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      White House Moves to Pick the Pool Reporters Who Cover Trump

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      The White House press secretary, Karoline Leavitt, said on Tuesday that the Trump administration would start handpicking which media outlets were allowed to participate in the presidential pool, the small, rotating group of journalists who relay the president’s day-to-day activities to the public.The change announced by Ms. Leavitt breaks decades of precedent. The White House Correspondents’ Association, a group representing journalists who cover the administration, has long determined on its own which reporters would participate in the daily pool.Because presidents often hold events in smaller settings like the Oval Office, where not every reporter who covers the president can fit, the pool format has long been used to ensure that journalists accurately record a president’s comments. The reporters who witness the events distribute a series of “pool reports” to a wider group of journalists, including hundreds of news outlets that cover his daily activities and remarks.The pool is most often made up of journalists from organizations like CNN, Reuters, The Associated Press, ABC News, Fox News and The New York Times.Karoline Leavitt, the White House press secretary, speaking to reporters in the briefing room this month.Eric Lee/The New York TimesMs. Leavitt said that the new policy was intended to allow “new media” outlets — such as digital sites, streaming services and podcasts — “to share in this awesome responsibility.”The White House Correspondents’ Association rebuked the move in a blistering statement.“This move tears at the independence of a free press in the United States,” Eugene Daniels, the president of the association, wrote. “It suggests the government will choose the journalists who cover the president. In a free country, leaders must not be able to choose their own press corps.”The association said that it had been given no warning of Ms. Leavitt’s announcement and that there had been no prior discussions about it with the White House. “The W.H.C.A. will never stop advocating for comprehensive access, full transparency and the right of the American public to read, listen to and watch reports from the White House, delivered without fear or favor,” Mr. Daniels wrote.The Trump administration recently added a “new media” seat in the White House briefing room. The seat has been occupied by some journalists who strive for accuracy and fairness, such as reporters at Axios and Semafor, and by partisan figures who are sympathetic to the Trump administration, such as the podcast host Sage Steele.“Legacy media outlets who been here for years will still participate in the pool, but new voices are going to be welcomed in as well,” Ms. Leavitt said at Tuesday’s press briefing.Ms. Leavitt did not provide specific details of how the plan might work, but it would allow President Trump and his aides to handpick which reporters and media personalities were granted the ability to ask him questions and observe his behavior at specific events.Ms. Leavitt put a different spin on it. “By deciding which outlets make up the limited press pool on a day-to-day basis, the White House will be restoring power back to the American people,” she said. More

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      Al Trautwig, a Mainstay in the TV Booth at Madison Square Garden, Dies at 68

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      The Long Island native covered 16 Olympics, and had cameos in the movie “Cool Runnings” and the TV show “Law & Order: Special Victims Unit.”Al Trautwig, who brought sports fans along with him to New York’s Canyon of Heroes, champagne-doused locker rooms and the medal podium at the Olympics over a broadcast career that spanned more than three decades, died at his home on Long Island on Sunday. He was 68.His death was confirmed on Monday by his son, Alex Trautwig, who said that the cause was complications from cancer.In the largest U.S. media market, one where no detail is too minute for newspaper back pages and sports talk radio, Mr. Trautwig was a familiar face on New York Rangers and Knicks broadcasts for a generation on MSG Networks. He also covered Yankees games before the team created its own cable network in 2002.Al Trautwig, right, after the Yankees won the 2000 World Series.Steve Crandall/Getty ImagesThe son of Long Island had a wider audience: he covered 16 Olympics, most recently for NBC and focusing on gymnastics. His work earned him four national Emmys and more than 30 New York Emmys, his son said. He was also named New York Sportscaster of the Year in 2000.Mr. Trautwig’s death was announced earlier on Monday by Alan Hahn, an ESPN Radio host and a studio analyst for MSG Networks, who described him in a social media post as a mentor and teacher.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘The White Lotus’ Season 3, Episode 2 Recap: Who Was That Masked Man?

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      There are no answers this week — or even hints — to the identity of the dead body in the season premiere, but we do see a robbery.Season 3, Episode 2: ‘Special Treatments’“The White Lotus” has always been a show that centers sensuality, and so far in Season 3, the creator, Mike White, has amplified that dreamy, loopy, intoxicated feeling. In this week’s episode, in a sequence set during the resort’s dinner service, the guests — and we, the viewers — are blitzed with distractions. There are musicians, dancers and acrobats serving as mealtime entertainment, and bursts of flame rising from the table-side food prep. The characters, meanwhile, are still jet-lagged and coping with culture shock — not to mention a little tipsy. (Hey, it’s vacation.)Everything is so overwhelming, surreal that even a sudden outburst of violence feels like a dream.There are no answers this week — or even hints — to the identity of the dead body we saw in the season premiere or the circumstances that will lead to gunshots at this White Lotus. But we do see a robbery. While Chelsea is browsing in the resort’s luxury goods shop, a gun-toting masked marauder executes a smash-and-grab, terrorizing the staff and guests. Who is this criminal? That is another mystery left unsolved for now. It’s just another tease from White that the vibes here in Thailand are off.We do however get more clarity on what’s going with our guests. The Ratliffs mostly spend their first full day at the White Lotus lounging around, getting massages — and, in Saxon’s case, complaining his massage didn’t include a “happy ending.” The only Ratliff who does not pamper himself is the patriarch, Tim. (When their health mentor, Pam, tells him that she didn’t book anything for him, he enthusiastically replies, “You’re killin’ it, Pam!”)After the ominous phone call Tim received from The Wall Street Journal on the night the family arrived in Thailand, he hears in the morning that The Washington Post also wants to talk to him. Whatever shady money laundering scheme he is involved in — which he claims netted him a paltry “10 million” — is about to become international news.The equally troubled Rick takes advantage of one of the spa’s amenities, letting his girlfriend Chelsea talk him into having a “stress-management” session with Dr. Amrita (Shalini Peiris), a meditation specialist. (We first met Amrita last week, in the opening flash-forward with Zion.) Rick shares with Amrita just a little about himself — but nothing about whatever dark mission has led him to Thailand. He tells her his mother was a drug addict and that his father was murdered before Rick was born. He says his stress level typically hovers around an 8 out of 10, unless he has weed. (He does not currently have weed.)It’s hard to know how on-the-level Rick is being with Amrita. He has no reason to lie, but also no reason to be honest. What’s fascinating about the dynamic between these two is that while Amrita is offering what she believes to be some helpful philosophical musings — mainly by suggesting to him that his identity is an “illusion” that “brings you suffering” — he counters by saying that the world is actually very real.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      6 Takeaways From Alec and Hilaria Baldwin’s TLC Reality Show

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      The series begins just before he was scheduled to stand trial in the fatal shooting on the set of “Rust.” The reviews have been somewhat uneasy.Reality television producers had been circling Alec and Hilaria Baldwin for years. His Hollywood fame and history of public combustibility, her social media following and their many children and pets were all classic ingredients for a slice-of-life series.Last year, the couple decided to let the cameras in.They did so at perhaps the most precarious time of Alec Baldwin’s life: the month before he was scheduled to stand trial in New Mexico on an involuntary manslaughter charge, in connection with the fatal shooting of a cinematographer, Halyna Hutchins, on the set of the movie “Rust” in 2021. The result is a fly-on-the-wall series called “The Baldwins,” which premieres Sunday on TLC, a network whose marquee titles include “90 Day Fiancé” and “Sister Wives.”The first episode of the show has landed a bit uneasily with critics, who view the show as something of a crisis communications project. Here are six takeaways from the episode.The premiere begins just ahead of Alec Baldwin’s manslaughter trial.Alec and Hilaria Baldwin in court during in the “Rust” accidental shooting case. Alec Baldwin faced a charge of involuntary manslaughter.Pool photo by Ross D Franklin/EPA, via ShutterstockThe filming started in June last year, just before Baldwin was scheduled to stand trial in New Mexico. In the first episode, the couple drives their seven children (and six of their eight dogs and cats) from their home in New York City to their home in the Hamptons, where they often spend the summer.The decision to start filming was a risk. In the event that he had been convicted, Baldwin, who was handling a revolver on set when it discharged a live bullet, would have faced a potential maximum prison sentence of 18 months.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Lynne Marie Stewart, Miss Yvonne on ‘Pee-wee’s Playhouse,’ Dies at 78

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      She was the “most beautiful woman in Puppetland” in the 1980s children’s show starring Paul Reubens, and more recently had a recurring role in “It’s Always Sunny in Philadelphia.”Lynne Marie Stewart, who played Pee-wee Herman’s perky, bouffant-wigged neighbor, Miss Yvonne, in the 1980s children’s television series “Pee-wee’s Playhouse” and the sweet, timorous mother of one of the main characters in “It’s Always Sunny in Philadelphia,” died on Friday in Los Angeles. She was 78.The cause of her death, at her sister’s home, was cancer, said her manager, Bette Smith. Her doctors found a tumor shortly after Ms. Stewart finished filming a movie called “The Dink,” a comedy starring Jake Johnson and Ben Stiller, in December, Ms. Smith said.Ms. Stewart played a variety of characters in a career that spanned six decades, and had nearly 150 credits as a screen, stage and voice actress starting in 1971, according to IMDb, the entertainment database.But she was perhaps best known for her role as Miss Yvonne, or the “most beautiful woman in Puppetland,” in “Pee-wee’s Playhouse,” which ran for five seasons on Saturday mornings on CBS.She was a fixture on the show as Pee-wee Herman’s extravagant neighbor with creative hairdos and a chipper personality.With its whimsical and slyly subversive sense of humor, the show swiftly attracted an audience beyond its core demographic of preadolescent children, and Ms. Stewart and other members of its cast embraced its anarchic and surreal spirit of make-believe.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Stephen Colbert on Trump: ‘With this guy, every troll is a trial balloon’

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      The Late Show host delves into New York City’s congestion pricing and Bigfoot maybe becoming California’s official state cryptid.Stephen ColbertOn Thursday evening, Stephen Colbert took on a topic close to his professional home at New York’s Ed Sullivan theater: congestion pricing, a toll on most vehicles entering Manhattan’s central business district between 5am and 9pm to cut traffic and emissions.The new tax was introduced at the beginning of this year, “and it’s working”, Colbert explained, as January saw a 7.9% reduction in traffic, and the governor’s office noted that foot traffic to local businesses spiked. “Or, as the New York Times put it, ‘Ay! People are walking here!’” Colbert joked.“This seems like a good thing,” he continued, “so Donald Trump ruined it.” On Wednesday, Trump posted on Truth Social: “CONGESTION PRICING IS DEAD. Manhattan, and all of New York, is SAVED. LONG LIVE THE KING!”“Yes, the classic domain of an all-powerful king, what all kings do: regulate local toll roads,” Colbert laughed. “So the president of these United States has called himself a king. Which is the thing presidents are not supposed to do.” And then the White House social media posted an image of Trump wearing a crown.“You know he’s trolling us and we shouldn’t take the bait, but with this guy, every troll is a trial balloon. So here we go: Mr Trump, America will never bow before any king … not named Burger,” Colbert joked before donning a crown from the fast food chain.Meanwhile, New York’s governor, Kathy Hochul, did not back down on congestion pricing, tweeting simply: “The cameras will stay on.”The new model seems likely to survive the president’s attack – the federal government already approved it last year, and it cannot unilaterally terminate a program once it’s begun. “To put that in layman’s terms: we are already said yes to the dress!” Colbert explained. “Kleinfeld doesn’t get to have it back. We’re wearing it to the wedding, dancing all night in it and then saving it for our daughter, who will hate it.”In other news, “we live in truly paradigm-shattering times,” said Colbert. “Which is why I was not surprised to be shocked by how startled I was” when this week, California introduced a bill to recognize Bigfoot as the state’s official cryptid, a creature that people believe exists without proof that it does.“Well, that’s strange and unnecessary,” said Colbert. “California already has a mystical furry creature: Randy Quaid.”If the bill passes, it will open the door for other states to officially celebrate their own cryptids, such as New Mexico’s Jackalope, the New Jersey Devil, “and of course the most hideous beast of all: the New York Giuliani”, Colbert joked. More

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      ‘The White Lotus’ Season 3 Premiere Recap: Thai Up

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      The premiere of the new season of the HBO anthology drama, set in Thailand, suggests that Mike White’s formula retains plenty of pop.Season 3, Episode 1: ‘Same Spirits, New Forms’Take a moment. Focus on your breathing. Calm your mind. Let the sounds of the external world fade away. Did you just hear gunshots? Ignore them. Embrace the now. Find in your minds what is timeless. Pay no attention to the corpse floating by you.If you watched either of the previous two seasons of the HBO hit “The White Lotus,” you probably were not surprised to see Season 3 kick off with a dead body. This show is effectively an anthology drama, with each new edition following a different set of rich tourists and well-meaning service industry employees at high-end international resorts. The writer-director Mike White has developed a sturdy blueprint for this series, combining beautiful locations, talented actors, dark social satire, gentle humanism and just a little bit of mystery. Think “Fantasy Island,” but with a TV-MA twist.Because White takes his time establishing characters and telling their stories, he hooks the audience in the opening minutes of each season with a tease of where the plot is headed. Someone — as yet unidentified — is going to die. Please stay tuned.In the Season 3 premiere at least, this formula retains plenty of pop. We begin in a sun-dappled Thailand jungle, where one of the White Lotus chain’s wellness-centered seaside getaways is nestled among thick groves of trees filled with monkeys and wild birds. There, a stress-management session is interrupted by some loud pops and a cadaver. And away we go, rewinding to the start of the story, one week earlier.Once again, White has assembled a stellar cast, easily sorted into four different groups who will all, no doubt, interact before the season’s over.The largest is the Ratliff family, North Carolina blue bloods led by Timothy (Jason Isaacs), a business bigwig with no interest in any of the resort’s spiritual healing exercises. Parker Posey plays Tim’s wife, Victoria, a brassy belle who thinks everything her children do is a hoot. Patrick Schwarzenegger plays the eldest son, Saxon, a beefy finance bro who works for Tim and is on a constant hunt for sexual partners. Sarah Catherine Hook is Piper, the daughter, a University of North Carolina student working on a thesis project about eastern religions (and who is the reason the other Ratliffs are, semi-reluctantly, in Thailand). And Sam Nivola is the youngest son, Lochlan, a high school senior who just got into Duke but isn’t sure he wants to follow in his father’s and brother’s heavy footsteps.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Ron Travisano, Adman Behind Singing Cats and Joe Isuzu, Dies at 86

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      The art director for Meow Mix and other memorable commercials, he began his career at the dawn of a creative revolution on Madison Avenue.In the early 1970s, the madcap advertising executives Ron Travisano and Jerry Della Femina were struggling to find a gimmick to sell an undistinguished brand of pet food.Watching interminable and unremarkable footage of cats eating, Mr. Travisano and an editor, Joe Lione, spotted one that kept opening and closing its mouth in a manner that appeared to simulate singing.In fact, the cat was choking on its food. But in an eye-of-the-beholder eureka moment, the admen were inspired to create the classic singing-cat commercial that put Meow Mix on the map.The original commercial for Meow Mix won a Clio Award.Della Femina AdvertisingThe endearing “Meow, meow, meow, meow” commercial for Ralston Purina — accompanied by the tagline “The cat food that cats ask for by name,” written by Mr. Travisano’s collaborators Neil Drossman and Bob Kuperman, who also came up with the name Meow Mix — won a Clio and other industry awards. Nearly two decades after the ad debuted, The Times described it as having “one of the best known, most readily sung commercial jingles.” (The insistent meowing, mouthed by the singer Linda November, was presumably less endearing when played repeatedly to torture terrorism suspects at the U.S. prison compound at Guantánamo Bay.)We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More