Television

The idea that the political career of Donald Trump would be a goldmine for comedy died a long time ago, with the coffin accepting stray nails for the past five years. The latest and possibly last such nail is the cancellation of The Late Show, the CBS late-night talkshow hosted by Stephen Colbert since the fall of 2015, and originated by David Letterman when the network poached him from NBC in 1993. At this point, Trump hasn’t just made topical late-night comedy look outdated, hackneyed and an insufficient response to his reign of terror; he’s also made a chunk of it flat-out go away.There will be time to eulogize Colbert’s particular talkshow style later; the Late Show isn’t leaving the air for another 10 months, when his contract is up. Surely that leaves plenty more time to savage the president – and Colbert has been in this slot since right around the time Trump became a real contender in the presidential race, so why has this only now come to a head? Seemingly because the axing of the Late Show franchise follows the $16m settlement of a frivolous Trump lawsuit against CBS and their newsmagazine show 60 Minutes over the show’s editing of a 2024 interview with presidential candidate Kamala Harris. Colbert made great fun of his bosses’ payout as a cowardly “bribe” designed to appease the Trump administration, who are in the position to approve or deny the sale of Paramount, the corporate owners of CBS, to the company Skydance. In other words, the pre-merger nixing a comedian who regularly goofs on Trump on network TV seems like a convenient bit of timing – maybe even an unspoken bonus to go along with those millions of dollars.The network, of course, has characterized the decision as “purely financial” amid a period when most traditional late-night shows have struggled. As excuses go, it’s not entirely unconvincing. After all, Colbert isn’t being replaced with another host; The Late Show is simply going the same route as its short-lived companion series After Midnight (and The Late Late Show before it). CBS is surrendering the late-night block entirely. This represents a major retreat after the Letterman deal made the network a genuine player for the first time in ages. Presumably it’s back to reruns and old movies going forward.In that sense, this decision does transcend politics. CBS has ripped off a bandage that the big three networks have been applying to similar wounds for years. Late-night programming simply doesn’t mean as much as it used to, with smaller network lead-ins from primetime lineups and more audience choices for comedy, talk, music or even the dopey celeb games that Jimmy Fallon throws together. Saturday Night Live has retained some cultural cachet, thanks to a combination of lower commitment (20 episodes a year, on a night where many people don’t have work the next day, versus eight times as many, all airing on weeknights), legacy branding (it’s still known as a star showcase and political comedy go-to, no matter how wan those cold-open sketches get), and sketch comedy that travels well online. These days, it’s routinely one of the highest-rated network shows of the week when it airs a new episode, offering an encouraging sign that old time-slot rules about viewership no longer apply. It’s also extremely expensive to produce and difficult to replicate, which nonetheless looks more viable than the tired talkshow format.View image in fullscreenBroadly, this could be a good thing for comic minds including Colbert or Conan O’Brien. Some comedians seem unable to resist the siren call of late-night talkshows, chasing the Tonight Show dream even when that actual job remained out of reach. O’Brien is a singularly brilliant comedy writer and performer; as great as his late-night shows could be, in retrospect should he have spent three decades primarily in that waning medium? Colbert, meanwhile, did his strongest political satire playing a parody of a conservative commentator on The Daily Show and its later spinoff The Colbert Report. His warmth and sometimes-sharp humor made him a good “real” talkshow host – and by most standards, a successful one. In recent matchups, his Late Show has been the most-watched such program across the major networks. That he can face cancellation anyway should (alongside O’Brien losing his Tonight Show gig years ago) signal to newcomers that the rarified air of the national late-night talkshow host is also getting pretty thin, maybe unbreathable.Yet Trump has sucked up some of that oxygen, too. Even with the “challenges” cited by CBS, it’s difficult to believe that vanquishing a longtime issuer of Trump mockery wasn’t at least considered a side benefit of canceling The Late Show. Even if the decision was, as claimed, a financial one, it accompanies another financial decision: that Paramount could afford to pay Trump $16m rather than proceed with litigation that many seemed to think they could win. That’s precisely the kind of expense that could diminish how, say, your late-night talkshow attracts more eyeballs than The Tonight Show.Beyond Trump personally smudging up the balance sheets, he’s helped to hasten the demise of late-night comedy simply by being himself, seeming to provide the perfect target: a venal, dimwitted perma-celebrity with an army of devoted sycophants. But after two non-consecutive administrations have flooded the zone with grotesqueries, performing a lightly zinging monologue or sketches as a warmup act for good-natured interviews seems unlikely to entice either those craving anti-Trump catharsis, or those desperate to believe in his strongman powers.That Colbert took a somewhat less cutesy approach than his competitor Fallon seemed to be all that was necessary to mark him as a troublemaker. The thing is, Trump might have ultimately consumed him either way. By providing a ready-made caricature of himself, intentionally or not, the president has beaten the system again. It may not be worth mourning the hacky, presidential-themed jokes we might miss in a future with fewer talkshows than ever. But it does feel like the enforcement of one of Trump’s more minor cruelties: the ability to see himself as the only real star in the world. More