Television

Subterms

    More stories

    • 138 Shares139 Views

      in Elections

      Much of Smartmatic Case Against Fox News Can Proceed, Judge Rules

      by

      The $2.7 billion defamation lawsuit against Fox News by the election technology company Smartmatic can move forward, a New York judge ruled on Tuesday. But the judge tossed out Smartmatic’s defamation claims against the Fox News host Jeanine Pirro and a network guest, Sidney Powell.Smartmatic sued Rupert Murdoch’s cable news networks last year, along with several Fox hosts and guests. The lawsuit accused them of damaging the company by promoting a false narrative about the 2020 election: that Smartmatic and other voting systems companies tried to rig the race against President Donald J. Trump. Smartmatic later expanded its legal battle against disinformation to the right-wing media outlets Newsmax and One America News Network.On Tuesday, Justice David B. Cohen of State Supreme Court in Manhattan said in a 61-page ruling that, “at a minimum, Fox News turned a blind eye to a litany of outrageous claims about plaintiffs, unprecedented in the history of American elections, so inherently improbable that it evinced a reckless disregard for the truth.”He added, “At this nascent stage of the litigation, this court finds that plaintiffs have pleaded facts sufficient to allow a jury to infer that Fox News acted with actual malice.”He also declined to dismiss Smartmatic claims against Maria Bartiromo, the Fox Business star, and Lou Dobbs, whose Fox Business show was a frequent clearinghouse for baseless theories of electoral fraud in the weeks after Mr. Trump’s defeat. Fox canceled Mr. Dobbs’s program last year, one day after Smartmatic sued.Citing a legal technicality, Justice Cohen dismissed most of Smartmatic’s defamation claims against Rudolph W. Giuliani, who, appearing on Fox News as a legal representative for Mr. Trump, said the technology company had “tried-and-true methods for fixing elections,” among other false assertions. Even so, Justice Cohen said there was “substantial” evidence that Mr. Giuliani “acted with actual malice insofar as he evinced a reckless disregard for the truth” and ruled that Smartmatic could try again. The judge allowed another part of Smartmatic’s defamation case against Mr. Giuliani to go forward.Fox News vowed a swift appeal.“While we are gratified that Judge Cohen dismissed Smartmatic’s claims against Jeanine Pirro at this early stage, we still plan to appeal the ruling immediately,” the network said in a statement. The network added that it would “continue to litigate these baseless claims by filing a counterclaim for fees and costs” under New York’s anti-SLAPP (strategic lawsuit against public participation) statute, which is meant to quickly set aside lawsuits that may be intended to chill free speech.Fox News said it would do so “to prevent the full-blown assault on the First Amendment which stands in stark contrast to the highest tradition of American journalism.”In dismissing the claim against Ms. Pirro, Justice Cohen said that while she had asserted on her show that Democrats “stole votes,” she had not specifically blamed Smartmatic’s software.A spokesman for Smartmatic did not reply to a request for comment.Fox News is also battling a related $1.6 billion defamation lawsuit from Dominion Voting Systems, which has accused the channel of advancing lies that devastated its reputation and business. A Delaware judge rejected an attempt by Fox News to dismiss Dominion’s lawsuit in December. More

    • 163 Shares189 Views

      in Elections

      Bob Beckel, Liberal Operative Who Became a Fixture on Fox, Dies at 73

      by

      He ran Walter Mondale’s 1984 presidential campaign, and later became a curmudgeonly pundit on conservative TV.Bob Beckel, who parlayed a lengthy career as a Democratic political operative into an even longer one as a TV pundit, mostly for Fox News, where he assumed the role of avuncular in-house liberal with a penchant for saying whatever was on his mind, died on Sunday at his home in Silver Spring, Md. He was 73.His daughter, McKenzie Beckel, confirmed the death but said the cause had not been determined.As a pundit, Mr. Beckel often traded punches with the likes of Sean Hannity and Greg Gutfeld. But some of his positions — though he defended Barack Obama, he called for a freeze on visas for Muslim and Chinese students — meant that he often had more friends on the right than the left.“He and I got along great. He had a key to my house,” Mr. Hannity said on his show on Monday. Appearing alongside Mr. Hannity, Laura Ingraham, another Fox host, called him “an old-time liberal you could fight with.”But Mr. Beckel frequently crossed the line into cultural insensitivity. On the Fox News show “The Five,” where he was a host, he used racial slurs for Chinese people and repeatedly questioned the loyalty of Muslim-Americans. “I am an Islamophobe. That’s right — you can call me that all you want,” he said in 2015, after the attack on the offices of the French satirical magazine Charlie Hebdo.Fox News fired him in 2015, ostensibly over a dispute about an extended medical leave, which began with back surgery but, after he became addicted to pain killers, turned into a stay in rehab. The network rehired him in early 2017 to great fanfare — only to fire him again a few months later, after a Black employee accused him of making a racist remark.Mr. Beckel denied the charge, saying he had been set up because of his constant criticism of President Donald Trump.Mr. Beckel rose to national prominence as the outspoken campaign manager for Walter Mondale’s 1984 presidential campaign. By all accounts he ran a savvy race, helping his candidate overcome an embarrassing loss in the New Hampshire primary to Senator Gary Hart of Colorado — in part by persuading Mr. Mondale to question the substance of Mr. Hart’s agenda during a debate by uttering the popular catchphrase, “Where’s the beef?”Mr. Mondale clinched the nomination, but Ronald Reagan trounced him that November in one of the most lopsided elections in recent history.Soon after, Mr. Beckel announced he was done with campaigns, but not politics. The next year he established a consulting firm, advising politicians and corporate clients, and he hung out his hat as a pundit on cable, network and local news coverage through the 1990s.He signed on as a commentator with Fox News in 2000, and in 2011 he joined four other of the network’s personalities to launch “The Five,” an afternoon gab fest loosely modeled on “The View.”Mr. Beckel, second from left, in 2013 with his co-hosts on “The Five,” from left, Kimberly Guilfoyle, Eric Bolling, Dana Perino, Greg Gutfeld and Andrea Tantaros.Carlo Allegri/Invision, via Associated PressThe show took off, dominating its 5 p.m. time slot and ranking behind only Mr. Hannity in Fox viewers. Many of the show’s fans, including a surprising number of liberals, said they tuned in mostly to see what the always unpredictable Mr. Beckel would do next.Broad-shouldered and slightly stooped, decked in bright suspenders and shirt sleeves, Mr. Beckel was as likely to defend liberal pieties as he was to puncture them. He might make a crude gesture at one of his conservative sparring partners, or show up just before Christmas dressed as Santa Claus.“It’s like seeing a family at Thanksgiving come home and argue about politics, but you know that everybody loves each other,” he told The New York Times in 2011.Robert Gilliland Beckel was born on Nov. 15, 1948, in Greenwich Village in Manhattan. His father, Cambridge Graham Beckel, taught at Queens College and later at a high school in Lyme, Conn., where the family moved when Robert was in middle school. His mother, Ellen (Gilliland) Beckel, was a homemaker.His parents were both alcoholics, a fact that brought Mr. Beckel great shame but one he discussed freely, especially in light of his own later struggles with substance abuse.But his father, who worked on the side as a labor organizer and a civil rights activist, also passed on a fierce commitment to progressive ideas, a complicated legacy that Mr. Beckel examined in his memoir “I Should Be Dead: My Life Surviving Politics, TV, and Addiction” (2015).He graduated in 1970 with a degree in political science from Wagner College, in Staten Island, where he also played football. He served in the Peace Corps in the Philippines between 1971 and 1972, and joined the State Department in 1977.There, as a deputy assistant secretary, he worked on the Panama Canal Treaty, the SALT II arms control negotiations, and U.S. policy in the Middle East. He left to run the Texas ground operations for Jimmy Carter’s re-election campaign, a losing effort that would nonetheless set him up to run Mr. Mondale’s campaign.Mr. Beckel was hard working as a pundit. He did whatever producers asked of him, whether substituting for vacationing hosts or jumping into election night coverage. “It’s a way for me to keep my finger in the socket,” he told The Washington Post in 1991. “I can still get juiced up for the campaigns, but I don’t have to do them. I can go to Iowa and New Hampshire, do my stand-ups and then go to bed.”He married Leland Ingham, a professional golfer, in 1991; they divorced in 2002. Along with his daughter, he is survived by his son, Alex; his brother, Graham; and his sister, Peggy Proto.In November 2000 Mr. Beckel undertook an effort to see whether electors in Florida could be persuaded to switch their votes from George W. Bush to Al Gore. When The Wall Street Journal reported on his project, Mr. Gore distanced himself from it, and when Mr. Beckel persisted, two partners at his firm left, forcing him to dissolve it.Mr. Becker in 1997 with Senator John McCain. He advised both politicians and corporate clients through his consulting firm.Rebecca Roth/CQ Roll Call via Getty ImagesMr. Beckel’s demons occasionally brought him controversy. In early 2001 he got drunk at a bar in Maryland and made a pass at a married woman. Her husband, sitting nearby, pulled out a gun and aimed it at Mr. Beckel’s head; he pulled the trigger and it misfired.A year later he hired a prostitute who then tried to extort money from him; after he refused and she went public, he was fired from the campaign of Alan Blinken, a Democrat (and uncle of Antony Blinken, the secretary of state) who was running for Senate in Idaho.Mr. Beckel kept on rolling. With the conservative writer Cal Thomas, he wrote a regular point-counterpoint column for USA Today, debating issues like immigration, the Iraq war and holiday shopping; they later co-wrote “Common Ground: How to Stop the Partisan War That Is Destroying America” (2008).But his real love was television.“I can write a good solid column about a presidential campaign in the L.A. Times and nobody will pay a hell of a lot of attention,” he told The Washington Post. “I get on ‘Crossfire’ and people seem to think that’s more important.” More

    • 163 Shares199 Views

      in US Politics

      Rudy Giuliani doesn’t need a monster costume to scare children | Sam Wolfson

      by

      Rudy Giuliani doesn’t need a monster costume to scare childrenSam WolfsonTrump’s lawyer was revealed to be a contestant on The Masked Singer – and when Robin Thicke storms off in protest, you know you’ve got problems It’s like something from a Guillermo del Toro film: a grotesque fantasy creature disrobes, only to reveal an even more horrifying monster underneath. But that’s what viewers will see when the US version of The Masked Singer, Fox’s incognito singing competition, returns at the end of this month.Rudy Giuliani’s surprise reveal on Masked Singer led to judges walking offRead moreThe show, in which a panel of judges and the audience try to guess the identity of celebrity vocalists dressed in furry theme-park costumes, is taped in advance of airing. But Deadline reports that at the first episode’s climax, when the eliminated singer reveals their true identity, it was Rudy Giuliani whose head popped out of the costume. Judges Ken Jeong and Robin Thicke walked off the set in protest. Quite a good reflection of how bad a guy you have to be when rape-culture chanteur Thicke, the singer of Blurred Lines, decides you’re beyond the pale.The disbarred attorney and former mayor of New York, who played one of the largest roles in trying to end 250 years of American democracy, is now under investigation for bribing foreign powers to investigate his political opponent, lying about election fraud, and trying to actively overturn votes, in some cases by seizing voting machines or ignoring electoral counts. It would be fair to say that the only reason the results of a democratic presidential election were not overturned is because Giuliani’s attempts were thwarted.So what better place for this cuddly henchman to hide from law enforcement than on a cosplay singing show. No footage has yet been released of what outfit Giuliani was wearing, although he doesn’t need a monster costume to scare children. Indeed, it’s hard to imagine how the producers came up with something more grotesque than his own smirking face, seen recently on the Borat sequel making creepy sex eyes at an actor he believed was a young journalist as he thrust his hand down his trousers.The Masked Singer began in Korea, but has been exported round the world and become one of the most successful non-scripted series in the US of the last decade. Stars from every era, including Gladys Knight, T-Pain, Jojo and Jewel, have found career rejuvenation after appearing on the show as furrier versions of themselves.But the masks have also been a way on sneaking controversial figures who may not normally be accepted on primetime TV. Logan Paul, who uploaded footage of a suicide victim to his YouTube channel, was eliminated in season five, and in season three a cuddly pink bear that rapped Sir Mix-a-Lot’s Baby Got Back was revealed to be former vice-presidential candidate Sarah Palin. Palin later commented that her appearance was “a walking middle finger to the haters out there”.Reality TV provides a fantastic and powerful form of reputation-washing, in which all participants are celebrated “for being able to laugh at themselves”, as if that was a greater attribute than not being a fascist.There is a reason Giuliani, Palin, Sean Spicer (Dancing with the Stars), Anthony Scaramucci and Omarosa Manigault Newman (Celebrity Big Brother) have attempted to use entertainment, rather than politics, to revive their reputations, and it’s not just because they enjoying turning network television into a moral-less Hunger Games universe where propagandists with blood on their hands shimmy in sparkles in between adverts for pharmaceuticals and Tostitos. Shows like The Masked Singer encourage viewers to think of politicians’ personalities as somehow separate from their political positions.We’ll have to wait until next month to find out what Giuliani wore. Until then, we’re left to imagine what stench uncontrolled flatulence might create in a costume that producers have previously warmed can get dangerously hot.TopicsRudy GiulianiTelevisionUS politicsTrump administrationUS televisioncommentReuse this content More

    • 138 Shares199 Views

      in Elections

      Why Dr. Oz Is So Popular: American's Dysfunctional Attitude to Health

      by

      It’s perhaps an understatement to say that Americans have a difficult and contradictory relationship with our bodies.Every decade or so there is a new optimal way to feed ourselves, along with increasingly outlandish weight-loss regimens and whole categories of foods to champion or fear. We revel in the sophistication of medical science while widely distrusting it, and our politicians refuse to support a health care system in which everyone has access to basic, compassionate care. We are overly sedentary, but when we exercise we value strenuous over relaxing movement, strain over ease, striving over acceptance.No one embodies these obsessions better than Mehmet Oz, known as Dr. Oz to American daytime television viewers. Dr. Oz, who has styled himself as a kind of high priest in the church of American wellness, recently announced his candidacy in the Republican primary for an open Senate seat in Pennsylvania — a race that could decide control of the chamber.As Dr. Oz pursues this pivotal position, he should be seen as more than a celebrity turned politician. He’s rightly understood as a kind of quasi-religious leader, one who has set up his revival tent between a yoga studio and an urgent-care clinic, with the television cameras rolling. And many Americans are primed and ready to commit to his doctrine, which promises boundless possibility so long as we invest in individual responsibility — for our health and for everything else.This is worrying. As we collectively face yet another surge of coronavirus infections, leaders who extol individualism aren’t simply ineffective — they’re dangerous. If there’s anything we should be taking away from the past two years, it’s that autonomy and self-reliance are inadequate for 21st-century problems such as climate change, structural racism and the pandemic.The son of Turkish immigrants, born in Cleveland, and by all accounts a gifted surgeon, Dr. Oz gained notice as a frequent guest on “The Oprah Winfrey Show,” appearances that earned him the tag “America’s doctor” and led to introduction of “The Dr. Oz Show” in 2009. Over 13 seasons, the frequent topics of the show, which at its height regularly drew over a million viewers per week, could also be a list of Americans’ biggest bodily anxieties: weight loss, cancer, weight loss, aging, weight loss, sleep problems, poop problems and oh, weight loss.Dr. Oz often describes his path from cardiothoracic surgeon to TV health expert with missionary zeal: “As I performed thousands of surgeries on patients whose hearts had been ravaged by obesity, I realized we needed to better educate people on how to take part in their own care,” he explained in testimony before a Senate committee in 2014. “And for that reason I went into the public life, in an effort to teach.”And his announcement that he is now making the leap from daytime television to national politics took on a downright rapturous tone: “I’m running for the Senate to empower you to control your destiny,” he wrote in an essay in The Washington Examiner, “to reinvigorate our great nation, and to reignite the divine spark that we should always be seeing in each other.”The thousands of on-air hours Dr. Oz has spent ministering to Americans’ health concerns have made him a multimillionaire, and also a controversial figure. He has praised unproven supplements such as sage leaf tea, green coffee bean extract and raspberry ketones as “miracles” for weight loss and was chastised by senators for doing so. He was part of a team at Columbia University that patented a device to strengthen damaged heart valves, and also was the target of a letter of protest by physicians who asked why the university kept him on the faculty since he had shown “an egregious lack of integrity by promoting quack treatments and cures in the interest of personal financial gain.”On Covid-19, Dr. Oz has been particularly contradictory. He has promoted the safety and efficacy of vaccines and masks, but also initially recommended the use of the malaria drug hydroxychloroquine to treat Covid, based on a small and soon-discredited study. And his bid to represent Pennsylvania in the Senate is based on his promise to free Americans from some of the mask and vaccine mandates that his medical colleagues widely support.“We are Americans, and we can do anything we want,” he tweeted recently, alongside a Fox News clip of himself criticizing the Biden administration’s Covid-19 policies. “It’s time we get back to normal.”If there’s one consistent strain in Dr. Oz’s trajectory, it’s his belief in the power and responsibility of individuals to take control of their health and well being. Strikingly, in his essay announcing his candidacy, Dr. Oz doesn’t speak of unity or community, as many politicians do. Instead he identifies himself as a doctor who is “trained to tell it like it is because you deserve to hear our best advice and make your own decisions.”Perhaps it shouldn’t be surprising that this messianic diet guru would offer to cure us of all that ails us, physically and spiritually. The bigger question is why so many are ready to believe that organic, cold-pressed snake oil could stop us from aging, cure cancer, make us lose weight and end a pandemic?There’s something deeply American in Dr. Oz’s quest to reach a higher state via the improvement of the body. Its roots can be found, arguably, in the spiritual strivings of the Transcendentalists, the group of 19th-century nature-obsessed New England philosophers.Ralph Waldo Emerson’s notion of an “original relationship to the universe,” and his belief that there is a divine spirit in nature and in the human soul that does not require the doctrines and laws of organized Christianity, was radical in its time, but became foundational to the American concepts of individualism and self-reliance. These threads have been woven into everything from the prosperity gospel to my yoga teacher’s instructions to lift our arms over our heads and send our intentions “from Earth to sky through you.”The same ideas, filtered through the 21st-century preoccupation with wellness, quickly arrives at the idea that we shortchange ourselves by accepting what we are told by society — by doctors, scientists or government health officials — if it contradicts our individual instincts or opinions.It’s this American idea that health is a personal responsibility that gives rise to figures like Dr. Oz. In his individualist doctrine, when we get sick it’s generally at least partly our fault — there was probably a supplement we should have taken, a superfood we could have eaten more of or a junk food we should have eaten less of, a specialist we should have consulted.This American predilection for individualism is itself a public health risk in a pandemic, Ed Yong has argued in The Atlantic — one that has led to bad policy that puts everyone, especially the most vulnerable people, at risk. When reducing the spread of an infectious disease requires collective and individual action, “no one’s health is fully in their own hands,” Mr. Yong explains.And yet the idea that your health is in your own hands is key to Dr. Oz’s worldview. Despite what appears to be an earnest desire to help people, “The Dr. Oz Show” is not a public health effort. It’s a business. And by recommending products and services, Dr. Oz offers us opportunities to buy things — a very American way to feel empowered. He helps us find the perfect alchemy of diet, exercise and açaí berries to keep us spry, thin, and disease-free forever, as long as we can pay for it all out of pocket. In our individualist, consumerist society, wealth is health.This perhaps is the deeper, more primal appeal of what Dr. Oz is selling — the idea that if we can find the right guru, buy the right products and strive hard enough to manifest our best selves, we might just cheat death.Which of course we can’t. In this moment, when so much hangs in the balance, it’s a dangerous delusion.Annaliese Griffin is a journalist who covers culture, lifestyle and health.The Times is committed to publishing a diversity of letters to the editor. We’d like to hear what you think about this or any of our articles. Here are some tips. And here’s our email: letters@nytimes.com.Follow The New York Times Opinion section on Facebook, Twitter (@NYTopinion) and Instagram. More

    • 150 Shares159 Views

      in Elections

      Bob’s Burgers bans actor over alleged involvement in Capitol attack – report

      by

      Bob’s Burgers bans actor over alleged involvement in Capitol attack – reportJay Johnston ‘blacklisted’ by Fox and no longer allowed to voice character Jimmy Pesto Sr, the Daily Beast reports While conservative Fox News hosts continue to downplay the extent of the deadly attack on the US Capitol on 6 January – and their links to the president who incited it – another part of the Fox media empire appears to have cracked down on a personality alleged to have taken part: the actor and comedian Jay Johnston.Mark Meadows was at the center of the storm on 6 January. But only Trump could call it offRead moreAccording to a report by the Daily Beast, the Bob’s Burgers cast member has been “blacklisted” by Fox over his reported presence among supporters of Donald Trump who sought to violently overturn the presidential election.Johnston, 53, has not been charged or convicted of a crime, or even admitted he was at the Capitol on 6 January.Nonetheless, the Beast cited anonymous sources close to the makers of Bob’s Burgers as saying Johnston was no longer allowed to voice the character Jimmy Pesto Sr on the long-running cartoon sitcom.Johnston has appeared in 43 episodes of Bob Burger’s since 2011 but has been missing from the 12th season that began in September, the Beast said, adding that his final appearance to date was in a season 11 episode that last aired in May.Johnston was unavailable for comment, the Beast said, while Fox and Disney, which includes the show on its Disney+ streaming service, declined the chance to do so.Internet sleuths have identified Johnston as a man seen wearing a camouflage face mask at the Capitol and wanted by the FBI for questioning.The Beast quoted a tweet identifying Johnston by Cassandra Church, an actor who worked with him on the comedy podcast Harmontown.“I’m no detective, but I do know Jay,” Church tweeted in March. “He said he was there. And that’s him in the picture. So…”From Peril to Betrayal: the year in books about Trump and other political animalsRead moreIn a tweet subsequently deleted, Spencer Crittenden, who also featured in Harmontown, wrote that Johnston was “a craven Trump supporter and was there at the time”.Tim Heidecker, a comedy writer, claimed to have “fully confirmed through reliable sources” that “it’s Jay”, although he too later deleted his messages.Johnston’s reported treatment by his employer sits in stark contrast to that of Fox News personalities including Sean Hannity and Laura Ingraham who continue to push the false narrative that outside actors were involved in the insurrection.Both Hannity and Ingraham this week became entangled in the House investigation of the violence on 6 January, when it was revealed that they were among authors of text messages sent to the then White House chief of staff, Mark Meadows, urging him to persuade Trump to call off the mob.TopicsAnimation on TVUS Capitol attackFoxTelevisionnewsReuse this content More

    • 200 Shares159 Views

      in Elections

      Fox News Hosts Sent Texts to Meadows Urging Trump to Act as Jan. 6 Attack Unfolded

      by

      Afterward, on their shows, Laura Ingraham spread the false claim of antifa involvement, and Sean Hannity referred to the 2020 election as a “train wreck.”Three prominent Fox News anchors sent concerned text messages on Jan. 6 to Mark Meadows, the last chief of staff for President Donald J. Trump, urging him to persuade the president to take the riot seriously and to make an effort to stop it.The texts were made public on Monday, shortly before the House committee scrutinizing the Jan. 6 attack on the Capitol voted 9-0 in favor of recommending that Mr. Meadows be charged with contempt of Congress. Representative Liz Cheney, Republican of Wyoming, read the text messages aloud.The texts, part of a trove of 9,000 documents that Mr. Meadows had turned over before he stopped cooperating with the inquiry, were sent to the former White House chief of staff by Laura Ingraham, the host of the nighttime show “The Ingraham Angle”; Sean Hannity, a longtime prime-time host who once appeared onstage with Mr. Trump at a campaign rally; and Brian Kilmeade, a host of the morning show “Fox & Friends.”“Mark, the president needs to tell people in the Capitol to go home,” Ms. Ingraham wrote. “This is hurting all of us. He is destroying his legacy.”Mr. Kilmeade echoed that concern, texting Mr. Meadows: “Please, get him on TV. Destroying everything you have accomplished.”.css-1xzcza9{list-style-type:disc;padding-inline-start:1em;}.css-3btd0c{font-family:nyt-franklin,helvetica,arial,sans-serif;font-size:1rem;line-height:1.375rem;color:#333;margin-bottom:0.78125rem;}@media (min-width:740px){.css-3btd0c{font-size:1.0625rem;line-height:1.5rem;margin-bottom:0.9375rem;}}.css-3btd0c strong{font-weight:600;}.css-3btd0c em{font-style:italic;}.css-1kpebx{margin:0 auto;font-family:nyt-franklin,helvetica,arial,sans-serif;font-weight:700;font-size:1.125rem;line-height:1.3125rem;color:#121212;}#NYT_BELOW_MAIN_CONTENT_REGION .css-1kpebx{font-family:nyt-cheltenham,georgia,’times new roman’,times,serif;font-weight:700;font-size:1.375rem;line-height:1.625rem;}@media (min-width:740px){#NYT_BELOW_MAIN_CONTENT_REGION .css-1kpebx{font-size:1.6875rem;line-height:1.875rem;}}@media (min-width:740px){.css-1kpebx{font-size:1.25rem;line-height:1.4375rem;}}.css-1gtxqqv{margin-bottom:0;}.css-1g3vlj0{font-family:nyt-franklin,helvetica,arial,sans-serif;font-size:1rem;line-height:1.375rem;color:#333;margin-bottom:0.78125rem;}@media (min-width:740px){.css-1g3vlj0{font-size:1.0625rem;line-height:1.5rem;margin-bottom:0.9375rem;}}.css-1g3vlj0 strong{font-weight:600;}.css-1g3vlj0 em{font-style:italic;}.css-1g3vlj0{margin-bottom:0;margin-top:0.25rem;}.css-19zsuqr{display:block;margin-bottom:0.9375rem;}.css-12vbvwq{background-color:white;border:1px solid #e2e2e2;width:calc(100% – 40px);max-width:600px;margin:1.5rem auto 1.9rem;padding:15px;box-sizing:border-box;}@media (min-width:740px){.css-12vbvwq{padding:20px;width:100%;}}.css-12vbvwq:focus{outline:1px solid #e2e2e2;}#NYT_BELOW_MAIN_CONTENT_REGION .css-12vbvwq{border:none;padding:10px 0 0;border-top:2px solid #121212;}.css-12vbvwq[data-truncated] .css-rdoyk0{-webkit-transform:rotate(0deg);-ms-transform:rotate(0deg);transform:rotate(0deg);}.css-12vbvwq[data-truncated] .css-eb027h{max-height:300px;overflow:hidden;-webkit-transition:none;transition:none;}.css-12vbvwq[data-truncated] .css-5gimkt:after{content:’See more’;}.css-12vbvwq[data-truncated] .css-6mllg9{opacity:1;}.css-qjk116{margin:0 auto;overflow:hidden;}.css-qjk116 strong{font-weight:700;}.css-qjk116 em{font-style:italic;}.css-qjk116 a{color:#326891;-webkit-text-decoration:underline;text-decoration:underline;text-underline-offset:1px;-webkit-text-decoration-thickness:1px;text-decoration-thickness:1px;-webkit-text-decoration-color:#326891;text-decoration-color:#326891;}.css-qjk116 a:visited{color:#326891;-webkit-text-decoration-color:#326891;text-decoration-color:#326891;}.css-qjk116 a:hover{-webkit-text-decoration:none;text-decoration:none;}Sean Hannity texted: “Can he make a statement? Ask people to leave the Capitol.”Ms. Ingraham’s text came in contrast with what she said on her Fox News program in the hours after the attack, when she promoted the false theory that members of antifa were involved.“From a chaotic Washington tonight, earlier today the Capitol was under siege by people who can only be described as antithetical to the MAGA movement,” Ms. Ingraham said on the Jan. 6 episode. “Now, they were likely not all Trump supporters, and there are some reports that antifa sympathizers may have been sprinkled throughout the crowd.”Ms. Ingraham went on to cite “legitimate concerns about how these elections were conducted,” while adding that any dissatisfaction with the vote should not have resulted in violence.Mr. Hannity, a onetime informal adviser to Mr. Trump, condemned the attack, saying at the top of his Jan. 6 show, “Today’s perpetrators must be arrested and prosecuted to the full extent of the law.” He also said that the nation must do more to protect law enforcement and political representatives.On that matter of who was responsible, Mr. Hannity said, “I don’t care if the radical left, radical right — I don’t know who they are. They’re not people I would support. So how were officials not prepared? We got to answer that question. How did they allow the Capitol building to be breached in what seemed like less than a few minutes?”He also brought up the 2020 election, the results of which had been questioned by Mr. Trump and his supporters in the weeks before the riot, although there was no evidence of widespread fraud.“Our election, frankly, was a train wreck,” Mr. Hannity said. “Eighty-three percent, according to Gallup, of Republicans, and millions of others, do not have faith in these election results. You can’t just snap your finger and hope that goes away.”The House committee investigating the Jan. 6 attack on the Capitol voted 9 to 0 to recommend Mark Meadows, the last White House chief of staff for former President Donald J. Trump, be charged with criminal contempt of Congress for defying its subpoena.Stefani Reynolds for The New York TimesRepresentatives for Fox News did not immediately respond to a request for comment.In the 11 months since the attack, the Fox News hosts who appear in the morning and in the prime-time hours have often played down the events of Jan. 6, with some likening it to the violence during the widespread protests against racism and police violence in the summer of 2020.Understand the Claim of Executive Privilege in the Jan. 6. InquiryCard 1 of 8A key issue yet untested. More

    • 213 Shares199 Views

      in US Politics

      The secret history of Sesame Street: ‘It was utopian – it’s part of who we all are’

      by

      In 1970, David Attie was sent to photograph the birth of the kids’ landmark TV show as part of a cold war propaganda drive by the US government. But these newly found images are just one part of the programme’s radical historyby Steve Rose“I’m still pinching myself that my dad, my own flesh and blood, had Ernie on one hand and Bert on the other,” Eli Attie says. “It is like he got to sit at Abbey Road studios and watch the Beatles record I Want to Hold Your Hand.” Attie’s father was the photographer David Attie who, in 1970, visited the set of Sesame Street in New York City during its first season. His images lay forgotten in a wardrobe for the next 50 years, until Eli recently discovered them. They are a glimpse behind the curtain of a cultural phenomenon waiting to happen. Here are not only Bert and Ernie but Kermit, Big Bird, Oscar the Grouch with his original orange fur (he was green by season two). And here are the people who brought these characters to life, chiefly Jim Henson and Frank Oz, the Lennon and McCartney of Muppetdom. What also stands out in Attie’s images are the children visiting the set. As in the show itself, they are clearly so beguiled by the puppets, they completely ignore the humans controlling them.Eli himself was one of those visitors, although he has no memory of it. “I was in diapers, and as the story goes, I was loud and not to be quieted down, and was yanked off the set,” he says. His parents and older brother Oliver at least made it into the photos. Oliver was even in an episode of the show, in the background in Hooper’s Store, Eli explains, with just a hint of jealousy.Fifty-two years and more than 4,500 episodes later, Sesame Street remains the premier address in children’s entertainment. It is still watched by hundreds of millions around the world, and broadcast in more than 140 countries. One attempt to statistically measure the show’s impact on American society failed because nobody could find a large enough sample group who hadn’t watched it. Sesame Street’s place in US culture was bizarrely underlined last month when Big Bird announced on Twitter: “I got the Covid-19 vaccine today! My wing is feeling a little sore, but it’ll give my body an extra protective boost that keeps me and others healthy.” He was promoting the rollout of vaccinations to five- to 11-year-olds, but Big Bird’s tweet, combined with Sesame Street’s recent introduction of a new Korean American muppet, has prompted a conservative backlash. Texas senator Ted Cruz responded: “Government propaganda … for your 5 year old!” Cruz later doubled down, tweeting a cartoon of the Sesame Street characters sitting around the Thanksgiving dinner table, with a dead, cooked Big Bird in place of a turkey.Others piled in. The influential Conservative Political Action Conference (CPAC) expressly banned Big Bird and other Sesame Street characters from its next conference, and CPAC organiser Matt Schlapp called for PBS, which broadcasts the show (although new episodes now air on HBO Max), to be defunded. “They just won’t stop in their push for woke politics,” he complained. Arizona state senator Wendy Rogers went even further, declaring: “Big Bird is a communist.”Beyond the optics of beating up on universally beloved children’s characters, in the context of David Attie’s images, these takes could hardly be more wrong. Attie had been commissioned to photograph Sesame Street by Amerika, a Russian-language magazine funded by the US state department and distributed in the Soviet Union. Essentially, it was a cold war propaganda project. Soviet officials would regularly return copies of Amerika to the US embassy unsold, saying their citizens were not interested. In truth, the magazine was so sought after, it became a black-market commodity, explains Eli Attie. “One embassy official said to me they had traded two copies of Amerika for these impossible-to-find ballet tickets in Moscow at the time,” he says. So Sesame Street was used as government propaganda, just not in the way Cruz and Rogers might imagine.You could say that Sesame Street had a political mission from the outset, as the new documentary, Street Gang: How We Got to Sesame Street (to which Attie’s book is a companion piece), lays out. One of the show’s co-founders, the broadcaster Joan Ganz Cooney, was involved “intellectually and spiritually” with the civil rights movement. The other, psychologist Lloyd Morrisett, was concerned about a widening education gap in the 1960s US, which was leaving behind socioeconomically deprived children, particularly African Americans. These children were often spending long hours at home watching television while their parents were busy working. Instead of jingles for beer commercials, Cooney and Morrisett reasoned, why not use television to teach them literacy and numeracy?With an $8m federal grant, the newly formed Children’s Television Workshop spent two years researching how to make content that would not only be educational but entertaining. That’s where The Muppet Workshop came in (even if the hippy-ish Henson was initially distrusted by his more academic colleagues). Not to mention the songs, the anarchic comedy sketches, the surreal animations, and the improvised child-with-muppet segments. The whole thing was an experiment. Nothing like it had been done before and there was no guarantee it would be a success, but everyone seemed to be on the same page.As Cooney puts it in the documentary: “We weren’t so worried about reaching middle-class children but we really, really wanted to reach inner-city kids badly. It was hardly worth doing if it didn’t reach them.” This explains why the show was set on an ordinary New York street – a radical move for children’s TV, a familiar place for the target audience. Equally radically, the show was multicultural and inclusive from the start, with white, Black and Latino actors alongside non-human characters of all colours. Even the title sequence and the guests reflected the US’s diversity (the first season featured James Earl Jones, BB King, Mahalia Jackson and Jackie Robinson). As the long-running writer and director Jon Stone said of the show’s inclusive approach: “We’ve never beaten that horse to death by talking about it; we simply show it.”Sesame Street has taught kids about all manner of life topics. Not only racism (most recently with the introduction of two new African American characters, post-Black Lives Matter) but also poverty, addiction, autism, HIV and Aids, public health (Covid was not Big Bird’s first jab, he also got a measles vaccination in 1972), and gentrification (in 1994, the street was under threat of demolition from a loud-mouthed property tycoon named “Ronald Grump”, played by Joe Pesci). Sesame Street has even tackled the concept of death: when Will Lee, who played storekeeper Mr Hooper, died in 1982, the show featured a wrenching segment in which neighbours, clearly tearfully, explain to Big Bird that Mr Hooper is dead and is never coming back.It wasn’t just “inner-city kids” Sesame Street was popular with. While his father was working, Eli Attie’s artist mother would also put him and his brother in front of the TV to watch it so she could paint. “There was a block of hours that it was on public broadcasting stations in the New York region. So she just thought: ‘Hallelujah. I can place them here, they’re entertained,’” he says. “We were learning to count, we were learning to spell and we were learning a kind of comedy: we both became fans of Monty Python and standup comedy and I’m sure this was the gateway.” Attie went on to become a TV writer and producer, working on shows such as The West Wing, House and Billions.Sesame Street’s inclusive, humane, progressive agenda has always had its enemies. Mississippi broadcasters refused to air the first season back in 1969 on account of the show’s desegregated setting (they backed down after a few weeks). In the past decade, the conservative chorus of disapproval has been getting louder. Before Cruz and co, the show and PBS have been targeted by the likes of Mitt Romney, Fox News, and, inevitably, Donald Trump.“Sesame has never been a political show; it has been a very socially relevant show,” says Trevor Crafts, producer of the Street Gang documentary. Although the political climate today has echoes of the 1960s, when Sesame Street was created, he feels. “It was a very similar time. There was a lot of social unrest, and here we are again. It just shows that you need something like Sesame Street to sort of increase the volume of good in the world. And also to know that through creativity, you can make change. Positive change can occur if you’re willing to see a problem and try to fix it and do it creatively.”Where some might see a political agenda, many more would simply see a model for the kind of society the US would like to be. “I think it showed everybody: ‘This is who we should be in our hearts,’” Eli Attie says. “It was utopian. It was optimistic, it was challenging and smart. And it didn’t talk down to children.” As well as a family album, his father’s photos capture that spirit of playful idealism. “I see now that’s part of who I am,” he says. “And it’s part of who we all are.” TopicsChildren’s TVUS televisionTelevisionPhotographyThe MuppetsArt and design booksfeaturesReuse this content More