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    Stephen Colbert on potential alien life: ‘Take us to your leader, we don’t have one anymore’

    Late-night hosts spoke about the Easter weekend, potential alien life and Donald Trump’s recent meeting with the Italian prime minister.Stephen ColbertOn The Late Show, Stephen Colbert pointed out that this year’s Easter Sunday also falls on 4/20, the unofficial holiday for weed enthusiasts.He joked that it would be “the Sunday he is risen and you is high”.This week saw Trump meet with the rightwing Italian prime minister, Giorgia Meloni. Some had hoped she might “ease the tariff tension” as she is often referred to as a “Trump whisperer”.He then played footage of Meloni speaking in Italian to Trump who complimented her directly after. “I’ll have the same thing she ordered but double meatball, double parm,” Colbert joked.Meloni has now made an offer to Trump to make an official visit to Italy, a place Colbert said he would feel at home as he “looks like a pile of prosciutto with a little spaghetti on top”.Due to massive cuts to the Department of Health and Human Services, the FDA might have to stop inspections at food facilities. Colbert joked that we would know get to enjoy Tyson’s tangy buffalo beaks and thumbs.The administration is “actively trying to make health officials dumber” with halted efforts to collect data on many issues. It will now lead to “TLC’s sexy new reality show Drug-Resistant Gonorrhea Island”.This is all “just the tip of the cutberg” with the weather service also in trouble, seeing 300 employees let go as severe storm season ramps up, “when we need the weather people the most”.Colbert said that Twisters “will soon be the only programming on the weather channel”.He said that some are scrambling to make major discoveries “before science ends forever” such as this week’s reveal that there is possible signature of life on a distant planet.Officials have said that further studies are needed but Colbert expressed excitement, saying: “Please aliens take us to your leader, we don’t have one anymore.”Conspiracy theorists have also claimed that this week’s controversial all-female Blue Origin space stunt was faked. “Oh, I don’t know if I believe that,” he said. “Maybe Kubrick could fake the moon landing but you could never fake Gayle King’s sheer terror.”Jimmy KimmelOn Jimmy Kimmel Live!, the host also spoke about Easter. “If Jesus comes back and sees what’s going on, we are in deep trouble,” he said.Kimmel noted that he was “not sensing a lot of Easter spirit this year” and that Easter Sunday falling on 4/20 will lead to “some very long and confusing egg hunts”.Egg prices remain high, which has seen an “outpouring of tips for other stuff you can colour instead” such as potatoes and marshmallows, but Kimmel said Jesus would only come back for “boiled eggs”.In response to the sky-high prices, he asked: “Is anyone else tired of all the winning yet?”Meanwhile, Trump has given the White House an “extreme makeover” with plenty of gold added. His press secretary called it “the golden office for the golden age”, which Kimmel called “quite the spin”.He joked that for someone anti-DEI, he has the “same taste as Liberace” before asking: “Do you think Donald Trump understands that the story of King Midas is a cautionary tale?”He also spoke about the Meloni visit, joking that Trump probably took her to an Olive Garden to “make her feel at home” before airing a clip of him showing off “his vast knowledge of other lands”.Trump referred to the Congo and said: “I don’t know what that is.” Kimmel asked: “When is someone gonna show that man a map?”He said the government is running like a “well-soiled machine” before moving on to the alien planet news, detailing that researchers have found an equivalent of sea scum. Kimmel joked that we “may have found a new home for Ted Cruz”.The planet is 120 light years away, so Kimmel said “off you go Elon and Jeff, time to climb into those space dildos and boldly go away”.He also joked that we have a “better chance of being visited by aliens than Canadians” with tourism rates down post-tariffs. More

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    ‘Harry Potter’ HBO Series Casts Dumbledore, Hagrid and More Major Roles

    John Lithgow will play the Hogwarts headmaster in the HBO show, with Paapa Essiedu filling the role of Severus Snape.Potterheads are one step closer to seeing a television series about the boy wizard come to life, two years after it was announced.HBO said on Monday that it had cast John Lithgow as Albus Dumbledore, Janet McTeer as Minerva McGonagall, Paapa Essiedu as Severus Snape and Nick Frost as Rubeus Hagrid.Casting for major roles like Harry Potter, Hermione Granger and Ron Weasley has not been announced, and the series — based on the best-selling books by J.K. Rowling — does not have an official title or air date.HBO also said that Luke Thallon and Paul Whitehouse were joining the cast as Quirinus Quirrell and Argus Filch.“We’re delighted to have such extraordinary talent onboard, and we can’t wait to see them bring these beloved characters to new life,” Francesca Gardiner, the showrunner of the series, and Mark Mylod, who will direct several episodes, said in a joint statement. (They are both also executive producers of the show.)Paapa Essiedu will play Severus Snape in the show.Neil Hall/EPA, via ShutterstockLithgow starred in the 1990s television series “3rd Rock From the Sun” and won Emmys for his roles in “Dexter” and “The Crown.” He has also won two Tony Awards and has an extensive movie career; he played one of the cardinals contending for the papacy in last year’s “Conclave.”He told ScreenRant in February that he had signed on to play Dumbledore, a role played in the original “Harry Potter” films by Richard Harris, who died in 2002, and Michael Gambon, who died in 2023. (Jude Law played a younger Dumbledore in “Fantastic Beasts: The Secrets of Dumbledore,” a spinoff film.)“It was not an easy decision because it’s going to define me for the last chapter of my life, I’m afraid,” Lithgow said then. “But I’m very excited. Some wonderful people are turning their attention back to ‘Harry Potter.’ That’s why it’s been such a hard decision. I’ll be about 87 years old at the wrap party, but I’ve said yes.”The new show will air on HBO and stream on Max. HBO said in 2023 that the series would be a “faithful adaptation” of the seven books published between 1997 and 2007. Eight hit films were released between 2001 and 2011. More

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    ‘Cowboy Bebop’ Creator Discusses His New Anime ‘Lazarus’

    In an interview, Shinichiro Watanabe discusses his latest anime, “Lazarus,” a pharmaceutical mystery set in the near future.Shinichiro Watanabe’s first anime, “Cowboy Bebop,” was quite an opening act. A story of space bounty hunters trying to scrape by, its genre mash-up of westerns, science fiction and noir, with a jazzy soundtrack, was a critical and commercial success in Japan and beyond. Its American debut on Adult Swim, in 2001, is now considered a milestone in the popularization of anime in the United States.Not one to repeat himself, Watanabe followed up “Bebop” with a story about samurai and hip-hop (“Samurai Champloo,” 2004); a coming-of-age story about jazz musicians (“Kids on the Slope,” 2012); a mystery thriller about teenage terrorists (“Terror in Resonance,” 2014); an animated “Blade Runner” sequel (“Blade Runner Black Out 2022,” 2017); and a sci-fi musical show about two girls on Mars (“Carole & Tuesday,” 2019).Now, he has returned to the kind of sci-fi action that made his name with “Lazarus,” streaming on Max and airing on Adult Swim, with new episodes arriving on Sundays. The show is set in 2055, after the disappearance of a doctor who discovered a miracle drug that has no side effects. Three years later, the doctor resurfaces with an announcement: The drug had a three-year half-life, and everyone who took it will die in 30 days unless someone finds him and the cure he developed.Watanabe has never been shy about being a fan of cinema. “Cowboy Bebop,” for instance, makes specific references to films like “Alien” and “2001: A Space Odyssey.” For “Lazarus,” Watanabe went further, teaming with a Hollywood filmmaker, the “John Wick” director Chad Stahelski, to design the thrilling, kinetic action sequences of the anime.In a video interview, Watanabe, speaking through the interpreters (and co-producers on the series) Takenari Maeda and Saechan, discussed the making of “Lazarus,” the timeliness of the show’s story and how watching the original “Blade Runner” inspired his multicultural and inclusive anime casts. These are edited excerpts from the conversation.Unlike your previous sci-fi projects, “Lazarus” takes place not on a distant planet or far into the future, but in our world just 30 years from now. Why was that important?We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘The Last of Us’ Season 2, Episode 1: Meanwhile, Back at the Ranch

    It seems this season will be driven by one simple idea: that when Joel saved Ellie at the end of Season 1 and then lied to her, he made a mess.‘The Last of Us’ Season 2, Episode 1: ‘Future Days’“The Last of Us” began with a prologue that set up everything about to happen, in the episode and in the series. In a scene set in 1968, a scientist explained that his greatest fear was that a warming planet would provide the perfect incubating conditions for a mind-controlling fungus that could turn humans into brainless killers. There is obviously more to “The Last of Us” than just, “What if there were mushroom zombies?” But that idea put the plot in motion.The second season of “The Last of Us” begins with two prologues. In one, we meet Abby (Kaitlyn Dever), one of the surviving Fireflies from the Season 1 finale’s Salt Lake City massacre. Abby and her fellow resistance-fighters gather around their loved one’s graves to discuss a plan to retaliate against Joel Miller (Pedro Pascal), the man who slaughtered so many of their people. (“Slowly,” Abby says, when her allies say they will kill Joel.)In the other prologue, we flash back to the final scene from that finale, when Ellie (Bella Ramsey) made Joel swear that he took her away from the Fireflies because they had given up on finding a cure for the cordyceps plague. Joel gave Ellie his word, which she warily accepted.I expect there to be as many twists, turns, new characters and new story lines in Season 2 as there were in Season 1. But based on the premiere, it seems this season will also be driven by one simple idea: that when Joel saved Ellie from the Fireflies and then lied to her, he made a godawful mess.After the prologues, the episode jumps ahead five years. Joel and Ellie are now settled in Jackson, Wyo., the edenic survivor colony run in part by Joel’s brother, Tommy (Gabriel Luna), and Tommy’s wife, Maria (Rutina Wesley). Joel is making himself useful with his fix-it know-how, and Ellie has been honing her fighting skills and going on patrols, to gather supplies and to winnow down the numbers of the infected in the area. But while they seem reasonably content, something has soured between them.As I mentioned in my reviews last season, one of my great fascinations with any postapocalyptic story is in seeing how people make fortresses for themselves, sealed off from the surrounding mayhem — and also seeing how they try to build fulfilling lives inside their hidey-holes. So it’s a pleasure early in this episode to get reacquainted with Jackson, a place that has electricity, agriculture, law, and even culture in the form of music and dancing.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘The Last of Us’ Review: On the Road Again

    Season 2 of HBO’s zombie drama begins with Joel and Ellie safe and settled. One guess how long that lasts.HBO’s video-game-inspired, postapocalyptic hit “The Last of Us” likes to cover all its zombie bases. The first season emphasized urban hellscapes — lots of cowering and running in the ruins of Boston, Kansas City and Salt Lake City — while moving toward the open spaces of Wyoming. Season 2, premiering Sunday, goes the other direction, starting out as a grisly western — stockaded town, horse patrols, waves of attackers — but moving back to the city, this time an emptied-out Seattle.Wherever it goes, though, “The Last of Us” remains (as my colleague James Poniewozik pointed out in his Season 1 review) a zombie tale that polishes and elaborates on the conventions of the genre but does not transcend them. The course of its action and the dynamics of its relationships run in familiar grooves, lubricated by generous applications of blood and goo.Where the show has differed from the genre standard is in the dramatic weight and screen time it devotes to those relationships, or, seen another way, in its sentimentality. (I say potahto.)Other zombie shows flesh out love, friendship and loyalty just enough to provide a little extra frisson when a character becomes lunch. “The Last of Us,” which was created and is still overseen by Neil Druckmann and Craig Mazin, doesn’t reverse that equation — it still spends time, and a lot of HBO’s money, on elaborate scenes of mayhem, in close quarters or on broad canvases. But it really wants you to care. If the Hallmark Channel had a zombie drama, it might look like a PG version of “The Last of Us.”At the heart of the series, making the greatest demands on our emotions, is the Mutt and Jeff pairing of Joel (Pedro Pascal) — a hard case whose daughter was killed at the beginning of the show’s zombie-spawning fungal pandemic — and Ellie (Bella Ramsey), a teenager he met two decades later. Ellie, who would try the patience of adults far saintlier than Joel, happens to be immune to the fungus, and in Season 1 Joel reluctantly agreed to take her on a cross-country journey in pursuit of a cure. They emerged from the perilous, season-long road trip as each other’s surrogate family.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Saturday Night Live: Jon Hamm excels as Trump heads to The White Lotus

    Ahead of Easter, Saturday Night Live looks back at Jesus’s cleansing of the temple. He vows to ride the holy area of money, which brings out president Donald “Jesus” Trump (James Austin Johnson), who once again compares himself to the son of God: “Many people are even calling me the Messiah because of the mess I-a made out of the economy.”Trump brags about his “beautiful” tariffs, which were “working so well I had to stop them … now everything is back exactly how it was minus a few trillion dollars.”As he’s done in the past, Trump breaks the fourth wall to make fun of the cast frozen behind him – he signals out Ego Nwodim for her big hit performance last week – before tying things back to the upcoming holiday: “We love Easter, we love bunny, we love hunting for eggs just like everyone’s doing in the grocery store right now, because they cost a billion, trillion dollars.”This was one of the better cold opens in a while, mostly because, for as much as Johnson’s Trump rambled, it homed in on one topic: his insane bungling of the economy.Show favorite Jon Hamm hosts for the fourth time. Although his last go-round as host was 10 years ago, he has been on the show a lot since then, having racked up 14 cameos. He extolls the virtues of cameos, which can help take “a medium sketch to a marginally better than a medium sketch, or when a monologue is feeling aimless, and it needs a jolt of energy”. Right on cue, out comes Oscar winner Kieran Culkin to prove his point. The two bicker over their respective awards, penis sizes, and which of their acclaimed cable dramas was better. Hamm is right at home on the SNL main stage.Check-to-Check Business News Channel offers “financial new to regular folk living paycheck to paycheck”. Whereas the S&P means nothing to the hosts or their audience, other signs – such as “candy bars are up from ‘sure, baby,’ to ‘put that back’,” are dire signs. Meanwhile, healthcare spending remains at zero, while millions of Americans are investing in healthcare alternatives such as “just lay down, take an Advil, or just pray it goes away”.Another financial expert advises Americans to prepare for tariff price increases by switching from name brand products such as Perrier, Cap’n Crunch, and DiGiorno to knock-off brands: Uncle Bubble (“made from pure Tennessee tap water”), Sergent Munch (“lower rank, lower price, flavor bad”), and DeVonte (“it’s not delivery, it’s DeVonty”).This is one of SNL’s sharpest pieces of political comedy in a long time, managing to make light of America’s increasingly grim financial predicament in a way that average people will actually relate to. Also, the moment where Hamm and Nwodim’s news anchors laugh off the idea of ever repaying their student loans and start singing the chorus to En Vogue’s 1992 hit single, My Lovin’ (You’re Never Gonna Get It), is a season highlight. They have great chemistry with each other.A new Please Don’t Destroy sees the guys playing investigators in a police procedural. The grim search for a councilman’s abducted niece is interrupted by Hamm’s detective, who gets way too excited over the prospect of ordering pizza for the long work night ahead. Chastised by the other cops, he turns into a little kid, crying about how “maybe I’ll have a soda and that’s all I’ll have from the pizza party!” When the lead detective casually mentions that he’s already ordered three cheese, three Hawaiian pizzas, the rest of the squad also freak out. Hamm is at his goofy best here, as is everyone else. Indeed, this might be the funniest PDD to date.On the boringly titled game show Guess the Correct Answer, Hamm’s contestant is terrified he will do something embarrassing that will go viral and ruin his life. His fears immediately come to pass when he bungles simple answers and ends up divulging deeply personal secrets about his racism, small penis and “unstoppable, unceasing” lust for his daughter’s friends. Simplistic and kind of lazy as written, but Hamm’s gung-ho delivery keep the laughs coming.HBO’s The White Potus sees Trump attempt to unwind at an exotic vacation resort, only to fall into a suicidal funk. Elsewhere on the island, heretofore absent Ivanka (Scarlett Johansson) immediately bails on her newfound Buddhism, commerce secretary Howard Lutnick (Jon Gries) pervs out on the idea of “America get bent over and railed by other countries,” RFK Jr (Hamm) rambles about fluoride in water to his confused, buck-toothed girlfriend (Sarah Sherman) before darting off to kill and eat a monkey, Marco Rubio (Marcello Hernández) is ditched by his mean girls Pam Bondi (Ashley Padilla) and Kristi Noem (Heidi Gardner) only to be seduced by Vladimir Putin (a returning Beck Bennett), Eric Trump (a returning Alex Moffat) is his usual dumb self, while Don Jr (Mikey Day) has a sex dream about his ex-wife’s current beau, Tiger Woods (Kenan Thompson).This is a welcome return not only of some former cast members, but also the blending of hot button political and pop culture topics that used to be a regular fixture on SNL, but which has, for whatever reason, mostly been absent for the past few seasons. But good as it is, the fact that it didn’t have Don Jr and Eric engage in any brotherly love, a la this season of The White Lotus, feels like a cop out.Musical guest Lizzo performs her first set of the night. Bleating out eye-rolling, self-affirming platitudes while wearing a shirt that reads “Tariffied”, her performance plays like a liberal version of Morgan Wallen’s from two weeks ago: all unconvincing cultural signaling set to rote pop tunes.On Weekend Update, Colin Jost picks up where the cold open and previous sketch left off, noting that the president’s 90-day tariffs pause “may not seem like a long time, but remember, Trump has only been president 82 days and it already feels like a goddamn decade.”Michael Che invites Chinese trade minister Chen Biao (Bowen Yang) on to discuss Trump’s trade war with China. Chen could care less about Trump’s 145% tariff on Chinese goods, asking “which side is more willing to endure hardship for the glory of their nation: the one that’s been around for thousands of years, or the one sending Katy Perry to space?” He also takes a quick dig at JD Vance by hawking his own memoir, Peasant Elegy. There are some good lines here, but Yang’s snotty schtick gets in the way.Later, Jost brings on cast member Emil Wakim to give his thoughts about what it means to be an American these days. He comes out waving flags just to buy some goodwill, before admitting that he’s conflicted: “I know we’re bad, because my life is so good there’s just no way it’s cruelty-free.” He has some decent material about ordering from Uber Eats and hipster anti-capitalist hypocrisy, which is sure to go over poorly online.Wakim’s segment feels abrupt, probably because this week’s Update includes a rare third guest spot. Sarah Sherman plays Jost’s stressed-out accountant Dawn who, between pulling out her own hair and driving her head through the set, takes shots at him over his various sexual and criminal improprieties. It’s a credit to Sherman that this regularly recurring bit hasn’t yet worn out its welcome.A gay couple (Yang and Hamm) get angrily defensive when their confused friends ask where and how they got their newly adopted (or rather, clearly stolen) baby. This attempt to send up progressive identity politics might felt relevant a couple of years ago, but the culture has shifted enough that it no longer does.Scenes of interracial young people partaking in “active fun in slow motion” are revealed to be the number one indicator of herpes. Other signs include “dancing in an outdoor beer garden with strings lights”, “winning a carnival game on the first try” or “hanging out with exactly one white person, one Black person, one Asian person, and one Latin person.” A solid sendup of medication ad tropes.The show wraps up in a corporate office during a new employee orientation ice breaker. The new hires take turns sharing a fun personal fact about themselves. Hamm’s employee, Greg, brings things to a screeching halt when he introduces himself by revealing: “My mom killed my dad naked on TV.” More bits of information come out over the course of the conversation: the show was Jackass; it was funny and sad; and a party donkey, Port-a-potty, and Raven Simone were involved. The initial gag is funny, but the rest of the sketch loses the thread.While there were a few low points to tonight’s episode – the baby sketch, Lizzo’s first song – this was one of the stronger episodes of the season. The focus on Trump’s disastrous economic policy gave it a strong through-line, the guest appearances made for some fun surprises, and Hamm was expectedly great. More

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    ‘The Pitt’ Captures the Real Overcrowding Crisis in Emergency Rooms

    From the “chairs” to the hallway medicine, the show’s depiction of an emergency medicine system that is beyond capacity rings true for medical experts.The emergency department waiting room was jammed, as it always is, with patients sitting for hours, closely packed on hard metal chairs. Only those with conditions so dire they needed immediate care — like a heart attack — got seen immediately.One man had had enough. He pounded on the glass window in front of the receptionist before storming out. As he left, he assaulted a nurse taking a smoking break. “Hard at work?” he called, as he strode off.No, the event was not real, but it was art resembling life on “The Pitt,” the Max series that will stream its season finale on Thursday. The show takes place in a fictional Pittsburgh hospital’s emergency room. But the underlying theme — appalling overcrowding — is universal in this country. And it is not easy to fix.“EDs are gridlocked and overwhelmed,” the American College of Emergency Medicine reported in 2023, referring to emergency departments.“The system is at the breaking point,” said Dr. Benjamin S. Abella, chair of the department of emergency medicine at Mount Sinai’s Icahn School of Medicine in New York.“The Pitt” follows emergency room doctors, nurses, medical students, janitors and staff hour by hour over a single day as they deal with all manner of medical issues, ranging from a child who drowned helping her little sister get out of a swimming pool to a patient with a spider in her ear. There were heart attacks and strokes, overdoses, a patient with severe burns, an influencer poisoned by heavy metals in a skin cream.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Why Wasn’t Anyone Traumatized in the ‘White Lotus’ Finale?

    After a violent climax to the third season of the hit HBO show, everyone seems A-OK. Was it a Hollywood ending, or a natural trauma response?This article contains spoilers for the finale of the third season of “The White Lotus.” Unless you’re an employee or a guest at a White Lotus resort, in which case it appears that it is impossible for your day to be truly spoiled.“The White Lotus” is a show about vacation. It deals with the dos and don’ts of vacationing: Do go out to party! (Do not engage in incestuous relations while partying.) Do sample the local cuisine! (Unless the fruit is poisonous, in which case please do not give it to your family.)And it is a show about murders.And apparently, based on Sunday’s season finale, no one is traumatized by them. Hours after a mass shooting takes place at the pristine White Lotus resort in Thailand, characters who have just witnessed intense tragedy hop on a boat and seem to sail happily into the sunset, or simply show up for work as if nothing happened.“Only in Hollywood,” Tracey Musarra Marchese, a professor at Syracuse University who specializes in trauma, said with a chuckle.But some of the characters’ reactions, which raised questions about their plausibility and prompted admiration for one character’s athletic sprint, might be completely normal in the face of trauma, experts say.“Sometimes what happens is in the moment because your system — physically, mentally, emotionally — you’ve been so overwhelmed that you might dissociate,” Marchese said.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More