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      Jay North, Child Star Who Played ‘Dennis the Menace,’ Dies at 73

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      Mr. North was best known for playing the towheaded Dennis Mitchell on the television series, which ran on CBS from 1959 to 1963.Jay North, who played the well-meaning, trouble-causing protagonist of the popular CBS sitcom “Dennis the Menace” from 1959 to 1963, died on Sunday at his home in Lake Butler, Fla. He was 73.His death was confirmed by Laurie Jacobson, a friend of Mr. North’s for 30 years. The cause was colorectal cancer, Ms. Jacobson said.Mr. North played the towheaded Dennis Mitchell, who roamed his neighborhood, usually clad in a striped shirt and overalls, with his friends, and often exasperated his neighbor, a retiree named George Wilson, who was played by Joseph Kearns. Herbert Anderson played Dennis’s father, and Gloria Henry played his mother.Dennis winds up causing lots of trouble, usually by accident.In one episode, a truck knocks over a street sign, and Dennis and a friend stand it up — incorrectly. Workmen then dig a gigantic hole, meant to be a pool for a different address, in Mr. Wilson’s yard.The show, which was adapted from a comic strip by Hank Ketcham, presented an idyllic, innocent vision of suburban America as the 1950s gave way to the tumultuous ’60s.But things were not easy for Mr. North behind the scenes.Many years after “Dennis the Menace” ended, Mr. North said that his acting success came at the cost of a happy childhood.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Who will win bigly from Trump tariffs? | Brief letters

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      After Donald Trump raised a range of tariffs, the US stock market tanked (Report, 4 April). If Trump rescinded these, within weeks the stock market would bounce back. Wouldn’t it be interesting to know in advance when that was going to happen? Somebody could make a great deal of money.John KinderRomsey, Hampshire In the past, we referred to the ABC of the cost of living crisis: Austerity, Brexit, Covid. Now, it seems, we have to add D for Donald and E for Elon. I don’t want to think about what F might stand for.Ruth EversleyPaulton, Somerset Re your article (‘She treats everyone with a deep growl’: can you train an angry cat to be more sociable?, 30 March), sometimes it just requires patience: in his 20th year my adopted feral cat Twix finally gave up being antisocial and climbed on to my lap for a cuddle, and there he remains at every opportunity, living his best life.Rosemary JacksonLondon Re your report (Birmingham declares major incident over bin strike as piles of waste grow, 31 March), we can now acknowledge that, like medical staff, binmen are essential frontline workers, without whom public health collapses? The solution to the impasse? Attlee got it right. Stuff their mouths with gold.Jenny MittonSutton Coldfield, West Midlands I hadn’t noticed seat heights on Mastermind (Letters, 1 April) but I comment every week to my wife about the amount of manspreading, to the extent that when we board a bus or train, we often say quietly to each other: “A few potential Mastermind contestants here.”Ray JenkinCardiff More

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      Saturday Night Live: Jack Black returns for a stellar episode

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      Saturday Night Live opens with Donald Trump’s (James Austin Johnson’s) “liberation day” speech, where he rolled out his disastrous tariff plan, which he calls Magda: “Make America Great Depression again.” Trump notes that no country is safe from his tariffs, including what he mistakenly thinks is a place called McDonald’s Island (“Get me to God’s country,” he exclaims in the first of two digs at last week’s musical guest, Morgan Wallen, which gets a huge pop from the crowd), as well as South Africa.The mention of the latter nation brings out Elon Musk (Mike Myers), who glitches out before whining about how poorly Tesla is doing. To combat this, he introduces a new, fully self-vandalizing model, which comes complete with AI-powered graffiti. Choice includes penises, swastikas, and his favorite: “Swastikas made out of penises.” Before he can complain about how dumb the tariffs are, Trump pushes him out of the way and wraps things up.This is a thoroughly fine send-up of this week’s big news story. Johnson is on point as ever, Myers’s Musk remains solid and appropriately mean-spirited, and the jokes about the tariffs basically write themselves.Jack Black hosts for the fourth time, but the first time in 20 years. The pressure is too much, so he decides to quit on the spot, until he’s brought back around by the band rocking out. He performs a self-referential version of Steve Winwood’s Back in the Highlife Again, taking it into the crowd before introducing a marching band for the big finish. It is a characteristically electric performance, but one that some of Black’s fans might find hard to fully enjoy in the wake of his throwing longtime friend and Tenacious D bandmate Kyle Gass under the bus this past summer after an on-stage Trump joke led to rightwing backlash.Love Match is a game show where a single gal picks from three available bachelors, none of whom she can see. The contestants include a nerdy nice guy, a baby-faced playboy, and Black’s Gene, an emotionally intuitive man cosplaying as Indiana Jones. When Gene starts to win the girl over, the host intercedes to let her know he’s dressed like the iconic adventurer, which leads to an argument about whether he has ever heard of the character. This is in line with a certain modern-day SNL sketches based entirely around the minutia of a pop culture institution; see the Matt Damon Weezer sketch from a few years back or the Chris Rock Simpsons one from earlier this season. These are usually fun, but this one doesn’t push the premise or specificity far enough.Then, Black teams up with Cheetos mascot Chester Cheetah to pitch Flamin’ Hot Preparation H Brief and disposable, but the visual of Black bent over a chair, pants and underwear down around his ankles, applying the burning cream to his hind parts as his CGI pal watches in horror, is good for a laugh.A dinner between college friends turns into a game of liberal one-upmanship, as each of them brag about how they have given up social media and alcohol, only read physical books, shop at thrift stores, watch foreign films with no subtitles, teach Spanish to special needs kids, and swim exclusively at black-owned pools. A solid fart joke can’t save this one from the fourth wall breaking mugging.We travel back in times to Athens, circa 500 BC, to witness the first performance of the first ever play. The audience, not understanding what they’re watching, continually interrupt the performance, accusing the actors of lying and tricking them–at least until they’re promised nudity. This is better in concept than execution.Kenan Thompson and Ego Nwodim perform a Jamaican reggae song about miserable goth kids dragged to the sunny island on family vacations. Black jumps in as said goth kid all grown up, singing to the tune of My Chemical Romance’s Welcome to the Black Parade. That unexpected moment, along with Michael Longfellow’s very convincing goth brat, make this a winner.Elton John and Brandi Carlile are the night’s musical guests. They play the rollicking honky-tonk song Little Richard’s Bible. This is a breath of fresh air after last week’s miserable turn.Speaking of, Colin Jost kicks off Weekend Update by reporting: “Money is leaving the stock market faster than Morgan Wallen at good night.”A little later, he brings back previous Update guests Grant and Alyssa (Marcello Hernández and Jane Wickline), the couple you can’t believe are together, to talk about spring romance. The boorish bro and nerdy wallflower explain that their dynamic works because they have ground rules: he does the dishes (“Because I like playing in the water”), she cooks (“Because I’m not allowed to touch the stove”), and finally, per her: “Don’t wear those little shorts around unless you’re trying to drop them.” The characters are clearly heightened versions of the performers, which is a big reason why they land.Jost reports on Russell Brand being charged for rape, before wincingly rolling a clip of Brand as SNL host, introducing musical guest Chris Brown.Then, in response to the White House correspondents’ dinner’s announcement that they will no longer feature a comedian at their yearly celebration out of deference to Trump, Nwodim comes out to make the case for herself hosting. She promises not to talk politics and instead only do material about the actual diner. Taking up Def Jam-inspired persona she performs a tight 3, getting the audience to shout out ‘SHIT!’ at one point. A great turn from Nwodim, whose fake material is funnier than most jokes on SNL these days.Black and Sarah Sherman play a new couple who decide to take things to the next level by sleeping together. This leads to a sensual ballad (which they perform while floating above the bedroom set on wires). But, as described in their song, the lackluster sex (“First we do things to me for a while, then we do things to you not that long”) and dirty talk (“You’ve been so bad I’m gonna … kill you”), lead them to bring in a third (Bowen Yang) and even a fourth (Carlile). Kudos to Carlile for making her comedy debut via literal high-wire act.Next, Black fronts a jam band, inviting musicians in the crowd to jump on stage and get in on their cover of Tom Petty’s Free Fallin’. But everyone who joins in – a couple of long-haired hippies, a busty wet T-shirt contestant, a crackhead, even a dog – only plays the bass. Like the musicians in the sketch, this is one-note.John and Carlile perform their second set, then the show wraps up with a black-and-white sketch set on VJ Day. We see the events surrounding the famous photo taken of a returning sailor kissing a nurse in Times Square. The nurse’s actual boyfriend, a hot-dog scarfing doofus who spent the war stateside drawing racist (even for the time) propaganda cartoons, watches in shock and dismay as she makes out with half a dozen returning troops. There’s not much meat on this bone, but the cast is having fun with their old-timey accents. It beats most of the recent episode enders.Following a quick tribute to the late, great Val Kilmer, we get the curtain call, with everyone sticking around this time. This episode was a big improvement over last week’s, thanks to them knowing how to use the host, two excellent performances from real-deal star musicians, and a show-stealing turn from Nwodim. More

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      ‘White Lotus’ Takes On Touchy Subjects. The Southern Accent Is One of Them.

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      <!–> [–><!–> –><!–> [–> <!–> –><!–> [–><!–> –><!–> [–><!–> –><!–> [–> <!–> –><!–> [–> <!–> –><!–> [–><!–> –><!–> [–><!–> –><!–> [–><!–> –><!–> Lorazepam, an anti-anxiety drug, seems to be having a moment, thanks to Ms. Ratliff’s frequent mentions, where her accent dances along the open vowels. [–> <!–>Lorazepam–> <!–> [!–> <!–>Lorazepam–> <!–> [!–> <!–>Lorazepam–> <!–> […] More

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      ‘Yellowjackets’ Season 3, Episode 9 Recap: Motive

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      Teen Shauna tightens her grip on power. Poor Melissa feels the squeeze.Season 3, Episode 9: ‘How the Story Ends’The penultimate episode of Season 3 opens with a reference to “The Goonies,” the 1985 Richard Donner kids’ adventure movie beloved by Gen X.Adult Van is in her hospital bed. Her teen self is caring for her, dressed as a nurse. The younger Van explains she has a very important question for her fellow redhead, now dying of cancer: “Do you remember ‘The Goonies?’” Of course Van remembers “The Goonies.” (Don’t we all?) And with that she sends the grown-up Van on a quest to find “the treasure.” By the end of the episode we realize the treasure is also her death.On the road to her demise, Van accomplishes a heroic act: She saves Tai from Tai’s evil persona. Just how? It’s a little unclear. Tai is on the verge of death, suffocating in Melissa’s pristine suburban house when Melissa closes the flue to her fireplace as a trap. Van drags her outside and gives her oxygen before returning to confront Melissa. Van goes in there with a plan: She’ll murder Melissa in exchange for her own life. If she sacrifices her former teammate, her cancer will be gone, she thinks.But instead Van dies at the hand of Melissa, who, as predicted, is not as innocent or “normal” as we might otherwise think. Now, to be fair to Melissa, Van was planning to kill her, but when push came to shoving the kitchen knife into Melissa’s chest, Van couldn’t act. Instead, Melissa stabs Van. Clearly, Melissa, despite saying she has moved on, still believes in the Wilderness’s magic.The conclusion to Van’s story line is messy, but so is “The Goonies” — one of those titles that might not be as good as you remember it. In many ways, that makes it the perfect reference for Teen Van, who is stuck in adolescence. It also fits with the general tone of this episode, which is all over the place, offering shocking twists that also seem strangely disappointing. (Just like “The Goonies.”)All season long, the Adult Van and Tai plot has chugged along without much momentum. Now, in the 11th hour, Adult Van is gone and, frankly, it feels as if we hardly got to know her. Despite Lauren Ambrose’s talents, Van was never as compelling as a grown up as she was as a kid. Instead, she was just a tragic figure coloring Adult Tai’s journey. And now she’s dead, her main purpose being to release Tai from a demon.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Stephen Colbert on Trump administration’s deportations: ‘It’s goodbye, habeas corpus’

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      Late-night hosts talk Donald Trump’s alleged “liberation day” of tariffs and the administration’s deportation of people without due process.Stephen Colbert“I don’t know about you, but I am feeling good about America!” joked Stephen Colbert on Tuesday, AKA April Fools Day. “Speaking of fools, Donald Trump” and his “price-raising, economy-breaking tariffs” on what the president is calling “liberation day”.“Yes, ‘liberation day,’” the Late Show host said. “I’m reminded of the immortal words of Patrick Henry: ‘Give me liberty or charge me an extra $10,000 for a Hyundai Elantra.’”“Like everything, he’s gotta make it a spectacle,” Colbert added, noting that Trump planned to unveil his tariffs in a Rose Garden ceremony. “Because when you elect a reality TV star, you get all your economic policy via rose ceremony.”Experts have warned that should the tariffs go into effect and other countries retaliate, the economy would almost immediately tumble into a recession that could last for more than a year. “So, if you have a retirement account, no you don’t,” said Colbert.“Republicans are already scrambling to pre-contain the damage, and they settled on this fun new metaphor,” he continued. That would be the “short-term pain” of remodeling a house, or as senator James Lankford put it: “a bit of a mess at the beginning but everyone has a long term look of where we’re headed”.“Way to connect to people suffering economic hardship, Republicans,” Colbert deadpanned. “You know that thing where you own a home but also have the money to remodel it? OK, you seem angry, let me try another analogy … let’s say one of your boats needs a paint job.”In other news, the Trump administration has done away with due process in deporting suspected “gang members” to El Salvador, even without any evidence. On Monday, the administration admitted that it deported a Maryland father and legal resident because of an “administrative error”; the administration also said they have no ability to bring him back now that he is in Salvadoran custody, arguing that Trump’s “primacy in foreign affairs” outweighs the interests of the deportee and his family.“If that stands, then it’s goodbye, habeas corpus,” said Colbert. “Trump’s primacy outweighs the courts. And don’t think that that only applies to folks like this detainee. If there’s no due process, we have no idea if any of these people are citizens, meaning that every single person on American soil is now at risk of being disappeared until the day that Trump and his goons are finally out of power.”The Daily Show“For weeks now, Ice has been rounding up any immigrant who they suspect is a member of the Venezuelan gang Tren de Aragua,” said Michael Kosta on Tuesday’s The Daily Show. “But this week, we found out that instead of sending these suspects to a trial or a hearing – you know, all the due process shit in the constitution – the Ice agents just fill out a checklist on the suspect. And if the suspect scores an eight or more, they get deported to an El Salvadoran prison.“Look, I’m not a legal expert,” said Kosta. “But I’d rather not be sentenced to life in a foreign prison with the same checklist system that Cosmo uses to decide if I’m good girl or bad girl hot.“And reading through the checklist doesn’t make me feel any better, either,” he continued, saying that one gets points for having a tattoo of a star, clock or Michael Jordan logo, or simply wearing a Chicago Bulls jersey.Kosta also touched on the story of the Maryland father granted protective legal status who was deported to El Salvador because of an “administrative error”.“Could it be that the geniuses who added Jeffrey Goldberg to the strike team group chat aren’t great at identifying the correct people?” he said. “If only there was a way that they could have presented this suspect before another person … someone who, and I’m just spitballing here, maybe could’ve judged whether or not the person could’ve been deported?“We can’t get one person out of a prison that we sent to that prison?” he added. “JD Vance is out there calling dibs on rare earth minerals underneath Greenland and Ukraine, but with El Salvador, suddenly they’re like: ‘Hey, sorry, no hablo español.’”Seth MeyersAnd on Late Night, Seth Meyers looked ahead to Trump’s promised so-called “liberation day” of tariffs. “Ah yes, the day we’ll all finally be liberated from our 401ks,” he joked.Apparently, the Windsor knot is the preferred necktie style for members of the Trump administration. “And the preferred length is 84in,” Meyers joked.During a congressional hearing with public broadcasting officials last week, Republican lawmakers accused NPR representatives of pushing leftwing views. “I told you they were going to come after gay marriage,” Meyers said over a photo of Sesame Street’s Bert and Ernie.And at a rally in Wisconsin, Elon Musk encouraged people to have children because the birth rate is declining, and said that having kids “will make you feel happy”.“At least, the idea of them will,” said Meyers. “You know, just knowing you have 14 or 15 of them out there somewhere, it really warms your heart.” More

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      John Oliver on Signal leak: ‘Deeply unserious people doing deeply stupid things’

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      John Oliver ripped Donald Trump’s White House for the ongoing scandal of Signalgate, in which high-level administration officials used the messaging app for military strikes in Yemen, accidentally including the Atlantic editor Jeffrey Goldberg in the chat.“The White House tried to do damage control all this week, from playing semantic games of whether they were technically war plans to hinting Goldberg somehow got himself onto the chat, something undercut by literally showing Michael Waltz, the US national security adviser, adding Goldberg in,” the Last Week Tonight host explained on Sunday evening. “And by the way, all of this was in the run up to airstrikes that are estimated to have killed up to 46 civilians on one day, which should be a scandal in and of itself.“And it’s grotesque to see the glib response in the chat afterward,” he added, noting that one official responded to the news of a collapsed building – and civilian death – with a fist emoji, American flag emoji and fire emoji.“And look, those clearly aren’t the right emojis to send after a bombing because the right emojis are no emojis,” Oliver said.“This is something of a motif for this administration: deeply unserious people doing deeply stupid things with massively serious consequence,” he added.Oliver encouraged others to “push back hard” against the administration’s behavior, translating the sentiment into “the language that they seem to prefer” – the middle finger emoji, peach, heart and American flag. Or as Oliver put it: “Go fuck yourselves, assholes. Love, America.”In his main segment, Oliver looked into the history and use of Taser stun guns by US law enforcement. The weapon is as ubiquitous in cop shows as in real life – they are now carried by an estimated 400,000 American patrol officers. “Which is obviously great news for the company that makes them,” said Oliver. That would be Axon, which has a market cap of over $40bn.Axon representatives describe the weapon as “about as non-violent as you can get”, which Oliver disputed. “I’m not sure I would describe getting shocked with 50,000 volts is as non-violent as you can get,” he said. “It certainly doesn’t sound that relaxing. There’s a reason people unwind by taking a bath with lit candles or a book instead of with a toaster.”“The reality of Tasers just isn’t that simple,” he explained. There have been multiple instances of people dying after being tased; according to a 2017 investigations, at least 1,000 people died after police used Tasers on them.But the company has worked to obscure that fact by avoiding regulation. The Taser was first invented in the 1970s using gunpowder. When the Smith brothers bought the tech in the early 1990s, they changed the prototype to use compressed nitrogen instead, thus avoiding firearm regulations. By the end of 2003, more than 4,300 police agencies were using Tasers, with plenty of positive news coverage.The company rebranded as Axon in the early 2000s and began selling police bodycams, as well, becoming what Oliver called “the TMZ of state-sanctioned violence”.Oliver broke down two of the company’s main claims: that Tasers are effective and safe. Though Axon says the Taser is effective at subduing a suspect about 90% of the time, some studies found its effectiveness rate as low as 55%, though the company complained that the study did not take into account instances when a suspect was subdued after an officer merely displayed or threatened to use a Taser. “And at that point, that’s not really about their device, is it?” said Oliver. “You could presumably get that result with a gun, a flamethrower or a magic fucking wand.”“Also when we talk about Tasers being effective – at what, exactly?” he continued. “Because it’s often a Taser being used instead of a more lethal option like a gun, and more a Taser being used instead of a less lethal option like talking to someone.”That could make the difference between life and death, as hundreds of people have died after being tased by law enforcement. The company has attributed those deaths to a condition called “excited delirium” unrelated to the weapon. And because Tasers are “virtually unregulated” by any agency, “what that means is, you basically have to take the company’s word for it,” said Oliver.Even some police officers have decried the company’s line that Tasers are safe. After a 16-year-old in Warren, Michigan, died from the use of a Taser, one officer blamed Axon for not accurately marketing the risks: “You swore that this was a statistically normal thing, that these people were not dying at any more of an unusual rate than they would have absent the Taser, you know?”“I get why he’s upset,” said Oliver. “Axon told him the Taser was basically harmless, and the truth is it’s just not. It’s like finding out that a Nerf gun was used to assassinate JFK. I don’t care if Nerf says that was a statistical anomaly, I’m not handling it the same way anymore!”As for what to do about Tasers, “it’s complicated,” said Oliver. “I don’t hate that there’s at least a theoretical alternative to guns, and I guess I’d much rather police tase people than shoot them, although my ultimate preference would be for them to do neither of those and be much more aware of the actual risks involved.”He encouraged regulatory agencies to track stun gun usage more than we already do, and noted that certain states have banned “excited delirium” as a permissible cause of death. In sum, “we shouldn’t keep using Tasers like they’re magic wands, because they’re not,” Oliver concluded, “or pretending deaths that occur after they’re used don’t happen, because they do.” More

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      Liz Moore on ‘Long Bright River’ and the Slow Burn of Success

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      Suddenly Liz Moore blazed, comet-like, onto small screens and best-seller lists. But her writing career has been a slow burn.No matter how you slice it, Liz Moore has arrived.This month, an adaptation of her blockbuster novel “Long Bright River” started streaming on Peacock. And her next book, “The God of the Woods,” now on the best-seller list for 36 weeks (and counting), will soon hit the million mark in sales — a distinction normally reserved for celebrities and novelists recognizable by last name alone.Moore isn’t one of those authors. But, over the past two decades, she’s proved to be “a writer who can do anything,” as her editor Sarah McGrath put it.Moore taps into an elusive sweet spot between literary and commercial fiction, populating vividly drawn settings with characters who seem to live, breathe and make terrible mistakes along with the rest of us. Her novels can be enjoyed by, say, a teenage girl and her 50-something father, defying genre and categorization to such an extent that, from one to the next, a reader might not register that they’re written by the same person.“I get messages saying, I loved your new book. Do you have any others?” Moore, 41, said during an interview at a cafe in Philadelphia. “Or they’ll call ‘The God of the Woods’ my second book because ‘Long Bright River’ was my first that broke out.”In fact, “The God of the Woods,” a mystery about siblings who disappear 14 years apart, is Moore’s fifth book. She wrote her first, “The Words of Every Song,” while she was a student at Barnard College. Shortly after she graduated in 2005, she signed on with an agent who’d come to campus for a panel on the publishing industry.“I reached out and said, ‘I have this manuscript of interconnected stories about the music industry. Would you be interested in looking at it?’ She said yes,” Moore recalled. “Only in retrospect do I realize what a lucky break that was.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More