Race and Ethnicity

Subterms

    More stories

    • 88 Shares129 Views

      in Elections

      Afrikaners Arrive in U.S. as Trump-Approved Refugees

      by

      The first group of Afrikaners have arrived in the United States, claiming they were victims of persecution or had reason to fear persecution in their home country.President Trump signed an executive order in February establishing refugee status for Afrikaners, the white ethnic minority in South Africa that created and led the brutal system of apartheid.As part of the executive order, the Trump administration created an expedited path for Afrikaners to resettle in the United States, even as the administration has barred most refugees from countries afflicted by war and famine.While waiting at the airport in Johannesburg, the passengers said the U.S. Embassy had instructed them not to speak with the news media. The first group of Afrikaners arrived in the United States on May 12.Here’s what you need to know:Who are the Afrikaners?What does land have to do with it?Why are Afrikaners being granted refugee status?How will they be resettled in the United States?Who are the Afrikaners?The Afrikaners who arrived in the United States on Monday are the descendants of the European colonizers who came to South Africa approximately four centuries ago. They later created the brutal system of apartheid in 1948.Decades after the end of apartheid, some Afrikaners now say they are being denied jobs and have been targeted by violence because of their race.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 100 Shares159 Views

      in Elections

      Johnny Rodriguez, Country Music Star, Dies at 73

      by

      He was best known for the 1970s hits “I Just Can’t Get Her Out of My Mind” and “Ridin’ My Thumb to Mexico,” and as the first popular Mexican American country artist.Johnny Rodriguez, who became the first Mexican American country music star with a string of hits, died on Friday. He was 73.His daughter, Aubry Rodriguez, announced his death on social media on Saturday. The post did not cite a cause of death.Mr. Rodriguez rose to fame in the 1970s and was best known for the hits “Ridin’ My Thumb to Mexico” and “You Always Come Back (to Hurting Me).” He released six singles that reached No. 1 on Billboard’s Hot Country Songs chart, and nine others reached the Top 10.In 2007, Mr. Rodriguez was inducted into the Texas Country Music Hall of Fame, which described him as the “greatest and most memorable Chicano Country singer of all time.”Juan Raoul Davis Rodriguez was born to Andres Rodriguez and Isabel Davis on Dec. 10, 1951, in Sabinal, Texas, around 65 miles west of San Antonio. Mr. Rodriguez, the second youngest of 10 children, started playing guitar at the age of 7 when his older brother, Andres, bought him one.Their father died of cancer when Mr. Rodriguez was 16, around the time Mr. Rodriguez formed a band, and the younger Andres died the next year in a car crash. The losses sent Mr. Rodriguez “spiraling,” according to the Texas Country Music Hall of Fame.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 113 Shares199 Views

      in Elections

      Trump’s Wishes Aside, Censoring Racial History May Prove Difficult

      by

      Late last month, when two federal grants to the Whitney Plantation in Louisiana were rescinded, the Trump administration seemed to be following through on its promise to root out what President Trump called “improper ideology” in cultural institutions focused on Black history.After all, the plantation’s mission was to show visitors what life was truly like for the enslaved, contrary to the watered-down Black history that the president seemed to back.Then just as quickly, the grants were restored a few weeks later, the Whitney Plantation’s executive director said in an interview.Because the money had already been approved, “maybe it was an exposure for lawsuits,” the executive director, Ashley Rogers, said, “but who knows?”Ever since Mr. Trump issued an executive order in March decrying cultural institutions that were trying to “rewrite our Nation’s history, replacing objective facts with a distorted narrative driven by ideology rather than truth,” sites like the Whitney Plantation have lived with such uncertainty. An order specifically targeting the Smithsonian Institution tasked Vice President JD Vance and other White House officials with “seeking to remove improper ideology from such properties.”But reversals like the one in Louisiana and actions by the Smithsonian’s National Museum of African American History and Culture seem to indicate some misgivings about the president’s order. They also show that putting historical knowledge back into the bottle after decades of reckoning with the nation’s racist history will be more difficult than the administration believes.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 150 Shares169 Views

      in Elections

      White Supremacist Is Charged in 2019 Arson at Tennessee Civil Rights Landmark

      by

      Regan Prater set fire to the main offices of the Highlander Research and Education Center and took credit for it in encrypted messages, prosecutors said.A Tennessee man with ties to several white supremacist groups has been charged with setting a fire in 2019 that destroyed the offices of a social justice center connected with Rosa Parks and Martin Luther King Jr., according to court records.In a federal criminal complaint that was unsealed on April 24, the F.B.I. said that the man, Regan Prater, 27, set fire to the main offices of the Highlander Research and Education Center in New Market, Tenn., near Knoxville, and spray-painted an Iron Guard cross on the pavement outside.The symbol originated with fascists in Romania in the 1920s and 1930s, according to the Anti-Defamation League. It has more recently been used by white supremacists, including one who murdered 51 people at two mosques in New Zealand in 2019.Investigators in Tennessee said that Mr. Prater, of Tullahoma, took credit for the arson while chatting with an informant on Telegram, an encrypted messaging app that he used to communicate with other white supremacists.“I didn’t admit that, but dots can be connected,” Mr. Prater wrote to the informant when asked if he had set the fire, according to the complaint.He then gave details about how he had started the blaze, telling the informant, “It was a sparkler bomb and some Napalm.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 113 Shares179 Views

      in Elections

      How a Black Progressive Transformed Into a Conservative Star

      by

      In the summer of 2020, Xaviaer DuRousseau was preparing to appear on a Netflix reality show called “The Circle,” where a group of strangers, isolated in separate apartments, compete for a cash prize and occasionally adopt fake digital personas to trick one another.Mr. DuRousseau, then 23, was a progressive who marched in Black Lives Matter protests, had pushed his university to require ethnic studies courses as a graduation requirement and voted for Senator Bernie Sanders of Vermont in 2016. For the TV show, producers wanted Mr. DuRousseau, a Black man, to pose as a white woman and lecture others about racial injustice, before revealing his true identity.Mr. DuRousseau spent hours boning up on right-wing politics to get ready for debates with conservative contestants.But as he watched videos from PragerU, the conservative advocacy group, and Candace Owens, a right-wing influencer, he found himself nodding along.Maybe, he began to think, the media really was targeting President Trump for taking on the political establishment. Maybe free college and free health care were unrealistic goals, despite what Mr. Sanders said. Maybe police brutality against Black people was less common than he thought.“I was getting so frustrated, because I kept agreeing with some of the stuff that they were saying,” he said. “I just kept debunking myself, over and over.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 175 Shares179 Views

      in Elections

      Arlington Cemetery Website Loses Pages on Black Soldiers, Women in Military and Civil War

      by

      Materials on the Arlington National Cemetery website highlighting the graves of Black and female service members have vanished as the Trump administration purges government websites of references to diversity and inclusion.Among the obscured pages are cemetery guides focused on Black soldiers, women’s military service and Civil War veterans. Some of the materials were still online Friday, but they were no longer easily accessible through the cemetery’s website.A part of the site devoted to segregation and civil rights was largely scrubbed. That section once included a walking tour focused on Black soldiers and a lesson plan on reconstruction.The cemetery, which is operated by the Army, said in a statement on Friday that it remained committed to “sharing the stories of military service and sacrifice to the nation with transparency and professionalism” and that it was working to restore links to the content.“We are hopeful to begin republishing content next week,” Kerry Meeker, a cemetery spokeswoman, said in an email on Friday.On Friday, the cemetery’s website still had an active page describing Section 27, which includes the graves of thousands of African Americans freed from slavery. Another active page listed prominent African Americans — including Medgar Evers, Thurgood Marshall and Colin L. Powell — buried on the grounds.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 150 Shares179 Views

      in Elections

      D.C.’s Planned Removal of Black Lives Matter Mural Reflects Mayor’s Delicate Position

      by

      Mayor Muriel Bowser’s decision comes amid calls by the president and other Republicans for more federal control of the city.On Wednesday morning in downtown Washington, D.C., Keyonna Jones stood on her artwork and remembered the time when she and six other artists were summoned by the mayor’s office to paint a mural in the middle of the night.“BLACK LIVES MATTER,” the mural read in bright yellow letters on a street running two city blocks, blaring the message at the White House sitting just across Lafayette Square. In June 2020, when Ms. Jones helped paint the mural, demonstrations were breaking out in cities nationwide in protest of George Floyd’s murder. The creation of Black Lives Matter Plaza was a statement of defiance from D.C.’s mayor, Muriel E. Bowser, who had clashed with President Trump, then in his first term, over the presence of federal troops in the streets of her city.But on Tuesday evening, the mayor announced the mural was going away.Ms. Jones said the news upset her. But, she added of the mayor in an interview, “I get where she is coming from.”The city of Washington is in an extraordinarily vulnerable place these days. Republicans in Congress have introduced legislation that would end D.C.’s already limited power to govern itself, stripping residents of the ability to elect a mayor and city council. Mr. Trump himself has said that he supports a federal takeover of Washington, insisting to reporters that the federal government would “run it strong, run it with law and order, make it absolutely, flawlessly beautiful.” In recent days, the administration has been considering executive orders in pursuit of his vision for the city.Potential laws and orders aside, the administration has already fired thousands of federal workers, leaving residents throughout the city without livelihoods and, according to the city’s official estimate, potentially costing Washington around $1 billion in lost revenue over the next three years.Given all this, Ms. Bowser, a Democrat, described her decision about Black Lives Matter Plaza as a pragmatic calculation.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 138 Shares119 Views

      in Elections

      Overlooked No More: Maria W. Stewart, Trailblazing Voice for Black Women

      by

      She was the first Black woman to publicly address other women, using essays and lectures in the 1830s to champion their rights and challenge oppression.This article is part of Overlooked, a series of obituaries about remarkable people whose deaths, beginning in 1851, went unreported in The Times.One day in 1831, Maria W. Stewart walked into the Boston offices of the publisher William Lloyd Garrison with a manuscript in hand that she was hoping he would print in his recently launched newspaper, The Liberator.Garrison was a famous white abolitionist; Stewart was a 28-year-old former indentured servant. In her manuscript, a political manifesto, she recounted her upbringing and described the conditions for Black women in an oppressive America.She also argued for equal opportunity for Black Americans, and she did something no Black woman had done before: speak directly and publicly to other women, urging them to educate themselves, “to promote and patronize each other” and, even more, “to sue for your rights and privileges.” As the historian Kristin Waters, the author of “Maria W. Stewart and the Roots of Black Political Thought” (2022), told Worcester State University in 2022, Stewart was “one of the very first writers to express what we would now call ‘feminism.’”Garrison didn’t hesitate to publish Stewart’s “Religion and the Pure Principles of Morality, the Sure Foundation on Which We Must Build,” as well as many more of her essays, in what would become America’s pre-eminent abolitionist newspaper.The masthead of the Oct. 8, 1831, issue of the Liberator, which contained Stewart’s first essay.The LiberatorWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More