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      MC Millaray, la rapera adolescente mapuche que pide derechos indígenas con su música

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      La estrella en ascenso de la música en Chile tiene 16 años y utiliza sus rimas punzantes para transmitir cinco siglos de lucha del mayor grupo indígena del país.SANTIAGO — Justo antes de subir al escenario, la rapera, una adolescente indígena, tenía los ojos cerrados, respiró hondo y se tranquilizó.Su padre se acercó para sacar una lentejuela del párpado de su hija, pero ella, de 16 años, se encogió de hombros avergonzada. Entonces, Millaray Jara Collio, o MC Millaray, como se hace llamar la joven rapera, se volteó e irrumpió en el escenario con un rap vibrante sobre la presencia del ejército chileno en el territorio de los mapuches, el grupo indígena más numeroso del país.La actuación apasionada de MC Millaray sucedió durante un acto de campaña en Santiago, la capital de Chile, hace unos meses, y justo una semana antes de que el país votara sobre la adopción una nueva Constitución. De aprobarse, la carta magna habría garantizado algunos de los derechos de mayor alcance para los pueblos indígenas en todo el mundo.Aunque era demasiado joven para votar en el referéndum, MC Millaray fue una de los cientos de artistas que hicieron campaña a favor de la nueva ley fundamental.“Soy dos personas en una”, dijo tras su actuación. “A veces me siento como una niña pequeña; juego, me divierto, me río. Pero en el escenario todo lo que digo, lo digo rapeando. Me libera. Cuando tengo un micrófono en la mano, soy otra persona”.La nueva Constitución —que habría facultado a los más de dos millones de indígenas de Chile, el 80 por ciento de los cuales son mapuches, para gobernar sus propios territorios, tener más autonomía judicial y ser reconocidos como naciones autónomas dentro de Chile— fue rechazada de forma contundente en septiembre.Pero tras esa derrota, MC Millaray, una estrella en ascenso con más de 25.000 seguidores en Instagram, está más decidida que nunca a transmitir cinco siglos de lucha mapuche contra los colonizadores europeos.“Aquí no acaba el proceso”, dijo desafiante tras la votación. “Aquí empieza algo nuevo que podemos construir juntos”.MC Millaray actuando con su padre, Alexis Jara, durante un mitin político en agosto en apoyo de una nueva Constitución.MC Millaray saluda a una mujer mapuche tras su actuación en el mitin.Entre el español y el mapudungun, la lengua indígena que hablaba con su bisabuela materna, MC Millaray articula esa historia con una furia lírica trepidante.Sus canciones denuncian las injusticias medioambientales, anhelan la protección de la inocencia infantil y honran a los mapuches caídos. Por encima de todo, pide la devolución de las tierras ancestrales mapuches, conocidas como Wallmapu, que se extienden desde la costa del Pacífico chileno y sobre los Andes hasta la costa atlántica argentina.Su canción “Mi ser mapuche”, que salió el año pasado, combina trompetas con el “afafán”, un grito de guerra mapuche. Canta:Más de 500 años sin parar de luchar; hay tierras recuperadas pero son nuestras, nuestro hogar; seguimos resistiendo, no nos van a derrotar.Desde la llegada de los conquistadores españoles en el siglo XVI, la tierra que una vez controlaron los mapuches se ha visto sustancialmente mermada a lo largo de siglos de invasiones, traslados forzosos y compras. La pérdida de tierras ancestrales se aceleró en el siglo XIX, cuando Chile atrajo a emigrantes europeos para que se establecieran en el sur, prometiéndoles tierras que, según afirmaba, estaban desocupadas, pero que a menudo estaban pobladas por mapuches.Para algunos, es la mayor deuda pendiente de Chile. Para otros, es un impasse de siglos sin solución clara.“Para mí, sería un sueño recuperar el territorio”, dijo MC Millaray. “Quiero dar mi vida al weichán”, dijo, refiriéndose a la lucha por recuperar el Wallmapu y los valores tradicionales mapuches. “Quiero defender lo que es nuestro”.Millaray, que significa “flor de oro” en mapudungun, creció con su hermano y su hermana menores en La Pincoya, un barrio marginal de la periferia al norte de Santiago, donde las paredes están salpicadas de grafitis vibrantes y el hip-hop y el reguetón resuenan en las casas que se extienden por las laderas.La representación de una danza tradicional mapuche, el “purrún”, en un mitin político en agostoPortando una bandera con la estrella mapuche en Santiago.La zona tiene una fuerte tradición rapera. En la década de 1980 se formaron en el cercano poblado de Renca las Panteras Negras, uno de los primeros grupos de hip-hop de Chile, y Andi Millanao, más conocido como Portavoz, una de las estrellas del hip-hop más conocidas de Chile, escribió por primera vez su incendiario rap político en la vecina Conchalí.Millaray dice que cuando era niña lo que más esperaba era viajar todos los veranos al sur, a la comunidad de Carilao, en el municipio de Perquenco, para visitar a su bisabuela materna, y pasar las tardes nadando en un río cercano o recogiendo bayas de maqui en un tarro.“Cuando llego al Wallmapu, me llena de libertad y paz”, dice. “Aprendía acerca de lo que soy y represento, lo que corre por mis venas”, añadió, refiriéndose al tiempo que pasaba con su bisabuela. “Me di cuenta de lo poco que conocía a mi lucha”.En su casa en su barrio de Santiago, era la música lo que más captaba su atención, y acudía a los talleres de hip-hop que sus padres —dos raperos que se conocieron en un concierto en La Pincoya— organizaban para los niños del barrio. “Crecí en una familia rapera” , dijo Millaray. “Ellos fueron mi inspiración”.Una tarde, cuando tenía 5 años, su padre, Alexis Jara, quien ahora tiene 40, estaba ensayando para un evento, y su hija, a su lado en la cama, cantaba con él. Cuando actuó esa noche, Jara vio a su hija llorando entre el público, sintiéndose excluida.La subió al escenario y, lloriqueando y con los ojos hinchados, “Y se transformó —¡pah, pah!— empezó a rapear con tanta fuerza que me robó el protagonismo”, recuerda su padre. Cuando se le pasaron las lágrimas, la niña de 5 años se dirigió al público: “Represento a La Pincoya, ¡quiero ver manos en el aire!”.“Desde entonces nunca pudimos bajarla del escenario”, dijo su padre. “Ahora está todo al revés: ¡Yo le pido a mi hija que cantemos juntos!”.A la espera de los resultados del referéndum constitucional de septiembre. La nueva Constitución fue rechazada por el 62 por ciento de los votantes.Una protesta en Santiago tras conocerse los resultados.A los 7 años, Millaray ya había escrito y grabado su primer disco, Pequeña femenina, que grababa en CD para venderlos en los autobuses públicos mientras cantaba en los buses con su padre.Cuando ganaban suficiente dinero, los dos bajaban por la escalera trasera del autobús y se lo llevaban para jugar con máquinas de videojuegos o comprar dulces.Siguen actuando juntos: Jara, un enérgico torbellino de trenzas y ropa holgada, su hija, más tranquila y precisa con sus palabras. “Tic Tac”, la primera canción que escribieron juntos, sigue en su repertorio.Fue cuando aún estaba en primaria cuando recibió la sacudida que reforzaría su decisión de retomar la lucha de sus antepasados en su música, y en su vida.En noviembre de 2018, su profesora de historia le dijo a la clase que Camilo Catrillanca —un mapuche desarmado que murió ese mes por disparos de la policía en la comunidad de Temucuicui, en el sur del país— había merecido su destino.“No podía quedarme callada”, recuerda. “Me paré, llena de rabia, y dije: ‘No, nadie merece morir y menos por defender a su territorio’. En aquel momento defendí mis convicciones, y me cambió”.A finales de 2021 y en la primera parte de 2022, el conflicto en los territorios mapuches, donde el estado de excepción ha sido renovado periódicamente por gobiernos tanto de derecha como de izquierda, se encontraba en uno de sus periodos más tensos en décadas.Además de las sentadas pacíficas de activistas mapuches en terrenos de propiedad privada y en edificios del gobierno regional, se produjeron decenas de casos de incendios provocados, cuya autoría fue reivindicada por grupos de resistencia mapuches, así como ataques contra empresas forestales.En 2022 se registraron al menos siete muertes en la zona del conflicto, entre cuyas víctimas estaban activistas mapuches, un hombre que se dirigía a una ocupación de tierras y trabajadores forestales.En marzo, cuando la ministra del Interior de Chile visitó la comunidad de la que era oriundo Catrillanca, fue recibida con un crepitar de disparos y rápidamente sacada de allí en una furgoneta.Cuando no actúa, MC Millaray es Millaray Jara Collio.MC Millaray, vestida con el traje tradicional mapuche, habla con su madre, Claudia Collio, antes de subir al escenario en un mitin político.En las protestas a veces violentas contra la desigualdad económica que estallaron en todo Chile en octubre de 2019 —desencadenadas por un aumento de 30 pesos chilenos (4 centavos de dólar) en las tarifas del metro—, los símbolos y lemas mapuches eran omnipresentes.En la plaza principal de Santiago, los manifestantes fueron recibidos por un chemamüll, una estatua de madera tradicionalmente tallada por los mapuches para representar a los muertos. En las protestas, Millaray rapeaba o paseaba entre los manifestantes con su bandera azul pintada a mano con el Wünelfe, una estrella de ocho puntas sagrada en la iconografía mapuche.“Ahora somos más visibles que en cualquier momento de mi vida”, dijo Daniela Millaleo, de 37 años, una cantautora de Santiago a la que MC Millaray cuenta entre sus mayores inspiraciones. “Antes eran los mapuche que marchaban por nuestros derechos, pero ahora tanta gente siente nuestro dolor”.Tras su agotadora agenda de actuaciones en actos de campaña a favor del fallido esfuerzo constitucional —así como un viaje a Nueva York para cantar en Times Square como parte de la Semana del Clima de la ciudad de Nueva York— MC Millaray se centra ahora en grabar nuevo material.“Quiero llegar a un público más amplio, pero quiero que cada rima tenga un mensaje; no quiero hacer música solo por hacer música”, dijo. “No importa el estilo, siempre me pregunto qué más puedo decir”.“Quiero llegar a un público más amplio, pero quiero que cada rima tenga un mensaje; no quiero hacer música solo por hacer música”, dijo MC Millaray. 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      Teenage Rapper, Rooted in Mapuche Identity, Roars for Indigenous Rights

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      MC Millaray, 16, an emerging music star in Chile, uses her fierce lyrics to convey five centuries of struggles by the country’s largest Indigenous group against European colonizers.SANTIAGO, Chile — Just before taking the stage, the teenage Indigenous rapper took a deep breath and composed herself, eyes closed.Her father reached over to pick a sequin from his daughter’s eyelid, but the 16-year-old recoiled with an embarrassed shrug. Then Millaray Jara Collio, or MC Millaray as the young rapper calls herself, spun away and exploded onto the stage with an animated rap about the presence of Chile’s military in the territory of the Mapuche, the country’s largest Indigenous group.MC Millaray’s impassioned performance was delivered at a campaign event in Santiago, Chile’s capital, a few months ago, and just one week before the country would vote on a new constitution. If approved, the constitution would have guaranteed some of the most far-reaching rights for Indigenous people anywhere in the world.Although she was too young to vote in the referendum, MC Millaray was one of hundreds of artists who campaigned in favor of the new charter.“I’m two people in one,” she said after her performance. “Sometimes I feel like a little girl — I play, I have fun and I laugh. Onstage, I say everything through rap. It liberates me: When I get a microphone, I’m a different person.”The new constitution — which would have empowered Chile’s more than two million Indigenous people, 80 percent of whom are Mapuche, to govern their own territories, have more judicial autonomy and be recognized as distinct nations within Chile — was soundly defeated in September.But in the wake of that loss, MC Millaray, an emerging star with more than 25,000 followers on Instagram, is more determined than ever to convey five centuries of Mapuche struggles against European colonizers.“This is not the end,” she said defiantly in the vote’s aftermath. “It’s the beginning of something new that we can build together.”MC Millaray performing with her father, Alexis Jara, during a political rally in August in support of a new constitution.MC Millaray greeting a Mapuche elder after her performance at the rally.Slipping between Spanish and Mapudungun, the Indigenous language she would speak with her maternal great-grandmother, MC Millaray articulates that story with fast-paced, lyrical fury.Her songs decry environmental injustices, yearn for the protection of childhood innocence and honor fallen Mapuche. Above all, she calls for the return of Mapuche ancestral lands, known as Wallmapu, which stretch from Chile’s Pacific seaboard and over the Andes to Argentina’s Atlantic coast.​​Her single “Mi Ser Mapuche,” or “My Mapuche Self,” which came out this year, combines trumpets with the “afafan” — a Mapuche war cry. She sings:“More than 500 years without giving up the fight; there are lands we’ve recovered, but they’re ours, our home; we keep on resisting, they won’t defeat us.”Since the arrival of Spanish conquistadors in the 1500s, the land once controlled by the Mapuche has been substantially whittled down across centuries of invasion, forced removals and purchases. The loss of traditional land accelerated in the 19th century when Chile enticed European migrants to settle its south, promising to give them lands it claimed were unoccupied, but often were populated by the Mapuche.For some, it is Chile’s greatest unsettled debt. To others, it’s a centuries-old impasse without a clear solution.“For me it would be a dream to recover the territory,” MC Millaray said. “I want to give my life to the ‘weichán,’” she said, referring to the fight to regain Wallmapu and traditional Mapuche values. “I want to defend what’s ours.”Millaray, which means “flower of gold” in Mapudungun, grew up with her younger brother and sister in La Pincoya, a hardscrabble barrio on the northern fringes of Santiago, where the walls are splashed with colorful graffiti, and hip-hop and reggaeton blare from the ramshackle homes sprawling up the hillsides.The performance of a traditional Mapuche dance, the “purrun,” at a political rally in August.Carrying a flag with the Mapuche star in Santiago. The area has a strong rap tradition. In the 1980s the Panteras Negras, one of Chile’s first hip-hop groups, formed in nearby Renca, and Andi Millanao, better known as Portavoz, one of Chile’s best-known hip-hop stars, first penned his firebrand political rap in neighboring Conchalí.As a child, Millaray said she would look forward more than anything to traveling south each summer to the Carilao community in the municipality of Perquenco to visit her maternal great-grandmother, spending afternoons splashing in a nearby river or collecting maqui berries in a jar.“When I get to Wallmapu, I feel free and at peace,” she said. “I would learn about what I was and what I represent, what runs through my veins,” she added, referring to the time she spent with her great-grandmother. “I realized how little I knew my fight.”At home in her barrio in Santiago, it was music that most captured her attention, and she would attend the hip-hop workshops that her parents — two rappers who met at a throwdown in La Pincoya — would run for local children. “I grew up in a rap family,” said Millaray. “They were my inspiration.”One afternoon when she was 5, her father, Alexis Jara, now 40, was rehearsing for a show, with his daughter beside him on the bed mouthing along. When he performed that evening, Mr. Jara spotted his daughter sobbing in the crowd, feeling left out.He pulled her up onstage and, sniffling and puffy-eyed, “She transformed — pah! pah! — and started rapping with such force that she stole the limelight,” her father remembered. As her tears vanished, the 5-year-old addressed the crowd: “I represent La Pincoya, I want hands in the air!”“From that day on we never got her down from the stage,” her father said. “Now everything has turned on its head — it’s me asking to join her!”Awaiting the results of the constitutional referendum in September. The new constitution was rejected by 62 percent of voters.A protest in Santiago after the results were announced. By the time she was 7, Millaray had written and recorded her first album, “Pequeña Femenina,” or “Little Feminine,” which she burned onto CDs to sell on public buses while out busking with her father.When they had earned enough money, the two would jump down the back steps of the bus and take the money to play arcade games or buy candy.They still perform together — Mr. Jara an energetic whirl of braids and baggy clothing, his daughter calmer and more precise with her words. “Tic Tac,” the first song they wrote in tandem, remains in their repertoire.It was while she was still in elementary school that she was given the jolt that would strengthen her resolve to take up her ancestors’ fight in her music, and life.In November 2018, her history teacher told the class that Camilo Catrillanca — an unarmed Mapuche man who was shot and killed that month by police in the Temucuicui community in the south of the country — had deserved his fate.“I couldn’t stay quiet,” she remembered. “I stood up, burning with rage, and said: ‘No, nobody deserves to die, and certainly not for defending their territory.’ In that moment I defended what I thought, and it changed me.”At the end of 2021 and in the first half of 2022, the conflict in the Mapuche territories, where a state of emergency has been regularly renewed by governments on both the right and left, was at one of its most tense periods in decades.In addition to peaceful sit-ins by Mapuche activists on privately owned land and at regional government buildings, there were dozens of cases of arson, responsibility for which was claimed by Mapuche resistance groups, as well as attacks on forestry companies.At least seven killings were recorded in the conflict area in 2022, with the victims including both Mapuche activists, like a man on his way to a land occupation, and forestry workers.In March, when Chile’s interior minister visited the community where Mr. Catrillanca was from, she was greeted with the crackle of gunfire and quickly bundled away in a van.When she is not performing, MC Millaray is known as Millaray Jara Collio.MC Millaray, in traditional Mapuche dress, talking to her mother, Claudia Collio, before going onstage at a political rally.In sometimes violent protests against economic inequality that exploded across Chile in October of 2019 — set off by a 4-cent increase in subway fares — Mapuche symbols and slogans were ubiquitous.In Santiago’s main square, demonstrators were greeted by a wooden “chemamüll” statue, traditionally carved by the Mapuche to represent the dead. At the protests, Millaray would rap or stroll among protesters with her hand-painted blue flag bearing the “Wünelfe,” an eight-point star sacred in Mapuche iconography.“We’re more visible now than we have been in my lifetime,” said Daniela Millaleo, 37, a singer-songwriter from Santiago whom MC Millaray counts among her greatest inspirations. “Before it would just be the Mapuche who marched for our rights, but now so many people feel our pain.”After her grueling schedule of performing at campaign events on behalf of the failed constitutional effort — as well as a trip to New York to sing in Times Square as part of Climate Week NYC— MC Millaray is now focusing on recording new material.“I want to reach more people, but I want every verse to contain a message — I don’t want to make music for the sake of it,” she explained. “It doesn’t matter what the style is, I’m always asking myself what more I can say.”“I want to reach more people, but I want every verse to contain a message — I don’t want to make music for the sake of it,” said MC Millaray. 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      in US Politics

      Borat targets Trump, Ye and antisemitism at Kennedy Center Honors

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      Borat targets Trump, Ye and antisemitism at Kennedy Center HonorsSacha Baron Cohen skit receives mixed response at ceremony for lifetime achievements in the arts The British actor Sacha Baron Cohen reprised his character Borat and stole the show at America’s prestigious Kennedy Center Honors on Sunday night, targeting the former president Donald Trump, the rapper Kanye West, now known as Ye, and antisemitism.President Joe Biden smiled broadly and his wife, Jill, was in fits of laughter as Cohen told risque jokes in the comical accent of Kazakh television journalist Borat Sagdiyev.“I know the president of US and A is here,” Borat said to an audience including politicians and celebrities during a segment celebrating the Irish rock group U2. “Where are you, Mr Trump?”As the audience howled, Borat went on: “You don’t look so good. Where has your glorious big belly gone? And your pretty orange skin has become pale.” He then asked if the Russian leader, Vladimir Putin, and the nerve agent novichok were responsible.Borat, the star of two hit satirical films, added: ‘But I see you have a new wife. Wawawoooah! She is very erotic. I must look away before I get a Bono.”The comedian, who is Jewish, then turned his attention to antisemitism in the wake of Trump having dined at his Mar-a-Lago home with the Holocaust denier Nick Fuentes and Ye, who subsequently praised Adolf Hitler and was banned from Twitter for posting an image of a swastika.Borat said: “Before I proceed, I will say I am very upset about the antisemitism in US and A. It not fair. Kazakhstan is No 1 Jew-crushing nation. Stop stealing our hobby. Stop the steal! Stop the steal!” Some guests burst into laughter while others sat in uncomfortable silence.He continued: “Your Kanye, he tried to move to Kazakhstan and even changed his name to Kazakhstanye West. But we said: no, he too antisemitic, even for us.”Borat proceeded to sing a short parody of U2’s song With or Without You with the lyrics changed to “With or without Jews”. He broke off and asked: “What’s the problem? They loved this at Mar-a-Lago. They chose Without Jews.”The Bidens appeared to enjoy Baron Cohen’s routine but it also came as a shock in typically staid and buttoned up Washington. Asked by the Guardian what she thought of it, Biden’s sister Valerie Biden Owens said diplomatically: “I think I like U2”, while Roy Blunt, a Republican senator for Missouri, said: “Not much”.Glenn Youngkin, the governor of Virginia, said: “I was surprised to see him,” and sped away without elaborating.Along with U2, the actor George Clooney, the singer-songwriter Amy Grant, the singer Gladys Knight and the composer Tania León were celebrated at the 45th Kennedy Center Honors, the most prestigious honours for lifetime achievements in the arts. There was also an appearance from Sesame Street’s Big Bird.One audience member from the political world also received a standing ovation. Paul Pelosi, the husband of the House of Representatives speaker, Nancy Pelosi, used the weekend’s honors-related events to make his first public appearance since being attacked in October in their San Francisco home.The Pelosis sat next to the vice-president, Kamala Harris, and her husband, Doug Emhoff, in a balcony. Paul Pelosi wore a black hat and a glove on his left hand.The show highlighted the five artists’ work, and represented a return to pre-coronavirus norms. There was no requirement for testing to attend and few guests wore masks. Anthony Fauci, the chief medical adviser to the president, was among the guests.Clooney, a double Oscar winner, was also praised for his engagement in political causes and spoke to reporters after attending a White House reception.Asked how he thought Biden’s presidency was going, Clooney replied: “Beautifully. I love him. He’s a kind man with great intentions and he has some incredible legislation which kind of gets overlooked and they’re not very good at bragging about right now. He’s done a really good job and I’m very proud to be a supporter.”A follow-up question about whether Clooney, 61, would consider a career in politics prompted his wife, the barrister Amal Clooney, to smile and shake her head. The actor said in agreement: “Listen, we have a really nice life.”In a celebration at the state department on Saturday, Clooney told guests: “I’ve been lucky enough to meet millions of people, every country, literally 125 countries, and they all, without exception, agree and they’ll come up to me and say specifically that, ‘You sucked as Batman’. It’s unified. We could solve world problems if we just all could agree on more than just that I suck as Batman.”At Sunday’s main event at the Kennedy Center, Julia Roberts, who has co-starred in several films with Clooney, wore a floor-length gown with framed images of him on it and called him a “Renaissance man”. The actors Don Cheadle, Matt Damon and Richard Kind also paid tribute, with Damon recalling how Clooney once stole the then-President Bill Clinton’s stationery and wrote notes to fellow actors on it.But the one who moved Clooney to tears was his 88-year-old father, Nick, a journalist and TV anchorman. He recalled that he was hosting a TV show in 1968 when Martin Luther King was assassinated in Memphis. His family came into the green room. “Seven-year-old George had a large paper bag in his hand. I asked him what in the world was in the bag.“Well, he went to the coffee table, he turned the bag upside down. Out poured all of his toy guns landing with a clack. He said: ‘Pop, I don’t want these any more. None of them. Never.’ Well, I tore up my speech. Nothing I would’ve written would have been nearly as eloquent as what George had just done and said.”Nick Clooney said he was often asked what he wanted people to know about his son. “Well, here it is: George’s best and most important work is still ahead of him.”Knight, who has won seven Grammy awards, is famous for hit songs including I Heard It Through the Grapevine and Midnight Train to Georgia as the lead singer of The Pips, which became Gladys Knight and The Pips in 1962. Singers including Garth Brooks and Patti LaBelle performed some of Knight’s songs.Grant rose to prominence as a contemporary Christian music singer who later crossed over to pop stardom, winning six Grammys. The singers Sheryl Crow, Brandi Carlile, CeCe Winans and BeBe Winans were among the artists who honored her.Cuban-born León is a conductor as well as a composer, whose orchestral piece Stride won the 2021 Pulitzer prize in Music. The jazz pianist Jason Moran, the singer Alicia Hall Moran and the cellist Sterling Elliott played one of her creations, Oh Yemanja.The final tribute of the evening was to U2, which, with members Bono, The Edge, Adam Clayton and Larry Mullen Jr, has won 22 Grammys. Eddie Vedder performed Elevation and One, while the Ukrainian singer Jamala joined Carlile and others to perform Walk On. The actor Sean Penn described U2 as “four scrappy Dublin punks” who were also “great musical poets of the ages”.Other guests at the event included the transportation secretary, Pete Buttigieg, the senators Amy Klobuchar, Patrick Leahy, Joe Manchin and Mitt Romney, and representatives James Clyburn and Steny Hoyer, the White House press secretary, Karine Jean-Pierre, and the British ambassador, Dame Karen Pierce.Deborah Rutter, the president of the Kennedy Center, said: “This is probably the largest number of the administration and of Congress that we’ve ever had so that feels really great. People are ready to be back together fully and they want to see a good show.”TopicsBoratSacha Baron CohenDonald TrumpKanye WestAntisemitismU2George ClooneynewsReuse this content More

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      in Elections

      When Law Schools Snub the Rankings

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      More from our inbox:Libraries Changed Our Lives. Let’s Support Them.The Black-Jewish RelationshipChristine McVie’s MagicElection Liars, Not Deniers Vanessa Leroy for The New York TimesTo the Editor:Re “In Growing Movement, More Top Law Schools Will Boycott Rankings” (news article, Nov. 19):​As a law professor for more than 25 years, I applaud the recent boycott of the U.S. News & World Report rankings. The rankings serve only the periodical itself and deans adept at prioritizing favored metrics, especially test scores.More insidiously, the rankings harm students. In addition to motivating deans to award scholarships to students with the highest test scores instead of students with true financial need, and discouraging public interest work, at best the rankings provide students a one-dimensional picture.Law school is a significant investment. Especially below the Top 10, a student choosing among law schools should consider many factors, including the cultural nuances of the institution, which only old-fashioned due diligence can unearth. It breaks my heart when students, lured by rankings, later discover they could have chosen a better fit.I hope the remaining Top 10 deans quickly follow suit and embolden the top 25 law schools to call out the U.S. News rankings as the sham they truly are.Susan Pace HamillTuscaloosa, Ala.The writer is a professor at the University of Alabama School of Law.To the Editor:“In Growing Movement, More Top Law Schools Will Boycott Rankings” describes the scramble to enter the vaunted “T14” — the top 14 law schools as ranked by U.S. News.“At No. 15,” the article declares, “U.C.L.A. is tantalizingly close to the T14.” The difference between ranking 14th and 15th is presented as clear-cut and consequential, illustrating the absurdity of reducing the many facets of legal education to a single number.The article cites a study that found graduates from the T14 to have higher salaries and more “prestigious careers” — on average. Yes, the law schools in the T14 are excellent, but there is no magic to the number 14, and the U.S. News algorithm includes as much “noise” as “signal.”Moreover, the remaining 185 law schools reflect a wide range of approaches and cannot be lumped together. As the dean of an outstanding law school with strong placement in the kind of prestigious jobs the article refers to, I know that many schools provide superb student outcomes, a fact erased by the cited study and obscured by U.S. News’s opaque numbers.Prospective students miss out when they substitute reliance on U.S. News rankings for their own research into which law schools are a good fit for them, given their academic records, interests, career goals and financial situations.Matthew DillerNew YorkThe writer is dean of Fordham Law School.Libraries Changed Our Lives. Let’s Support Them. Hiroko Masuike/The New York TimesTo the Editor:Re “Thankful for Libraries,” by Charles M. Blow (column, Nov. 26):Thanks to Mr. Blow for his column about the importance of libraries in his life. His experience touched me personally.I grew up in a home lacking books. The public library was an oasis for me. Little did I know that when I later attended college and supported myself partly by working in a public library system that I would become a librarian.The recent attacks on public and school libraries are so misguided. Libraries have always done their very best to serve their communities by representing many points of view. They deserve our support.Sam SimonNyack, N.Y.To the Editor:Like many people, I have had a lifelong love affair with libraries — from the time my dad took me to our local library to get my first library card when I was 6.The librarian at my elementary school was Mrs. Moreland, mother of my good friend Stevie. She introduced me to wonderful books as a third grader that led to my becoming a reader for life.As a somewhat nerdy high school student, I would head after school to our local library, part of the Houston Public Library system, spending half my time on the children’s side of the library and the other half on the adult side. My parents never tried to restrict what I could read. When I came to New York, one of the first things I did was to get my library card.Libraries and the devoted librarians who work in them have been my friends for these many years. It pains me to read about the harassment that many librarians have had to endure at the encouragement from certain politicians.Reading is empowering. No wonder that those who want to tell the rest of us what to do fear libraries and books.Jacqueline LowryNew YorkThe writer is a retired teacher of reading, math and science in an elementary-school gifted and talented program.The Black-Jewish Relationship Illustration by Sam Whitney/The New York Times; photograph by Ronald Martinez, via Getty ImagesTo the Editor:Re “Blacks and Jews, Again,” by Michael Eric Dyson (Opinion guest essay, Nov. 27):Professor Dyson’s illuminating and refreshingly honest essay about the historically fraught, ambivalent relationship between African American and Jewish communities is a gift for both of them. If they are to transcend this relationship and unequivocally condemn antisemitism or racism when it arises in their respective communities, they need to learn each other’s histories.Both groups are survivors of institutionalized terror and traumatic violence of historic proportions, perpetrated by bigots. Thus, both groups know prejudicial hatred when they see it, and both know how dangerous it is.As Mr. Dyson implies, knowing each other’s histories will allow African Americans and Jews to identify with each other, to understand, for example, how the suffering of the Jewish people “inspired the sorrow songs” of African Americans (e.g., “Go Down, Moses”) more than a century ago.African Americans and Jews should also remember who benefits from promulgating antisemitic or racist tropes. It must be incredibly gratifying for white supremacist organizations when African Americans and Jews channel the same antisemitism and racism, respectively, as those who would banish them from the country. ​Paul SiegelNew York​​​The writer is a professor of psychology at Purchase College and Westchester Community College, SUNY.Christine McVie’s MagicChristine McVie of Fleetwood Mac in performance at Madison Square Garden in 2014. Her commercial potency was on full display on Fleetwood Mac’s “Greatest Hits” anthology: She either wrote or co-wrote half of its 16 tracks.Charles Sykes/Invision, via Associated PressTo the Editor:Re “Christine McVie, Wellspring of Soulful Hits for Fleetwood Mac, Dies at 79” (obituary, Dec. 1):I mourned the death of Christine McVie this week. What a loss. As I listened at bedtime to Fleetwood Mac’s hits, I reflected on the sadness that arose.When we mourn our fallen generational culture icons, especially musicians (because music and memory are entwined), we are mourning the loss of our youth, with its exuberance, dreams and open promises for the future. We are mourning ourselves.Steve GellmanGrosse Pointe Park, Mich.Election Liars, Not DeniersTo the Editor:I do wish the media would stop calling certain politicians election deniers.None of them are likely to really believe that the 2020 presidential election was stolen from Donald Trump.They are not deniers; they are election liars. Cold, cynical, opportunistic, sociopathic liars.They lie solely to gather their base’s votes, and the heck with democracy.Charlie PhillipsPortland, Ore. More

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      Ticketmaster’s Taylor Swift chaos triggers US Senate antitrust hearing

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      Ticketmaster’s Taylor Swift chaos triggers US Senate antitrust hearingSeveral politicians voice concerns about dominance of ticket sales company after botched release for singer’s tour A US Senate antitrust panel will go ahead with a hearing on the lack of competition in the country’s ticketing industry after Ticketmaster’s problems last week managing the sale of Taylor Swift tickets.Tickemaster’s parent company, Live Nation, has blamed presale problems for Swift’s Eras tour – the pop superstar’s first US tour in five years – on “unprecedented demand” and an effort to keep out bots run by ticket scalpers.After registered fans struggled with glitches for hours to get tickets in the presale, and tickets quickly began appearing for resale for as much as US$22,700 (£19,100, A$33,500), Ticketmaster cancelled sales to the general public. It later claimed the demand for Swift tickets “could have filled 900 stadiums”.Swifties know: the Ticketmaster fiasco shows America has a monopoly problem | Arwa MahdawiRead moreSwift has said it was “excruciating” for her to watch fans struggling to secure tickets and that she had been assured Ticketmaster could handle the demand.The chaos attracted the attention of US politicians, many of whom have voiced concerns about how dominant Ticketmaster has become after it merged with the entertainment company Live Nation in 2010.Tennessee’s attorney general, Jonathan Skrmetti, has said he will launch a consumer protection investigation into the company after his office was bombarded with complaints from Swift fans.The congresswoman Alexandria Ocasio-Cortez has also criticised the merger. “Daily reminder that Ticketmaster is a monopoly, its merger with Live Nation should never have been approved, and they need to be reined in,” she tweeted. “Break them up.”On Tuesday the senator Amy Klobuchar, who will chair the panel, and the senator Mike Lee, the top Republican on the committee, announced the Senate hearing would go ahead. They have yet to provide a date or a list of witnesses.“The high fees, site disruptions and cancellations that customers experienced shows how Ticketmaster’s dominant market position means the company does not face any pressure to continually innovate and improve,” Klobuchar said. “We will hold a hearing on how consolidation in the live entertainment and ticketing industry harms customers and artists alike.”Ticketmaster denied any anti-competitive practices and said it remained under a consent decree with the Department of Justice after the 2010 merger, adding there was no “evidence of systemic violations of the consent decree”.“Ticketmaster has a significant share of the primary ticketing services market because of the large gap that exists between the quality of the Ticketmaster system and the next best primary ticketing system,” the company said.Klobuchar was one of three lawmakers who argued in a letter on Monday that Ticketmaster and Live Nation should be broken up by the Department of Justice if any misconduct was found in an ongoing investigation.The department has proven in recent years to be much more willing to file antitrust lawsuits against giant companies – including the ongoing December 2020 lawsuit against Google – and to fight mergers. Reuters contributed to this reportTopicsTaylor SwiftUS SenatePop and rockMusic industryUS politicsnewsReuse this content More

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      ‘I will never be against the second amendment’: Run the Jewels’ Killer Mike on rap, racism and gun control

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      Interview‘I will never be against the second amendment’: Run the Jewels’ Killer Mike on rap, racism and gun controlAmmar Kalia After almost a decade of working alongside El-P, the rapper is releasing a solo single. He talks about the chaos and loss that inspired it, his friendship with Bernie Sanders and the ‘racist’ twisting of lyrics‘I definitely lead a non-politician life; I smoke weed and I go to strip clubs with my wife,” the rapper Killer Mike says with a laugh. “But I care about people and I have a duty to my community. I am not an angry old man – I am a participator.” As if to demonstrate at least some of that, he lights a blunt.As a musician and an activist, Killer Mike has long balanced pleasure and responsibility. Now 47, he first came to the world’s attention in the early 2000s, when he featured on several tracks with the Atlanta hip-hop duo Outkast before launching a solo career.Since 2013, he has been half of Run the Jewels alongside the New York rapper El-P. Their music meanders between hedonism and social exposition, while their live shows are as notorious for their ecstatic mosh pits as they are for their lyrical reflections on police brutality, racism and social injustice.Michael Render, as he is legally known, is now releasing his first solo material in a decade, with the track Run testing the waters for a possible larger solo project. Over a fanfare of horns and a clattering mid-tempo beat, he entreats his Black listeners to persist amid the chaos. “All I know is keep going / you gotta run,” he raps, playing with the meanings of running from danger, running for office or simply moving forwards.“I say that ‘the race for freedom ain’t won / you gotta run’,” he tells me, “because as Black people in America we have to be resilient. We have overcome and we shall continue to do so.”On a video call from his home in Atlanta, Georgia, Render is by turns eloquent and mischievous as he talks about his history of political activism. He has been close to the leftwing senator Bernie Sanders ever since they shared a meal at the Atlanta soul food restaurant Busy Bee Cafe in 2015, and he backed Sanders’ presidential campaigns in 2016 and 2020. Their unlikely friendship has spawned hundreds of memes, with Sanders, for example, shaping his hands into the Run the Jewels symbol of a gun pointed at a closed fist, or asking Render if he should call him “Mike or Killer Mike?”. “It was just a conversation between two angry radical guys, one 74 and white, one 40 and Black, finding common ground,” Render has said of that first encounter.His emotive speeches at Sanders rallies are almost as famous as his music. Addressing the roaring crowd in North Carolina in 2019, he said: “When you go to that [voting] booth next year, I need you to carry the memory of this room. Black, white, straight, gay, male, female, we are together. We are united. We will not wait four more years.”His impassioned words in the wake of police killings in the US have also gone viral. In 2015, during a show in Ferguson, Missouri, a fan-filmed video showed Render raging at the grand jury who had acquitted the officer who had killed 18-year-old Michael Brown, then pleading for the safety of his four children, who range in age from 15 to 27. In the riots that followed George Floyd’s murder in 2020, he told the public to fortify their homes and to “plot, plan, strategise, mobilise and organise” to dismantle the systemic structures of racism. “It is time to beat up prosecutors you don’t like at the voting booth,” he said. “It is time to hold mayoral offices accountable, and chiefs and deputy chiefs.”It must be exhausting having to publicly advocate for basic rights year after year, I tell him. “It’s a continuation of the work,” he says calmly. “My grandmother did the work of taking care of our neighbours without publicity, and my grandfather did, too – he would go fishing and always give half of his catch to other people, for instance. I don’t see it as making me better. I don’t see it as being driven by celebrity guilt either. I was told by my elders to make sure that the people who are suffering in my community are relieved by me. These are the principles that I operate with.”He believes that Sanders shares his desire for social justice. “I will always speak to him because I believe he gives a fuck beyond his own personal chequebook. I honestly believe he is a continuation of great thinkers like [former slave and abolitionist] Frederick Douglass and [trade unionist] Eugene V Debs – a continuation of people who fought their ass off for the betterment of the salt-of-the-earth, everyday American.“Part of my responsibility is to make sure that people who are doing the work on a weekly and daily basis have a platform to push an agenda that’s helpful. No matter if you’re a Black person working a blue-collar job, or if you’re one of the educated elite bourgeoisie, you have a responsibility to push the line.”Sometimes, however, he pushes the line in a direction that many will find objectionable. In 2018, during nationwide protests after the deadliest high school shooting in US history, he gave an interview to the National Rifle Association supporting the second amendment right to bear arms. “You’re a lackey of the progressive movement,” he told leftwingers in favour of gun control, “because you’ve never disagreed with the people who tell you what to do.” He later apologised for the interview’s timing, but his stance on gun ownership remains unchanged. “I will never be against the second amendment,” he says. “There’s no way that someone who represents a community that are only 60-odd years out of an apartheid should be willing to give a weapon back to the government, as the police choke you to death in the street and people just watch and film.”The son of a policeman and a florist, Render is not without sympathy for the police. He has said his father told him and his five sisters not to follow in his footsteps because the job was “too dangerous”. Still, Render believes police reform is necessary and possible. “I have not seen a will to get rid of police as much as I’ve seen a want for police to be from the communities they’re policing and to be fair, rather than abusers of power,” he says. “We should be supporting the Police Athletic Leagues that deal with our young boys in particular before any trouble happens, more than we should be giving the police more rifles and bulletproof vests. The connection with the community is key.”These leagues are local organisations founded by precincts to mentor young people and hopefully keep them off the streets. Render wasn’t a member as he grew up in the majority-Black Adamsville neighbourhood of Atlanta, but he managed to find his own community connections. “All my heroes and villains were based on character, not colour, as everyone looked like me in my home town,” he says. “I grew up with a real sense of confidence that I could do well, that even if there’s a few more speed bumps for me, I cannot and will not be denied what’s due to me.”Render studied at the prestigious, historically Black Morehouse college before he was spotted rapping by the Outkast member Big Boi. He offered Render a collaboration on their 2000 track Snappin’ & Trappin’, launching his career and leading him to drop out of college after just one year. “Even though I won a Grammy, my grandma still complained that I didn’t bring her a degree,” Render says. “Dropping out is one of my biggest regrets, but I’ve been given everything I’ve ever wanted in terms of being able to have a rap career, so I need to make it better for the people around me and the people that come after me.”“Making things better” includes fighting the use of rap in criminal trials, as US prosecutors have used lyrics by artists such as 6ix9ine, Drakeo the Ruler and Tay-K to try to show that defendants had violent interests or gang affiliations. Alongside Jay-Z and Kelly Rowland, Render recently supported the New York Senate rap music on trial bill, which aims to ban the practice.Having written an op-ed for the Vox website in 2015 about the police’s “well-documented history of antagonism towards rappers”, Render is now watching one of the artists featured on Run, Young Thug, fight racketeering charges alongside 27 others. Prosecutors claim that Young Thug’s rap collective, YSL, is a criminal gang with ties to the national Bloods organisation, and are attempting to use Thug’s lyrics and social media posts against him. “I can’t comment on the charges,” Render says, “but Thug is a victim of a policy being used in a racist way and all of our first amendment rights could be endangered if they attempt to use his words against him. Let Black art live, otherwise we’re going to see a proliferation of rappers no matter what sex, age or ethnicity dragged into the court.”As well as Young Thug, the extended version of Run contains an opening monologue from the comic Dave Chappelle. In his introduction, he compares the Black experience to the Normandy landings. “Ain’t no rhyme or reason why it’s not you on the ground, but as long as it’s not, you have to keep moving,” Chappelle says. “You’re just as heroic as those people who stormed the beach.”“Chaos abounds around you; the people that you know and love are often taken from you or left forever scarred,” Render agrees. “It creates bonds and camaraderie that last your entire life.” He seems untroubled by the furore over Chappelle’s jokes about transgender people, which led to Netflix employees walking out in protest at the company hosting his standup specials. For Render, freedom of expression trumps everything. “If comedians are not allowed to talk shit about everybody, freedom of speech is in trouble,” he says. “When they cannot express themselves, there’s going to be a real problem with everyone else being able to do so as well.”The last time Render spoke to the Guardian, just after the killing of George Floyd, he declared that Black people might feel that “nobody gives a shit” about them. Two years on, after the global protests for Black Lives Matter, does he feel more optimistic? “Not much has changed for Black people since 1619,” he says – the year that the first enslaved Africans arrived in North America. What progress there is has come “only because we push to get the rights and freedoms we deserve, or that have already been promised to us in the Bill of Rights or the United States constitution. If I work hard in making sure fairness and equity are given to my community and the communities that are like mine, only then can things get better. But the work doesn’t stop.”Might he one day go into politics full-time, instead of just supporting others? He briefly ran as an independent candidate in the 2015 elections for Georgia’s 55th district and says Chappelle recently tried to convince him to run for state governor.“I politely declined,” he adds. Later, maybe? “I will run for office the day that I’m unbribable. When I get rich for real, when no amount of money can corrupt me, maybe.”Killer Mike’s new solo single and video, Run, is out on 4 JulyTopicsRun the JewelsThe G2 interviewOutkastHip-hopGeorge FloydBernie SandersUS politicsfeaturesReuse this content More

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      BTS visit White House to discuss anti-Asian hate crime – video

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      BTS visited the White House to discuss hate crimes targeting Asians with the US president.
      The band members J-Hope, RM, Suga, Jungkook, V, Jin and Jimin joined the White House press secretary, Karine Jean-Pierre, at her briefing with reporters before their meeting with Joe Biden.
      Jimin said the group had been ‘devastated by the recent surge’ of hate crime and intolerance against Asian Americans and others that has persisted since the start of the coronavirus pandemic.
      ‘It’s not wrong to be different,’ Suga said through an interpreter. ‘Equality begins when we open up and embrace all of our differences’ 

      BTS-mania sweeps the White House as band speaks on anti-Asian hate More

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      ‘America could be truly free’: John Legend on his fight to overhaul the criminal justice system

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      Interview‘America could be truly free’: John Legend on his fight to overhaul the criminal justice systemSam Levin in Los AngelesThe Grammy-winning singer speaks to the Guardian about mass incarceration and his campaign to elect progressive prosecutors John Legend, the singer-songwriter and longtime racial justice activist, has thrown his weight behind political campaigns that rarely get celebrity endorsements: progressive candidates running for district attorney.The Grammy, Oscar, Emmy and Tony winner has long been a vocal supporter of the movement to reduce mass incarceration in the US, and has backed several chief prosecutors and candidates who seek to right the wrongs of America’s racially biased criminal justice system.Legend, who has spoken openly about the impact of his mother’s stints in jail while struggling with addiction, is advocating at a time when progressive prosecutors are facing intense backlash; an uptick in gun violence during the pandemic has led conservatives, some Democrats and media pundits to push for a return to harsh punishments and “tough on crime” policies.Legend – who has endorsed candidates in Tennessee, North Carolina, Oregon and California – spoke to the Guardian over Zoom last week about the importance of DA races, the “defund the police” movement, and his fears about the mounting opposition to reform. This conversation has been edited and condensed for clarity.How did you personally become interested in supporting progressive prosecutors?It started with seeing the effect that mass incarceration had on my own family and community. Every person you lock up has a bunch of family members that feel the effects of that. When you separate a child from their parent, you’re extending this cycle of violence and trauma to that child, creating more potential for them to get in trouble in the future. We continue to be the most incarcerated country in the world. We can do better and be smarter about it. Incarcerating people and removing them from their family should be a last resort, not a first resort, and we should be actively trying to find alternatives. Thinking about mass incarceration and how we can build a more equitable and just society, how America could be truly free, I really became convinced that prosecutors are a key lever because they have a lot of power in their communities.Why is it so important for voters to care about their local DAs?Prosecutors make policy decisions about which crimes they are going to focus on and prosecute, how much they’re going to charge someone and what they’re going to ask for in sentencing. They decide whether to use cash bail, which is a highly discriminatory policy that forces people to stay in jail simply because they can’t afford bail, leading people to be punished just for being poor. All these decisions affect our incarceration rate. In 2017, we started a “Know your DA” education campaign with the ACLU, because most people probably couldn’t tell you who their DA was and didn’t vote that far down on the ballot or just voted for the incumbent. And then we started looking for more progressive alternatives to run.This movement you’ve championed is now facing serious pushback across the country – what do you make of the opposition?We have to acknowledge that crime did go up in this country during a once-in-a-century pandemic, which caused more housing insecurity, food insecurity, poverty and unemployment. It’s not just in one city – it’s everywhere, including in communities with more conservative local leadership and prosecutors. The rise in crime is not correlated to whether or not that community had a progressive prosecutor. Blaming progressive prosecutors is not consistent with facts, and it’s not a good way of assessing what happened. Crime went up and that’s real, and all of us need to care and find ways to solve these issues. But we’re not going to solve it by mass incarcerating our way to safety. If incarceration was the key to us being safer, we’d be the safest country in the world. We’re already the most policed country in the world.You must have friends in Los Angeles who want to see a “tough on crime” response and are concerned about George Gascón, the progressive prosecutor there. How do you talk to them about this?You start with facts. George Gascón didn’t cause the pandemic or the rise in crime due to the pandemic. And then we have to talk about the costs of incarceration, not just monetary, but the disruptions to our communities and families, the disruption that I felt myself. We have to talk about the heartbreak, despair and violence that incarceration can cause. And we need progressive prosecutors who are thinking holistically about the community and making sure we’re not overusing jails and prisons as a solution to everything. Jails aren’t the solution to mental health issues, homelessness or drug addiction. When we have prosecutors in place who believe that, we can incarcerate fewer people and divert those resources to interventions that will actually help people heal and get better, rather than jail, which exacerbates their pain and their issues. We have a gun problem in this country and all kinds of issues that lead people into crime. We need to focus on investing into our communities so that we can help prevent crime.How do you feel about Democrats who are pushing back against progressive DAs and reforms, including Joe Biden who has strongly opposed calls to “defund the police”?I’m mystified by the vehemence of the rejection to “defund the police” when we haven’t defunded the police. We’ve increased funding, especially due to the American Rescue Plan. We’re already spending more on policing in America than any country in the world spends on their military, aside from China and the US. Spending more and more on police with no upper limit is not the solution. I’m frustrated by Democrats who believe that throwing more money at policing is going to solve these problems and are not looking at the root causes. The solution to homelessness is increasing the supply of affordable housing and supportive housing. We can’t send the police out to “clean up the streets”. Where are we going to put these folks? In jail?Even though crime overall is significantly lower now, do you worry we’re returning to the panic of the 1990s, when there was a push for harsh punishments surrounding the racist “superpredator” myth?I am worried about it. Back then, it was bipartisan, and now seeing how Biden and others talk about crime, it sounds bipartisan, too. I know that they’re responding to people’s real fears, and I really do empathize. I’ve had friends who have been victims of crime recently. It’s not an illusion that people are seeing crime go up since the pandemic. People are apprehensive and afraid. They feel less safe, and we can’t just say, You’re not experiencing what you’re experiencing. But we have to say that there are better solutions than more police and prisons. And politicians have the ability to lead on this issue and not just follow or propose bandaids. They can focus on systemic issues that cause crime and actually in the long run make people safer.What do you think people should understand about the realities of crime trends right now?The press has an important role. They make decisions about the sources they use – and which sources they use without skepticism. You’ll find that even newspapers like the New York Times just repeat the line that the police communications department gives them without scrutiny or skepticism. It’s important that people who are explaining crime to the public, don’t sensationalize it and don’t take statements of police unions uncritically. And we have to remember that a lot of times, progressive prosecutors are getting blamed for national and systemic issues. Folks are trying to find a local scapegoat. Alvin Bragg, the progressive prosecutor in New York, got blamed for crime even before he started working.This is not necessarily an easy issue to speak out about. I’m curious if you’ve personally faced backlash?When I speak out about progressive prosecutors, I usually stay away from my Twitter [laughs].Good call.Because there is a lot of vitriol thrown my way. But what I try to make clear is that, what is radical is how many people we’ve incarcerated in this country. Our status quo is radical. I don’t think what I’m proposing about how to reform our system is that radical.TopicsUS politicsCaliforniaJohn LegendUS crimeinterviewsReuse this content More