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    A rightwing late-night show may have bombed – but the funding behind it is no laughing matter

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    A group of conservative donors spent hundreds of thousands of dollars to develop a rightwing version of late-night talkshows like the Tonight Show and the Late Show, leaked documents reveal, in a further indication of the right’s ongoing efforts to overhaul American culture.News of the effort to pump conservative viewpoints into the mainstream comes as entertainment shows and the media at large are under severe threat in the US. In September, Jimmy Kimmel’s late-night show was taken off the air, under pressure from the Trump administration, after Kimmel’s comments after the killing of Charlie Kirk, while Donald Trump has launched multiple lawsuits against TV networks and news organizations.Four pilot episodes, each of which has been watched by the Guardian, were made of the rightwing chatshow. It was promoted by the Ziklag group, a secretive Christian nationalist organization, which aims to reshape culture to match its version of Christianity. In an email in 2022, Ziklag – which ProPublica reported spent $12m to elect Trump last year – urged its members to stump up money for the project, called the Talk Show With Eric Metaxas.“For too long, the late-night talkers on network tv have filled the airwaves with progressive rants and outright mockery of anyone who espouses traditional American values,” the Ziklag email read.The Talk Show With Eric Metaxas, Ziklag wrote, will “change that forever”. The email said the show needed $400,000 to $500,000 to film five pilot episodes, “which will be presented to digital distributors, networks and tv ownership groups”.The Guardian sat through nearly four hours of the Talk Show, and found it to be an almost exact copy of existing late-night shows, just worse: with hack jokes about tired issues and has-been, conservative guests. The show was never picked up, presumably to the chagrin of Ziklag and its investors, who had lofty expectations.Your browser doesn’t support HTML5 video. Here is a link to the video instead.“Spoiler alert! The secular elites who currently reign over late-night tv are about to find out the joke’s on them!” Ziklag’s pitch email read. It lauded Metaxas, a conservative radio host and author who was an eager proponent of the false claim that the 2020 election was stolen, claiming: “His comedic bent has gone largely unnoticed until now that is…”Unfortunately, across the four pilots, Metaxas’s comedic bent was noticeable only by its absence.“Big news in the world of show business,” Metaxas began the first episode. “Harrison Ford will be returning for a fifth Indiana Jones movie. Yeah. In this one Harrison will find an ancient artifact … by looking in the mirror.”There were a few titters from the audience, and scattered applause. Metaxas, appearing nervous, continued with the one-liners:“Barbie’s longtime companion, Ken, just turned 61 years old. Yeah. And he said the perfect gift for his birthday would be to finally get a prostate.”This time there were some audible groans. Metaxas stuck at it.“In India, doctors removed 526 teeth from a seven-year-old boy’s mouth,” he chortled. “The boy is recovering nicely. However, the Tooth Fairy declared bankruptcy.”Ziklag claimed the show would welcome “guests who are routinely shadow banned on other talk shows”, and quoted Metaxas as saying: “It’s kind of like Stalin has air-brushed these people out of the culture.”But the common theme among the guests was that they had been naturally phased out of existing talkshows due to their irrelevance.The first episode featured an exclusive interview with Carrot Top, the 60-year-old prop comedian. Carrot Top showed Metaxas some of his props, including a bottle of Bud Light that had a torch in the bottom of it and a dinner plate that had a hole in it. Carrot Top managed to say absolutely nothing of interest during the three-minute tête-à-tête, before Metaxas cut back to the studio.“Tonight’s show is loaded with talent,” Metaxas announced to the live audience. The guests included a TikToker – “for our generation, Tic Tac was a breath mint”, Metaxas quipped – Tammy Pescatelli, a comedian who has been absent from the limelight for at least a decade; and Danny Bonaduce, best known for his work on the 1970s sitcom the Partridge Family.Throughout the episodes – as Metaxas sang a song with a terrified-looking Victoria Jackson, a self-described conservative Christian who was a cast member on Saturday Night Live from 1986 to 1992 and has claimed Barack Obama is an “Islamic terrorist” – and as he continued with awful jokes about some scientists who had developed a robot that could build furniture but “cannot promise that the robot won’t swear”, it was hard to see what the point of this was.In its email, Ziklag said it was offering the opportunity to invest as part of the “Media Mountain”, a reference to the Seven Mountain Mandate, a theology popular among the Christian right. The theology proposes that Christians should seek to take over seven spheres of influence in public life: religion, the government, the media, education, culture, entertainment and business.Chris Himes, who produced the Talk Show, said the show was not intended to be a “rightwing late-night show”. The aim, Himes said, was “to create a broad, throwback late-night program for the entire country – not just one side”.“These are not partisan or ‘right-wing’ shows. Think Letterman or Dick Cavett in tone: humor first, with no space for snark or ‘clapter’,” he said in an email.“Sadly, much of late night over the past decade has shifted from being genuinely funny to becoming a vehicle for tribal signaling – even occasionally straying into messaging far beyond comedy. We believe the country deserves something better.”Himes added: “To be clear, a ‘right-wing’ late-night show would be a terrible idea. What we’re building is something more essential: a genuinely funny, unifying alternative.”In the pilot episodes, there were guests who were known for rightwing politics, but Metaxas largely didn’t ask them about those politics. In episode three, he seemed to decide he needed to at least say a bit of something to satisfy the rightwing donors funding this enterprise, but that came in the form of going over well-trodden ground about liberals.“Botanists have discovered a meat-eating plant in Canada,” Metaxas said in his intro. “Researchers determined that the plant started eating meat because it just got tired of explaining its vegan lifestyle.”He continued: “Detroit’s sanitation workers – I just read this – they’re threatening to go on strike. Detroit’s mayor said not to worry, because Detroit will continue to look and smell exactly the same.”Another quip ventured into current affairs: “Gas costs a fortune. It’s insane how much it costs. And who would have thought that the best deal at the Shell station would ever be the $3 microwave burrito?”Ziklag’s pitch to investors had promised big-name guests. It didn’t deliver apart from an interview – heavily touted by Metaxas – with film-maker Ron Howard. The interview turned out to be from a press junket, where directors or actors sit in a room for eight hours and basically anyone with a press pass can schedule time to question them.It’s unlikely Howard knew he was appearing on what Ziklag described as a “faith-friendly, late night alternative”, but that’s perhaps irrelevant, given networks clearly passed on what is a confused, drab copy of shows that are actually successful.But while Metaxas’s effort to shoehorn a conservative show into the mainstream may have been lamentable, the fact that wealthy rightwingers are attempting to do so should be cause for concern, given the threat television is under from Trump.Earlier this year, CBS scrapped the Late Show with Stephen Colbert – Colbert had repeatedly mocked Trump – weeks after CBS’s parent company settled a lawsuit with Trump. Trump has also called for late-night show hosts Jimmy Fallon and Seth Meyers, who have both criticized the president, to be fired, while the president has overseen NPR and PBS being stripped of funding, having decried “biased media”.The Talk Show was a terrible product, memorable only for dreadful humor and snooze-inducing interviews. In the current climate, however, it serves as a reminder that the right wing is waging a well-funded war on the media that is unlikely to end soon. More

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      Test Yourself on Horror Novels That Were Adapted for the Screen

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      Welcome to Great Adaptations, the Book Review’s regular multiple-choice quiz about printed works that have gone on to find new life as movies, television shows, theatrical productions and more. With Halloween on the horizon, this week’s challenge highlights popular horror novels that were adapted for the screen. Just tap or click your answers to the five questions below. And scroll down after you finish the last question for links to the books and some of their filmed versions. More

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      ‘No reason not to be all in’: is Saturday Night Live ready to meet a major political moment?

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      Paul Simon sang The Boxer. New York mayor Rudy Giuliani appeared with firefighters. When producer Lorne Michaels asked: “Can we be funny?”, Giuliani replied: “Why start now?”It was September 2001 and, just 18 days after the worst terrorist attack in US history, Saturday Night Live’s blend of satire, silliness and live music was back on the air. “In bad times, people turn to the show,” Michaels told Rolling Stone magazine 20 years later.SNL turns 50 this month and must once again try to meet the moment. This time, the crisis is not external but taking place in late-night TV comedy itself. In recent weeks, the genre has become the canary in the coal mine of US democracy.Over the summer, CBS announced the cancellation of The Late Show with Stephen Colbert, ostensibly for financial reasons, though notably Colbert is a longtime Trump critic and CBS owner Paramount had been seeking government approval of an $8bn merger with Skydance.On 17 September, ABC suspended Jimmy Kimmel’s show over comments he made after the assassination of rightwing activist Charlie Kirk. Hours before the suspension, the Federal Communications Commission chair, Brendan Carr, warned that local broadcasters who aired Kimmel could face fines or loss of licences and said: “It’s time for them to step up.”The move prompted an outcry over freedom of speech. ABC parent Disney faced pressure from Kimmel’s fans, some of whom cancelled subscriptions to the company’s streaming services Disney+ and Hulu. Kimmel returned to the air six days later and mocked Trump: “He tried his best to cancel me and instead he forced millions of people to watch this show.”Now the spotlight shifts from CBS and ABC to America’s other major network: NBC. When SNL returns on 4 October, Bad Bunny will host with Doja Cat as the musical guest and five new featured players following several cast departures. But no moment will matter more than the “cold open” in how it deals with the current climate.View image in fullscreen“This would be one of the biggest, most important cold openings in the 50-year history of the show,” says Stephen Farnsworth, a co-author of Late Night With Trump: Political Humor and the American Presidency. “But in the past, when Saturday Night Live has faced a major challenge, like they did in the wake of 9/11, they’ve risen to the occasion.”SNL’s mockery of Trump has at times earned the wrath of his supporters and the president himself, but Farnsworth advised against pulling punches, saying: “Saturday Night Live will face charges that it isn’t going far enough or that it went too far pretty much no matter what they do, so there’s no reason not to be all in.”Farnsworth, the director of the Center for Leadership and Media Studies at the University of Mary Washington in Fredericksburg, Virginia, adds: “It’s striking that a man who desires the spotlight as much as the president does, who wants to be a public figure as badly as he has over the years, doesn’t understand that criticism is part of the package that comes with power.”Launched a year after the Watergate scandal toppled Richard Nixon, SNL features sketches and live musical performances. But it is also known for covering politics and featuring politicians. The weekend update segment provides ongoing commentary while cast members often parody presidents, candidates and other figures.The most famous include Gerald Ford (Chevy Chase), George HW Bush (Dana Carvey), Bill Clinton (Darrell Hammond), George W Bush (Will Ferrell), Sarah Palin (Tina Fey), Donald Trump (Alec Baldwin) and Joe Biden (various cast and guest actors). Trump is now portrayed with aplomb by James Austin Johnson.Susan Morrison, author of Lorne, a biography of Michaels, recalls: “When Alec Baldwin was doing him, Trump was furiously tweeting right about SNL: it wasn’t funny, FCC should investigate, Lorne was over. Watching Alec Baldwin do his thing, it almost felt like bear baiting. It was so fun to watch the back and forth, and don’t anticipate that they’re going to pull back.”Politicians have also appeared as hosts or in cameos. Al Gore, John McCain, Jesse Jackson and Sarah Palin have all featured. Trump hosted in 2004 and, more controversially, in 2015 during his presidential run. Hillary Clinton appeared multiple times, including alongside her impersonator, Kate McKinnon, and Kamala Harris took part before last year’s election.The show picked up 12 Emmys recently for its 50th season and anniversary programming, including an award for outstanding variety special. Saturday’s episode will be scrutinised closely for how it deals with Trump’s attack on comedy, free expression and democracy – and whether it can make a serious point in a funny, unsanctimonious way.View image in fullscreenMorrison continues: “Lorne and his very smart writers will come up with some clever but on-the-nose way of dealing with this. The thing that it’s important to remember about Lorne is he’s been doing this for so many decades. He’s outlasted so many slates of executives. He’s a survivor. As Conan [O’Brien] told me, in the Game of Thrones of show business, Lorne would be the last man standing.“That isn’t to say that he’s going to cave but he will figure out a way to address this and stay on the air. I also don’t think the people at NBC or Comcast or the FCC are going to mess with him. He’s too much of a statesman in the TV business. But he’s going to come up with a way of dealing with it and addressing it and he’ll be funny about it.”Conservatives have long accused SNL of bias, arguing that the show disproportionately lampoons right-leaning figures while going easier on Democrats. Former head writer Tina Fey openly acknowledged a “liberal bias” in a 2003 interview, fueling the narrative. But Michaels insists that it is nonpartisan and willing to mock both sides.Morrison adds: “It isn’t to say he would ever be an apologist for the Trump regime; nobody could have expected that politics would jump the shark in quite this way. But he certainly would not hesitate to make fun of Democrats even now if they merit it and that’s part of it.“To quote Jim Downey, one of the show’s longtime writers, you never want the show to seem like it’s the comedy division of the DNC [Democratic National Committee]. Lorne is committed to that and that will help here as well.”David Litt, a former speechwriter for Barack Obama dubbed “the comic muse for the president” for his work on White House Correspondents’ Association dinner monologues, acknowledges that he has been on the receiving end.“I was in the audience at SNL when their cold open was about the Obamacare website crashing,” he said. “I was working at the White House at the time and I remember thinking, I’m not having fun. Everyone else in the audience seemed be having a better time than I was.”Writing comic material under time pressure is tough, Litt says, and that will be the SNL team’s top priority for the new season. He said: “This is a show that rises to a pretty intense challenge every week and I assume they’re going to be thinking about rising to the exact same challenge, which is, how do we turn around a show that is good and funny because that’s hard enough without having the president of the United States breathing down your neck.“That’s part of what infuriates Trump so much about comedians. It’s not that they’re making fun of him, it’s that the audience is laughing. It’s connecting. If Kimmel or Colbert or weekend update was making a joke about Trump and the audience was rejecting that joke, I don’t think Trump would care. It’s the fact that it exposes him as still, despite everything, a fundamentally laughable person, or at least a human person.”Litt, whose new book, It’s Only Drowning, is about his unlikely friendship with a Joe Rogan fan, adds: “I can’t imagine that people are going to be sitting around a writers’ room saying, how do we address this as though they were journalists. I think they’re saying, how do we do funny stuff? Because doing funny stuff is really hard.”SNL has already used up one potential Trump gag. Its cold open on 9 November last year, the first weekend after Trump won the presidential election, was entitled SNL for Trump and had cast members sarcastically trying to get on Trump’s good side, singing: “We will, whatever you want.” The sketch was a satirical take on the public figures and institutions that had shifted their stances or expressed deference to Trump for political or personal gain.Bill Carter, author of the book The Late Shift and executive producer of the CNN docuseries The Story of Late Night, says: “The gauntlet has been thrown now and, if they don’t do something, they will disappoint people. People will be expecting their take and their take won’t be the most obvious one. It’ll be some creative way of approaching it. They have a very good Trump right now so they ought to use him.”Trump has frequently railed against SNL over the years and is likely to be watching its return with fingers poised for a hot take on the cold open. But like Morrison, Carter thinks it unlikely that SNL will suffer the same fate as Colbert or Kimmel.“Unlike those shows, Trump cannot say this has terrible ratings and does not make money,” he says. “Saturday Night Live does not have terrible ratings. In fact, with the right host, it will often be among the most watched shows on television. And it has the best demographics on any show on television except for sports.“The idea that they would abandon that show is nuts, because if they did, some streaming service would say, we’ll put on Saturday Night Live. It’s 50 years that show’s been on. It’s had an audience all those times of a new generation of viewers. It continues to do that so it’s a tremendously valuable franchise. NBC is not walking away from that show. I don’t care what pressure they put on it.” More

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      We Americans love remaking British TV. Must the UK remake our odious politicians? | Dave Schilling

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      I’ve always wanted to visit the UK. This might sound absurd to you, considering I’m from California – home of sunshine, half-naked bodies and the studio where they film Jeopardy. What could possibly pull me to the cold, damp, gray shores of England? The oppressively brown food? The dodgy colonialist history? Tesco? No, it was the glowing box that vibrated with whatever passed for culture in my small town: television.British TV was an obsession in my house, via those purveyors of affordable, exotic entertainment at PBS. We’d get classy fare through the Masterpiece Theatre series, but also more downmarket comedies like Are You Being Served? (a variety of sexually obsessed retail clerks trip over each other) or Keeping Up Appearances (lower-middle-class oafs desperately wish they were posh). I had no concept of what people were saying in their thick accents or most of the jokes meant, especially the double entendres.But even the dumb shows seemed smart. I learned more about European history from Rowan Atkinson, Richard Curtis and Ben Elton’s Blackadder series than I ever did in school. British television, especially the comedies, assumed a certain futility to life. It probably won’t get better. In fact, it might get worse. Often. This is a tradition that carried over to other classic sitcoms such as I’m Alan Partridge and The Office, which I discovered in college. If it’s a small-town crime drama or a half-hour comedy, British TV is usually going to express something close to misery by the time the credits roll. In America’s land of good cheer and opportunity, this was like a salve of reality.My obsession with all things British (even the food) carried on into adulthood, but despite that abiding interest, I had never visited the UK until this year. I seemed to have picked the worst year imaginable. Or maybe the best. The country is in the midst of a political upheaval. Nigel Farage’s far-right Reform party is on the march, commanding the polls. Obviously, the first thing I did when I arrived was turn on the television to see how it compared to American media, which feels at all times like Jurassic Park after the electricity went out.In the US, we are obsessed with remaking British TV shows – The Office, Steptoe and Son, Absolutely Fabulous. But the British would rather remake our politicians. They’re just not as good at it.Farage is the English Trump, but only in the sense that he is dangerously unqualified for leadership and therefore believes he is actually qualified. He recently claimed that migrants were “eating swans” in parks. I can imagine a TV executive angrily shaking their fist at the ham-handed adaptation of Trump’s infamous dog comment. “Who would actually eat a swan? You don’t even get it!”Nigel Farage is just not the showman that Trump is, any more than Doctor Who is as flashy as Star Wars or Star Trek. British news is less single-mindedly fixated on him than we are with Trump. Because Farage is so tacky and second rate, it’s been easier for the UK media to shoo him away like a fly up until now. When I was in London this summer, it was the opposite of the wall-to-wall Trumpathon that is America. Maybe that’s why I found ITV’s Good Morning Britain so relaxing to watch. The noticeable lack of screaming or partisan rancor. The reassuring presence of former Labour politician and ex-Strictly Come Dancing competitor Ed Balls. Whatever it is, I came to love my daily dose of dry toast in TV form. One recent GMB episode featured a segment on an app designed to identify and catalog butterflies around the UK. It was sweet, until the presenter reminded the audience that this is important because butterflies are dying off due to the climate crisis. Even cheerful news segments need to remind you that life is a series of tiny hells.I did a few things besides watch TV, though. The Tate Modern is easily the best contemporary art museum I’ve ever been to. I think reading a newspaper in a pub at 11am is as civilized as life gets. I can’t tell if Waitrose is posh or a Trader Joe’s equivalent, but they had everything I needed, plus delicious cheeses I’ve never heard of. The Barbican Estate, where I stayed, is an architectural marvel that could never exist in a place like California. It’s purposefully difficult to get around, has an art gallery and a movie theater, and people crush bottles of wine openly in the courtyard long past bedtime. I found that people took tube etiquette so seriously that I wondered if not giving up your seat for an elderly person was now punishable by stoning. I’m sure there’s plenty of horrendous behavior in London, but I was so eager to enjoy myself that I didn’t even notice. And almost no one I met in London asked me, the dumb American, about Donald Trump. Almost.My one conversation about Trump took place in Whitechapel, a neighborhood known for a series of murders attributed to Jack the Ripper that is now home to a significant immigrant population – particularly people from Bangladesh. A sign was added to the Whitechapel tube station in Bengali, which upset Elon Musk (who is definitely not British) and assorted rightwing politicians obsessed with fighting multiculturalism. I was eager to have a proper British curry experience before flying back to LA and was given a recommendation for a restaurant in Whitechapel by my friend and co-creator of The Inbetweeners, Iain Morris (who is definitely British). I was asked very specifically not to name the restaurant, lest it become discovered by more brutish American tourists like myself. That’s what Dishoom is for, after all.After settling the bill for my meal, the waiter/proprietor asked me what I thought of “him.” The movie had not come out yet, so I realized “him” meant Trump. I said I was generally not a fan, that he would not be fond of a place like the restaurant we were in, and that I definitely did not vote for him. He chuckled, as though I had read him a joke written on a popsicle stick. “Every time an American comes in here and I ask if they voted for him, they say no,” he responded. I surmised that that’s because the people who did vote for him aren’t stopping into a curry house in Whitechapel on their UK vacation.The British and American political dilemmas can sometimes look eerily similar. Trump and Farage have both stuck around far longer than anyone expected. Anti-immigrant and anti-trans sentiment animate the right wings of both nations. The “unite the kingdom” rally feels like a hyper-charged Maga gathering. But, like the quality of our respective cheeses, we couldn’t be more different. Nihilism and a crazed impulse to start over from scratch animates both of our cultural schisms, but while in the US the face of populism is the frozen scowl of Trump, in Britain, it’s the vacuous grin of Farage. A recent feature in the New Yorker described the mood of the Reform party conference as jubilant. Farage is always smiling, which is either comforting to his sympathizers or terrifying for his detractors. Regardless, Reform is capturing Britain’s imagination precisely because of that smile.Labour and the Tories bumble around desperate to prove that they are the most serious, when what the nation seems to want is someone who admits that things aren’t great, but that the country (and the world) have a future. The future Reform offers is a terrifying one that looks a lot more like the worst aspects of modern America, but it’s a vision nonetheless. What afflicts both the US and the UK is a feeling of emptiness, of futility, and a growing realization that we’re all stuck. Technology, grand economic forces we don’t understand, and a dwindling social safety net have left the average citizen in a state of abandonment and isolation. The Democratic party and the Labour party just want things to go back to a mythical state of normalcy, hopelessly nostalgic and out of touch. This has pushed the dreamers, the malcontents and the futurists to the fringes. Maga and Reform seem nostalgic, but what they offer is not a return to anything, but a radical reshaping and perversion of the system that keeps our society functioning.When faced with the grim reality of British TV every day on my trip, I yearned for a bit of good ol’ Yankee razzle-dazzle – a dose of mindless optimism. I think maybe the most potent similarity between our two countries is that we could both use some of that right now.

      Dave Schilling is a Los Angeles-based writer and humorist More

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      Jimmy Kimmel: ‘Only Donald Trump would try to prove he wasn’t threatening ABC by threatening ABC’

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      Late-show hosts discuss Jimmy Kimmel’s record-breaking return to air and Donald Trump’s escalator snafu at the United Nations.Jimmy KimmelAfter breaking his own YouTube monologue record and attracting 6.2 million broadcast viewers on Tuesday night, Kimmel celebrated the fact that his show returned again on Wednesday – at least, “for most of the country”, as Jimmy Kimmel Live! remained off the air for a number of ABC affiliates, including channels in Seattle, Washington DC, Nashville, New Orleans, St Louis and elsewhere.“Thank God they’re not pre-empting the new season of The Golden Bachelor because of this,” he joked, referring to his suspension by ABC owner Disney under pressure from the Trump administration. “The FCC might not like jokes about the president, but they are still very OK with Poppop getting a squeezer in a Jacuzzi, and I think we can be very grateful for that.“A lot of people watched our show last night,” he continued. “I got so many texts from so many people – it made me realize how many of my friends are never watching the show at any other time.”That included “one very special friend” – Trump, Kimmel’s beloved “mad red hatter”, who wrote on Truth Social hours before Kimmel aired: “I can’t believe ABC Fake News gave Jimmy Kimmel his job back. The White House was told by ABC that his Show was cancelled! Something happened between then and now because his audience is GONE, and his ‘talent’ was never there.”“You can’t believe they gave me my job back?” Kimmel mused. “I can’t believe we gave you your job back.”Trump continued: “I think we’re going to test ABC out on this. Let’s see how we do. Last time I went after them, they gave me $16 Million Dollars. This one sounds even more lucrative. A true bunch of losers!”Kimmel fired back: “There’s the threat again, this time straight from FCC-biscuit’s mouth. Only Donald Trump would try to prove he wasn’t threatening ABC by threatening ABC.“You almost have to feel sorry for the people who work for him, who try to clean up the messes,” he added. “They go to all these lengths to say, ‘Oh, it wasn’t coercion! The president was just musing!’ And then the second Trump is alone, he sits on the toilet, he gets his grubby little thumbs on his phone, and he immediately blows their excuses to smithereens, and says it was ratings that got me fired.”Trump ended his Truth Social rant with: “Let Jimmy Kimmel rot in his bad ratings.”“And he does know bad ratings. He has some of the worst ratings any president has ever had,” Kimmel laughed, referring to Trump’s record-low poll numbers. “So on behalf of all of us, welcome to the crappy ratings club, Mr President.”Late in the monologue, Kimmel offered an explanation to his critics for his continued focus on Trump. “I talk about Trump more than anything because he’s a bully. I don’t like bullies – I played the clarinet in high school.” And Trump, he said, was “an old-fashioned, 80s movie-style bully”.Backing Trump was like “rooting for Biff from Back to the Future”, he added, referring to the villain of the 1985 film. “I don’t know about you, I’m with Marty McFly.”Stephen ColbertStephen Colbert opened Wednesday’s Late Show monologue in a good mood, “because last night our good friend Jimmy Kimmel returned to television”.“Jimmy spoke beautifully about free speech and unity,” he said. “He made great jokes, showed his deep emotions, got huge ratings.”But “that wasn’t the only victory for free speech yesterday”, as a statue depicting Trump and Jeffrey Epstein skipping and holding hands was placed on the National Mall. “It’s a lovely piece, but I’ve gotta say, not very realistic – Trump can’t stand on one leg, not with those cankles!” Colbert joked. “It would be like trying to balance on a sock full of overripe honeydew.”The controversial statue was put up by artists issued an official permit to “demonstrate freedom of speech and artistic expression using political imagery” by the National Park Service. “Good for you, National Park Service,” said Colbert, “and thank you for protecting free speech for almost 24 hours”, because despite the permit allowing the sculpture to stand until Sunday, park police removed it on Wednesday morning.In response, Colbert pretended to navigate the cancellation of Disney+ on his phone – “worked last time!”Park police said the statue was not “in compliance” with the permit, though it did not specify how. “I think we know how it violated the permit,” said Colbert. “We’ve all seen those signs in the national parks: ‘Leave no trace … of the Epstein files.’”Seth MeyersAnd on Late Night, Seth Meyers focused on Trump’s visit to the UN in New York this week. “It’s easy to forget because so much has happened, but when Trump was running for president last year, he was adamant he was going to bring peace to the world,” he reminded viewers before several clips of Trump making such claims as “I will end the chaos in the Middle East quickly” or end the war in Ukraine “in no longer than one day”.“In fairness, he said it would take him one day, he didn’t say which day,” Meyers laughed. But “as a general rule, you should always be skeptical when someone tells you they can solve any problem in one day”.But Trump didn’t focus on any of that at his UN address. Instead, he was thrown off by a broken escalator, which shut down as soon as he stepped on to it. On Fox News, Karoline Leavitt accused the UN of trying to “sabotage” him with the frozen escalator and teleprompter.“Man, you know I’ve heard a lot about these globalists over the years, but I didn’t realize their MO was to just burn you with soft pranks,” Meyers laughed.“Teleprompter down, escalator off. When the president was talking, someone tied his shoelaces together! Are they a shadowy cabal or Kevin from Home Alone?”On Wednesday evening, Trump took to Truth Social to name the escalator episode among three “very sinister events” that took place during his UN visit. He claimed that Melania avoided a “disaster” by not falling “forward onto the sharp edges of these steel steps, face first”. He then called for the arrest of the person responsible for the frozen escalator.A spokesperson for the UN previously blamed Trump’s videographer for the incident, suggesting that they may have “inadvertently triggered” a built-in safety function while proceeding backward up the escalator to film his arrival.Meyers had to laugh: “Oh, hey, look at that – they solved the conflict in one day! How about that?” More

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      They’ve finally gone there: South Park lets rip at Benjamin Netanyahu

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      In the three weeks since South Park last aired, things have changed. The assassination of rightwing pundit Charlie Kirk exploded already fiery political tensions, with the Trump administration and its base embarking on a campaign of retribution the likes of which haven’t been seen since the McCarthy era, and stating, without sufficient evidence, that Kirk’s murder was the result of a wide-ranging leftist plot. Scores of people in the public and private sectors have been punished for commenting on the situation, most notably late-night host Jimmy Kimmel, whose show was briefly pulled off air after the chair of the Federal Communications Commission, Brendan Carr, put parent company Disney under pressure to do so.Suffice to say, the situation is far too dire to worry about where a cartoon sitcom fits into it all, but South Park is a special case. The first episode of season 27 revolved around the politically motivated cancellation of Stephen Colbert, another late-night talkshow host critical of Donald Trump, while the second directly lampooned Kirk.Many on the right have declared South Park morally complicit in Kirk’s murder, despite the fact that Kirk himself celebrated the parody (going so far as to use its caricature of him as his X profile picture). Repeats of that episode were pulled from Comedy Central, although it remains available to stream on Paramount+. Then, a week to the day after Kirk’s death, it was announced that the new episode of South Park would be postponed. This sparked speculation of censorship, although showrunners Matt Stone and Trey Parker roundly denied this, claiming it was simply a matter of a blown deadline (the result of their famously tight schedule).View image in fullscreenWhile that seems like an all too convenient excuse, Parker and Stone have never backed down from controversy before. Then again, said controversy has never been this furious before, nor hit so close to home for them. The big question ahead of the newest episode was: what would South Park have to say about all this?The answer is … not much.The latest instalment, provocatively titled Conflict of Interest, makes no mention of Kirk, although it does tackle the aftermath in a roundabout way. In one of the two main storylines, Trump, upset over the impending birth of his unholy lovechild with Satan, sets a series of convoluted traps to force an abortion, only for Carr to continually wander into them. By the end of the episode, Carr, badly injured and hosting a brain parasite as a result of toxoplasmosis from being buried in a mountain of cat poo, is at risk of “losing his freedom of speech”.View image in fullscreenDespite avoiding one of the touchiest subjects of the day, South Park steered headlong into another, finally addressing the genocide in Palestine by way of prediction market apps. A bet on one of the platforms – “Will Kyle’s mom strike Gaza and destroy a Palestinian hospital?” – grows so large that Kyle’s mom ends up flying to Israel to put a stop to it.For most of the episode, the outrage is directed at all sides, with Kyle angrily yelling: “Jews and Palestinians are not football teams that you bet on”, and his mother proclaiming: “It’s not Jews versus Palestine, it’s Israel versus Palestine!”However, that outrage is ultimately aimed at a specific party, with Kyle’s mom barging into the office of the Israeli prime minister, Benjamin Netanyahu, and letting rip: “Just who do you think you are, killing thousands and flattening neighbourhoods, then wrapping yourself in Judaism like it’s some shield from criticism!” If Netanyahu’s comeuppance isn’t as scatologically extreme as Carr’s, it still provides a fleeting moment of catharsis.While not the most outrageous episode of the season, this may be the funniest, with the Looney Tunes-like gags and the prevalence of JD Vance’s impish caricature both earning huge laughs. And if this week’s South Park didn’t quite meet the moment head-on, neither did it back down. It’s good to know that it will continue to go after Trump and his cronies no matter how hot the political temperature grows.

      South Park is on Paramount+ More

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      Jimmy Kimmel comeback breaks his YouTube monologue views record

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      So much for low viewership: Jimmy Kimmel’s comeback monologue is now his most-viewed one on YouTube.The nearly 30-minute segment, in which Kimmel acknowledged his suspension by ABC owner Disney under pressure from the Trump administration, clarified his remarks on the killing of Charlie Kirk and passionately defended free speech, racked up more than 15m views in 16 hours.Numerous Jimmy Kimmel Live! sketches, interviews and other short clips have attracted tens of millions of views over the year, but Tuesday night’s segment marked record viewership for one of the comedian’s monologues.His previous most-watched monologue was from another emotional occasion in 2017, when Kimmel revealed the birth of his son Billy with a congenital heart condition that required immediate open-heart surgery. Other highly viewed monologues include Kimmel’s reaction to Will Smith’s infamous slap of Chris Rock at the 2022 Oscars (13m views), his response to the mass shooting at the Route 91 Harvest music festival in Las Vegas in 2017 (10m views) and his thoughts on Trump’s re-election last November (9m views).The spike in viewership comes after Disney suspended his late-night show under pressure from the Trump-appointed head of the Federal Communications Commission (FCC) over his comments on the shooting of rightwing activist Charlie Kirk. The decision quickly became a cultural flashpoint, prompting national outcry over free speech and condemnation over the bullying tactics of the Trump administration. Disney reversed course on Monday, following “thoughtful conversations with Jimmy” and pressure from Hollywood stars, free speech advocates, consumer boycotts, union protests and even Republicans like Ted Cruz.Kimmel’s show remains pre-empted on the dozens of ABC affiliate stations owned by the companies Sinclair and Nexstar, which is seeking FCC approval for a $6.2bn merger. Jimmy Kimmel Lives! typically averages about 1.6m broadcast viewers per night, but according to the New York Times, experts expect this tally to be much higher for Tuesday’s show – despite the Nexstar and Sinclair eliminating about 20% of its broadcast audience.Shortly before Tuesday’s show aired, Donald Trump lashed out at the host, a longtime needler and critic, and criticized ABC for allowing his return to broadcast.“I can’t believe ABC Fake News gave Jimmy Kimmel his job back,” Trump wrote on Truth Social. “The White House was told by ABC that his Show was cancelled! Something happened between then and now because his audience is GONE, and his ‘talent’ was never there.”“I think we’re going to test ABC out on this,” he added.“Let’s see how we do. Last time I went after them, they gave me $16 Million Dollars. This one sounds even more lucrative,” Trump said, seemingly referring to the settlement he reached with ABC News last year in a defamation lawsuit filed against the network.In his return, Kimmel was neither conciliatory nor fiery. He decried his suspension as “anti-American” – “this show is not important,” he said, “what is important is that we get to live in a country that allows us to have a show like this” – and clarified his stance on Kirk’s death. “It was never my intention to make light of the murder of a young man,” he said. “I don’t think there’s anything funny about it.”“Nor was it my intention to blame any specific group for the actions of what – it was obviously a deeply disturbed individual,” he added. “That was really the opposite of the point I was trying to make, but I understand that to some that felt either ill-timed or unclear, or maybe both. And for those who think I did point a finger, I get why you’re upset. If the situation was reversed, there’s a good chance I’d have felt the same way.”Kimmel also praised Kirk’s widow, Erika Kirk, for offering the accused killer forgiveness in a televised memorial service over the weekend.“Look, I never imagined I would be in a situation like this,” he later said. “I barely paid attention in school. One thing I did learn from from Lenny Bruce and George Carlin and Howard Stern, is that a government threat to silence a comedian the president doesn’t like is anti-American … Let’s stop letting these politicians tell us what they want and tell them what we want.”Jimmy Kimmel Live! will air as usual on Wednesday night, except on the 28 affiliates owned by Nexstar and the 38 owned by Sinclair. On Wednesday, Nexstar told Variety that it is “continuing to evaluate the status of ‘Jimmy Kimmel Live!’ on our ABC-affiliated local television stations, and the show will be preempted while we do so. We are engaged in productive discussions with executives at The Walt Disney Company, with a focus on ensuring the program reflects and respects the diverse interests of the communities we serve.” More

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      With Kimmel’s suspension, the FCC chair has made himself Trump’s comedian-in-chief | Sidney Blumenthal

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      Who’s the comedian? Brendan Carr, the Federal Communications Commission chairperson, pressured the Disney company to indefinitely suspend Jimmy Kimmel, the late-night talkshow host on ABC, for a remark he made about the right wing’s attempts to shape perceptions about the murderer of the far-right political operative Charlie Kirk. (Kimmel is now back on the air.) It was the opening riff of Carr’s stand-up routine.Carr’s choice of venue to issue his threat – a hard-right podcast – indicated the kind of media of which he approves. His pressure against Kimmel is no isolated gesture, but the execution of a calculated plan he himself helped hatch to eradicate critical political speech. But Carr’s exploitation of the death of Charlie Kirk to serve as the trigger for Trump’s repression only succeeded in turning Jimmy Kimmel into a free speech symbol before his return to television on Tuesday.“Free speech is the counterweight – it is the check on government control,” Carr wrote as an FCC commissioner in 2023. “That is why censorship is the authoritarian’s dream.” Then, on 17 September, he told the podcast: “We can do this the easy way or the hard way.“These companies can find ways to change conduct to take action, frankly, on Kimmel, or there’s going to be additional work for the FCC ahead.”Now, Carr was fulfilling “the authoritarian’s dream”. He seems indifferent to his duplicity, boldly tossing aside pretense. Dealing with Kimmel, he posed as a stereotypical gangster speaking in clichés from a 1930s movie: “the easy way or the hard way.” Carr seems excited by his own rough language. His display of brass knuckles, however, demolishes his legitimacy to wear a badge. As the violator of free speech, he betrays his office as a protector. He also destroys conservative posturing as the special victim of speech suppression.Carr is using government power to eliminate criticism. He is implementing a policy of censorship he himself authored in the Heritage Foundation’s Project 2025 playbook. Even when he imitates a mobster, he does not issue his threats in a raised voice. His tone does not rise to the histrionics of Stephen Miller. Carr is a zealot of a certain type, the rightwing Leninist with the grim resolve of a commissar, the bureaucrat rigorously checking off boxes – in this case, purging late-night comedians – to fulfill the larger ideological agenda.The operation of Trump’s purge involves not the slightest bit of persuasion, debate or discussion. Carr is executing the will of the leader who is not to be questioned and above all never to be ridiculed. “We’re not done yet” with the changes in “the media ecosystem”, Carr told CNBC on 18 September. He called the erasure of Kimmel a “market correction”. Carr is incapable of comprehending when he is unintentionally funny in a way that is self-undermining. He’s not only Trump’s executioner. He’s Trump’s straight man.Before the identity, let alone the motive, of the Kirk assassin was known, Stephen Miller, Trump’s deputy chief of staff, raged against “an ideology at war with family and nature”. Weeks before, on Fox News, he had already declared the Democratic party “a domestic extremist organization”. Now, after Kirk’s assassination, taking Miller’s cue, the rightwing site the Federalist stated: “After a long history of condoning, advocating, and participating in political violence, it is time to designate the Democrat party a domestic terrorist organization.”The influential anti-woke activist Christopher Rufo tweeted: “The last time the radical Left orchestrated a wave of violence and terror, J Edgar Hoover shut it all down within a few years. It is time, within the confines of the law, to infiltrate, disrupt, arrest, and incarcerate all of those who are responsible for this chaos.”JD Vance threatened: “We are working very hard to ensure that the funding networks for leftwing violence, that the radicalization networks for leftwing violence – that if you encourage or fund your fellow Americans or anybody else to commit acts of violence because you disagree with political speech, you are going to be treated like a terrorist organization and we are going to go after you.”Trump went on Fox & Friends to point his finger: “The radicals on the left are the problem – and they are vicious and horrible and politically savvy.”All of this occurred before Jimmy Kimmel’s ouster.Meanwhile, gaggles of feverish far-right influencers, whose stock-in-trade is conspiracy theories, tried to debunk one fantasy spinning around the internet that threatened to boomerang on them. Within the Maga hothouse, Kirk had faced backlash in 2019 from the Groypers, led by Nick Fuentes, who once dined with Trump at Mar-a-Lago, and accused Kirk of being too moderate. Kirk later shifted his position to the hard right on immigration. “I’ve noticed people like Charlie Kirk … are now calling for an immigration moratorium,” Fuentes said in June. “That means they want to shut down all immigration. And suffice to say, the Groypers have won. It’s just not even a question at this point.”The theory spread like wildfire that the killer’s cryptic inscriptions on shell casings could be Groyper messages. If they were, he would be an errant rightwing extremist, not a leftwing one. Those etched messages, however, apparently referred to a range of things, including gaming memes. No evidence has emerged that Tyler Robinson, the suspect, had political connections to any group or the involvement of anyone else in his act.But with the far-right’s history of heated factional warfare flaring in the background, Jimmy Kimmel said in his monologue on 15 September : “The Maga gang [is] desperately trying to characterize this kid who murdered Charlie Kirk as anything other than one of them, and doing everything they can to score political points from it.”Kimmel’s comment condensed, into a line that was not a joke, a complicated and fraught situation, down the rabbit hole of the far right, involving the frenzied Maga effort to pin the blame on the “radical left” and by extension the whole Democratic party, and to deflect scrutiny of their own infighting. Kimmel’s remark assumed a lot of arcane knowledge on the part of his audience.At the same time, the FCC, which Carr chairs, was considering a $6.2bn merger between Nexstar Media, a large owner of TV stations, and the Tegna media company.Within days of Kimmel’s rather innocuous comment, Carr stated that the comedian was “appearing to directly mislead the American public”. Nexstar announced it would no longer broadcast Jimmy Kimmel’s show. Disney followed by suspending him from ABC. Carr praised Nexstar “for doing the right thing”.Ironically, during the Red Scare, in 1950, when Gypsy Rose Lee, soon to be the host of an ABC radio gameshow called What Makes You Tick?, was accused of being a Communist by the American Legion and Red Channels, a conservative publication seeking to root out subversives in the media, ABC executives stood by her. CBS, on the other hand, demanded all of its employees sign a loyalty oath. Gypsy Rose Lee said about the efforts at censorship: “This may be all right for Russia, but I hope not for us.”Sinclair, a rightwing-controlled media outlet that broadcasts ABC shows, announced that suspension of Kimmel was insufficient and that it would pre-empt his program until further notice. But even that was not enough. Sinclair demanded that Kimmel “make a meaningful personal donation to the Kirk Family and Turning Point USA”. Instead of airing the show, Sinclair said, it would offer to its affiliates a “remembrance” of Kirk, “who boldly and tirelessly defended biblical values and truth as he challenged a new generation to stand firm for Christ”. The piece was sanitized of his racist, nativist, antisemitic and misogynist views, and his assertion that Joe Biden “should honestly be put in prison and/or be given the death penalty for his crimes against America”. Kirk, extolled as an exemplar of free speech and debate, had in fact created a “Professor Watchlist” to blacklist liberal academics across the board. Sinclair made Kirk, touted as an advocate of free speech, into a symbol of its suppression. But, after further stoking the firestorm, Sinclair put its “remembrance” on YouTube and instead ran an episode of Celebrity Family Feud. Once Disney restored Kimmel’s show, Sinclair and Nexstar stated their affiliates would not air it.Carr launched his attack on Kimmel on a podcast called The Benny Show, hosted by Benny Johnson, the former chief creative officer at Kirk’s Turning Point USA. Carr had plunged down a deep rabbit hole of the right with a dubious character.Johnson was fired from BuzzFeed in 2014 after being accused of plagiarism. He was later associated with a political consulting firm called Arsenal Media – “a chaotic working environment, rife with internal bullying, toxic HR practices, and an intense culture of secrecy”, where some contractors said they were not paid, according to an investigative report in the Verge. (Johnson’s own website described him as a co-founder and chief creative officer of the site until April 2022, according to the report, but a spokesperson for Johnson told the Verge in April 2022 that he “is not currently, nor has ever been an owner, executive, or even employee of Arsenal Media”.) Johnson was also exposed last year to be among a group of six rightwing influencers who were funneled $10m from two Russian agents indicted by the justice department. Johnson and the others claimed to have been duped.When Pam Bondi, the attorney general, created an uproar, including on the right, by stating: “We will absolutely target you, go after you, if you are targeting anyone with hate speech,” Jonathan Karl, the former ABC White House correspondent, asked Trump his reaction.“She’ll probably go after people like you, because you treat me so unfairly,” Trump replied to Karl. “You have a lot of hate in your heart. Maybe they will come after ABC. ABC paid me $16m recently for a form of hate speech. Your company paid me $16m for a form of hate speech, so maybe they will have to go after you.” Trump was referring to his suit against ABC for This Week anchor George Stephanopoulos’s comment coming out of the E Jean Carroll trial describing Trump’s sexual violence. It was generally believed that ABC would have won the case, but the prospective threat to the Disney company from the Trump administration prompted its first capitulation.Trump, on his state visit to Britain, slammed Kimmel at a press conference with Keir Starmer, saying the host had been “fired because he had bad ratings” and was “not a talented person”. The old reality-TV host’s jealousy for an actual show-business star shone through. In fact, Kimmel’s show was rated No 1 with the highly valued young adult demographic.On Air Force One, Trump suggested that the FCC look into revoking the licenses of other networks, saying: “They give me only bad publicity or press. I mean, they’re getting a license. I would think maybe their license should be taken away.”If there are further attempts at impertinent humor, they will be met with even more severe punishments. Will Carr issue a full report to meet the crisis, perhaps to a newly created House committee on the weaponization of humor, the Trump era version of the Red Scare’s House un-American activities committee? Will witnesses be subpoenaed from the writers’ room? Will comics be permitted to sign confessions regretting their past gags? What about the audience members, fellow travelers all, who laughed? An inquisition of comedy would take everyone’s minds off the Epstein files. Are you now or have you ever been a comedian? No joking! That’s an order – an executive order.

      Sidney Blumenthal is a Guardian US columnist More

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      in US Politics

      Jimmy Kimmel says silencing comedians is ‘anti American’, as his show returns to air after suspension

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      Jimmy Kimmel returned to air on Tuesday night, calling government threats to silence comedians “anti American”, as he broke his silence about the suspension from ABC which ignited a national debate over free speech and outcry over the bullying tactics of the Trump administration.“This show is not important” Kimmel said during his first monologue since Disney, which owns ABC, suspended his late-night show from the network last week under pressure from Trump officials over his comments on the shooting of right-wing activist Charlie Kirk. “What is important is that we get to live in a country that allows us to have a show like this.”Kimmel’s comments come one day after Disney, facing backlash from Hollywood stars, unions, media hosts and even Republicans such as Ted Cruz, allowed Jimmy Kimmel Live! to resume production.The company had indefinitely suspended the show after right-wing outcry over Kimmel’s 15 September monologue, in which he said that “the Maga gang [is] desperately trying to characterize this kid who murdered Charlie Kirk as anything other than one of them, and doing everything they can to score political points from it.”On Tuesday night, Kimmel thanked his fellow late night hosts for their support and thanked his audience and supporters.“And most of all I want to thank the people who don’t support my show and what I believe, but support my right to share those beliefs anyway” Kimmel added.“I do want to make something clear, because it’s important to me as a human and that is, you understand that it was never my intention to make light of the murder of a young man,” Kimmel said. “I don’t think there’s anything funny about it.”“Nor was it my intention to blame any specific group for the actions of what – it was obviously a deeply disturbed individual” he said. “That was really the opposite of the point I was trying to make, but I understand that to some that felt either ill-timed or unclear, or maybe both. And for those who think I did point a finger, I get why you’re upset. If the situation was reversed, there’s a good chance I’d have felt the same way.”Later in the monologue, Kimmel hit out against Trump, saying that the president “did his best to cancel me” but that “instead, he forced millions of people to watch the show.”Kimmel added that “the president of the United States made it very clear he wants to see me and the hundreds of people who work here fired from our jobs. Our leader celebrates Americans losing their livelihoods because he can’t take a joke.”“One thing I did learn from Lenny Bruce and George Carlin and Howard Stern, is that a government threat to silence a comedian the President doesn’t like is anti American” he added.Kimmel closed his monologue by reflecting on remarks made by Erika Kirk, the widow of Charlie Kirk, at her late husband’s memorial service over the weekend.“Erika Kirk forgave the man who shot her husband” Kimmel said. “That is an example we should follow.”“It touched me deeply” he added. “And if there’s anything we should take from this tragedy to carry forward, I hope it can be that, not this.”Kimmel’s comments on the shooting of Kirk angered Trump supporters and officials who have vowed to avenge the death of the conservative activist. Last Wednesday, the Trump-appointed chair of the Federal Communications Commission (FCC), Brendan Carr, threatened ABC’s affiliate licenses if Disney did not “take action” against the host. Two broadcast groups that own hundreds of affiliate stations – Nexstar, which is currently seeking FCC approval for a $6.2bn merger, and Sinclair – then refused to air the program, leading Disney CEO Bob Iger and Disney Entertainment co-chair Dana Walden to suspend production.The move drew intense backlash from the Hollywood community and free speech advocates and prompted boycotts and protests against both ABC and Disney.Around an hour before Kimmel’s return on Tuesday, Trump lashed out at Kimmel and criticized ABC for allowing the comedian’s show back on air.“I can’t believe ABC Fake News gave Jimmy Kimmel his job back” Trump wrote on Tuesday night. “The White House was told by ABC that his Show was cancelled! Something happened between then and now because his audience is GONE, and his ‘talent’ was never there.”“I think we’re going to test ABC out on this,” Trump added.“Let’s see how we do. Last time I went after them, they gave me $16 Million Dollars. This one sounds even more lucrative,” Trump said, seemingly referring to the settlement he reached with ABC News last year in a defamation lawsuit Trump filed against the network.On Monday, hours before Disney announced Kimmel’s return, the American Civil Liberties Union (ACLU) released an open letter signed by over 400 Hollywood stars condemning Disney’s decision as “a dark moment for freedom of speech in our nation.” Signees included Jennifer Aniston, Meryl Streep, Tom Hanks, Ben Affleck and Robert De Niro.In a statement on Monday, the company said the decision to pre-empt Kimmel’s show was made “to avoid further inflaming a tense situation at an emotional moment for our country.”“It is a decision we made because we felt some of the comments were ill-timed and thus insensitive,” the statement continued. “We have spent the last days having thoughtful conversations with Jimmy, and after those conversations, we reached the decision to return the show on Tuesday.”Although Kimmel’s show returned to ABC on Tuesday, it did not return to ABC affiliate networks owned by Sinclair. The company, which is known to promote conservative talking points, said it would not allow the late-night show to air until Kimmel apologized to Kirk’s family and made a donation to his conservative activist group Turning Point USA.“Beginning Tuesday night, Sinclair will be preempting Jimmy Kimmel Live! across our ABC affiliate stations and replacing it with news programming,” the company said, which has the nation’s largest number of ABC affiliate stations.“Discussions with ABC are ongoing as we evaluate the show’s potential return,” the group added in a statement late Monday.Nexstar also confirmed that it will continue to pre-empt Jimmy Kimmel Live! on its stations in 22 states. “We made a decision last week to pre-empt Jimmy Kimmel Live! following what ABC referred to as Mr Kimmel’s ‘ill-timed and insensitive’ comments at a critical time in our national discourse,” the company said. “We stand by that decision pending assurance that all parties are committed to fostering an environment of respectful, constructive dialogue in the markets we serve.”The two companies’ continued pre-emption means that Jimmy Kimmel Live! did not air on almost a quarter of ABC affiliate stations. The show continues to be available online as well as on the streaming services Hulu and Disney+. More