner, ByteDance, sells the app. Donald Trump opposes the ban.The U.S. Department of Agriculture will begin testing the nation’s milk supply for the bird flu virus.Police officers now believe the man who shot the chief executive of UnitedHealthcare in Manhattan escaped from the city that day. Investigators recovered a backpack in Central Park similar to the one he was carrying.CULTURE CALENDAR📺 “Somebody Somewhere” (Sunday): In the second season of this HBO half-hour, a character graces a potluck with St. Louis sushi, a delicacy that combines ham, pickles and cream cheese. It’s delicious. And tough on the gut. That’s also true of this riotously funny, achingly tender comedy created by Hannah Bos, Paul Thureen and Bridget Everett. Everett stars as Sam, a woman who returns in middle age to her Manhattan, Kan., hometown. A sweet and salty heartbreaker about family found and chosen, this show will end its three-season run on Sunday.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Is the Real ‘Wicked’ Movie the Press Tour?

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      Subscribe to Popcast!Apple Podcasts | Spotify | Amazon MusicThe film adaptation of the Broadway musical “Wicked” has been long in the works and perhaps anticipated for even longer. Starring Ariana Grande (billed as Ariana Grande-Butera) as Galinda and Cynthia Erivo as Elphaba, it is an ornate adventure that serves as a sort of prequel to “The Wizard of Oz.” (It is also the first of two films; the second one will be released next November.)Grande and Erivo have been praised for their performances onscreen, but they have also been performing in a parallel show, making viral magic on the press tour. The result has been a film rollout that at times feels louder than the film itself.On this week’s Popcast, a conversation about how “Wicked” survived the transition from stage to film, how Grande and Erivo inscribed new narrative into their roles, and how the real film may well be Grande and Erivo’s public appearances.Guest:Joe Coscarelli, The New York Times’s pop music reporterConnect With Popcast. Become a part of the Popcast community: Join the show’s Facebook group and Discord channel. We want to hear from you! Tune in, and tell us what you think at popcast@nytimes.com. Follow our host, Jon Caramanica, on Twitter: @joncaramanica.Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. More

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      Gotham Awards Go to ‘A Different Man’ and ‘Sing Sing’

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      The kickoff to awards season has a mixed record but can help lift small films like the two surprise winners.“A Different Man,” a dark indie comedy starring Sebastian Stan, was the surprise best-feature winner at the 34th annual Gotham Awards, which took place Monday night at Cipriani Wall Street in New York.Directed by Aaron Schimberg, the film stars Stan as an actor with neurofibromatosis who undergoes an experimental surgery to remove tumors from his face, giving him a more conventional appearance. That makeover puts him in danger of losing a leading role to a local bon vivant (Adam Pearson) who also has neurofibromatosis but owns his appearance without shame.Though “A Different Man” is distributed by the hot studio A24, it was considered the lowest-profile contender in its category. Most pundits expected the Palme d’Or winner “Anora” to cruise to victory here and even Schimberg was caught off-guard by the win. “I think I’m not the only person in the room who’s totally stunned by this,” the director said onstage, admitting he had not prepared a speech in advance, fearing it would be “hubris” to do so.In a very fluid Oscar season, the Gotham win could raise the chances of Stan, who also stars in the Donald Trump biopic “The Apprentice,” and Pearson, a dark-horse supporting-actor candidate. Though the Gothams’ effectiveness as an Oscar bellwether can fluctuate, three of the four most recent films to triumph there — “Past Lives,” “Everything Everywhere All at Once” and “Nomadland” — also went on to be nominated for best picture at the Oscars.The Gothams are most valuable when it comes to helping smaller films like “A Different Man” that rely on an awards-season run to stay in the conversation. Though the ceremony recently lifted its $35 million budget cap for eligible contenders, its nominating juries, which are mostly made up of a handful of film journalists, still tend to favor movies that were made on a shoestring.That includes “Sing Sing,” a prison drama that won the night’s lead and supporting-performance honors for Colman Domingo and Clarence Maclin. (The Gothams are gender-neutral.) “Let’s keep doing work that really matters, that makes a difference,” Domingo, who starred in “The Color Purple” and “Rustin” last year, told the audience. “That’s what we can do right now. That can be a light in the darkness.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Test Yourself on These Young Adult Novels Adapted Into Films

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      Welcome to Great Adaptations, the Book Review’s regular multiple-choice quiz about books that have gone on to find new life as movies, television shows, theatrical productions, video games and more. This week’s challenge is focused on tween and teen novels that made the leap from the page to the screen — and some of them more than once.Just tap or click your answers to the five questions below. And scroll down after you finish the last question for links to the books and their movie versions.3 of 5This 1972 middle-grade novel by Mary Rodgers has been adapted for the screen in 1976, 1995, 2003 and 2018, and its various productions over the years have starred Lindsay Lohan, Jamie Lee Curtis, Heidi Blickenstaff and Jodie Foster, among others. What is the title of the book? More

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      Earl Holliman, Rugged, and Familiar, Screen Presence, Dies at 96

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      Earl Holliman, an iron-jawed actor who earned a star on Hollywood Boulevard for a prolific career that included a corral full of Westerns, an appearance on the first episode of “The Twilight Zone” and a turn as Angie Dickinson’s boss on the 1970s television drama “Police Woman,” died on Monday at his home in Studio City, Calif. He was 96.His death was confirmed by his husband, Craig Curtis, who is his only survivor.While never a household name, Mr. Holliman was a seemingly ubiquitous presence on both the big and small screen, collecting nearly 100 credits over a career that spanned almost five decades.Ruggedly handsome, he was a natural choice for Westerns, war movies and police procedurals. Among his many notable films were “The Bridges at Toko-Ri” (1954), starring William Holden and Grace Kelly; “Gunfight at the O.K. Corral” (1957), starring Burt Lancaster and Kirk Douglas; “The Sons of Katie Elder” (1965), with John Wayne and Dean Martin; and “Sharky’s Machine,” the 1981 Burt Reynolds detective thriller.Over the years, he also popped up in many television series, including “Gunsmoke,” “CHiPs” and “Murder, She Wrote.”Mr. Holliman’s career started with promise. He broke through in the Depression-era romance “The Rainmaker” (1956), winning a Golden Globe for best supporting actor for playing the impulsive teenage brother of a lovelorn woman (Katharine Hepburn) who encounters a grifter (Mr. Lancaster) promising rain in drought-ravaged Kansas.A relative unknown, Mr. Holliman managed to win the role over Elvis Presley, who was then rocketing to fame as a rock ’n’ roll trailblazer, but who took time out to read for the role. (Mr. Holliman apparently had little to worry about: “Elvis played the rebellious younger brother with amateurish conviction — like the lead in a high school play,” Allan Weiss, a screenwriter who saw the audition, recalled.)We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More