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    Terrorists Are Paying for Check Marks on X, Report Says

    The report shows that X has accepted payments for subscriptions from entities barred from doing business in the United States, a potential violation of sanctions.X, the social media platform owned by Elon Musk, is potentially violating U.S. sanctions by accepting payments for subscription accounts from terrorist organizations and other groups barred from doing business in the country, according to a new report.The report, by the Tech Transparency Project, a nonprofit focused on accountability for large technology companies, shows that X, formerly known as Twitter, has taken payments from accounts that include Hezbollah leaders, Houthi groups, and state-run media outlets in Iran and Russia. The subscriptions, which cost $8 a month, offer users a blue check mark — once limited to verified users like celebrities — and better promotion by X’s algorithm, among other perks.The U.S. Treasury Department maintains a list of entities that have been placed under sanctions, and while X’s official terms of service forbid people and organizations on the list to make payments on the platform, the report found 28 accounts that had the blue check mark.“We were surprised to find that X was providing premium services to a wide range of groups the U.S. has sanctioned for terrorism and other activities that harm its national security,” said Katie Paul, the director of the Tech Transparency Project. “It’s yet another sign that X has lost control of its platform.”X and Mr. Musk did not respond to a request for comment. Mr. Musk has said that he wants X to be a haven for free speech and that he will remove only illegal content.Since Mr. Musk’s acquisition of Twitter in 2022, the company has made drastic changes to the way it does business — in some cases spurning advertising in favor of subscription dollars. It has also restored thousands of barred accounts and rolled back rules that once governed the site.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    The Super Bowl Could Make Mint for the NFL

    An overtime classic, featuring appearances by Usher and Taylor Swift, could make this year’s Super Bowl a hugely profitable money-maker for the N.F.L.Did the Taylor Swift effect vault this year’s Super Bowl into the record books?John G Mabanglo/EPA, via ShutterstockThe N.F.L. scores bigIn many ways, the N.F.L. couldn’t have asked for a better outcome for the Super Bowl. It got a thrilling overtime victory that cemented the Kansas City Chiefs as the league’s latest dynasty; a well-reviewed halftime show by Usher; a full roster of pricey ads; and, of course, Taylor Swift in person.It was a powerful reminder of the Super Bowl’s singular perch in America’s cultural landscape, and how that can translate into billions for a juggernaut sports league.The game was a place to see and be seen. Yes, Swift arrived in time from Japan to cheer on her boyfriend, the Chiefs star Travis Kelce. And A-list celebrities like Jay-Z, Beyoncé and LeBron James were spotted at Allegiant Stadium in Las Vegas.Also in attendance were corporate moguls including Elon Musk — who touted a surge in activity on his X social network during the game — Tim Cook of Apple and the Twitter and Block co-founder Jack Dorsey, who was wearing a crypto in-joke T-shirt.The game could set a record. The broadcast, perhaps aided by an army of Swift fans, may surpass the 115 million viewers who tuned in last year, making that the most-watched show in U.S. history. (Viewership for N.F.L. games has rebounded strongly in recent years; the A.F.C. and N.F.C. championship matches on Jan. 28 accounted for nearly 39 percent of national linear TV viewing.)That would help explain why advertisers were still willing to fork over $7 million for a 30-second spot during last night’s broadcast. (More on the ads later.) “In this era of fragmentation, the Super Bowl is what television used to be,” Brad Adgate, a veteran media analyst, told The Times.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Imran Khan Uses A.I. To Give Victory Speech in Pakistan

    It was not the first time the technology had been used in Pakistan’s notably repressive election season, but this time it got the world’s attention.Imran Khan, Pakistan’s former prime minister, has spent the duration of the country’s electoral campaign in jail, disqualified from running in what experts have described as one of the least credible general elections in the country’s 76-year history.But from behind bars, he has been rallying his supporters in recent months with speeches that use artificial intelligence to replicate his voice, part of a tech-savvy strategy his party deployed to circumvent a crackdown by the military.And on Saturday, as official counts showed candidates aligned with his party, Pakistan Tehreek-e-Insaf, or P.T.I., winning the most seats in a surprise result that threw the country’s political system into chaos, it was Mr. Khan’s A.I. voice that declared victory.“I had full confidence that you would all come out to vote. You fulfilled my faith in you, and your massive turnout has stunned everybody,” the mellow, slightly robotic voice said in the minute-long video, which used historical images and footage of Mr. Khan and bore a disclaimer about its A.I. origins. The speech rejected the victory claim of Mr. Khan’s rival, Nawaz Sharif, and urged supporters to defend the win.As concerns grow about the use of artificial intelligence and its power to mislead, particularly in elections, Mr. Khan’s videos offer an example of how A.I. can work to circumvent suppression. But, experts say, they also increase fear about its potential dangers.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Meta Calls for Industry Effort to Label A.I.-Generated Content

    The social network wants to promote standardized labels to help detect artificially created photo, video and audio material across its platforms.Last month at the World Economic Forum in Davos, Switzerland, Nick Clegg, president of global affairs at Meta, called a nascent effort to detect artificially generated content “the most urgent task” facing the tech industry today.On Tuesday, Mr. Clegg proposed a solution. Meta said it would promote technological standards that companies across the industry could use to recognize markers in photo, video and audio material that would signal that the content was generated using artificial intelligence.The standards could allow social media companies to quickly identify content generated with A.I. that has been posted to their platforms and allow them to add a label to that material. If adopted widely, the standards could help identify A.I.-generated content from companies like Google, OpenAI and Microsoft, Adobe, Midjourney and others that offer tools that allow people to quickly and easily create artificial posts.“While this is not a perfect answer, we did not want to let perfect be the enemy of the good,” Mr. Clegg said in an interview.He added that he hoped this effort would be a rallying cry for companies across the industry to adopt standards for detecting and signaling that content was artificial so that it would be simpler for all of them to recognize it.As the United States enters a presidential election year, industry watchers believe that A.I. tools will be widely used to post fake content to misinform voters. Over the past year, people have used A.I to create and spread fake videos of President Biden making false or inflammatory statements. The attorney general’s office in New Hampshire is also investigating a series of robocalls that appeared to employ an A.I.-generated voice of Mr. Biden that urged people not to vote in a recent primary.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    When Mark Zuckerberg can face US senators and claim the moral high ground, we’re through the looking glass | Marina Hyde

    Did you catch a clip of the tech CEOs in Washington this week? The Senate judiciary committee had summoned five CEOs to a hearing titled Big Tech and the Online Child Sexual Exploitation Crisis. There was Meta’s Mark Zuckerberg, TikTok’s Shou Zi Chew, Snapchat’s Evan Spiegel, Discord’s Jason Citron and X’s Linda Yaccarino – and a predictable vibe of “Senator, I’m a parent myself …” Listen, these moguls simply want to provide the tools to help families and friends connect with each other. Why must human misery and untold, tax-avoidant billions attend them at every turn?If you did see footage from the hearing, it was probably one of two moments of deliberately clippable news content. Ranking committee member Lindsey Graham addressed Zuckerberg with the words: “I know you don’t mean it to be so, but you have blood on your hands.” Well, ditto, Senator. “You have a product that is killing people,” continued Graham, who strangely has yet to make the same point to the makers of whichever brand of AR-15 he proudly owns, or indeed to the makers of the assault rifles responsible for another record high of US school shootings last year. Firearms fatalities are the number one cause of death among US children and teenagers, a fact the tech CEOs at this hearing politely declined to mention, because no one likes a whatabouterist. And after all, the point of these things is to just get through the posturing of politicians infinitely less powerful than you, then scoot back to behaving precisely as you were before. Zuckerberg was out of there in time to report bumper results and announce Meta’s first ever dividend on Thursday. At time of writing, its shares were soaring.Anyhow, if it wasn’t that clip, maybe it was the one of Zuckerberg being goaded by sedition fist-pumper Josh Hawley into apologising to those in the committee room audience who had lost children to suicide following exploitation on his platform. Thanks to some stagey prodding by Senator Hawley, who famously encouraged the mob on 6 January 2020 (before later being filmed running away from them after they stormed the Capitol), Zuckerberg turned round, stood up, and faced his audience of the bereaved. “I’m sorry for everything you’ve all gone through,” he began. Helpfully, a transcribed version of this off-the-cuff moment found its way into a Meta press release minutes after the event.View image in fullscreenSo I guess that was the hearing. “Tense”, “heated”, “stunning” – listen, if adjectival cliches were legislation, this exercise would have been something more than pointless. And yet, they’re not and it wasn’t. There really ought to be a genre name for this kind of performative busywork – the theatre of failure, perhaps.Other outcomes were once available. Back in 1994, the CEOs of seven big tobacco firms took their oaths before a Senate committee, then spouted a communal line that nicotine wasn’t addictive. Within two years, all seven had quit the tobacco industry – a development not unrelated to the fact that all seven were under investigation by the justice department for perjury. Those were different times, and not just because we probably wouldn’t slap them with the “seven dwarfs” moniker now. These days, you can’t escape the sense that old guys were shouting at Zuckerberg at a hearing six years ago, while he offered 2018’s variation on his favourite blandishment: “We know we have more work to do”. And you suspect they’ll be shouting at him again in five years’ time, when he will still know they have more work to do. “If you’re waiting on these guys to solve the problem,” sniffed Graham of the tech CEOs, “we’re gonna die waiting.” Again, the senator speaks of what he knows. There is always talk of legislation, but there is never really much legislation.There’s a line near the start of the movie version of Ready Player One, the cult dystopian book about a VR world that weirdly feels like the lodestar for Zuckerberg’s pivot towards the metaverse: “I was born in 2027,” explains the teenage protagonist, “after the corn syrup droughts, after the bandwidth riots … after people stopped trying to fix problems, and just tried to outlive them.” It was hard to watch any amount of Wednesday’s hearing – it’s hard to watch a lot of news about the intersection of politics and mega-business these days, in fact – and not feel we are in a very similar place. Few of the politicians giving it the hero act could be said to have left the world in a better place than the one in which they found it when they took office. A necrotic form of politics has gripped the Republican party in particular, and this is the vacuum in which they have been downgraded by corporations they don’t even understand, let alone have the will, foresight, or political skill to control.“Companies over countries,” as Mark Zuckerberg said a long time ago. This once-unformed thought becomes more realised all the time, with the Meta boss last year explaining that, “Increasingly, the real world is a combination of the physical world we inhabit and the digital world we are building.” The added irony is that the more the Lindsey Grahams fail the real world, the more people retreat further into the unregulated embrace of the worlds that the Mark Zuckerbergs run. It’s going to take so much more than the theatre of failure to solve it – but bad actors currently dominate the bill.
    Marina Hyde is a Guardian columnist More

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    Millennials Flock to Instagram to Share Pictures of Themselves at 21

    The generation that rose with smartphones and social media had a chance to look back this week.Most of the photos are slightly faded. The hairlines fuller. Some feature braces. Old friends. Sorority squats and college sweethearts. Caps and gowns. Laments about skinny jeans and other long lost trends.This week, Instagram stories the world over have been awash with nostalgic snapshots of youthful idealism — there have been at least 3.6 million shares, according a representative for Meta — as people post photos of themselves based on the prompt: “Everyone tap in. Let’s see you at 21.”The first post came from Damian Ruff, a 43-year-old Whole Foods employee based out of Mesa, Ariz. On Jan. 23, Mr. Ruff shared an image from a family trip to Mexico, wearing a tiny sombrero and drinking a Dos Equis. His mother sent him the photo, Mr. Ruff said in an interview. It was the first time they shared a beer together after he turned 21.“Not much has changed other than my gray hair. I see that person and go, ‘Ugh, you are such a child and have no idea,’” he said.Mr. Ruff created the shareable story template with the picture — a feature that Instagram introduced in 2021 but expanded in December — and watched it take off.“The amount of people that have been messaging me and adding me on Instagram out of nowhere, like people from around the world, has been crazy,” Mr. Ruff said.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘I’m Singaporean’: TikTok CEO grilled by US Senator repeatedly about ties with China – video

    US senator Tom Cotton repeatedly asked TikTok’s Singaporean chief Shou Zi Chew about his ties with China and if he had ever belonged to the Chinese Communist party during a hearing over alleged online harms to children. It was the first appearance by Chew before lawmakers in the US since March, when the Chinese-owned short video app company faced harsh questions, including some suggesting the app was damaging children’s mental health and that user data could be passed on to China’s government. More

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    Universal Music Group Threatens to Remove Music From TikTok

    The company has been renegotiating its contract to license music with the social media site, which expires Wednesday.Universal Music Group, the world’s largest music company, said it would revoke the licenses for its vast catalog of songs from TikTok on Wednesday if the companies could not reach a new deal targeting artist compensation, artificial intelligence and other issues.In an open letter posted late Tuesday, Universal accused TikTok of responding to the company with “indifference, and then with intimidation,” creating a public squabble between the companies in the remaining hours of their existing contract. If the talks fail, TikTok users will be left without some of their favorite songs, including those by Taylor Swift, Bad Bunny, Alicia Keys and others.TikTok, owned by the Chinese company ByteDance, is indisputably one of the fastest growing and most popular social media platforms, with more than a billion users. The company says that includes about 150 million Americans. For a majority of TikTok users, music is an integral part of the experience, as it plays over the short clips that fill users’ feeds.TikTok’s current license for using music from Universal’s catalog expires on Wednesday, and in negotiating its renewal, Universal said it asked TikTok to address three specific issues, including artist compensation. Universal said TikTok had proposed paying Universal’s artists and songwriters a fraction of the rate that similar social media platforms pay. Universal accused TikTok of trying to build a music-based business “without paying fair value for the music.”Universal said that as negations continued, TikTok tried to “bully” the company into accepting a deal worth less than their previous deal, claiming it was far less than fair market value.As of Wednesday morning, it was unclear if talks between Universal and TikTok were ongoing or if they had broken down. Universal did not immediately respond to a request for further comment, and a spokeswoman for TikTok said the company had nothing to add beyond a statement shared on social media, in which it accused Universal of putting “their own greed above the interests” of their artists and songwriters.“Despite Universal’s false narrative and rhetoric, the fact is they have chosen to walk away from the powerful support of a platform with well over a billion users that serves as a free promotional and discovery vehicle for their talent,” TikTok said in its statement. More