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    Pamela Hayden, the Voice of Bart’s Friend Milhouse, Retires From ‘The Simpsons’

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    Ms. Hayden voiced many “Simpsons” characters since the show started in 1989. She’s most famously the voice of Bart’s awkward 10-year-old best friend.Pamela Hayden, who has voiced characters on “The Simpsons” since it began in 1989 and famously played Bart’s nerdy best friend Milhouse Van Houten, announced on Wednesday that she was retiring from the show.Ms. Hayden, 70, said on her Facebook page that after 35 years she would stop performing on “The Simpsons” and would “pursue other creative outlets.” Episode seven of season 36, scheduled to air on Nov. 24, will be her final episode.“One thing that I love about Milhouse is he’s always getting knocked down but he keeps getting up,” Ms. Hayden said in a tribute video posted on “The Simpsons” social media pages. “I love the little guy.”Credited with voicing dozens of Simpson’s characters, including one of Milhouse’s bullies, Jimbo Jones, Ms. Hayden’s most famous character is Milhouse. His blue hair and big eyes are accentuated with large, round glasses. The clumsy, shy 10-year-old is one of the most endearing characters in Springfield, thanks in part to his halting, sheepish voice and his stubborn resilience.Milhouse, named after former President Richard Milhous Nixon, often finds himself following his best friend, Bart, into trouble as a gullible sidekick. Throughout the show, Milhouse often cites his mother’s concerns for his safety as an excuse to not go on adventures. In one instance, Milhouse relayed that his mother “says solving riddles is an asthma trigger.”Hayden, left, has voiced the character of Milhouse and others for 35 years.FOXWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Dune: Prophecy’ Season 1 Premiere Recap: Sick Burn

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      The first installment of HBO’s “Dune” prequel series suggests there is a “burning truth” very few are capable of seeing. It may be too hot to handle.Season 1, Episode 1: ‘The Hidden Hand’“Humanity’s greatest weapon is the lie,” says Reverend Mother Tula Harkonnen of the Sisterhood (Olivia Williams). “Human beings rely on lies to survive. We lie to our enemies, we lie to our friends, we lie to ourselves. Lying is among the most sophisticated tasks a brain can perform.”The acolytes under Tula’s tutelage in this first episode of “Dune: Prophecy,” the new prequel series developed by Diane Ademu-John and Alison Schapker, are learning to lie more effectively in order to better control the people they supposedly serve. As recipes for political success go, it’s hard to argue with the results.As related in a lengthy flashback at the beginning of Episode 1, the Sisterhood’s story begins over 10,000 years before the birth of the messianic Paul Atreides, the antihero of the “Dune” films, played by Timothée Chalamet. Humans have won a hard-fought victory in a universe-wide war against the “thinking machines” they built, overthrowing their robotic would-be masters. Known in the source novels as the Butlerian Jihad, this successful struggle against artificial intelligence birthed heroes and villains among its human participants. (The source novel for the movies, “Dune,” was written by Frank Herbert; this series is based on both “Dune” and “Sisterhood of Dune,” a prequel novel by Herbert’s son Brian and Kevin J. Anderson.)Here, as we learn in a voice-over by Emily Watson, is where the great rivalry between House Atreides and House Harkonnen, the warring families at the heart of the “Dune” saga, began. According to the commonly accepted history, an Atreides led the fight while a Harkonnen slunk away from it. That act of cowardice led the triumphant emperor to banish the Harkonnens to a remote and desolate world.But not all the Harkonnens — notably Tula and her fierce older sister, Valya (Watson) — accepted that version of history, or exile. As the exposition continues, we watch Tula and Valya (played as young women by Emma Canning and Jessica Barden) leave home to join an organization of women founded by the legendary war hero Raquella Berto-Anirul (Cathy Tyson). The group is called simply the Sisterhood — known later as the Bene Gesserit, a name familiar to fans of the “Dune” books and movies. Through intense mental and physical training, Raquella and her acolytes hope to harness powers that will enable them to guide the rulers of the various great houses.At this early stage, the Sisterhood’s primary power is “truthsaying,” an inerrant ability to detect lies that makes them invaluable to any emperor or aristocrat who can convince the increasingly powerful organization to send such a human polygraph their way.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Trump Picks Brendan Carr to Lead F.C.C.

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      President-elect Donald J. Trump on Sunday chose Brendan Carr to be chairman of the Federal Communications Commission, naming a veteran Republican regulator who has publicly agreed with the incoming administration’s promises to slash regulation, go after Big Tech and punish TV networks for political bias.Mr. Carr, who currently sits on the commission, is expected to shake up a quiet agency that licenses airwaves for radio and TV, regulates phone costs, and promotes the spread of home internet. Before the election, Mr. Trump indicated he wanted the agency to strip broadcasters like NBC and CBS of their licensing for unfair coverage.Mr. Carr, 45, was the author of a chapter on the F.C.C. in the conservative Project 2025 planning document, in which he argued that the agency should also regulate the largest tech companies, such as Apple, Meta, Google and Microsoft.“The censorship cartel must be dismantled,” Mr. Carr said last week in a post on X.Mr. Carr could drastically reshape the independent agency, expanding its mandate and wielding it as a political weapon for the right, telecommunications attorneys and analysts said. They predicted Mr. Carr would test the legal limits of the agency’s power by pushing to oversee companies like Meta and Google, setting up a fierce battle with Silicon Valley.Mr. Carr has “proposed to do a lot of things he has no jurisdiction to do and in other cases he’s blatantly misreading the rules,” said Jessica Gonzalez, co-chief executive of the nonpartisan public interest group Free Press.“Commissioner Carr is a warrior for free speech, and has fought against the regulatory lawfare that has stifled Americans’ freedoms, and held back our economy,” Mr. Trump said in a statement.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      On ‘S.N.L.,’ a Peaceful Transition to Trump’s Cabinet of Curiosities

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      Sarah Sherman plays Matt Gaetz as well as the widow of P’Nut, the conservative darling of the rodent world, while Charli XCX and pals serenade a mom-to-be.An amicable White House transition meeting between President Biden and President-elect Donald J. Trump provided the template for the opening sketch of this weekend’s “Saturday Night Live,” and it also gave “S.N.L.” another opportunity to rearrange its musical chairs of who’s playing whom in the Trump administration, with new roles for Sarah Sherman (as Matt Gaetz) and Alec Baldwin (as Robert F. Kennedy Jr.).Dana Carvey, the “S.N.L.” alum who has lately been impersonating Biden on the show, returned to play the part, promising a “respectful conversation” with Trump, played by James Austin Johnson.“Yeah, get a load of me,” Johnson said. “Instead of being rude and crazy like usual, I’m doing quiet and serene. Which, in many ways, is a lot scarier.”After shooing away the reporters who were covering their meeting, Johnson said forlornly to Carvey that he was not looking forward to returning to the White House. “So many of the carpets are stinky and sticky at the same time,” he explained. “Sort of like being at a Regal Cinemas. Now I have to live here for the next four years. Possibly longer.”Carvey responded that he had many wonderful memories of his time there: “Dr. Jill hosting foreign leaders,” he said. “My dog attacking every single one. I brought my party together so much they teamed up and kicked me out. Wait a minute — maybe I hate it here, too.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Why Women Find Watching True Crime Comforting

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      Since the election, I have been spending a lot of time horizontal in my soft pants watching true crime — nonfiction television about a variety of illegal activity, mostly murder. My husband thinks it is pretty demented that I find comfort by turning away from breaking news and watching a show called “Accident, Suicide, or Murder,” but I often watch or listen to true crime as a way to calm down.That I am a woman who enjoys this lurid pastime does not make me remotely unique. Women are twice as likely as men to listen to true crime podcasts, and younger women with less formal education are particularly likely to listen. Some have estimated that the audience for true crime shows is 80 percent female. In fact, women loving true crime is such a cliché that “Saturday Night Live” made a song about it in 2021. I half sing it to myself every time I turn on “Dateline”: “I’m gonna watch a murder show, murder show/ I’m gonna watch a murder show…late night true crime, this is my relaxing time.”I have seen many theories — in academic papers and Reddit forums and talking to other crime junkies — about why women are more drawn to the genre. The explanation I see most frequently is that women watch true crime to protect themselves: We are usually less physically powerful than men are, and we think that by understanding the psychology of criminals we can better avoid them.That interpretation may be true for some women, but it never quite resonated with me. It wasn’t until I was processing my anger about America electing a man who was found liable for sexual abuse and nominating people who were accused of sex trafficking to run the Justice Department that I could finally explain to myself why I find the genre so irresistible.Most of the true crime I watch reflects a black and white moral universe where victims ultimately get justice, even if it is delayed. In this closed world, modern law enforcement is competent and empathetic, and evidence from medical examiners and forensic scientists is taken seriously. I don’t like “Unsolved Mysteries” because there’s no real resolution for the victim’s family, I find it devastating. But my favorite true crime does not just show good people doing their jobs. It also celebrates the emotional and intuitive; victims, including their families, often have hunches about perpetrators that elude law enforcement and defy norms.An excellent recent example of the moral universe I enjoy returning to, one that felt particularly poignant, is the two-part Netflix documentary “Into the Fire: The Lost Daughter.” It centers on Cathy Terkanian, who in 1974, at 16, had a daughter she named Alexis. Her mother pressured her to give Alexis up for adoption so that the little girl could have a better life.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Craig Melvin Is Named Hoda Kotb’s Replacement on ‘Today’

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      By selecting Mr. Melvin, a familiar face on the show, network executives chose to go the steadiest route possible.Craig Melvin, the veteran NBC News host, will succeed Hoda Kotb as an anchor of the network’s flagship morning show, “Today,” the company announced Thursday morning.Mr. Melvin will start in the new role, teaming with Savannah Guthrie, on Jan. 13.The position, one of the most prominent in television news, opened after Ms. Kotb, who has been at the network for more than two decades, announced in September that she would step down early next year. Ms. Kotb, who will remain as a contributor to the show, said at the time that she wanted to spend more time with her young children, and that it was “time to turn the page on what has been a dream book, a dream quarter-century.”Ms. Kotb, 60, will take her final turn as co-anchor of “Today” on Jan. 10.By selecting Mr. Melvin, 45, network executives chose to go the steadiest route possible. He has been the news anchor of “Today” since 2018, frequently joining Ms. Guthrie and Ms. Kotb on the set at some point in the 7 a.m. hour. He is also a co-host of the show’s 9 a.m. hour, and used to be an anchor of the weekend edition of “Today.”Mr. Melvin also was an anchor on MSNBC before leaving his daily 11 a.m. show on the cable network two years ago.“Dreams do come true,” he said in an interview before the news was announced on “Today.”“As someone said to me, this is an obit job,” he continued. “When you die one day, this is the first thing that gets mentioned in an obituary after it mentions you were a husband and a father.”Mr. Melvin said he found out about his selection several weeks ago. (NBC News executives kept it under wraps until after the presidential election.) Ms. Kotb said in an interview that it was such a secret that they had to develop a code term in order to toast his success, since so few people knew of it. The code? “Let’s Go Mets.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Amazon Is Phasing Out Its Freevee Streaming Service

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      Its shows have moved to Amazon Prime, where they will remain free.Amazon is folding Freevee, its ad-supported streaming service, into Prime Video, where its shows will remain free to viewers who don’t subscribe to Prime.The move had been expected, after Amazon started including advertisements this year on Prime Video, which already hosts free original programs and movies. All Freevee programming will be available on Prime Video for free, the company said.Freevee began in 2019 as IMDb TV, an offshoot of Amazon’s IMDb film site. Some of its original shows were hits, including the social media sensation “Jury Duty,” “Bosch: Legacy” and “Judy Justice.” The service will be phased out within weeks.Amazon already has a streaming behemoth in Prime Video, and the company decided to put all of its entertainment content on one platform “to deliver a simpler viewing experience for customers,” an Amazon spokesperson said Wednesday.An ad-supported version of Prime Video is included with Amazon’s delivery service, which costs $14.99 per month, or $139 per year. An ad-free version of Prime Video is also available for an additional $2.99 per month. A stand-alone streaming subscription costs $8.99 per month.Like most streamers, Amazon mostly declines to give viewing numbers, but Freevee had built up its audience to about 65 million monthly active users in the United States in the first half of 2022. Amazon Prime has at least 180 million users, according to Consumer Intelligence Research Partners.“Judy Justice,” starring Judge Judith Sheindlin, known as Judge Judy, quickly became Freevee’s No. 1 original show when it debuted in 2021. Viewers watched more than 150 million hours of it over its first two years, according to Amazon data. Judge Sheindlin’s success in her first streaming show allowed her to spin off additional shows on Freevee.Freevee’s most unexpected hit, however, was “Jury Duty,” a hybrid documentary-sitcom in which an ordinary man unwittingly participates in a staged trial among actors. It became Freevee’s most-watched show after it premiered in 2023 and earned four Emmy nominations, including one for outstanding comedy series.“Bosch: Legacy,” which premiered in 2022, was based on the popular police detective book series by Michael Connelly. It became a New York Times Critic’s Pick, with the reviewer Mike Hale writing that the series came with “cleverly interlocking story lines and the general lack of pretense and contrivance.”Other free, ad-supported streaming platforms, like Pluto TV, Tubi, and Roku Channel, have enjoyed significant growth. Viewers have flocked to them as many other subscription-based streaming services raised their prices. While the free services are built on a stable of older TV programs and movies, many consumers are seeking cost savings, nostalgia and even terrible movies.There are at least 170 million ad-supported subscriptions in the United States, up from at least 93 million at the end of last year, according to Antenna, a subscription research firm. More

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      Italian City in Amanda Knox Case Wants to Move On. A New Series Won’t Let It.

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      When a show produced by Ms. Knox about the murder of Meredith Kercher was filmed in Perugia, an outcry by residents led the mayor to apologize.Seventeen years after Amanda Knox, the American exchange student, was arrested and charged with killing her roommate in Perugia, a picturesque university city in central Italy, some of its citizens are outraged that their city is once again being dragged into a tragedy that they would prefer to forget.This month, when cast and crew arrived there for a two-day shoot for a Hulu series about the case — a show for which Ms. Knox and Monica Lewinsky are executive producers — Mayor Vittoria Fernandi felt obliged to write a heartfelt letter of apology to the city for the hurt caused by their presence.One resident, honoring the memory of Meredith Kercher, the slain roommate, draped a sheet from a balcony with “Respect for Meredith” painted in bold red letters. A council member questioned on social media whether the mayor should have allowed the production to shoot in Perugia, where the crime has long overshadowed the city’s “history, art and beauty.”An editorial in daily newspaper La Nazione wrote, “Perhaps Meredith and Perugia would have deserved more respect without having to sacrifice the dignity of a murdered student and a brutalized city to business.”It hardly mattered that after spending four years in prison, Ms. Knox was acquitted for the death of Ms. Kercher, a 21-year-old student from England who was murdered in the house they shared.People forget “that she, too, is a victim in this case,” said Luca Luparia Donati, the director of the Italy Innocence Project, who is representing Ms. Knox in a slander case.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Chris Wallace to Quit CNN After 3 Years

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      The 77-year-old veteran anchor told The Daily Beast that he planned to venture into streaming or podcasting.Chris Wallace, a veteran TV anchor who left Fox News for CNN three years ago, announced on Monday that he was leaving his post to venture into the streaming or podcasting worlds.Mr. Wallace, 77, told The Daily Beast that he was leaving the network to pursue independent content creation, where, he told the outlet, “the action seems to be.” He mentioned he was still unsure what form of content he would make, but said his career in broadcasting was over.He said his decision to leave CNN at the end of his three-year contract did not come from discontent. “I have nothing but positive things to say. CNN was very good to me,” he said.One of the network’s most recognizable faces, Mr. Wallace started in 2022 as an on-screen commentator and hosted a weekly talk show called “Who’s Talking to Chris Wallace?” He also anchored CNN’s coverage of the U.S. presidential election last week.Before joining CNN, Mr. Wallace worked at Fox News for 18 years and hosted “Fox News Sunday.” He turned heads at the conservative news outlet when he spoke out against President Trump’s “direct, sustained assault on freedom of the press” in 2020. He moderated an unruly presidential debate in 2020 between President Trump and Joseph R. Biden Jr.Mr. Wallace had initially joined the network to be part of its new CNN+ service, which imploded just weeks after its much-promoted release.CNN’s chief executive, Mark Thompson, confirmed Mr. Wallace’s departure in a statement posted by the network.A representative for Mr. Wallace did not respond immediately to a request for comment. More