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      On ‘S.N.L.’, Bad Bunny and Scarlett Johansson Have a Couples’ Feud

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      This weekend’s broadcast, hosted by Scarlett Johansson and featuring the musical guest Bad Bunny, began with a sendup of President Trump’s recent visit to Saudi Arabia and Qatar.There was only one way for the final episode of the milestone 50th season of “Saturday Night Live” to begin: with Lorne Michaels announcing that his chosen successor will be — nah, come on, it was another sketch with James Austin Johnson playing President Trump.This weekend’s broadcast, hosted by Scarlett Johansson and featuring the musical guest Bad Bunny, began with a sendup of President Trump’s recent visit to the Middle East.Sharing the stage with Emil Wakim (who was playing Crown Prince Mohammed bin Salman of Saudi Arabia), Johnson said that he’d been enjoying their meals together, “sitting on the floor, dipping our fingers straight into various goops and spreads that I politely scrape under the rug and go eat at a mobile McDonald’s that you built for me.”He added that he was a “big fan of everything that Saudi Arabia has to offer, from the oil to the money to end of list.”Johnson vowed that he didn’t make this trip for his own benefit. “I want to make that clear,” he said. “I did this for the American people and, in many ways, myself. My personal enrichment. I did that too.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      What Desi Arnaz Could Teach Hollywood Today

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      Seventy-five years ago, a fading redheaded movie star and her itinerant bandleader husband were searching desperately for a way to save their careers — and their marriage. She was starring in a network radio show in Hollywood and he was a musician on the road all the time, so they rarely saw each other. In their 10 years together, she’d already filed for divorce once, and was nearing her wits’ end.The movie star was Lucille Ball and the bandleader, of course, was Desi Arnaz. In 1950, a glimmer of hope appeared for the couple: CBS intended to transfer Ball’s radio show, “My Favorite Husband,” to the untested new medium of television. But there was a problem: Ball wanted to make the move only if Arnaz — who’d helped start the conga dance craze in nightclubs in the 1930s and fueled America’s demand for Latin music after World War II — could play that husband on TV. The network and prospective sponsors believed the public would never accept a thick-accented Latino as the spouse of an all-American girl. “I was always the guy that didn’t fit,” Arnaz would later tell Ed Sullivan.Arnaz, a Cuban immigrant and self-taught showman, had an idea: The couple would undertake an old-fashioned vaudeville tour of major cities around the country. He and Ball would demonstrate the real-life chemistry that he knew would click with Americans if they only had a chance to see the act.Racism was a fact of daily life even in Arnaz’s adopted hometown, Los Angeles, where some restaurants still refused service to Latinos. The term D.E.I. did not yet exist, but Arnaz’s gambit amounted to a bold push for diversity, equity and inclusion in the white-bread monoculture of a dawning mass medium that was sponsor-driven and cautious to a fault.Miracle of miracles, it worked. Critics and audiences from coast to coast raved at the couple’s onstage antics, as Lucy clowned with a battered cello while Desi sang and drummed his heart out. A.H. Weiler of The Times pronounced the pair “a couple who bid fair to become the busiest husband-and- wife team extant.” Soon enough, they were.Based on the success of Ball and Arnaz’s tour, CBS executives agreed to film a test episode. The network had trouble finding a sponsor until a leading ad man, Milton Biow (as it happens, the grandfather of the actor Matthew Broderick) persuaded his client Philip Morris cigarettes to take a chance on the new show. “I Love Lucy” was born, the rest is history, and it was Desi Arnaz who made much of that history possible.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Can C-SPAN Pull Off ‘Crossfire,’ but With Civility?

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      “Ceasefire” will be the low-key public affairs channel’s first new weekly show in two decades. The question is whether Republicans and Democrats will show up.As a young producer at CNN in the 1990s, Sam Feist spent countless hours working on “Crossfire,” one of the first cable news shows to pit partisan pundits against one another. At lunch one day, the co-host Michael Kinsley mused about an alternative idea: “Ceasefire,” a program where Republicans and Democrats tried to find areas of agreement.“It sat with me for, gosh, 20-something years,” Mr. Feist recalled.Now Mr. Feist is the chief executive of C-SPAN, the low-key public affairs network beloved by political junkies. And “Ceasefire” is about to become a reality.Envisioned as a respectful conversation between lawmakers from opposite sides of the aisle, “Ceasefire,” which is expected to debut in the fall, will be C-SPAN’s first new weekly program in two decades. “No shouting, no fighting, no acrimony,” Mr. Feist said in an interview. “Just two American political leaders with a willingness to find common ground.”And where, pray tell, does he expect to find those?Mr. Feist, a fixture of the Washington press corps who led CNN’s elections coverage for many years, acknowledged with a laugh that bipartisan relations in the nation’s capital were at a low ebb. That, he explained, is why a show like “Ceasefire” is sorely needed.“I’m not sure this program would work on CNN or Fox News or MSNBC,” said Sam Feist, the chief executive of C-SPAN since September.Kevin Dietsch/Getty Images“The country rarely sees Republicans and Democrats engaged in a productive conversation,” he said. So for the past year, every time he has met with a member of Congress, Mr. Feist has pitched his idea for the show and asked the lawmaker who his or her best friend from the opposing party is.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Stephen A. Smith’s Relentless, Preposterous, Probably Inevitable Road to Political Clout

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      Stephen A. Smith has had something on his mind for a while now.“Let me switch to a subject near and dear to my heart,” he said on his podcast recently. “Me.”Mr. Smith, 57, is the terminally expressive face of sports media, ESPN’s $100 million opinion-haver. Each day, and on many nights, he is beamed into living rooms, bars and airport lounges to sling hours of sports-debate chum, whether or not there are hours’ worth of viable material.And for the industry’s most inescapable voice, its high priest of the big fat adjective — ludicrous officiating, preposterous coaching, blasphemous choke-jobs — “Stephen A. Smith” is perhaps the sole matter on which all parties can agree that Stephen A. Smith is an expert.He is a first-person thinker (“When I think about me. …” he said, twice, on the podcast, “The Stephen A. Smith Show”), third-person talker (“Stephen A. Smith is in the news”) and occasional simultaneous first-and-third-person thinker-talker. “Calling things like I see them,” he wrote in his memoir, “is who Stephen A. Smith has been my entire life.”So it has been striking lately, friends allowed, to find Mr. Smith lamenting the chaos of federal tariff policy (“utterly ridiculous!”) and floating a flat-tax plan.He has applied the signature cadence once reserved for segments on LeBron James and the Dallas Cowboys — the hushed windup, the all-caps name-dropping, the yada-yada of certain details — to geopolitical discussions for which he prepares diligently.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      In Menendez Brothers Case, a Reckoning With the 1990s

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      As a court reviewed the Menendez murder case, the culture and politics of the 1990s were scrutinized almost as much as the horrific crime.After Lyle and Erik Menendez were resentenced on Tuesday, paving the way for their possible release after more than three decades in prison, one of the first things their lawyer, Mark J. Geragos, did was make a phone call.Leslie Abramson, the brothers’ defense attorney at their trials in the 1990s who found herself parodied on “Saturday Night Live,” had in recent years warned Mr. Geragos that his efforts to free the brothers were doomed, in spite of the groundswell of support on social media.“No amount of TikTokers,” he recalled Ms. Abramson telling him, “was ever going to change anything.”Facing the bank of television cameras staking out the courthouse, Mr. Geragos told reporters he had just left a message for his old friend.“And so, Leslie, I will tell you it’s a whole different world we live in now,” he said. He continued, “We have evolved. This is not the ’90s anymore.”Indeed, over the last many months, the culture and politics of 1990s America seemed as much under the legal microscope as the horrific details of the Menendez brothers’ crimes and what witnesses described as the exemplary lives they led in prison ever since.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      HBO’s Streaming Service Becomes ‘HBO Max’ Again

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      Warner Bros. Discovery executives are reinstating the name HBO Max for the popular streaming service. It’s the fourth name change for the app in the last decade.It’s not Max. It’s HBO Max — again.In a surprise pivot, Warner Bros. Discovery executives announced Wednesday morning that the streaming service Max would be renamed HBO Max, reinstating the app’s old name and abandoning a contentious change that the company introduced two years ago.The reason for the change, executives explained, was straightforward.People who subscribe and pay $17 a month for the streaming service wind up watching HBO content like “The White Lotus” and “The Last of Us,” as well as new movies, documentaries and not a whole lot more.“It really is a reaction to being in the marketplace for two years, evaluating what’s working and really leaning into that,” Casey Bloys, the chairman of HBO content, said in an interview.HBO, a trailblazer of the cable era, has been on a very bumpy ride to finding an identity in the streaming era. There was HBO Go (2008), HBO Now (2015), HBO Max (2020), Max (2023) and now, once again, HBO Max (2025).Two years ago, Warner Bros. Discovery executives said that they meant well by changing the name to Max. Their overwhelming concern, the executives said, was that Discovery’s suite of reality shows — “Sister Wives,” “My Feet Are Killing Me” — risked watering down the HBO brand, which continued to produce award-winning series like “Succession.”Further, they said, HBO spent decades branding itself as a premium adult service. That was not exactly an ideal anchor for a streaming service that they envisioned would compete head-to-head with a general entertainment app like Netflix.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘The Last of Us’ Season 2, Episode 5 Recap: Once Upon a Time

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      Dina fills in some blanks about her past. Ellie finds the first of her intended targets.‘The Last of Us’ Season 2, Episode 5Early in this week’s episode of “The Last of Us,” Dina tells Ellie a story about what her life was like when she was 8 years old, surviving the apocalypse in a cabin in a sparsely populated forest north of Santa Fe, N.M. One day back then, Dina grabbed a gun and went for a walk, without permission. When she returned, she found a raider in their house and her mother and sister dead.She killed the intruder — the first person she ever killed. Ever since, Dina has wondered what would have happened if she had been home when the raider arrived. Would she have been forced to watch him beat her family to death?There are different conclusions we could draw from all this. On the one hand, Dina suggests her experience helps her empathize with Ellie’s decision to hunt down Abby. Dina knows that if she had not killed her family’s murderer right away, she would have tracked him down until the job was done.But was her in-the-moment act of vengeance “justice,” exactly? Or just survival? Dina says that even if her family had hurt the raider’s family first, they would not have deserved to die the way they did; and she says that Joel did not deserve to be brutally slain, no matter what he did. Dina never proposes this directly — and would maybe disagree strongly with I am about to say — but the logical endpoint of her argument is that no one “deserves” to be killed. The act of taking a life should be a necessity, not a notion.Dina concludes her monologue by giving Ellie a choice, to press on or head home. Interestingly, Dina insists that there is “no right answer,” which is subtly different from “no wrong answer.” (It’s as if she were saying that all of their choices are equally cursed.) Anyway, Ellie sees only one option, so the mission continues.This week’s episode is ripe with bad vibes. For one thing, this is now the third week in a row that we have spent in Seattle, and after the variety of locations and stories that helped distinguish “The Last of Us” Season 1 from other end-times TV dramas, a certain exhausting repetitiveness is starting to set in here. The story feels a bit stuck.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘The Last of Us’ Season 2, Episode 4: Seattle Slew

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      This week brings an expedition full of harrowing action and emotional revelations.Season 2, Episode 4It’s comforting to know that long after the collapse of civilization, certain TV clichés will persist. Like: If a woman vomits unexpectedly in one episode, in the next episode we will find out she is pregnant.So it goes with Dina, who puked in last week’s “The Last of Us” after stumbling across some human corpses, and noted at the time that her reaction was unusual, given that she often sees (and smells) dead people. Sure enough, in this week’s episode, Dina finds some pregnancy tests in a Seattle drugstore and gives several a try. They all come up positive.Dina does not say anything to Ellie — or to those of us watching at home who had not already guessed her secret — until close to the end of the episode, after the two of them have narrowly escaped multiple waves of Wolves and zombies. Her confession retroactively lends weight to everything these two women have just gone through. They have so much more at risk now.As was the case last week, a good portion of this episode is spent watching Dina and Ellie’s relationship blossom. They bounce sardonic, deadpan repartee back and forth. (Ellie, when Dina is exploring on her own: “Shout if something tries to kill you.” Dina: “That’s the plan.”) They share stories from their pasts, with Dina confessing that when she was little she told her mother she liked both boys and girls — to which her mom said, “No, you like boys.” They also fall into each other’s arms, making passionate love.Overall, there are three major revelations that Dina and Ellie share. One is the pregnancy. The other is that they have feelings for each other. And because of extenuating circumstances, Ellie also reveals to Dina that she is immune from the cordyceps infection. (I will come back to that later.)Unlike last week, all the charming chitchat is balanced with harrowing action. Dina and Ellie’s expedition into Seattle gets off to a quiet start, highlighted by a trip to an abandoned music store, where Ellie serenades Dina with a lovely acoustic rendition of A-ha’s “Take on Me.” The scene is beautifully staged and lit, with sunshine streaming in from a weed-and-moss-covered hole in the wall. At the end, Dina says Joel taught Ellie well. In a quiet voice laden with meaning, Ellie responds, “He did.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More